by Dave Eggers
Rita nods.
The bus stops in front of a clapboard building, crooked, frowning, like a general store in a Western. There are signs and farm instruments attached to its side, and on the porch, out of the rain, there are two middle-aged women feeding fabric through sewing machines, side by side. Their eyes briefly sweep over the bus and its passengers, and then return to their work as the bus begins again.
Frank is talking about the porters. Porters, he says, will be accompanying the group, carrying the duffel bags, and the tents, and the tables to eat upon, and the food, and propane tanks, and coolers, and silverware, and water, among other things. Their group is five hikers and two guides, and there will be thirty-two porters coming along.
"I had no idea," Rita says to Grant, behind her. "I pictured a few guides and maybe two porters." She has a sudden vision of servants carrying kings aboard gilt thrones, elephants following, trumpets announcing their progress.
"That's nothing," Frank says. Frank has been listening to everyone's conversations and inserting himself when he sees fit. "Last time I did Everest, there were six of us and we had eighty sherpas." He holds his hand horizontally, demonstrating the height of the sherpas, which seems to be about four feet or so. "Little guys," he says, "but badasses. Tougher than these guys down here. No offense, Patrick."
Patrick isn't listening. The primary Tanzanian guide, he's in his early thirties and is dressed in new gear—a blueberry anorak, snow-boarding pants, wraparound sunglasses. He's watching the side of the road, where a group of boys is keeping pace with the bus, each in a school uniform and each carrying what looks to be a small sickle. They run alongside, four of them, waving their sickles, yelling things Rita can't hear through the windows and over the whinnies of the van going up and up through the wet dirt. Their mouths are going, their eyes angry, and their teeth are so small, but by the time Rita gets her window open to hear what they're saying the van is far beyond them, and they have run off the road with their sickles. They've dropped down the hillside, following some narrow path of their own making.
There is a wide black parking lot. machame gate reads a sign over the entrance. In the parking lot, about a hundred Tanzanian men are standing. They watch the bus enter the lot and park and immediately twenty of them converge upon it, unloading the backpacks and duffel bags from the bus. Before Rita and the rest of the hikers are off, all of the bags are stacked in a pile nearby, and the rain is falling upon them.
Rita is last off the bus, and when she arrives at the door, Godwill has closed it, not realizing she is still aboard.
"Sorry please," he says, yanking the lever, trying to get the door open again.
"Don't worry, I'm in no hurry," she says, giving him a little laugh.
She sees a man between the parking lot and the gate to the park, a rnan like the man at her hotel, in a plain green uniform, automatic rifle on his back.
"Is the gun for the animals, or the people?" she asks.
"People," Godwill says, with a small laugh. "People much more dangerous than animals!" Then he laughs and laughs and laughs.
It's about forty-five degrees, Rita guesses, though it could be fifty. And the rain. It's raining steadily, and the rain is cold. Rita hadn't thought about rain. When she had pictured the hike she had not thought about cold, cold, steady rain.
"Looks like we've got ourselves some rain," Frank says.
The paying hikers look at him.
"No two ways about it," he says.
Everything is moving rapidly. Bags are being grabbed, duffels hoisted. There are so many porters! Everyone is already wet. Patrick is talking with a group of the porters. They are dressed in bright col-ors, like the paying hikers, but their clothes—simple pants and sweatshirts—are already dirty, and their shoes are not large and complicated boots, as Rita is wearing, but instead sneakers, or track shoes, or loafers. None wear rain gear, but all wear hats.
Now there is animated discussion, and some pointing and shrugging. One porter jumps to the ground and then lies still, as if pretending to be dead. The men around him roar.
Rita ducks into her poncho and pulls it over her torso and backpack. The poncho was a piece of equipment the organizers listed as optional; no one, it seems, expected this rain. Now she is thrilled she bought it—$4.99 at Target on the way to the airport. She sees a few of the porters poking holes in garbage bags and fitting themselves within. Grant is doing the same. He catches Rita looking at him.
