Then on my night rides I’d get rid of the bits of evidence that weren’t reduced to sauces and stock.
That was how I found out I had a knack for cooking—a gift, even, as the others styled it. Dear old One-Eyed Jack plunked down the cash for my first translife eatery in Paris and handed over the deed. It was a dying bistro beneath an old nunnery when he bought it.
Two holes and a corner, it was, connected to the vast Paris sewers and a smuggler’s tunnel on the Seine that dated back to Napoleon’s Continental System. I put in twenty-two-hour days for a year and made a go of it. Word got out and I opened a second in Prague—my first and only instant success. I did a true restaurant in New Orleans, following with Shanghai, Lisbon, Buenos Aires, and finally my crown jewel, Nippers, in London, not far from Jack the Ripper’s old kills. I did well in that very competitive market. The Secret Eyes, who pretty much run things in the translife world, put my London staff on retainer, doing the catering for their seasonals. That took me and my team all over the world, since the Secret Eyes never meet in the same city twice in the traditional human life span of three-score-and-ten. “Everyone served anywhere” went on my business cards.
But arse-over, such public recognition made me some enemies. Rivals in the translife foodie world got my place in Prague shut down. You’d think even white-hot jealousy wouldn’t make any of us night folk do a deal with the Templars, but that was just what happened. Someone sent a note or an e-mail and three promising caterers on my team there saw their last night. The Templars dispatched and exorcised them in the prime of translife. What could happen in Prague could happen in Paris and Shanghai and so on, so I sold off my catering empire.
Tragedy, right? Worst year of my life? Not a bit of it. I’m a born wanderer, I’m happy to say, always kicking on for a new horizon. I needed to earn money so I went into consulting—you go through a lot of cash as a translife, between covering your tracks and bribing the local constabulary. So now I advise other would-be or troubled restaurateurs in the translife catering trade. I like going somewhere with fresh faces, fresh preferences, fresh customs, and fresh victims. Fresh horses, too, for a good, sweaty night ride, since most translife eateries keep out of the cities for safety’s sake.
So, the call came to go to Wisconsin in the early summer, in the southwest corner on the bluffs overlooking that big, winding river through the heart of North America. Beer and dairy farm country, smelling of hot asphalt, manure, and crabapple trees. Sounded like a challenge; that bit of the world’s almost off the translife grid, culturally and logistically. I had to wonder who’d be mad enough to try to cater to translife in the middle of a teat-pulling human nowhere.
A madman or a visionary, I guessed. I drew up a mental sketch of a discerning vampire retiring from hectic urban life, or an old banshee reconnecting with her childhood roots. As usual in matters unrelated to food, I was wrong.
THE SECLUDED SKYLINE Restaurant had a promising enough setting for catering to translife appetites. From the outside, not even visible from any highway, it didn’t look like anything much—just another distressed barn in a part of the country full of them.
I had to follow the verbal directions given by the owner, as the little farm access road leading to the Skyline didn’t appear on any database. The road had cheap, mass-produced red-and-white NO TRESPASSING and NO HUNTING signs, with a BEWARE OF DOG as you came to the flat ground surrounding the barn. I pulled up in my rental van—in this business you never know what you might have to run out and acquire at the last minute, and a van is perfect for discreet haulage—and decided I liked the look of the place. The barn was green rather than the more usual reds or whites, with a pinkish-white roof. Lonely, windy, remote. Cold as Jadis’s tit in January, certainly, but on a deliciously firelit Beltane . . .
A walkaround reaffirmed my positive first impression. The building was shabby-looking and plain from a distance, but up close I could see that it had been largely rebuilt in the past ten years or so. One might wonder why a barn had a superb view from high on the bluffs overlooking the Mississippi Valley, perhaps halfway between La Crosse and Dubuque, or well-kept gravel paths leading into an abandoned quarry, or a small planted trellis over the stairs leading down into the former pigpens. Someone really curious might venture around to the valley-facing side and wonder at all the windows and the little patio around brick fire pits.
