The Judgment of Paris

Home > Other > The Judgment of Paris > Page 58
The Judgment of Paris Page 58

by Ross King


  ————. The Studios of Paris: The Capital of Art in the Late Nineteenth Century (New Haven, Conn.: Yale University Press, 1988).

  Mitchell, Claudine. "What is to be done with the Salonniers?" Oxford Art Journal 10 (1987), pp. 106-114.

  Mollett, John W. Meissonier (London, 1882).

  Monet, Claude. Monet by Himself: Paintings, drawings, pastels, letters, ed. Richard Kendall, trans. Bridget Strevens Romer (London: MacDonald Orbis, 1989).

  Moore, George. Memoirs of My Dead Life (New York: Boni & Liveright, 1920).

  ————. Modern Painting (New York: Brentano, 1910).

  Morisot, Berthe. The Correspondence of Berthe Morisot, ed. Denis Rouart, trans. Betty W. Hub-bard (London: Lund Humphries, 1957).

  Moskowitz, Ira, ed. Berthe Morisot (New York: Tudor Publishing, 1961).

  Moss, Armand. Baudelaire et Madame Sabatier (Paris: A.G. Nizet, 1975).

  Nadar [Gaspard-Félix Tournachon], Quandj'ètais photographe, ed. Jean-François Bory (Paris: Editions du Seuil, 1994).

  Nochlin, Linda. The Politics of Vision: Essays on Nineteenth-Century Art and Society (London: Thames & Hudson, 1991).

  ————. Realism (London: Penguin, 1971).

  Nord, Philip. Impressionists and Politics: Art and Democracy in the Nineteenth Century (London and New York: Routledge, 2000).

  Oulmont, Charles. "An Unpublished Watercolour Study for Manet's Olympia," Burlington Magazine, vol. 22 (October 1912), pp. 44—7.

  Paladilhe, Jean, and José Pierre. Gustave Moreau, trans. Bettina Wadia (London: Thames &Hudson, 1972).

  Palmade, Guy P. French Capitalism in the Nineteenth Century, trans. Graeme M. Holmes (Newton Abbot, Devon: David & Charles, 1972).

  Paris Universal Exhibition, 1867: Complete Official Catalogue, 2nd edition (London and Paris, 1867).

  Pasquier, Jacqueline de. "La Vie a la 'Grande Maison,'" in Ernest Meissonier: Rétrospective (Lyon: Musée des Beaux-Arts de Lyon, 1993), pp. 71—2.

  Pasquier-Guignard, Agnes du. "L'Installation à Poissy," in Ernest Meissonier: Rétrospective (Lyon: Musée des Beaux-Arts de Lyon, 1993), pp. 64-70.

  Patin, Sylvie, et al. La Collection Havemeyer: Quand l'Amenque découvrait l'impressionisme (Paris: Editions de la Réunion des musees nationaux, 1997).

  Perruchot, Henri. Manet, trans. Humphrey Hare (London: Perpetua, 1962).

  Pflanze, Otto. Bismarck and the Development of Modern Germany, 3 vols. (Princeton, NJ.: Princeton University Press, 1990).

  Piette, Ludovic. Mon cher Pissarro: Lettres de Ludovic Piette a Camille Pissarro, ed. Janine Bailly-Herzberg (Paris: Valhermeil, 1985).

  Pinkney, David H. Napoléon HI and the Rebuilding of Paris (Princeton, N.J.: Princeton University Press, 1958).

  Pitou, Spire. The Paris Opéra: An Encyclopedia of Operas, Ballets, Composers and Performers (Westport, Conn.: Greenwood Press, 1983).

  Plessis, Alain. The Rise and Fall of the Second Empire, 1852-1871, trans. Jonathan Mandelbaum (Cambridge: Cambridge University Press, 1985).

  Polybius. The Histories of Polybius, trans. Evelyn S. Shuckburgh (London, 1889).

  Poulain, Gaston. Bazille et ses amis (Paris: La Renaissance du livre, 1932).

  Prelinger, Elizabeth, ed. American Impressionism: Treasures from the Smithsonian American Art Museum (New York: Watson-Guptil, 2000).

