by Geoff Ryman
To escape the dreams, Dorothy tried to stop sleeping. As spring warmed toward summer, she began to wander all through the warm nights, lit by Kansas stars, Kansas moon. She would visit the trees that had her name, sitting under the boughs high on Prospect, as if in conversation with them.
Dorothy walked along the lanes of Zeandale. It was a different place at night. It was blue and balmy and all the flowers were moon-flowers, turquoise or aquamarine or purple in the dim light. She slipped like a shadow past places where there were people. She would see golden light shining from windows or from porches. The light would have a hazy halo of bugs dancing around it. Across the wide flat fields, through the still Kansas night, there would come the sound of voices, the sound of laughter, the trailing of music.
Dorothy would creep closer to the tall white farmhouses; she would hide behind the barns or outhouses. She would watch the apple-bobbing, the taffy pulls, she would hear the calming sound of singing and piano keys, the rough and carefree scraping of a violin and the light applause after sedate dancing. Dorothy would watch and listen and try to understand.
The terrible, incomprehensible truth was this: that delight was commonplace in Kansas. Delight in summer, in being young, in being with friends; delight in the warm nights that came between storms, droughts, locusts and disease. Delight in simple games, in cards held out in concealing fans; delight in the river while floating in candlelit canoes. Delight in the broad shoulders and handsome faces of German immigrant farmers with ice-blue eyes; delight in the Kansas damsels with their tough, wry smiles.
Dorothy would hide in the corn and see the awkwardly growing children of Kansas walking out together in pairs, the beefy young men in bunched-up, ill-fitting suits walking chastely beside tall slim girls in long swirling dresses.
The sight of them devastated Dorothy. It was not jealousy. Dorothy did not believe she deserved someone to walk with and had given up even dreaming of it. What devastated Dorothy was that these young people should have each other and have the light and the games and the music, have the crowded parlors and the hot fudge and names to call out to each other. They had all these things and Dorothy’s night as well. They also had the blue stillness, the stars and the moon, the only things that Dorothy had thought were her own.
The realization drove her deeper and later into the night, to even more secret places at even more secret times. She would walk across the fields to Sunflower School. She looked at the trees that children had planted and that had their names. She found her own tree. It had not withered or been cut down. It was growing tall and straight, and its leaves rustled as she drew near, as if to say hello.
Then Dorothy would stand on tiptoe and peer through the windows into the classroom that would be lit with moonlight. Sunflower School became Moonflower School. Shadows of window frames cast by moonlight fell over empty desks. There would be sweeps of erased chalk across the genuine slate of the true blackboard, and there would be the stove, and the glass jars in the inkwells, and the empty pegs on which would be hung the faded bonnets in summer and thick wool coats in winter.
The trees were getting bigger, like the children who had planted them. Most of her schoolmates were already gone, adults like her, and the rooms would be suddenly full of children she didn’t know. Not even ghosts.
One night toward the end of that summer, Dorothy stepped out from Sunflower School back onto Rock Spring Lane and looked up its straight length toward her hill.
Dorothy remembered Miss Francis telling them about the Aztecs, the Indians of Mexico who had built such fine, high stone buildings. Dorothy’s imagination had been caught, and Miss Francis told her about the pyramids they built, rising up in layers. And Dorothy had walked out and seen the hill. It rose in layers, too, as if someone had cut giant steps out of it. Dorothy had been convinced, had wanted to be convinced, that Indians had built her hill as well, and that they lived inside it, like Aztecs. She did not ask Miss Francis if that were so. She had decided that it was so, and that it was her secret.
Dorothy no longer believed in Indians. Rather, she believed in the hopeless, flat, beardless faces wearing dirty white men’s clothes, like her own. Dorothy wore britches and boots like a man.