But I’d have to enter to find out if this place passed my most important criteria.
First, security. If I don’t think a location is safe, or run with the wellbeing of its translife clientele in mind, I won’t touch it, no matter what the fee. Location, location, location, as the real estate fleshies say. I’m a hungry Irish night-rider, not a wizard; I can’t do anything about location.
Second, staff. Staff can sometimes make me walk right out the door within an hour of entering, if I think there’s absolutely nothing that can be done with them. I looked forward to meeting them, starting with the owner.
The Skyline’s owner, Mason Mastiff, came out to greet me, looking flushed and out of breath. He walked with short steps and crackled with a touch of other worlds about him, but he was as human as any of the dairy drivers whose rigs I’d been caught behind on the drive over from Madison. A wig cut to resemble the youthful, carefully crafted parted-on-the-left hair of a politician rested on his head, as out of place as a napping dove. I’ve always found wigs on men a little unsettling. Or maybe it’s the kind of men who wear wigs that I find strange. I should have trusted my instincts that Mason Mastiff would be arse-over trouble. Staring, suspicious eyes, vaguely mad and dangerous like Rasputin or an Old West gunfighter thirsty for blood and whiskey, blazed out of a fleshy, pale face.
“Chef Woolsley, I apprehend,” he said. His high-pitched voice rang out across the hills. He peeked over my shoulder into the van, perhaps wondering if a more impressive figure was waiting to be introduced.
I don’t look like much in the day, I’ll grant. My arms are out of proportion to my body and I’m a bit bowlegged. Haggard and limp when I’m not riding. I usually tell humans I’m between chemotherapies. Once the moon is up I’m not much better, but my hair comes alive and I’m hungry for fun.
Mastiff wore a brilliant azure smoking jacket and neat twill trousers that made him look as though he should be leading a marching band in a salute to John Philip Sousa. A cravat with a little golden skull stickpin at his throat screamed trouble.
I mean it literally. The feckin’ thing was enchanted.
“Welcome, monsieur, set yourself down,” it sang out.
Strike the enchanted, probably possessed.
“Quiet, Hellzapoppin,” Mastiff said. “Business, not a customer. Have trouble finding the place, Woolsley?”
We exchanged politenesses. As we toured his grounds, Mastiff told me a little about his background. He’d started out as a restaurant writer and critic, or at least that was his dream. Strictly for human consumption back then. There was too much competition for the big names and the Michelin-guide stuff, so he started to specialize in dive eateries, bohemian cafés, and theaters where you could get a bit of performance art with your canapés and coffee.
“I was killing an hour with a custom appliance installer in a little Seattle bistro, asking him about odd little places he’d seen. The dear man had had a few tales to tell and told me about a place he’d done when he lived in San Francisco. Not in the city, mind you, out in the wine country. There were some cages behind the kitchen and a special table that looked like something out of an episode of CSI. He figured it was some kinky sex establishment.
“I smelled a unique story there, and dredged up every piece of information I could about it. I tracked it down and tried to get in. No luck, private club, membership card only, that sort of story. No record of it with the health department, no advertising. So I started watching the clientele going in and out, always in late at night, always out again well before dawn or leaving in a well-tinted limo the next day from a lightless garage. I ma
naged to meet the owner and talked him into letting me work there.”
He nudged some cold embers back into one of the fire pits with a polished dress shoe. The skull pin broke into the dwarf “Whistle While You Work,” but quietly.
“I met my first translife there. From then on, I was hooked. So many legends, so much human history, quietly filling forgotten corners, unrecognized.”
“We like it that way,” I said.
“At first, I thought I had a food exposé that would win me a Pulitzer, but I found the customers were more interesting than the story—and the money! The money, my dear Woolsley. I learned everything I could about the business and found this place. Sunk my life savings into it, but the game hasn’t gone my way. Hoped you’d tell me where I’ve gone wrong, dear fellow.”
“Let’s take a look inside,” I suggested.