  Proudhon, Pierre-Joseph. La Pornacratie, ou les femmes dans les temps modernes (Paris, 1875).

  Proust, Antonin. Édouard Manet: souvenirs (Paris: H. Laurens, 1913).

  Queen Victoria. Leaves from a Journal {New York: Farrar Strauss and Cudahy, 1961).

  Reff, Théodore. Manet: "Olympia"'(London: Allen Lane, 1976).

  ————. Manet and Modern Paris: One Hundred Paintings, Drawings, Prints and Photographs by Manet and His Contemporaries (Washington, D.C.: National Gallery of Art, 1982).

  ————. "The Meaning of Olympia," Gazette des Beaux-Arts 63 (1964), pp. in—22.

  Ernest Renan. The Life of Jesus, trans A. D. Howell Smith (London: Watts & Co., 1935).

  Rewald, John. The History of Impressionism (New York: Metropolitan Museum of Art, 1961).

  ————. The Ordeal of Paul Cézanne (London: Phoenix House, 1950).

  Richardson, Joanna. The Courtesans: The Demi-Monde in 19th-century France (London: Wei-denfeld & Nicolson, 1967).

  ————. Théophile Gautier: His Life and Times (London: Max Reinhardt, 1958).

  Ridley, Jasper. Napoléon HI and Eugénie (London: Constable, 1979).

  Rishel, Joseph, et al. The Second Empire: Art in France under Napoléon III (Philadelphia: Philadelphia Museum of Art, 1978).

  Robinson, Christopher. "The Artist as 'Renovateur': Paul Baudry and the Paris Opéra," Art Journal46 (Winter 1987), pp. 285-9.

  Rosenblum, Robert, and H. W. Janson. Art of the Nineteenth Century: Painting and Sculpture (London: Thames & Hudson, 1984).

  Rosenthal, Léon. Manet: Aquafortiste et lithographe (Paris: Le Goupy, 1925).

  Rossetti, Dante Gabriel. Dante Gabriel Rossetti and Jane Morris: Their Correspondence, ed. John Bryson and Janet Camp Troxell (Oxford: Clarendon Press, 1976).

  ————. Letters of Dante Gabriel Rossetti, ed. Oswald Doughty and John Robert Wahl, 5 vols. (Oxford: Clarendon Press, 1965—7).

  Roos, Jane Mayo. Early Impressionism and the French State (1866—1874) (Cambridge: Cambridge University Press, 1996).

  Roy, Ashok, et al. "Monet's Bathers at La Grenouillère" National Gallery Technical Bulletin (1981), pp. 14-25.

  Rubin, James H. Courbet (London: Phaidon Press, 1997).

  Saalman, Howard. Haussmann: Paris Transformed (New York: George Braziller, 1971).

  Sala, George Augustus. Gaslight and Daylight (London, 1859).

  ————. ———. Notes and Sketches of the Paris Exhibition (London, 1868).

  Sand, George. Letters of George Sand, 2 vols., trans. R. Ledos de Beaufort (London, 1886).

  Sandhu, M. C. "Le Romantisme: Problème de Generation," vol. 8 (Spring—Summer 1980), pp. 206-17.

  Scharf, Aaron. Art and Photography (London: Allen Lane, 1968).

  Séginger, Gisèle. Flaubert: Une Poétique de Thistoire (Strasbourg: Presses Universitaires de Strasbourg, 2000).

  Serraute, Gabriel. "Contribution a l'étude du Déjeuner sur I'herbe de Monet," Bulletin du laboratoire du Musie du Louvre, no. 3 (June 1958), pp. 46-51.

  Shackleford, George T. M., and Fronia E. Wissman. Impressions of Light: The French Landscape from Corot to Monet (Boston: Museum of Fine Arts, Boston, 2002).

  Shaw, Jennifer L. "The Figure of Venus: Rhetoric of the Ideal and the Salon of 1863," Art History 14 (December 1991), pp. 540-70.

  Silvestre, Théophile. Histoire des artistes vivants, français et étrangers: Études d'après nature (Paris, 1856).