"Forgot the poncho," he says. "Can't believe I forgot the poncho."
"Sorry," she says. There is nothing else to say. He's going to get soaked.
"It's okay," he says. "Good enough for them, good enough for me."
Rita tightens the laces on her boots and readjusts her gaiters. She helps Shelly with her poncho, spreading it over her backpack, and arranges her hood around her leonine hair, frayed and thick, blond and white. As she pulls the plastic close to Shelly's face, they stare into each other's eyes and Rita has a sharp pain in her stomach, or her head, somewhere. She wants them here. They are her children and she allowed them to be taken. People were always quietly taking things from her, always with the understanding that everyone would be better off if Rita's life were kept simplified. But she was ready for complication, wasn't she? For a certain period of time, she was, she knows. It was the condominium that concerned everyone; she had almost bought one, in anticipation of adopting the kids, and she had backed out—but why?— just before closing. The place wasn't right; it wasn't big enough. She wanted it to be more right; she wanted to be more ready. It wasn't right, and they would know it, and they would think she would always be insolvent, and they would always have to share a room. Gwen had offered to cosign on the other place, the place they looked at with the yard and the three bedrooms, but that wouldn't be right, having Gwen on the mortgage. So she had given up and the kids were now in her old room, with her parents. She wants them walking next to her asking her advice. She wants to arrange their hoods around their faces, wants to pull the drawstrings so their faces shrink from view and stay dry. Shelly's face is old and lined and she grins at Rita and clears her throat.
"Thank you, hon," she says.
They are both waterproof now and the rain tick-ticks onto the plastic covering them everywhere. The paying hikers are standing in the parking lot in the rain.
"Porters have dropped out," says Frank, speaking to the group. "They gotta replace the porters who won't go up. It'll take a few minutes."
"Are there replacements close by?" Grant asks.
"Probably get some younger guys," Frank says. "The younger guys are hungry."
"Like the B-team, right?" Jerry says. "We're getting the B-team!" He looks around for laughs but no one's wet cold face will smile.
"Minor leaguers, right?" he says, then gives up.
It is much too late to go home now, Rita knows. Still, she can't suppress the thought of running all the way, ten miles or so, mostly downhill, back to the hotel, at which point she would—no matter what the cost—fly to warm and flat Zanzibar, to drink and drink until half-blind in the sun.
Nearby in the parking lot, Patrick seems to settle something with the man he's speaking to, and approaches the group.
"Very wet," he says, with a grimace. "Long day."
The group is going to the peak, a four-day trip up, two down, along the Machame Route. There are at least five paths up the mountain, depending on what a hiker wants to see and how quickly he wants to reach the peak, and Gwen had promised that this route was within their abilities and by far the most scenic. The group's members each signed up through a website, EcoHeaven Tours, dedicated to adventure travel. The site promised small group tours of a dozen places—the Scottish Highlands, the Indonesian lowlands, the rivers of upper Russia. The trip up this mountain was, oddly enough, the least exotic-sounding. Rita has never known anyone who had climbed Kilimanjaro, but she knew people who knew people who had, and this made it just that small bit less intriguing. Now, standing below the gate
, this trip seems irrelevant, irrational, indefensible. She's walking the same way thousands have before, and she will be cold and wet while doing so.
"Okay, let's saddle up," Frank says, and begins to walk up a wide dirt path. Rita and the four others walk with him. They are all in ponchos, Grant in his garbage bag, all with backpacks beneath, resembling hunchbacks, or soldiers. She pictures the Korean War Memorial, all those young men, cast in bronze, eyes wide, waiting to be shot.
Rita is glad, at least, to be moving, because moving will make her warm.
But Frank is walking very slowly. Rita is behind him; his pace is elephantine. Such measured movements, such lumbering effort. Frank is leading the five of them, with Patrick at the back of the group, and the porters are now distantly behind them, still in the parking lot, gathering the duffels and propane tanks and tents. They will catch up, Patrick said.