Third, décor. An easyish fix most of the time. We walked in through the front door. If Mastiff’s own eyes couldn’t tell him where he’d gone wrong, nothing short of a burning bush on a Sinai mountaintop could.
As soon as I saw his interior I decided this would be an easy job. All I needed was to find a couple of crowbars and a flamethrower.
The barn’s interior was architecturally interesting, inspiring even, with the high, thick-timbered ceiling and small loft at one end, currently occupied by the bar. Big, airy, yet intimate in the way all those beams ate up the sound. Most translife don’t care for noise and clamor. The tall windows facing the Mississippi gave a beautiful show of a green-and-blue river valley, vaster than the Grand Canyon and very nearly as deep, with the Minnesota bluffs a blue smear on the horizon.
There were definite possibilities in the way you looked down into the kitchen. He’d opened up the barn floor so you could see into a bit of the cooking line setup in the old pigpens. He’d set up sort of an open-air dumbwaiter. Above the big kitchen hatch hung what I first thought was an art piece. Some chains and a big platform featuring a surgeon’s table not unlike the one used to animate Dr. Frankenstein’s go at creation gave me all kinds of ideas for culinary showmanship.
However, as we toured the inside, I felt like putting on welding goggles to keep out the ugly. All that sturdy beauty to work with, and Mastiff decided to cover it up with garish flourishes.
Mastiff had ruined with décor what should have been won with space and view. Ghastly brass and fern fixtures that managed to combine the worst excesses of the late seventies and early eighties clustered here and there on the barn floor like scattered dog turds. Pointless plaster mini-Greek columns stood next to vintage washtubs and gas-station Coca-Cola machines, and a Tesla coil buzzing here and there. Imagine Castle of Dr. Frankenstein meets bricky urban loft meets postindustrial rave.
Curtains and linens in purple and black and pink with flecks of red with billowing gauzy cotton hung in festoons from the ceiling, trying to look ethereal but succeeding only in adding to the tatty feel and hiding the interesting details in the ceiling. Pointing out his acquisitions with one arm while the other remained anchored across the small of his back in a ducal pose, Mastiff prattled on, gassing about where he’d obtained the fabric and how much time it had taken to get the draping just right.
Small spotlights on conduit riggings suspended ten meters below that lovely wooden ceiling lit fabric, floor, and tables haphazardly, ruining the rustic effect.
He led me up the stairs to the loft-bar. There, old polymer countertops in dreadful puddle shapes, everything rounded and looking like tongues, lapped around too-thin high-backed chairs with pointed, stamped metal moons crowning the backrest. The chairs seemed eager to do someone an injury.
He led me to the railing overlooking the dining floor.
“We put musical guests on the rising platform,” Mastiff said, pointing to the central Dr. Frankenstein rig on its chains. He gripped the rail like an admiral surveying his battleship from the bridge in a storm. “Or go-go dancers on singles’ night. I know an absolutely brilliant troupe from the Twin Cities, two succubi and a harpy—”
“In short there’s simply not, a more congenial spot . . .” sang the golden stickpin. Clearly the spirit inside was blind, deaf, and mad.
I only half-listened as it sang on. Singles’ night! Arse-over, I was trapped in an eighties grease-and-grind meat market. All that was missing was a backlit sign featuring two Regency silhouettes and a name like Snugglers .
The crowning insult to the eye was the centerpieces on every table in the bar: lolling skulls with bloodred wax candles atop, dribbling down on both skull and tabletop. I leaned over to get a better look.
Arse-over. “Is someone filming a metal video tonight?” I asked.
“Tee-hee, dearie,” Mastiff said, losing a little of his lordship’s air.
This sort of excess had been popular for about ten minutes in some London and New York and L.A. clubs two decades back, a mixture of an old Universal horror set and furniture shaped like various pieces of the human digestive system. It lingered now only in Tokyo, where the Japanese translife put their own twist on it by adding enough neon to represent the Human Genome Project and pumping up the technopop.
