‘That’s a waste of time. My mother was the one who did everything. Took me to ballet lessons, made me wear a brace, told me what to eat. He wasn’t there.’
‘I know, but he’s a link.’
‘I haven’t seen him since I was five. He never even sent us any money.’
‘Fathers. Are any of them any use?’
‘Don’t be pretentious, Straker. What do you know about it?’
‘Quite a lot, actually, Maggie.’
‘Some of us were good fathers.’ Alan’s voice. ‘Whose fault was it that we couldn’t go on being good?’
‘I know.’
Felicity: ‘What do you want from me?’
I ache for her nearly adulthood, her lost potential. For her photograph in the Sun. Pretty face, long legs, stuffed bird on her shoulder.
Straker moors at the side of the pier, running his rope through a rusty iron loop. It’s not really a pier, more a breakwater to shelter the harbour from storms, but he’s heard the villagers call it a pier, so he accepts their judgement.
He strips off the oilskins and leaves them in the boat, then climbs the metal ladder.
There are two boys on the other side catching crabs in fishing nets. Straker looks into their bucket. Several small crabs are scrambling over each other at the bottom, crawling up the sides and falling back into the water.
‘Look at this,’ says one, pulling up a crab with a diameter of two inches.
The other stops to look. ‘Great,’ he says. ‘We could eat that for dinner.’
The boys are not very old, but Straker can’t guess their age exactly. He’s not much good at children. On holiday, he supposes. They wear baggy shorts to their knees and T-shirts with writing on them: Listen to the dolphins. Shouldn’t they listen to the crabs?
He looks at their heads, bent together over the bucket. One is ginger, curls falling naturally inside other curls, nestling cosily round his ears, creeping easily down the hollow at the back of his neck. The other is light brown, shaggy and probably uncombed, the brown of his hair mingling with the brown of his skin.
Brothers? he wonders. They’re absorbed in their crabs, peering into the bucket. One puts in a finger and pulls it out hurriedly with a yelp. They giggle together.
No. Not brothers.
They look up and see him watching them, and their faces close. They turn away quickly, their easy chatter freezing into nervous silence. Straker walks away from them and hears their urgent whispers start once they think he’s out of earshot. He wonders what they say about him.
Three old men sit outside the boathouse sucking at their pipes. They’re nearly always here, and have been for the last twenty-four years. They were ancient when Straker first came, their beards grizzled with grey, faces weathered all year round, eyes creased into permanent slits as they look companionably out to sea. They’re like full-grown gnomes placed where they can be seen by passing tourists. He keeps waiting for the paint to peel.
One of them pulls out his pipe when he sees Straker. ‘Morning, Mr Straker,’ he says, and puts the pipe back in. The others grunt. Straker nods in reply and walks round them into the boathouse. He doesn’t understand how they know his name. He’s never told them and doesn’t know theirs.
In the gloom of the boathouse, lit by a few random holes in the corrugated iron of the roof, he finds his Sainsbury’s trolley. It’s parked against the back wall, next to a pile of fishing-nets and behind a sailing dinghy that has never been moved in all the time he’s been here. It lies on its side, barnacles crusted on its bottom, crumpled, off-white sails mingling with the dust. Sometimes, on a good day, he considers making a claim for it, rowing it home, cleaning the sails, varnishing the hull, but he’ll never do it. It wouldn’t fit into his routine.
He pushes the trolley up the hill to the village, preferring to walk in the road rather than on the cobbled pavement. If a car comes, he stops and stands aside, then continues. He recognises the people he passes, and they recognise him, but they don’t speak. Just a nod, a hint of a smile. An agreed status quo. Don’t rock the boat, or try to take on passengers. The boat would be too heavy, and he’d probably ground it on his shingle beach. It would be much harder to anticipate when to step out into the water and start to pull it in. He’s never tried it—never wanted to.
He parks the trolley outside the post office. Mrs Langwell (name outside above the door) nods and smiles as she cashes his cheque.
‘Nice and early, Mr Straker. Plenty of time for shopping.’