  Sloane, Joseph C. French Painting Between the Past and the Present (Princeton, N.J.: Princeton University Press, 1951).

  ————. "Paul Chenavard's Cartoons for the Mural Decoration of the Panthéon," The Art Bulletin (December 1951), pp. 240—58.

  ————. Paul-Marc Chenavard: Artist of 1848 (Chapel Hill, N.C.: University of North Carolina Press, 1962).

  Solkin, David H. "Philibert Rouviére: Édouard Manet's L 'Acteur Tragique," Burlington Magazine 97 (November 1975), pp. 702—9.

  Solnit, Rebecca. River of Shadows: Eadweard Muybridge and the Technological Wild West (New York: Penguin, 2003).

  Song, Misook. The Art Theories of Charles Blanc (Ann Arbor, Mich.: University of Michigan Press, 1984).

  Swinburne, Algernon Charles. The Swinburne Letters, 6 vols., ed. Cecil Y. Lang (New Haven, Conn.: Yale University Press, 1959-62).

  Spang, Rebecca L. " 'And they ate the zoo': Relating Gastronomic Exoticism in the Siege of Paris," MLN{<)C)2), pp. 752-73.

  Tabarant, Adolphe. Manet et ses oeuvres (Paris: Gallimard, 1947).

  ————. Vie artistique au temps de Baudelaire (Paris: Mercure de France, 1942).

  Thiers, Adolphe. History of the Consulate an
d the Empire of France under Napoléon, 20 vols. (London, 1845—62).

  Thomson, David. Europe Since Napoléon (London: Pelican, 1966).

  Thuiller, Jacques. "Preface: Éloge d'Ernest Meissonier," in Ernest Meissonier: Rétrospective (Lyon: Musée des Beaux-Arts de Lyon, 1993), pp. 17—23.

  Tinterow, Gary, and Henri Loyrette. Origins of Impressionism (New York: Metropolitan Museum of Art, 1994).

  Tinterow, Gary. "Raphael Replaced: The Triumph of Spanish Painting in France" in Gary Tinterow et al., eds., Manet/Velázquez: The French Taste for Spanish Painting (New Haven, Conn.: Yale University Press, 2003), pp. 3 65.

  Toutain, J. C. La Population de la France de 1700 a 1959 (Paris: Institut de Science Economique Applique, 1963).

  Truesdell, Matthew. Spectacular Politics: Louis-Napoléon Bonaparte and the Fête Impériale, 1849—1870 (New York: Oxford University Press, 1997).

  Tucker, Paul Hayes, Claude Monet: Life and Art (New Haven and London: Yale University Press, 1995).

  ————. "The First Impressionist Exhibition and Monet's Impression, Sunrise: A Tale of Timing, Commerce and Patriotism," Art History 7 (December 1984), pp. 465—76.

  ————. "Making Sense of Édouard Manet's Le Déjeuner sur I'Herbe," in Paul Hayes Tucker, ed., Manet's Le Déjeuner sur I'Herbe (Cambridge: Cambridge University Press, 1998), pp. 1—37.

  Venturi, Lionello. Modern Painters, 2 vols., trans. Francis Steegmuller (New York: Charles Scribner's Sons, 1947—50).

  Verestchagín, Vassílí. "Reminiscences of Meissonier," Contemporary Review 75 (May 1899), pp. 660-66.

  Verlaine, Paul. Oeuvres en prose complètes, ed. Jacques Borel (Paris: Gallimard, 1972).

  Véron, Pierre. Les Coulisses artistiques (Paris, 1876).

  Vigne, Georges. Ingres, trans. John Goodman (New York: Abbeville, 1995).

  Vizetelly, E. A. The Court of the Tuileries, 1852—1870 (London: Chatto & Windus, 1907).

  Vollard, Ambroise. Recollections of a Picture Dealer, trans. Violet M. MacDonald (Boston: Little, Brown & Co., 1936; reprinted New York: Dover Publications, 2002).

  ————. Renoir: An Intimate Portrait, trans. Harold Van Doren and Randolph T. Weaver (New York: Greenberg, 1925).

