An Uninvited Ghost

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An Uninvited Ghost Page 15

by E. J. Copperman


  “Yes, that was my first impression, as well,” Donovan said. “Someone was setting a stage here. It was designed specifically for Arlice to see.”

  “It must have been a really elaborate prank,” I said, walking slowly around the room, and seeing tons of nothing. “What do you suppose the purpose was?”

  “When it first happened, I thought it was just an odd joke, something that someone had set up to frighten anyone who came by, to establish the Ocean Wharf as a haunted house or something.” Donovan wasn’t following me around the room; he stayed near the door, as if hoping we’d be using it again very soon.

  “You say, ‘When it first happened’—did something change your mind?” I asked. There were marks on the floor, running from either side toward the center, just in front of the rocker. When I dropped down to examine them, it became obvious they were only spots where the dust and grime had been cleaned up. Masking tape? Perhaps for the “spooky noises” Arlice was to hear, wires had had to be laid down. In any event, all the equipment had been removed.

  “Well,” Donovan said, “after what happened to Arlice last night, I can’t help but wonder if the whole thing had been set up to try to induce a heart attack in her, or some other kind of fatal incident.”

  I was almost all the way across the room, quite far from Donovan, and I had to raise my voice to be heard at that distance, which produced an unfortunate echo effect. “So when this ghost thing didn’t work, whoever it was went to plan B, using a massive insulin overdose? It seems like an awful lot of trouble to go through.”

  Again the shrug. “I’m only speculating,” Donovan said. “Maybe they didn’t have access to the insulin at the time,” he suggested.

  There was a small set of doors, low to the floor, which I assumed led to a storage cabinet of some kind. I hesitated in front of them.

  My recent experience opening a closet door had not been one I cared to repeat.

  But Donovan sensed it from across the room. “What’s wrong?” he asked.

  Now I had to pretend to be brave. “Nothing. Just thinking about this cabinet.”

  He wrinkled his brow. “Open it.”

  Easy for you to say.

  “Yeah.” I knelt down, took a deep breath, and pulled on the cabinet doors.

  They were locked.

  “That’s weird,” I said as Donovan came closer. “This cabinet is locked. Wouldn’t they have opened it when they were cleaning the place out? Why take everything but leave one cabinet locked?”

  “Excuse me,” Donovan said. He indicated I should get out of the way, so I did. And being the Big Strong Man, he got down on his expensive knees and gave the doors a mighty yank. Nothing happened, except perhaps that Donovan strained his biceps a bit.

  “Wait,” I said. “These are pretty cheap locks.” I’d worked at a home improvement superstore before I was married and spent a good deal of time in the locks department. I knew a few things about opening stubborn ones.

  Sure enough, putting pressure in certain spots while holding a key between the doors did the trick quickly. The doors swung open, and I forced myself to look inside.

  It was, I have to report, both a relief and a disappointment.

  Inside the cabinet we found all the crazy gear the perpetrators of the prank had left for Scott McFarlane to wear: a pirate hat, a long blue coat with hook-and-link buttons, an eye patch.

  And at the bottom, just as Scott had suspected—a real, clean, sharpened sword, neither a cutlass nor a fencing epee, but something that looked for all the world like it would do some honest-to-goodness damage to someone if it hit her exactly the right way.

  “Don’t touch it,” Donovan said. “We have to call the police.” He started to reach for a cell phone in his jacket pocket.

  I pulled mine out of my canvas bag faster. “Don’t bother,” I said. “I spend my whole day doing this.”

  After an hour of questioning from Lieutenant McElone (which began with, “So you decided to stick around until I got here this time?”), I got back to the house just in time for the four o’clock show, this time with the benefit of a flying ten-year-old girl, who pretended to be terrified, while the ear-to-ear grin on her face told all paying attention that she was having the time of her life.

  Mom wasn’t joining us for dinner that night, so Melissa and I ordered Indian food. But as soon as I went back “on duty” after dinner, Trent Avalon walked toward me, cell phone in hand, talking quickly.