He avoids looking into her eyes.
‘You have some post.’ She hands him a letter. ‘Some interesting ones there.’
Does she steam them open, then reseal them? How does she know if they’re interesting? She’s older than him, brown and crinkled all over, tiny and shrivelled. He’s seen her on the rocks by the pier, lying in the sun whenever she’s not working—a sun-worshipper. Straker can’t imagine her doing anything else—eating or washing or cleaning her flat above the post office.
‘See you next week, Mr Straker.’
He dislikes the fact that she knows his name when he’s never spoken to her. He gets some stamps from the machine, posts the letters he’s brought with him and picks up his shopping trolley. A mile’s walk along the main road out of the village until he reaches Sainsbury’s. He likes supermarkets, pushing his trolley up and down the aisles, examining everything, willing to give almost anything a trial. Chicken nuggets, sweet and sour stir-fries, tins of stewed apple, mango slices, bamboo shoots, Monster Munch (pickled-onion flavour). He spends time with the soaps and deodorants, smelling them all, deciding between washing powder, liquid, capsules. There’s an ancient freezer in the keeper’s cottage and he likes to keep it full. Library books have taught him how the old lighthouse keepers managed, bread-making being part of their essential training. He has no desire to recapture that world. He’s satisfied with supermarkets, freezers and microwaves.
He pays the checkout girl and pushes his trolley down to the village. Nothing to hold him here. Straight back to the lighthouse and Suleiman and Magnificent. One of the letters in his trolley has a gold label with the name and address of the sender. Mr Jack Tilly, Worthing. He’s cautiously pleased.
He passes a house that’s been steadily dying in the time he’s been here. It’s a tiny cottage, very old, with crumbling cob walls, which looks idyllic, but probably isn’t. The windows are far too small—the rooms must be dark and dingy. He’s watched it deteriorate, once a week, since he arrived here. An elderly couple lived there for a short time, but they’ve gone now.
Today, as he passes it, he sees that something has changed. Somebody has trampled a path to the cottage door. The three-foot grass that is turning to hay has been pushed aside and the peeling front door is ajar.
He stops and looks, moving just inside the open gate so that cars sweeping round the corner don’t take him or his trolley with them.
Tiles have started to slip down recently and several have fallen and shattered on the ground. But now there’s a ladder against the side of the house, and a small figure on the roof. He edges closer to the house until he can identify it as a woman. She’s moving slowly and nervously, pulling at the tiles, shifting them round and trying to fasten them. She’s small and slightly plump, with dazzling yellow hair that glitters in the sunshine. She’s wearing a ridiculously brief pink top, which shows a layer of unsightly flesh, and shorts, which are a frayed and faded khaki. Her arms and legs are whiter than those of anyone who lives in the village.
She needs sun-block. She should be careful. He moves closer to the house.
At that moment, she sees him. She stops what she’s doing and glares in his direction. ‘Who are you?’
Does it matter? She wouldn’t want to know.
‘What do you want?’
Nothing. He’s only looking.
‘Speak, man, for goodness’ sake. What’s the matter with you?’
He shakes his head, turning to push the trolley back to the ga
te. He’s only entered out of curiosity, with no intention of trespassing.
‘Wait!’ she shouts.
He stops. Why? She won’t want to talk to him.
But she’s climbing down the ladder rapidly, and running over, until she stops about ten yards away from him. She’s about forty, older than he’d thought. Her stomach bulges over the top of her shorts, she’s dirty, streaks of grime down her face, and her blonde hair isn’t so yellow when it doesn’t catch the sun. She’s not an attractive woman.
‘Well?’ she says.
He spreads his hands. Nothing to say.
A dark flush spreads up her face, and he watches her with interest. He’s not familiar with anger.
‘Speak to me.’
No.
‘OK. I’ll speak to you. I’m Imogen Doody. Don’t laugh. It’s not my fault. You can call me Doody. Everyone else does.’
He’s not laughing. He never laughs.
‘So who are you?’
Peter Straker. Failed human being.