  Wall, Geoffrey. Flaubert: A Life (London: Faber and Faber, 2001).

  Waller, Susan. "Professional Poseurs: The Male Model in the École des Beaux-Arts and the Popular Imagination," Oxford Art Journal25 (2002), pp. 41—64.

  Weintraub, Stanley. Whistler: A Biography (London: Collins, 1974).

  Weisberg, Gabriel P. The Independent Critic: Philippe Burty and the Visual Arts of Mid-Nineteenth-Century France (New York: P. Lang, 1993).

  Whistler, James McNeill. The Correspondence of James McNeill Whistler, ed. Margaret F. Mac-Donald et al. (Glasgow: Centre for Whistler Studies, University of Glasgow).

  White, Harrison C., and Cynthia A. White. Canvases and Careers: Institutional Change in the French Painting World (Chicago: University of Chicago Press, 1965).

  Wilcox, Timothy. Alphonse Legros, 1837—1911 (Dijon: Musée des Beaux-Arts, 1988).

  Williams, Roger L. The French Revolution of 1870-1871 (London: Weidenfeld and Nicolson, 1969).

  ————. Gaslight and Shadows: The World of Napoléon III'(NewYork: Macmillan, 1957).

  ————. Manners and Murders in the World of Louis-Napoléon (Seattle: University of Washington Press, 1975).

  ————. The Mortal Napoléon III (Princeton, N.J.: Princeton University Press, 1971).

  Willis, Deborah, and Carla Williams. The Black Female Body: A Photographic History (Philadelphia: Temple University Press, 2002).

  Wilson-Bareau, Juliet. The Hidden Face of Manet: An investigation of the artist's working processes (London: Courtauld Gallery, 1986).

  ————. "Manet and Spain," in Gary Tinterow et al., eds., Manet/Velázquez: The French Taste for Spanish Painting (New Haven, Conn.: Yale University Press, 2003), pp. 203—51.

  Wilson-Bareau, Juliet, with David Degener. Manet and the American Civil War (New York: Metropolitan Museum of Art, 2003).

  Wilson-Bareau, Juliet. "Manet and The Execution of Maximilian" in Juliet Wilson-Bareau et al., Manet: "The Execution of Maximilian ": Painting, Politics, Censorship (London: National Gallery Publications, 1992), pp. 35—85.

  Wilson-Bareau, Juliet, and David Degener. "Manet and the Sea," in Juliet Wilson-Bareau and David Degener, eds., Manet and the Sea (New Haven, Conn.: Yale University Press, 2003), pp. 55-101.

  Wilson-Bareau, Juliet, ed. and trans. Manet by Himself: Correspondence and Conversation (London: MacDonald & Co., 1991).

  Wissman, Fronia E. Bouguereau (San Francisco: Pomegranate Artbooks, 1996).

  Wolff, Albert. La Capitate de Tart (Paris, 1886).

  Yriarte, Charles. "E. Meissonier: Personal Recollections and Anecdotes," The Nineteenth Century 43 (May 1898), pp. 822-40.

  Zeldin, Théodore. Intellect and Pride: France 1848 1945 (Oxford: Oxford University Press, 1979).

  — The Political System of Napoléon III (London: Macmillan, 1958).

  ————. Politics and Anger: France 1848—1945 (Oxford: Oxford University Press, 1979).

  ————. Taste and Corruption: France 1848—1945 (Oxford: Oxford University Press, 1980).

  Zola, Émile. La Bête Humain, trans. Leonard Tancock (London: Penguin, 1977).

  ————. The Masterpiece, trans. Thomas Walton and Roger Pearson (Oxford: Oxford University Press, 1993).

  ————. Salons, ed. F. W J. Hemmings and Robert J. Niess (Geneva and Paris: E. Droz, 1959).

  NOTE ON THE AUTHOR

  Ross King is the author of the best-selling Brunelleschi's Dome and Michelangelo and the Pope's Ceiling, as well as the novels Ex-Libris and Domino. He lives in England, near Oxford.

 

 

 


‹ Prev