The hill stayed silent as she walked through the secret places of the night. Dorothy wandered through the orchards of Squire Aiken. She did steal a peach and ate it in starlight. She headed east and then south in a great curve around to Pleasant Valley Cemetery. All the dead were lined up as straight and foursquare as they had been in life. There were no terrors for Dorothy in Pleasant Valley Cemetery. She knew most of the people in it. There was Wilbur and Mrs. Jewell; there were some of the Pillsburys and some of the older McCormacks and Allens. She picked wildflowers in the moonlight and left them on the graves. And walked on. She walked miles. Cemeteries and dark woods were better than her dreams.
And suddenly the road plunged down into a hollow, and Dorothy was at Pillsbury’s Crossing.
The first time that Dorothy had gone to the Crossing was with the school, her first year in Kansas. It was America’s Centennial, 1876, and she was how old? Six? They had come here to have a picnic.
Dorothy remembered the road, plunging down straight across the river. The river was only inches deep, flowing over a single, huge rock. The children had waded in the water, delighting in the cool shade of the hollow. Dorothy had felt ripples under her feet, in the stone, like the ripples water makes in sand. Was rock sand? It was, in a way. Teacher said so.
Teacher said a glacier had probably left the rock there. She said that a glacier was a river of ice, but that didn’t make sense. Dorothy thought that perhaps a glacier was some great animal, carrying stones on its back.
The river swept on, in a huge bend, and suddenly slipped over the edge of the rock in a great horseshoe waterfall. It was confusing, because the water started to flow diagonally across the stone. Suddenly it was pouring over it, right next to the road and in the same direction as the road. The other children had yelled and shouted to each other. Dorothy had not liked the noise or the slashes of sunlight through the leaves. Little Dorothy had hidden under a cleft in the great rock itself, behind the waterfall. She watched the flowing screen of water that concealed her. She had heard Miss Francis shouting her name over and over, but Dorothy was in hiding and it simply had not occurred to her to reply. Gasping in panic, Miss Francis found her. “Dorothy!” she exclaimed. “Why didn’t you say something?”
Little Dorothy had not known why and could not explain. The next evening Miss Francis came to call for the first time, to have her first long talk with Emma Gulch about what to do with Dorothy.
Now it was night, and everywhere was a hiding place. Once again, Dorothy walked down the road toward the crossing of the water.
It was very dark in the hollow, and she could only hear, rather than see, the river. She felt her way down a slope of stone toward the crossing.
And then, it seemed to her, she saw the glacier.
Something was stranded in the shallow, rippling water. It snorted a blast of air like a dragon and tried to raise its great head. It had huge hunched shoulders, and it thrashed in the water, pawing with its front legs, trying to stand, failing to stand.
Dazed with sleeplessness, Dorothy simply stood and watched. She waited until her eyes grew used to the dark, began to see things in the starlight that fell through the leaves.
There was a buffalo. A single buffalo alone. Here in Zeandale? There were no more buffalo in Zeandale. And buffalo moved in herds. They did not live alone.
The beast knew she was there. It held up its head, unmoving and watchful. There was a glint of moonlight on its living eyes and on its tiny horns. Dorothy seemed to feel the strain in its neck muscles. The buffalo snorted again and tried to thrash its way to its feet.
And then, the buffalo lay down its head in the waters of the Crossing.
And Dorothy understood. This was the last buffalo. It had come back home to die. Its home would have been the hills above Zeandale. Now those were pastures for cattle, ringed around with barbed wire.
The buffalo were becoming extinct. Like giant flying lizards, or dodos.
Dorothy could hear its breath, hoarse and panting. The beast was dangerous. Its head was huge and a single convulsion would knock her off her feet or tear her flesh. But Dorothy did not want to leave it. She did not want it to die alone, unnoticed. She did not feel that it wanted to be left alone.
She watched it from the shore, warily. It had stopped thrashing and its giant head lay still in the shallow water. She could feel its life draining away. Dorothy sat down on the stone and unlaced her boots and walked out onto the Crossing, toward the edge of the waterfall.
The water was cool, and she felt underfoot again the stone that was rippled like a sandbar. Dorothy walked as close to the beast as she dared.