‘Why don’t you speak? Answer me. What’s your name?’
Ah, a teacher. Useless at everything except telling people what to do. He turns away. He’s not interested in teachers.
She leaps after him. ‘Stop! Why don’t you speak to me?’ He walks faster, but she chases him down the path, and shrieks just as he reaches the gate. He nearly doesn’t turn round, wishing that she could be more dignified, and when he does look back, he can’t see her. Surprised, wondering where she’s gone, he edges towards the house again and finds her lying face down in the long grass. She’s caught her foot in the root system of some very elderly, very bent hawthorn bushes, and is scrabbling around with her hands trying to find something to hold on to. Her yellow hair is on end and her pink top even shorter when she’s upside down. She reminds him of a hen, free-range, scratching its feet among the dirt and grain of a farmyard.
He looks at her, feels a strange sensation somewhere deep inside him. A trembling, helpless feeling that he can’t control. His shoulders are shaking, his chest is moving. He realises that he’s laughing.
Chapter 2
The letter came one Saturday at the end of April, when Imogen Doody was retrieving balls from the canteen roof. This was part of her job as caretaker, and the whole process represented an ongoing battle between her and the entire male population of the school. She knew they threw them up on purpose, but she had to remain one step ahead. Once she had the balls in her possession, she could confiscate them for a fortnight. It was a hot day, even hotter on the roof, so she was anxious to get down as soon as possible.
She could see the postman walking up the path from the main school building. Patrick Saunders, an odd man—the children called him Postman Pat. He ambled and stopped to talk to anyone who was interested, which meant his delivery times were unreliable. She remained where she was on the edge of the flat roof, not wanting to be seen, unwilling to talk to him. From her high position, she could see that he was nearly bald, and there were clusters of dark freckles on his head, brown against the unconvincing wisps of his pale hair. She didn’t like this glimpse of his frailty. It made her feel sorry for him, and she knew she wouldn’t be able to express that sympathy.
He rang twice, and kept shifting his bag from one shoulder to the other while he waited. Doody resented this. Why should she have to worry about his aching back? He chose to be a postman.
She threw down a ball—orange, soggy, in need of new air—and he jumped. He squinted up at her through the fingers of his free hand, and she was pleased that he couldn’t see her properly.
‘Why are you ringing the bell?’
He waved a letter at her. ‘I’ve got this.’
‘You can put letters through the letter-box. Get it? Letters—letter-boxes.’
He shrugged and turned away. ‘Please yourself. It’s registered post.’
‘Hang on,’ she called, and came down the ladder. He was waiting for her at the bottom.
‘It’s not addressed to you.’
Doody scowled at him. She put her hands into her pockets and pulled out a handful of small balls, multi-coloured and very bouncy. She dropped them, and they scattered in all directions. Their bouncing continued until they settled cheerfully into drains, corners, dips in the Tarmac, delighted with their miraculous escape. ‘So you ring the doorbell twice to give me a letter that you’re not going to give me?’
‘It’s your address, but it says Imogen Hayes.’
She tried to take it from him, but he moved it out of her reach. ‘That’s me. How many Imogens do you know?’
‘So why’s the name different? Is it your undercover name?’ He looked pleased with himself.
‘Yes,’ she says. ‘I’m a Latvian sleeper. Waiting to be activated. Perhaps that’s what you’ve got there. My orders.’ Anything would be more interesting than the reality of her present life. She reached for the letter, but he moved it away again.
Anger was brewing inside her, bubbling away ominously, but she wanted the letter, so she made herself speak in a calm manner. ‘It’s my maiden name. I was Imogen Hayes a long time ago. Now I’m Imogen Doody. Mrs Doody to you.’
He gave in. He was looking very uncomfortable, with beads of sweat on his top lip, his feet shuffling. She snatched the letter out of his hand and he didn’t resist. ‘You have to sign for it.’
She took his pen and signed the electronic screen he put in front of her. Should she offer him a cold drink?
If he’d done his job properly, he wouldn’t have been standing so long in the hot sun.
