Satan's Bushel

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by Garet Garrett


  At each turn or rise in the road he stopped. Once there was a sudden view of an old house between two great trees at the far edge of a field of wheat; beyond the house was a brook, back of that a rise of ground and then some kind of sky. Nothing unusual perhaps. It appears to have been such a glimpse as sometimes frames itself in reality, a bit of perfect natural composition that gives one a mysterious sense of self-projection. I am saying this. What it reminded him of was a woodcut of spring in the almanac his mother kept on a nail in her kitchen cupboard. That woodcut had remained vividly in his mind all these years. Always when he thought of the country he thought of that. It had been another world. And here it was, that other world, in being. He was walking in it.

  When the sun was low he asked for supper at a farm-house, choosing a small one. The farmer, in his stocking feet, was rocking on the side porch. Having adjusted his mind to Dreadwind’s request he looked out over the fields instead of turning toward the open door, and called in a loud voice: “Maw! Here’s a man wants to eat supper with us.” A long silence; the farmer motionless, gazing into his fields. Then a pinched voice from the kitchen: “There ain’t much to eat. If he will be satisfied with what I can pick up. I don’t know.” Dreadwind’s satisfaction was pledged. “Well, it ain’t ready yet,” said the pinched voice. “Give him a chair.” And whereas until then indoors had been tomblike, now began suddenly a series of promissory sounds—the rattle of stove lids, a clangor of pans, a clicking of dishes, and very soon the sizzle of meat falling into hot fat.

  “Wheat looks very good,” said Dreadwind at a hazard.

  “Been looking at it myself,” said the farmer. “You can’t tell from the road. Sometimes you can’t tell until it’s threshed. Wheat you think’s fine threshes light. Wheat you think’s spindly and light does better, though that ain’t so often as like the other way.”

  “The country looks prosperous,” said Dreadwind, after a dead pause.

  “Does it?” said the farmer. “Maybe so.”

  “Isn’t it?”

  “That’s according to how you look at it,” said the farmer, aggressively crossing his knees the other way.

  The seam was open. He began to complain. He complained of the weather, of pests, of a certain man’s luck who thought it was good management, of the price of farm implements, of the Government for never doing anything, of the trusts that controlled its do-nothingness, and of speculators who got all the profit in everything. Dreadwind noticed that the barn needed mending. The windmill, the water trough, the hog fence, the hen shed, the porch floor sagging under the rocking chair—they all wanted mending. The only mending he could see anywhere had been done to the farmer’s wool socks. A rusty reaper stood under the apple tree.

  “Maybe he wants to wash,” the woman called from inside. She appeared in the door holding out a hand basin. “Supper’s most ready,” she added.

  When they sat down to it the farmer asked the Lord’s blessing on the food and immediately lost himself in the partaking of it.

  Now the woman began. There was no fresh meat. Only ham. Nobody was expected to come in like this at suppertime. The ham was not as good as it ought to be because just as it was ready to come out of the smokehouse her mother’s cousin who lived in the next county was seized in the night and they went over to her in haste and were gone three days and the boy didn’t know enough to take the meat out. Anyway, they hadn’t told him to. But it got smoked too much. If the stranger had come an hour earlier there might have been chicken. If it was Saturday there would be fresh bread. If it was Tuesday there would be fresh butter. And buttermilk. Or maybe he didn’t like buttermilk? Some didn’t who never knew what it was to get it fresh. The preserves were not sweet enough. Sugar had been so high. The potatoes were old because the new ones were late. She might ask him if he would have some eggs except that there wouldn’t be any eggs until tomorrow. The last one had gone to fill out a crate the expressman called for, a day ahead of his regular time, on account of the fact he was going to be married.

  No matter. The food was delicious. Ham, cream gravy, fried potatoes, asparagus, buttered beets, pot cheese, chopped pickles, pears in sirup and coconut cake—delicious and plenty, all but the coffee, which was plenty only. When the meal was over Dreadwind wished to pay a dollar. The woman wanted twenty-five cents. The farmer was not interested. He seemed embarrassed at this commercial translation of an act of hospitality, and retired to the rocking-chair on the porch. A quarter it had to be. Dreadwind paid it and took his leave, conscious at the end of some slight constraint on both sides. The woman shook hands with him as he extended his, but immediately turned her back and began to rattle the dishes. The farmer’s good-bye from the rocking-chair was a little bit curt. Dreadwind did not understand it.

  In the narrative he lingered over this incident. Whether it was that it touched him in some subtle way he could not explain or that he needed time for what was to come next, I leave you to guess. It was a new world, full of strange people, with shy impulses both toward and away from one. His first experiences with them would be likely to leave a vivid impress. Yet I rather think he dwelt on this episode to gain time. The beginning of the great romance was only a few miles farther on. He was coming to it.

