Three First Series Novels
Power in the Blood
Thunder Beach
The Big Goodbye
Michael Lister
Table of Contents
POWER IN THE BLOOD
Also by the Author
Copyright
Dedication
Acknowledgments
Author’s note
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 44
Chapter 45
Chapter 46
Chapter 47
Chapter 48
Chapter 49
THUNDER BEACH
Dedication
Thanks
Thunder Beach
About the Author
Double Exposure
Also Available
THE BIG GOODBYE
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 44
Chapter 45
Chapter 46
Chapter 47
Chapter 48
also by the author
The John Jordan Series
Power In the Blood
Blood of the Lamb
The Body and The Blood
Flesh and Blood
Blood Sacrifice
Rivers to Blood
The Jimmy “Soldier” Riley Series
North Florida Noir
The Big Goodbye
Copyright © 1997 by Michael Lister
All rights reserved. No part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the publisher.
Inquiries should be addressed to:
Pulpwood Press,
P.O. Box 35038,
Panama City, FL 32412
“Small Town” by John Mellencamp
© 1985 Windswept Pacific Entertainment Co. d/b/a Full Keel Music Co.
All rights reserved. Used by permission.
Warner Bros. Publications U.S. Inc., Miami, FL 33014
ISBN: 1-888146-75-3/978-1-888146-75-2
Library of Congress Cataloging in Publication Data to come
CIP
First Edition
10 9 8 7 6 5 4 3 2 1
Design by Adam Ake
Printed and bound by
For the love of my life
Acknowledgments
On the publication of my first novel, I would like to acknowledge my firsts:
Lori, my first reader. Thanks for the support and encouragement. And your notes to “keep it coming.’
Jesus, my first love. Thanks for the passion, compassion, mystery, and romance.
Pam, my first lover. You have, like Jacob of old, wrestled with God and with man and have prevailed. Thanks for teaching me the fine art of wrestling.
Meleah, my firstborn. You are my inspiration as surely as your brother, Micah is my expression. And you both are the essence of all I hope and dream.
June, my first editor. Thanks for seeing what was . . . and what could be. And then putting your refined skills and love for language to work, shaping what was into what could be.
David, my first publisher, a true gentleman in an industry and indeed a world where sadly there are few. And to everybody at Pineapple Press for their dedication to excellence, especially Amanda.
The first novelists and writers I fell in love with who showed me the power in the blood of opening up a vein and pouring it out on the page: Frederick Buechner, Andrew M. Greeley, M. Scott Peck, Robert B. Parker, Pat Conroy, Patricia Cornwell, and Stephen King.
The first teachers who taught me to truly love words other than the Word and how all words relate to the Word: Tricia Weeks and Lynn Wallace.
My first . . . everything. Mike and Judi Lister. You were the first image of God and of the world and of myself I ever had. No wonder I adore God, think it’s a half-full world, making possible a wonderful life, and truly love and accept myself.
Aimee, my first friend.
Herman and Bobbie, the first family members I ever got to choose. You are not in-laws, but family, having everything to do with love and nothing to do with law.
Jenny and Helen, my first fans.
My first superintendents, Ron McAndrew, Al Solomon, Dinah Poore. You are the reasons I believe in the Florida DOC. And my first institution, my parish, my friends, the staff of Gulf Correctional Institution, and the inmates, my first-hand exposure to prison ministry.
Author’s note
This is a book of fiction. I write fiction because it is the best way I can think of to tell the truth. However, the truth I am telling here is not a factual, but a philosophical one. The characters and events in this book are entirely my creations, not God’s. Though much of this book is based on the reality of life in prison, it should not be viewed as a factual account of life inside the Florida Department of Corrections. I do hope to write a nonfiction book one day on life inside, but this is not that book. Thus, this is a true story, though none of it really happened.
The blood will be a sign for you on the houses where you are; and when I see the blood, I will pass over you. No destructive plague will touch you when I strike Egypt.
Exodus 12:13
Then he took the cup, gave thanks and offered it to them, say
ing “Drink from it, all you. This is my blood the covenant, which is poured out for many for the forgiveness of sins.”
Matthew 26:27-28
When Christ came as high priest . . . He did not enter by means of the blood of goats and calves; but he entered the Most Holy Place once for all by his own blood, having obtained eternal redemption. If the blood of goats and bulls sprinkled on those who were ceremonially unclean sanctified them so that they were outwardly clean, how much more will the blood of Christ cleanse our consciences for acts that lead to death?