‘Thanks!’ she shouted at his retreating back.
He didn’t turn round. He let himself out of the gate and plodded heavily past the blue iron railings of the school. He was stubborn, but too pedestrian for a real argument.
Doody was pleased to have had the last word, and the fact that it had been a gracious word made her feel even better. She decided to make herself a glass of lemonade before opening the letter.
Doody sat opposite Piers Sackville of Sackville, Sackville and Waterman, and wondered how solicitors made so much money. The room smelt new, the carpet not yet flattened by passing feet, the gleam of the desk unchallenged by the sharp edges of stray paperclips or unprotected coffee cups.
‘Oliver d’Arby was your godfather, I believe?’
‘I wouldn’t be sitting here if he wasn’t.’
He remained distantly polite. ‘I’m relieved that my letter reached the right person.’ There was something phoney about him. Pretend interest, counterfeit sympathy.
‘I never knew him. He was a waste of time. Didn’t write, didn’t visit, didn’t send any presents.’ She could remember her hollow jealousy when Celia and Jonathan received presents through the post and she didn’t. As usual they were winning while she came last. After all this time, it still produced a dull, metallic bitterness that she could literally taste on her tongue. ‘He forgot about me.’
‘Apparently not. He’s left everything to you in his will. A cottage, all surrounding property.’
The bitter taste fled. Her head started to whirl and hum with snatches of thoughts. A faulty CD jumping tracks. Cottage—property—me? She tried to speak but, unbelievably, no words came out.
‘I can see that this is a surprise to you.’ His professional face slipped slightly, so that he almost looked gentle, but she wasn’t fooled. The man was an expert—he was paid to be nice.
What did she know about Oliver d’Arby? Her parents had only ever been mentioned him in passing. He had worked for the Inland Revenue and played the cello. It was the cello they remembered and described to her. How he had played it at the wedding, how he changed when he was playing, how they forgot about his tax-collecting. ‘But why did he leave it to me? I’ve never spoken to him.’
The solicitor smiled, openly and genuinely, and she was confused, unsure if she should believe in him or not. ‘Perhaps he had no one else to leave it to.’
‘Don’t you know? Aren’t solicitors supp
osed to advise people?’
He looked down at the will. ‘Normally, I might well have done, but unfortunately, this was long before my time. It’s dated the sixth of July 1966.’
‘I was only five years old then. Why would anyone leave all his worldly possessions to a child who’d just started infant school?’
He had some pages of typed notes, which he examined for a few seconds, turning the pages quickly. Nobody reads that fast. He cleared his throat. ‘It would seem that you’re not the only one never to have seen him again. He disappeared about twenty-five years ago.’
‘Twenty-five years? It’s taken that long to get round to telling me?’
‘The fact that someone has disappeared doesn’t mean we can assume he’s dead. The information has only recently come to our attention, and there are procedures to follow.’
‘So how did the information reach you?’
Piers Sackville coughed and almost looked embarrassed. ‘I’m afraid I don’t know. Someone must have informed us.’
Doody stared at him. ‘You mean there’s a secret—a big secret—and I’m not allowed to know?’
He looked indignant. ‘No, of course not. Someone else in the office must have the information. I’ll talk to one of my colleagues.’
‘Not a Mr Sackville, by any chance?’
‘How did you guess?’
He was gaining confidence. She could feel him altering the pace of the conversation, adjusting to her, and she didn’t like it. She wanted to reach over, grab the will and his notes, tear them up in front of his pseudo-kind face and watch his reaction. Then she would know what he was really thinking. Her fingers were itching, her breathing accelerating. ‘So when do you decide a missing person is a dead person? Do you try to trace him?’
‘It’s complex. We’ve had to make announcements, write letters, get a court ruling. However, I should point out that he was born in 1904. It’s rare for people to live beyond a hundred.’
‘Some do.’
‘Indeed. And let’s hope that both of us here will be in that fortunate position. But it’s not common, I’m afraid.’
Natural Flights of the Human Mind Page 2