  “I’m just on my way—we’re shooting on the boardwalk in Seaside Heights,” he said. “We’re shooting around Tiffney, and she wasn’t scheduled for tonight. Come with me.”

  “What?”

  “Come with me. I need to talk business with you, and I can’t stay here while the crew is eating up money in Seaside. Let’s go.”

  “I can’t go. There’s nobody to watch Melissa.” That was a good excuse. Next, I could rely on “I have paying guests.”

  “Bring Melissa along. She can play Skee-Ball on the production company’s dime.” Trent was chewing on a plastic straw. I’d seen him look frantic and harried, but I’d never seen him look nervous before.

  “I’m getting my shoes,” Melissa said. Who knew she was close enough to hear?

  “What business do we have to discuss?” I asked. “I’m not going to investigate Tiffney’s disappearance.”

  “Alison, please!” he begged. It was sort of endearing, in a very unsettling way. But I wasn’t buying it.

  Then Melissa showed up beside me, jacket on, shoes tied and smile in place. “Ready to go?” she asked.

  In the car on the way to Seaside Heights (a half-hour ride Trent’s driver was determined to do in half the time), he took another shot at convincing me to look into Tiffney and her strange disappearance. I tried telling him that with the “terroristic threat” I’d found in Tiffney’s trailer, McElone was now investigating, but Trent didn’t want to hear it. “I don’t know what we’re going to do without her,” he began.

  “Isn’t this going to create great publicity for your show?” Melissa asked. This is what happens when children have Internet access.

  “Not the kind I want,” Trent answered in a sour tone. “If the fans find out there’s a possibility Tiffney won’t be on the show, I could be finished. Someone from the crew must have talked, because there are already rumors in one of the show’s chat rooms. If that grows—and it will—I’m going to need to find Tiff really fast, or they’ll replace me with someone who can.”

  He got such a look of despair on his face that Melissa didn’t ask another question, and the car was very quiet until we reached the boardwalk. The driver cut through the relatively sparse crowd—it was only April, after all—and dropped us off right at the entrance to the amusements, which might have been open only because of the presence of the Down the Shore cast and crew. Otherwise, this was just too early in the season to bother.

  Melissa, armed with a cell phone and a fifty-dollar bill from Trent (over my objections, which admittedly I did not voice too strenuously), headed for the games, and was told to check in every fifteen minutes in the hope that she would check in every half hour. Trent led the way toward the ring toss game, where H-Bomb and Rock Starr were working tonight.

  The fact was, no one really had to lead the way. Given the lights and equipment necessary to shoot the completely spontaneous and unrehearsed action, the ring toss game could probably be located with the naked eye by someone standing on Saturn.

  And already it was clear the “dramatics” were in full bloom.

  Trent took on his “commander of the troops” air as we approached, standing straighter and walking with more purpose when his cast could see him. In the right outfit, and given a corncob pipe, he could easily be seen as General Douglas MacArthur returning to Korea.

  The cameras were not rolling, so there was nothing yet to interrupt, but H-Bomb (who else?) was in fine voice and screeching away with wild abandon.

  “I don’t care if he knows how to get peopl
e to play,” she was braying at a guy in a light blue polo shirt and jeans. “The camera can’t see me if he’s always standing in front.”

  The guy noticed Trent and immediately beckoned him over. “I have an agreement with you people,” he said as soon as Trent was within earshot. “I let you disrupt my business for three weeks, but they have to work the game. I can’t have these constant temper tantrums about who’s standing in front. I need them to get people to put down money and play the damn game.”

  Trent was already in full conciliatory mode. He held up his hands, as if to show he was holding no weapons. “I understand, Bill,” he said. “Let me talk to my cast for a moment, and we’ll work this out.”

  “Another night like this . . .” Bill tried to start.

  But Trent turned and faced him. “It’s April,” he said. “Another night like this, with six people on the boardwalk and us paying you a fortune, and you can retire to Boca Raton. Don’t push your luck, Bill.”

  Bill, it should be noted, backed off, holding up his hands in exactly the same gesture Trent had just made.