It stuck out in the rolling hills of the Mississippi River Valley like high heels on a cow.
He’d sent me his numbers. Unless his accountant was as cluelessly skeevy as his decorator, a few customers were still braving the fugly to eat here every week. Perhaps the service staff and food would be the Skyline’s salvation.
“I’ll want to watch a service tonight,” I said. “And we’ll still need to see the kitchens.”
Last, food. It can be an easy fix, or it can be like tunneling in wet sand. All depends on the staff and owner. Mastiff took me downstairs into the old pigpens. His kitchen crew was already at work.
A golem ran the kitchen with the help of two zombies.
My heart sank.
If there’s anywhere you don’t want a golem, it’s managing a kitchen. As for zombies, they have their uses, but not where food’s being prepared. You don’t want earlobes sloughing off into the mustard.
Mason Mastiff was inordinately proud of his golem and the great expense a Jewish Kabbalist in Marseilles had charged to create it. To his mind, with a golem all the cost was up front. It worked for free from then on, often for decades, without needing much more wizardry, barring accidents. I suppose it looked impressive enough, this mountain of copper and tin, ladles, skewers, pans, and tongs. A pair of blue butane lights serving as eyes regarded me across a slab of stainless steel.
Look on the bright side, Woolsley, I told myself. At least there wasn’t the usual suspicion when I was introduced to the chef of a troubled kitchen.
“Let’s see it make me an omelet,” I said.
Mastiff stuck his tongue in his cheek in thought. “You’re serious?”
“It’s supposed to cook. I didn’t ask it to fart out the ‘Stars and Stripes Forever.’ ”
“Chef Cuivre, an omelet if you please.”
The golem clanked into motion. A nine-inch pan clicked out of its forearm and the mountain of cookware and utensils turned to the stove.
“Butter. Eggs,” it said. It took me a moment to realize it was talking to the zombies.
They stood there in their hairnets, stupidly, faces even more green when contrasted with the kitchen whites. They wore baseball caps advertising what were local radio stations, I assumed.
“Buck! Tooth! You heard the chef,” Mastiff said. “Sorry, everyone is used to orders being printed out on a ticket.”
“Is that the problem?” I said.
Thanks to dropped eggs and butterfingers, my two-egg omelet took five from the fridge. Why do Americans insist on refrigerated eggs?
The golem extruded a silicone spatula and went to work on the beaten eggs. It worked well enough, but moved with such deliberate, noisy concentration I wondered what would have happened if I’d asked for bacon, fried tomatoes, and toast to go with it.
It did cook the omelet perfectly, going by my eye and no
se. Taste would tell . . .
Then one of the zombies picked it up with a black-nailed finger and set it on a plate.
“Bollocks,” I said, and Mastiff fled back upstairs.
The sight of that put me off eating. I watched the kitchen activity for as long as I could stand it. After seeing his kitchen staff doing their prep work, I was afraid to use the toilets for fear of what I might find floating in the bog. I returned upstairs.
“What did you think of the kitchen, then?” Mastiff asked, resetting a dripping candle atop a skull.
Maybe meeting some of the front staff would lift the growing sense of doom. “I’m trying not to. Do you have a hostess?”
“I take care of that, dear Woolsley,” he said, his hand disappearing behind his back again. An operatic gesture toward the little stand by the door next to a case of cuisine trophies (I later examined them and found out they were all antiques from other restaurants) showed a little lectern on a podium so he could greet his guests from an intimidating height. “I like to attend each customer and tell them about the specials. One should treat each customer as an individual, no? Noblesse oblige.”
Maybe that was the source of his mania for this place. He ran on fear. By serving translife, he was empowering himself over them.
The rest of the staff arrived. A bent, aged vampire named Ravelston served as the headwaiter. And the only waiter, considering how slow business was at the moment. He worked with the aid of two polished, animated skeletons. That I approved of. They looked clean and worked quickly, sounding like rolling dice as they worked.
Home Improvement: Undead Edition Page 20