Hebrews 9:11-14
Chapter 1
I was standing at the gate of Potter Correctional Institution staring at him when he was killed. Actually, I was looking into the back of a garbage truck. As I waited to be buzzed into the pedestrian sally port, my view was slightly impaired by the chain-link fence and razor wire that surrounded the vehicle sally port. The hot July sun reflected off the razors as it would from the mirrored shades of a redneck police chief, waves of heat dancing through the circles of steel. The air was thick and hard to breathe. The clear, blue, cloudless sky offered me no shelter from the sun’s assault, nor any promise of rain for the parched planet beneath my feet.
I didn’t know I was witnessing a murder at the time. All I saw was a rather young corrections officer, with a bad complexion and wide hips, standing on the back of a white, one-ton Ford flatbed truck loaded with trash bags. He was thrusting a long metal rod through each bag. His hips made him look like he was wearing football pants with full pads. Sweat poured off his face, and his light brown uniform was soaked through. What caught my attention in the first place was the enthusiasm with which he executed his task.
I understood the need for a security officer to check every vehicle and everything those vehicles carried before they left the institution. Recalling just one of the many real-life horror stories recited during my recent new-employee orientation about the brutal and bloody trail an escaped inmate leaves behind was more than enough to convince me of that. But as I stood at the gate waiting for it to open, I was awestruck by the violent blows each bag received. It seemed to me that there must be more effective and efficient ways to search the trash. Of course, the manner in which he was searching was a warning to all the inmates looking on as much as it was a search for an inmate trying to escape. Like a prehistoric sign language or an antiquated form of Morse code, every violent stab by the officer was a character of communication. Taken together, they sent out a concise message for all who had the eyes to see: Attempting to escape PCI in the back of a trash truck was a bad idea. And, although inmates were sometimes treated like trash and, at times, acted like trash, they were not going to escape by pretending to be trash.
Preparing to stab the final bag in the center of the truck, the officer stumbled over the outer ones and stood above it. Raising the weapon above his head, he brought it down with incredible force. When the rod entered the bag there was a deep thump followed by the sound of twigs caught in a lawn mower. This time the metal implement did not return when the officer attempted to retract it. He then took another stance and yanked even harder. On his third attempt in that position he pulled it free, ripping open the bag as he did. It was dripping with blood.
At first, I thought he had stabbed a can of chocolate syrup from food services or an old oil can from maintenance, but his reaction quickly convinced me otherwise. The officer lost all his color and stumbled backwards. He dropped his spear and reached for his radio only to discover that it wasn’t there. This only made him more frantic. I waved to the officer in the control room, who immediately buzzed me in. As I ran in, the officer on the flatbed began yelling.
“Chaplain, get out here now. Call for help,” he yelled, but his voice was weak and tight. Then his voice changed. In the high-pitched cry of hysteria he said, “Oh God . . . What the . . . Oh shit . . . There’s a body in . . . “ With that, he passed out.
I rushed over to the second gate that led into the vehicle sally port, and before I reached it, the control room had already buzzed it open. I ran straight through the gate, pausing on the other side only long enough to close the gate behind me. My heart was thumping like a boom box playing rap music in my chest, and my thoughts were a blur of indistinguishable lyrics. Climbing onto the back of the truck, I saw that the officer had landed on a bag of papers that had cushioned his fall. I crouched beside him, the sweat from my face dropping onto his. I could tell he was beginning to come around. My eyes moved down his body. The name tag on his shirt bore the name Shutt. His feet were still touching the last bag he had stabbed; they were covered with blood. It looked like the entire bed of the truck, once white, was now crimson.
“Look at me, Officer Shutt” I said when he first opened his eyes. “Don’t look down. Look right at me.” He immediately looked down and began backpedaling away from the blood, looking like a sand crab avoiding the approaching tide. Blood splattered everywhere—on the bags, on him, and on me. As the blood splattered on me, I wondered if the red rain might contain HIV or hepatitis B.
In his clumsy attempt to escape, the officer knocked me back into the bag with the body. As I fell, it enclosed on me like a beanbag chair, and I felt warm, sticky liquid on the back of my neck and soaking through my clothes. I lurched forward, pivoting slightly as I did, a morbid part of me wanting to see. Lifeless black eyes stared at me blankly from a lifeless black head, which hung unnaturally. I slid forward trying to get away. When I sat up, I noticed that one of the nurses, a rather tall young woman with blond hair, had entered the sally port with us. Shutt was already off the truck moving frantically towards the gate where I had entered. The officer in the control room had the wits about her not to let him through. I quickly jumped off the truck and had to hold onto its side as all the blood seemed to drain from my head.