Then she put her spirit into the buffalo. She felt the vast, exhausted bulk that had gone as immobile as stone; she felt the covering of wiry, curly hair caked with mud. She felt the tail wet and heavy, beyond flicking, floating in the shallow water. The buffalo was settling into the stone. Its huge pink tongue was lolling in the water.
Don’t let me die alone, the buffalo seemed to say to her. Buffalo live together; we are taken by the wolves if we cannot keep up a march. If we lag behind, we are quickly torn away, but we do not understand loneliness. Don’t leave me alone.
And Dorothy knelt close beside him and stroked his mighty head and the huge hump of his shoulders, and she felt how once he had been a king. No king should die unmourned. He went very still. Breath bubbled out of him in the water. His hide twitched.
Give me to the river, the buffalo said. Hide me away from men. I don’t mind the coyote or the vulture; I don’t mind the beetle or the muskrat. But I don’t want men to get me. I don’t want them to hang my brow and horns on their wall; I don’t want my skin on their floor or on their backs. Let me go whole back into the earth.
Dorothy tended the king until he died. She stroked him until she was sure he was dead, until the chest no longer heaved with breath, until there was no bubbling in the water, until the flesh was still.
Then Dorothy tried to roll him over the edge. She was very strong and perhaps the current helped. She succeeded in half rolling the corpse of a bull buffalo up onto his haunches.
It was as though she had sparked something. The legs suddenly twitched. Yes! the muscles seemed to say, Yes! Dorothy heard the hooves scrabbling on the stone.
As though the buffalo had tried to leap into Heaven, the corpse launched itself into the air. It shivered its way over the edge of the rock, a moonlit sheen of water pouring over its shoulders. It fell over the horseshoe plunge, where Dorothy had once hidden herself.
The buffalo fell between the waterfall and a large boulder. He landed, with a rearing up of his small legs, which were now limp again. He reared up and settled back and it was is if he had sighed with relief, accepting the embrace of stone.
There was a large branch stranded on the edge of the fall, and Dorothy dragged that forward until it fell too. It slipped slowly sideways, hardly falling at all, it seemed, the heavier end of its trunk crashing down onto rocks and puddles. The upper boughs lashed the air at about the level they had been at before. Except that the buffalo was covered, hidden perhaps, safe perhaps from men.
Then Dorothy stumbled back home toward the summer kitchen. Her clothes were wet, but there was no one at home who would mind. Who needs dreams? she thought. This was better. As she walked, she felt her eyelids drooping. She picked up a stick to lean on.
It was blue-gray in the sky by the time she reached the woods over the farm. She planned to walk down out of the trees, unseen. She was idly slashing at the hickory with the stick. She thumped a large tree trunk and realized that it was hollow.
There’s a hollow branch up there, she thought. And there was. Now how did I know that? She reached up into a broken branch and felt leaves and pulled.
Something came out, brown as Kansas. She shook it. It was a child’s dress, very lacy. Would have been white once. And there were tiny, flaking platelets of metal sewn onto it. Dorothy held it up against herself. Definitely a child’s dress.
Something stirred, as if there were something else alive within her. She felt it move. It was as if there were a dreamworld somewhere, which she could dimly see. Had she left the dress in the tree?
Dorothy remembered Wilbur. She remembered the first day and the train trip and something about staying with people on the way to Kansas. There had been another life, as if the world had divided in two. She had not always lived with Aunty Em. Dorothy rolled up the tiny brown thing and hid it in her coat.
Back down on the farm, there was nothing to greet her or welcome her. She dropped down onto her mattress and sank into the deepest kind of sleep, as deep as a well and dreamless. All unaware, she had dammed up a reservoir of dreams. They grew heavy, as if hairline cracks ran through the bones of her forehead.
As Dorothy worked that day, she stumbled. She stared ahead, terrible rings around her staring eyes. Aunty Em said, “I reckon you best rest a spell, Dorothy.” Dorothy looked back at her, almost refusing. But I don’t want to rest, she thought. I might have the dreams.
