by Xingjian Gao
Pille, Bruno. “Gao Xingjian tire sa révérence.” La Nouvelle République du Centre-Ouest. Joué-Lès-Tours, France: 30 Aug. 1994.
Pille, Bruno. “L’Eloge de la liberté assassinée.” La Nouvelle République du Centre-Ouest. Joué-Lès-Tours, France: 9 Dec. 1994.
Pimpaneau, Jacques. “Gao Xingjian, auteur dramatique.” Le Rond Point janvier. Paris: 1993.
Rind, Anita. “Les Amours de Petite Abeille et d’un jeune loubard.” Le Monde. Paris: 4 Dec. 1982.
Robinson, Marc. “Passion Plays." Voice. New York: 26 June 1994.
Roubicek, Bruno. “Wild Man: A Contemporary Chinese Spoken Drama.” Asian Theatre Journal, Vol. 7, No. 2 (Fall 1990).
Saag, Kristjan. “Spelet skymmer texten.” I Dag GT/Kvällsposten. Sweden: 22 March 1992.
Senne, Thomas. “Der Mensch flieht letztlich vor sich selbst.” Main-Echo. Deutsche: 5 Oct. 1992.
Tam, Kwok-kan. “Drama of Dilemma: Waiting as Form and Motif in The Bus Stop and Waiting for Godot.” In Yun-Tong Luk, ed. Studies in Chinese-Western Comparative Drama. Hong Kong: The Chinese University Press, 1990.
Tay, William. “Avant-garde Theater in Post-Mao China: The Bus Stop by Gao Xingjian.” In Howard Goldblatt, ed. Worlds Apart: Recent Chinese Writing and Its Audiences. Armonk, N.Y.: M. E. Sharpe, 1990.
Ulbricht, Dunja. “Im Angesicht des Todes.” Neue Presse. Deutsche: 27 Oct. 1992.
Ulbricht, Dunja. “Verbotenes Stück aus China.” Heilbronner Stimme. Deutsche: 30 Oct. 1992.
Wibling, Jörn. “Blivande nobel-pristagare i litteratur?” Vastra Norrlands. Sweden: 10 Nov. 1992.
Wischenbart, Rüdiger. “Zen im Theater des Absurden.” Der Standard. Wien: 24 Sept. 1992.
Wunsch, Ulrich. “Auf der Flucht in guter Absicht.” Theater Heute. Deutsche: No. 1, 1993.
Zimmermann, Gernot W. “Mauern, bitter und ironisch.” Der Standard. Wien: 29 Sept. 1992.Zou, Jiping. “Gao Xingjian and Chinese Experimental Theatre.” Ph.D. dissertation, University of Illinois, 1994.
Appendix C
Major Productions of
Gao Xingjian’s Plays
1982 Absolute Signal《絕對信號》. Beijing People’s Art Theatre, Beijing, China. Directed by Lin Zhaohua.
1983 Bus Station《車站》. Beijing People’s Art Theatre, Beijing, China. Directed by Lin Zhaohua.
1984 Bus Station《車站》. Yugoslavia.
1985 Wilderness Man《野人》. Beijing People’s Art Theatre, Beijing, China. Directed by Lin Zhaohua.
1987 Hiding From the Rain《躲雨》. Kungliga Dramatiska Teatern, Sweden. Directed by Peter Wahtqvist.
1987 Bus Station《車站》. Litz Drama Workshop, England.
1987 Bus Station《車站》. Horizonte Theatre, Hong Kong.
1988 Wilderness Man《野人》. Thalia Theatre, Hamburg, Germany. Directed by Lin Zhaohua.
1988 Hades《冥城》. Hong Kong Dance Company, Hong Kong. Directed by Chiang Ching.
1989 Variations on a Slow Tune《聲聲慢變奏》. Guggenheim Museum, New York, U.S.A. Directed by Chiang Ching.
1990 The Other Shore《彼岸》. National Arts College, Taipei, Taiwan. Directed by Chan Ling Ling.
1990 Bus Station《車站》. Wiener Unterhaltungs Theater, Vienna, Austria. Directed by Anselm Lipgens.
1990 Wilderness Man《野人》. Panther Theatre, Hong Kong. Directed by Luo Ka.
1992 Exile《逃亡》. Kungl Dramatiska Teatern, Sweden. Directed by Bjorn Granath.
1992 Absolute Signal《絕對信號》. Godot Theater, Taipei.
1992 Exile《逃亡》. Nürnberg Theater, Nürnberg, Germany. Directed by Johnanns Klett.
1992 Dialogue and Rebuttal《對話與反詰》. Theater des Augenblicks, Wien, Austria. Directed by Gao Xingjian.
1993 Between Life and Death《生死界》. Théâtre Renaud-Barrault Le Rond-Point, Paris, France. Directed by Alain Timárd.
1993 Between Life and Death《生死界》. Festival de Théâtre d’Avignon, France. Directed by Alain Timárd.
1993 Between Life and Death《生死界》. Centre for Performance, University of Sydney, Australia. Directed by Gao Xingjian.
1994 Between Life and Death《生死界》. Dionysia Festival mondial de Théâtre Contemporain, Veroli, Italie. Directed by Gao Xingjian.
1994 Exile《逃亡》. Poland National Theatre, Poznam, Poland. Directed by Edward Wojtaszek.
1994 Exile《逃亡》. RA Theatre Company, France. Directed by Madelaine Gautiche.
1995 The Other Shore《彼岸》. The Hong Kong Academy for Performing Arts, Hong Kong. Directed by Gao Xingjian.
1995 Dialogue and Rebuttal《對話與反詰》. Théâtre Molière, Paris, France. Directed by Gao Xingjian.
1996 Between Life and Death《生死界》. Teater Miejski Gdynia, Pologne.
1997 Exile《逃亡》. Ryunokai Gekidan 竜の会剧団, Osaka, Kobe, and Tokyo, Japan.
1997 Between Life and Death《生死界》. Theater for the New City, New York, U.S.A. Directed by Gao Xingjian.
1998 Bus Station《車站》. Theater of Cluj, Romania.
1998 Exile《逃亡》. Atelier Nomade, Benin, Ivory Coast.
1998 Exile《逃亡》. Haiyuza Gekidan 俳優座劇團, Tokyo, Japan.
1999 Nocturnal Wanderer《夜遊神》. Theatre des Halles, Avignon, France.
Radio Broadcasting
1984 Bus Station《車站》. National Broadcasting Station of Hungary.
1992 Exile《逃亡》. British Broadcasting Corporation, London, U.K.
1993 Between Life and Death《生死界》. Radio France Culture, Paris.
1997 Exile《逃亡》. Radio France Culture, Paris.
1997 Between Life and Death《生死界》. Radio Free Asia, U.S.A.
1997 Dialogue and Rebuttal《對話與反詰》. Radio France Culture, Paris.
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