The Hot Country

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by Robert Olen Butler


  I took her hands in mine and I said, “My darling mother, I could not agree more.”

  And I let go of her and I walked away.

  On the train to Chicago the next day, rushing along the great Mississippi River outside Memphis, the past few weeks began to settle into me. No. Not settle. Perhaps decompose. I thought of Diego. How I likely would never see him again. How there was one more papi in this world who had vanished. I thought of Luisa. And I stopped myself thinking of Luisa. I thought of my mother and I found I did not clearly know what to feel about her. I had an explanation for Storyville, but I did not fully understand. I was happy for the vibrancy of her voice and the buoyancy in her body, but I didn’t like the risks she was running. Though maybe the risks were necessary for the sense of renewed life in her. Maybe that much of it I did understand. After all, the risks of my own life were greater now, and they promised to grow greater still. And I felt strangely happy about that. As The Bard said, “All the world’s a stage, and all the men and women merely players.” I’d played at watching others play at the primary narratives of this world. I had a chance to do more now. I would do more.

 

 

 


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