Within seconds, officers began pouring into the sally port from other gates like ants through small holes in the earth. Two of them immediately went over to check on Shutt. Another came to check on me as all of them strained to look at the back of the truck, which had taken on the surreal quality of a scene from a B slasher film.
“Chaplain, you okay?” Captain Skipper asked.
“I’m fine,” I lied. “But let’s get Shutt to medical. He’s really shaken up. And he’s got blood all over him.”
“They’re on the way,” he said and looked back at the truck. “Damnation. How can there be so much blood?”
“His heart must still be pumping,” I said. “How did everyone respond so fast?”
“Tower,” he said as if it were obvious.
I looked fifty feet up at the tower to see the officer leaning out of the window observing everything with the radio still in her hand. When I looked back down, I saw that the nurse had her arm around the distraught officer talking to him reassuringly. I walked over to see if I could help.
“Chaplain, can you help me for a minute?” the nurse asked.
“Sure,” I said as I hurried over to where they were. “What can I do?”
“I’m Nurse Strickland,” she said, trying, but unable to remove the distressed look from her face. She appeared to be in her late twenties, an attractive and delicate blue-eyed beauty with more makeup than she needed. She looked like the kind of woman who, despite her attractiveness, never actually believed it. Her white nurse’s uniform was as wrinkled as her distressed face. She smelled of smoke and cheap perfume, and her inexpensive gold jewelry made hollow tinkling sounds as she moved.
“I need to check on the inmate on the truck. Can you stay with him?” She glanced at Shutt. “He’s still very shaken up.”
“Sure,” I said. “You go ahead and do what you have to. We’ll be okay over here.”
She turned to leave, but then turned back to Shutt and said, “I am so sorry.” She then ran over to the truck and bravely climbed onto the back. Standing on the truck, she snapped on rubber gloves and carefully, but quickly, made her way to the center bag—the bag with the body in it. She crouched down to check
the inmate, nearly disappearing behind the bags as she did. She moved with the surety and confidence of a seasoned ER nurse.
Moments later, the colonel and other medical personnel began to arrive. Shutt and I were escorted out of the sallyport and into the security building on the rear side of the control room. It was hard to see from that position, but I could tell that Captain Skipper had finished ripping open the bag to discover there was nothing left to do except call the coroner.
“I don’t know if post-mortem prayers work, but if you have one, you might want to launch it up,” Colonel Patterson said when he was buzzed into the hallway of the security building where we were standing.
He was a short, fat man with thick hands, bushy eyebrows, and messy hair—Lieutenant Colombo gone to pot. His uniform, which always looked sloppy, had large rings around the neck and armpits. His skin was leathery, and his neck was red—literally and figuratively.
In my short time as a prison chaplain, I had met many decent and hardworking correctional officers who performed a difficult job with discipline and integrity. Colonel Patterson was not one of them.
“I don’t know either,” I said, “but that’s never stopped me from making them before.”
“Why don’t y’all come back to my office. We need to get your statements and have each of you fill out an incident report,” Patterson said as he continued to walk down the hallway towards his office.
The hallway, like all the hallways at PCI, was spotless and gleamed with the shine of a fresh coat of wax. Inmates had to have something to do.
In the colonel’s office, we waited while he used the phone. His office was decorated with photographs, paintings, and trophies, all related to hunting. His desk was cluttered; a thin, but visible, layer of dust covered it completely. It looked as if it had been quite some time since the carpet had been vacuumed, and a distinct musty smell lingered in the air. Unlike the hallway, Colonel Patterson’s office was not cleaned by inmates. Like the hallway, his office was included in their job assignment; however, Colonel Patterson hated inmates and made no attempt to hide it. Rumor was that there had never been an inmate in his office. I believed it. There were other rumors about why the colonel hated inmates, many of which sounded like war stories, involving things like riots, gang attacks, and escape attempts, all starring the colonel himself. My theory was that the colonel just needed someone to hate, and since sixty-five percent of the inmate population was black, it came naturally to him. The only thing missing in Colonel Patterson’s office was a large Rebel flag that said FORGET? LIKE HELL. Patterson was a true son of the South, although he was most often referred to as a true son of a bitch.
MICHAEL LISTER'S FIRST THREE SERIES NOVELS: POWER IN THE BLOOD, THE BIG GOODBYE, THUNDER BEACH Page 1