  I didn’t stick close enough to hear what Trent had to say to H-Bomb. I didn’t want to be there if she was hearing something she didn’t want to hear, which happened most of the time. Even from back where I was standing, near the frozen custard stand, I could hear her decibel level and her pitch rise every time she spoke. Something about a shadow on her nose.

  Finally, Trent got the conversation down to something approaching a scream and must have said something to tame his star. Rock, meanwhile, was stretched out on the table behind the game, doing crunches. H-Bomb took a visibly deep breath, smoothed out the shorts that barely covered her thong and smiled unconvincingly. The crew applauded, and everybody went back to work.

  Trent left the technicians to set up their scene and walked back to me. “Want to be a TV producer?” he asked. “Because right now you could have my job for a ten-dollar bill and a ride to the airport.”

  “I’m very impressed,” I said. “You know how to handle people.”

  He waved a hand. “That wasn’t me at my best,” he said. “Tiffney was the easiest—I could get that girl to do anything. You sure you won’t help find her?”

  “I’m not tracking down Tiffney. Did you see that thing in her trailer? Somebody’s seriously deranged.”

  Trent shook his head. “It’s sick, but it’s playful,” he said. “It’s exactly the kind of thing H-Bomb would do. Scare the hell out of her, but do it with cosmetics.”

  “It wasn’t cosmetics. It was interior house paint.”

  “Lieutenant McElone said it was red nail polish,” Trent answered.

  I supposed I’d have to tell Paul he was right, but I wasn’t going to rush into doing so. Let him think I actually had expertise in some field—for a while, anyway.

  “Anyway, I don’t think it was meant to be threatening,” Trent went on. “It was meant to be scary, not violent.”

  “Well, then it was a complete and total success. I was terrified. And I’m still not taking your case.”

  “That’s not what I wanted to talk to you about, anyway,” Trent said. “I have another business proposition.”

  Immediately, the hairs on the back of my neck stood up. “A business proposition?” I repeated.

  “Absolutely. I’ve been watching what goes on in your house for a couple of days now. The ghosts, the guests. And I’m telling you, there’s a really strong reality show there.”

  It took me a moment. “You want to turn my life into a reality show?”

  Trent smiled, and it almost worked. “It’s not the way you think. You wouldn’t be required to do anything embarrassing or degrading.”

  “No. I’d just have to have a camera crew follow me around all day, every day. I’d have to subject my ten-year-old daughter to the kind of scrutiny usually reserved for girls famous for getting out of cars with no underwear on when they’re on their way to rehab. I’d have to pretty much give up the business I’ve dreamed about having all my life to accommodate the comings and goings of technicians, publicists, producers and makeup artists. You’re right—that wouldn’t be the least bit embarrassing or degrading.”

  Trent held up his right hand. “Maybe I’m not as good at handling people as I thought,” he said. “I give up.”

  My cell phone rang, and since it was almost exactly a half hour since I’d left Melissa, I figured she was calling in a mere fifteen minutes late. Instead, the caller ID showed Linda Jane Smith’s cell number. Was one of my guests having some sort of medical problem? I flipped open the phone.

  “I think you might want to come back,” Linda Jane said immediately. “Stuff is flying all over the front room.”

  “Stuff?”

  “I think it’s entirely possible your ghosts are having a fight,” she said.

  Twenty

  Trent’s driver took Melissa and me directly back to the house on Trent’s orders. He was also told that any speeding tickets he acquired would be gladly paid by the production company, so it took only about fifteen minutes to go from boardwalk to door.

  I’d pretty much had to drag Melissa away from the boardwalk games—there’s one involving rolling balls into holes while the theme from The Flintstones plays to which she’s especially attached—but once I told her Paul and Maxie needed us, she agreed to take her 266 tickets and live to play another day.

  We arrived at the house just in time to see a tomato go flying by the front door. It was followed by an apple, which was in turn countered by a shoe traveling in the other direction. Jim Bridges and Warren Balachik were nowhere to be seen, but Dolores Santiago, Bernice Antwerp and Linda Jane Smith were standing in the foyer watching the objects put on a show. At this point, I would’ve been more surprised if I did see the Joneses than I was by their absence. Bernice was in full disapproval mode, and Linda Jane seemed quite amused.