Rita is sure that this pace will drive her mad. She is a racquetball player because racquetball involves movement, and scoring, and noise, and the possibility of getting struck in the head with a ball moving at the pace of an airplane. And so she had worried that this hike would drive her mad with boredom. And now it is boring; here in Tanzania, she is bored. She will die of a crushing monotony before she even has a chance at a high-altitude cerebral edema.
After ten minutes, the group has traveled about two hundred yards, and it is time to stop. Mike is complaining of shoulder pain. His pack's straps need to be adjusted. Frank stops to help Mike, and while Frank is doing that, and Jerry and Shelly are waiting with Patrick, Grant continues up the trail. He does not stop. He goes around a bend in the path and he is out of view. The rain and the jungle make possible quick disappearances and before she knows why, Rita follows him.
Soon they are up two turns and can no longer see the group. Rita is elated. Grant walks quickly and she walks with him. They are almost running. They are moving at a pace she finds more fitting, an athletic pace, a pace appropriate for people who are not yet old. Rita is not yet old. She quit that 10k Fun Run last year but that didn't mean she couldn't do it if it wasn't so boring. She had started biking to work but then had decided against it; at the end of the day, when she'd done as much as she could before 5:30, she was just too tired.
They tramp through the mud and soon the path narrows and bends upward, more vertical, brushed by trees, the banana leaves huge, sloppy, and serrated. The trail is soaked, the mud deep and grabbing, but everywhere the path is crosshatched with roots, and the roots become footholds. They jump from one root to the next and Grant is relentless. He does not stop. He does not use his hands to steady himself. He is the most balanced person Rita has ever known, and she quickly attributes this to his small stature and wide and powerful legs. He is close to the ground.
They talk very little. She knows he is a telephone-systems programmer of some kind, connects "groups of users" somehow. She knows he comes from Montana, and knows his voice is like an older man's, weaker than it should be, wheezy and prone to cracking. He is not handsome; his nose is almost piggish and his teeth are chipped in front, leaving a triangular gap, as if he'd tried to bite a tiny pyramid. He's not attractive in any kind of way she would call sexual, but she still wants to be with him and not the others.
The rain forest is dense and twisted and drenched. Mist obviates vision past twenty yards in any given direction. The rain comes down steadily, but the forest canopy slows and a hundred times redirects the water before it comes to Rita.
She is warmer now, sweating under her poncho and fleece, and she likes sweating and feels strong. Her pants, plastic pants she bought for nothing and used twice before while skiing, are loud, the legs scraping against each other with a constant, violent swipping sound. She wishes she were wearing shorts, like Grant. She wants to ask him to stop, so she can remove her pants, but worries he won't want to stop, and that anyway if he does and they do, the other hikers will catch up, and she and Grant will no longer be alone, ahead of the others, making good time. She says nothing.
There are no animals. Rita has not heard a bird, or a monkey, or seen even a frog. There had been geckos in her hut, and larger lizards scurrying outside the hotel, but on this mountain there is nothing. Her guidebook had promised blue monkeys, colobus monkeys, galagos, olive baboons, bushbacks, duikers, hornbills, turacos. But the forest is quiet and empty.
Now a porter is walking down the path, in jeans, a sweater, and tennis shoes. Rita and Grant stop and step to one side to allow him to pass.
"Jambo," Grant says.
"Jambo," the man says, and continues down the trail.
The exchange was quick but extraordinary. Grant had lowered his voice to a basso profundo, stretching the second syllable for a few seconds in an almost musical way. The porter had said the word back with identical inflection. It was like a greeting between teammates, doubles partners—simple, warm, understated but understood.
"What does that mean?" Rita asks. "Is that Swahili?"
"It is," Grant says, leaping over a puddle. "It's . . . well, it means 'Hello.'"
He says this in a polite way that nevertheless betrays his concern. Rita's face burns. She's traveled to Tanzania without learning any Swahili; she didn't even learn "hello." She knows that Grant considers her a slothful and timid tourist. She wants Grant to like her, and to feel that she is more like him—quick, learned, seasoned—at least more so than the others, who are all so delicate, needy, and slow.