“Go on and lie down.” Aunty Em’s voice sounded sad and weary. Dorothy noted how it sounded even as she turned to obey automatically. It was easier to obey than to try and think. She plodded into the barn. Her feet were like heavy stones. She slumped down onto the bales of hay and curled up on one of them, boots drawn up under her knees. She stared ahead. She would not close her eyes. Aunty Em had told her to lie down, but she would not sleep.
Aunty Em came in.
“You’re still awake,” Emma said in sorrow.
Aunty Em came and sat next to her on the straw. “You don’t sleep, do you, Dorothy?”
Aunty Em sighed when Dorothy did not answer. She moved closer and there was a rustling of hay. “Your clothes are soaking wet and your boots are covered in mud and grass and pine-tree needles. Where do you go, Dorothy? Where do you go at night?”
Dorothy didn’t answer. She stared ahead. Aunty Em began to stroke her hair, as Dorothy had stroked the buffalo.
“What happened, Dodo? What happened to you? You were such a beautiful little girl. You’d always help around the house and were so kind to your poor old aunty. And you use to make me laugh. Like when you told off all those old ladies about the way they treated the Chinawoman. Remember? Or when we caught caterpillars and put them in preserving jars with grass to see if they’d turn into butterflies. I thought that was the funniest thing.”
A shabby black sleeve on bone-thin arms with a veined and muscular brown claw at the end, smoothing down Dorothy’s hair, trying to untangle it.
“Did we do anything, Dodo? Was it something we did? Is it something we can undo?”
Dorothy couldn’t think. Yes, probably, she thought, but she wasn’t sure she had said it out loud.
“Dorothy,” said Aunty Em. “Please come back. You were the light of my life. You were what kept me going all those years. Just to hear you laughing or naming the birds, or working away at your books.”
Dorothy thought just two words. The words were: too late. It was a very simple, very final thought, and she wondered how something so simple could be so complete. Too late. She could not think much beyond that and she did not need to.
“Come on, up. Let’s get you into the house.” Aunty Em coaxed her to her feet and led her up the wooden steps to the summer kitchen.
The next Sunday, Aunty Em went alone to Meeting. She went to howl in tongues, flushed with the love of Jesus, a stick jammed between her teeth to keep her from biting off her tongue. One of Dorothy’s worst dreams had been abo
ut all of Aunty Em’s talking tongues slithering out of her mouth, hydra-headed.
Uncle Henry was out communing with his fields, which meant masturbating into the dirt. It was a good summer, warm and gentle, though today was surprisingly cool.
Dorothy finished all her chores. She did them without questioning. She washed Aunty Em’s clothes, her nightdress. She washed Uncle Henry’s socks and his loose and baggy underwear. She went out to the clothesline with a basket and pegged all their clothes up on the line.
Then she stood up, as straight and sudden as if someone had called her name. That was it. She was finished here.
Dorothy knew she was big enough to go. Big enough and ugly as a pig’s backside, but that made no difference. The weather was perfect, brilliantly sunny without being hot. Em and Henry were away, so she could steal what she needed.
She would go to St. Lou, or Abilene, or Wichita. She would go there and be one of those bad girls. It was better than scrubbing the yellow garments Emma Gulch slept in. Dorothy wasn’t entirely sure what it was that bad girls did, but if it was lying with men like she had lain with Uncle Henry, she could stand it. She didn’t feel anything when that happened. She knew she looked older than she was. And if they found she was younger, they probably wouldn’t mind. They’d probably like it. But she needed some clothes.
She opened up Aunty Em’s wardrobe and saw four dresses and stole two of them. She judged very carefully which ones she took. Em was wearing her second-best Sunday and had left her best Sunday for another occasion. If Dorothy took her good Sunday or the striped crinoline, Em would send the law after her. So she decided on the old bottle-green dress, stitched and darned back into shape. There was another old one, her coming-out dress Aunty Em called it, splotched and itchy blue. She took a dried-up old bonnet with wilted cloth flowers. It didn’t matter if she looked poor. Poor meant bad and that would draw the men. It didn’t matter what it looked like as long as it looked adult. Enough.