  “I don’t know what the snit is about, but it’s weird to see stuff flying around when it’s not ten in the morning or four in the afternoon,” she said.

  Of course, I could see what was going on. As soon as the front door closed behind Melissa and me, Paul and Maxie stopped tossing each other random pieces of fruit and extraneous decorations, and Paul came down from the upper reaches of the room to talk to me.

  “Scott McFarlane is back,” he said. “We needed to get you here, so we got someone to call you.”

  “This is the best you could do?” I sputtered. “A food fight to get my attention?”

  “We could have used that little sailor guy statue,” Maxie grinned.

  “I wasn’t talking to you” was the best I could do.

  It took some doing, but I got Melissa to agree to get up to bed by promising to give her a full rundown on Scott and whatever was about to happen tonight. The guests who had been watching, apparently deciding the show was now over, applauded and started to disperse. I immediately tried to avoid Dolores, because I still didn’t know how to react to the bizarre behavior she’d exhibited the night before.

  But of course she sought me out even as I was trying to move to the kitchen, where Paul and I could at least attempt to speak without interruption. She stood directly in front of me and stared some more at the amulet on the chain, which I’d mended and put back on this morning.

  “That’s a very beautiful piece of jewelry you have,” Dolores crooned. “May I touch it?”

  I worked very hard at not changing my facial expression into one of utter puzzlement. “You already have,” I said. “In fact, you tore it off my neck and tried to steal it.”

  “Alison . . .” Paul tried to interject. “Not now.”

  But Dolores had already heard what I’d told her, and her reaction was brief, but telling. There was a pause of perhaps one second when she stared at me blankly, and then she laughed.

  “Oh, was this last night?” she asked. I nodded without a word, and she laughed some more, not uproariously, but heartily. “I’m sure it was a somnambulant episode.”
r />   This time, I stared blankly.

  “I was sleepwalking,” Dolores explained. “It happens to me sometimes. It’s been months. Perhaps I should adjust my medication. Did I do anything inappropriate?”

  Most other people would have reiterated that, yeah, trying to walk off with another person’s jewelry might be seen as inappropriate, but I am trying to run a business, and Dolores was a paying customer. “Nothing important,” I said.

  Dolores chuckled. “Well, no harm done, then,” she said. “I wonder if I could try to record the spectral vibrations while I sleep.” She started to walk away, then turned back toward me and, as an afterthought, said, “I’m ambidextrous, too.”

  I stood there shaking my head for a few seconds. I couldn’t remember whether I’d opened a guesthouse or a facility for treating the mentally ill. If it was the latter, we weren’t doing a very good job.

  “Alison,” Paul repeated. He pointed toward the kitchen. “Can we go now?”

  Oh yeah. This wasn’t an insane asylum. It was a haunted house. That made tons more sense. I walked slowly toward the kitchen, trying to regain my equilibrium.

  Linda Jane appeared at my side as I walked. “That was quite a show,” she said. “Frankly, I never believed all this ghost stuff until now. I figured you were working some kind of angle. But if all this stuff can happen when you’re not even here, there must be something to it.”

  “There must be,” I agreed. “Please excuse me. I’ll be right back.” I walked into the kitchen, leaving behind Linda Jane, who was probably scratching her head and wondering if I was on some kind of sleepwalking medication.

  In the kitchen, I could see the red bandana, looking a little the worse for wear, hovering just behind the kitchen table. Paul took up a position with a clear view of the kitchen door and the back window. He tended to situate himself like Jesse James in a saloon poker game—he never wanted to have his back to the door. Maxie preferred the bird’s-eye view and placed herself near the ceiling. I didn’t stop to analyze her choice.

  “Okay, Scott,” I said in a gruff tone. After all, the ghost had gotten me involved with Arlice Crosby, who’d died in my house, and then he’d vanished (not that I could ever have seen him anway) for more than a day. “Where’ve you been? What’s going on?”

 

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