They walk upward in silence for an hour. The walking is meditative to an extent she thought impossible. Rita had worried that she would either have to talk to the same few people—people she did not know and might not like—for hundreds of hours, or that, if the hikers were not so closely grouped, that she would be alone, with no one to talk to, alone with her thoughts. But already she knows that this will not be a problem. They have been hiking for two hours and she has not thought of anything. Too much of her faculties have been devoted to deciding where to step, where to place her left foot, then her right, and her hands, which sometimes grip trees for balance, sometimes touch the wet earth when a fall is likely. The calculations necessary make unlikely almost any other thinking—certainly nothing of any depth or complexity. And for this she is grateful. It is expansive and well fenced, her landscape, the quiet acres of her mind, and with a soundtrack: the tapping of the rain, the swipping of her poncho against the branches, the tinny jangle of the carabiners swinging from her backpack. All of it is musical in a minimal and calming way, and she breathes in and out with the uncomplicated and mechanical strength of a bear—plodding, powerful, robust.
"Poly poly," says a descending porter. He is wearing tasseled loafers. "Poly poly," Grant says.
"I got here a few days before the rest of you," Grant says, by way of explanation and apology, once the porter has passed. He feels that he's shamed Rita and has allowed her to suffer long enough. "I spent some time in Moshi, picked up some things."
"'Jambo' is 'Hello,'" he says. "'Poly poly' means 'Step by step.'"
A porter comes up behind them.
"Jambo," he says.
"Jambo," Grant says, with the same inflection, the same stretching of the second syllable, as if delivering a sacred incantation. Jaaaahmmmboooow. The porter smiles and continues up. He is carrying a propane tank above his head, and a large backpack sits between his shoulders, from which dangle two bags of potatoes. His load is easily eighty pounds.
He passes and Grant begins behind him. Rita asks Grant about his backpack, which is enormous, twice the size of hers, and contains poles and a pan and a bedroll. Rita had been told to pack only some food and a change of clothes, and to let the porters take the rest.
"I guess it is a little bigger," he says.
"Is that your tent in there, too?" she asks, talking to his back.
"It is," he says, stopping. He shakes out from under his pack and zippers open a compartment on the top.
"You're not having a porter carry it? How heavy is that thing?"
"Well, I
guess . . . it's just a matter of choice, really. I'm . . . well, I guess I wanted to see if I could carry my own gear up. It's just a personal choice." He's sorry for carrying his things, sorry for knowing "hello." He spits a stream of brown liquid onto the ground.
"You dip?"
"I do. It's gross, isn't it?"
"You're not putting that sucker in there, too."
Grant is unwrapping a Charms lollipop.
"I'm afraid so. It's something I do. Want one?"
Rita wants something like the Charms lollipop, but now she can't separate the clean lollipops in his Ziploc bag—there are at least ten in there—from the one in his mouth, presumably covered in tobacco juice.
Minutes later, the trail turns and under a tree there is what looks like a hospital gurney crossed with a handcart. It's sturdy and wide, but with just two large wheels, set in the middle, on either side of a taut canvas cot. There are handles on the end, so it can be pulled like a rickshaw. Grant and Rita make shallow jokes about the contraption, about who might be coming down on that, but being near it any longer, because it's rusty and terrifying and looks like it's been used before and often, is unpleasant, so they walk on.
When they arrive at a clearing, they've been hiking, quickly, for six hours. They are at what they assume to be their camp, and they are alone. The trees have cleared—they are above treeline—and they are now standing on a hillside, covered in fog, with high grass, thin like hair, everywhere. The rain has not subsided and the temperature has dropped. They have not seen any of the other hikers or guides for hours, nor have they seen any porters. Rita and Grant were hiking quickly and beat everyone up the trail, and were not passed by anyone, and she feels so strong and proud about this. She can tell that in some way Grant is also proud, but she knows he will not say so.