  Darkness came, seeming to rise out of the ground, and he was still walking, musing, thinking out loud, wondering a little where he should lodge for the night, or whether to sleep in the open air by the roadside, when he caught a twinkling of lights in the foliage some distance ahead; and there was no sign of a village. As he came nearer he heard a man’s voice, rhetorically pitched; and then a scene unfolded. A lawn in front of a farmhouse was dimly lighted by lanterns swung in the trees. Twenty men or more were seated there on chairs and benches, a few on the porch stoop in the background. On a box, under three lanterns on a horizontal stick nailed to a tree, stood the speaker. There were some pamphlets at his feet, some under his left arm, one open in his right hand. His theme was coöperation. He was reading from the literature of the American Farm Bureau Federation, this:

  “Coöperative marketing is the golden rule of agriculture. The fever and fear are removed from the season of the harvest. The farmer who is favored by season or seedtime with an early harvet pools his crop with that of his neighbor. For like quality and grade of product they receive the same price. Their crop moves to market from their common bin in orderly fashion. There is no surplus bugaboo chasing relentlessly on their heels and breathing the scorching fire of ruinous prices. Neighbor joins with neighbor. They pool their product. They share and share alike in the new system of economic justice for agriculture. All this is precisely what the Great Teacher meant when he said: ‘Therefore, whatsoever ye would that men should do unto you do ye even so unto them.’ “

  The speaker cast that pamphlet down and opened another. He would deal now with facts. Already coöperative associations were marketing more than a billion dollars’ worth of farm produce annually. Take prunes, the perfect example of successful coöperation in marketing. Everybody knew what the prune growers had done. Here, of course, the problem was wheat, and there were those who said that what the prune growers had done wheat growers couldn’t because wheat was different—that prunes were prunes and wheat was wheat. He would show them how wrong they were. He would show them there was no difference. He was there to tell them that prunes were wheat and wheat was prunes. He would prove it.

  The proof was intricate. Dreadwind’s attention wandered from the speaker to the audience. His position was such that he could see the faces and remain himself unseen, leaning on the fence, outside the lighted circle. And there at the far edge of the group, a little apart, sat his old man—namely, Absalom Weaver. He was not alone. Beside him sat a young woman with her two hands in her lap, her eyes fixed on the speaker, her mind apparently in rapt contemplation of the abstract idea that wheat was prunes.

  How simple it sounds!

  There sat a young woman. But what if she were the only young woman in the world? And when th
is manner of thing happens she is. The unsearchable moment, I suppose, is that in which the man for the first time sees all women in one, the eternal symbol embodied and undivided, and conceives a fixation for it. No other event in life is comparable to this. Everything that ever occurred in the universe must have occurred precisely as it did through infinite chance to bring it to pass. And there is the choice of only one or two commonplace phrases to describe it. He fell in love with her. Yes? What does that mean?

  At this point of the story he groped, wandered into irrelevancies, fell into sudden silences. It seemed like trying to recall a very old dream. He was for going on. I brought him back. What did he do? I wanted to know what he did. He remembered standing behind her, close enough to have touched her; how he got there he could not recall. One will suppose that he opened the gate with his two hands, went in on his two feet, walked around the group and stood near her. No one would have been likely to notice him.

  It was curious that he should have remembered something that had nothing to do with it. That was the speaker’s climax. It was this:

  “The farmer sells and the farmer buys. What does he sell? A primal substance, the food that sustains the world. What does he buy? Machinery, wagons, building materials, hardware, cloth, sugar, sometimes a piano or a phonograph—such things. When he sells the primal substance what does he say to the buyer? He says: ‘How much will you give me?’ But when he buys what does he say? He says: ‘How much will you take?’ Think it over. In every case it is like that: ‘How much will you give me?’ for what he sells: ‘How much will you take?’ for what he buys.”

  At this an assenting, brooding murmur went through the crowd. Until then it had listened in a stolid manner. Now the speaker, who was an organizer for a state-wide coöperative marketing association, began to solicit signatures, passing the printed blanks around.

  A voice was lifted up, calling, “Weaver!”

  The old man did not stir. He sat with his hands clasped around an upraised knee. Other voices took up his name, calling: “Ab!... Weaver!... Absalom Weaver! What about it?”

  Respect and familiarity were mingled in these voices; and as they kept insisting the old man slowly arose.

  “Sign,” he said. “Go on and sign. It will be educating. Each generation must learn for itself and when it has learned it is ready to die.”

  With that he sat down. It was not enough. They continued to call upon him. He arose again and said:

  “Luke, eighteenth chapter, twenty-second verse: ‘Sell all that thou hast and follow me.’ That is the sublime thought for coöperative marketing. I commend it to you. It works. But it works in heaven. Don’t let anybody tell you it will pay on earth.”

  And a second time he sat down. Their demand became explicit. They said: “Preach us a sermon.” And when it was irresistible he got up and walked to the place under the three lanterns. He did not stand on the box.

  Dreadwind remembered distinctly that now he sat down beside the young woman and spoke to her.

  “Is that your father?” he asked.

  “Yes,” she said; and looked at him with surprise. It was clear that she was surprised, not at having been spoken to by a stranger, for as to that she was quite indifferent, but that anyone should have asked that question.

  “What is your name?” he asked.

  “Cordelia,” she answered without looking at him again. Her gaze followed her father. He had not yet begun to speak, but was peering about in the grass, stooping here and there to pluck a bit of vegetation. He walked as far as the fence for a bramble leaf. Returning he snapped a twig from the elm above his head and faced them.

  “This natural elm,” he began, with an admiring look at the tree, “was once a tiny thing. A sheep might have eaten it at one bite. Every living thing around it was hostile and injurious. And it survived. It grew. It took its profit. It became tall and powerful beyond the reach of enemies. What preserved it—coöperative marketing? What gave it power—a law from Congress? What gave it fullness—the Golden Rule? On what was its strength founded—a fraternal spirit? You know better. Your instincts tell you no. It saved itself. It found its own greatness. How? By fighting. Did you know that plants fight? If only you could see the deadly, ceaseless warfare among plants this lovely landscape would terrify you. It would make you think man’s struggles tame. I will show you some glimpses of it.

  “I hold up this leaf from the elm. The reason it is flat and thin is that the peaceable work of its life is to gather nourishment for the tree from the air. Therefore it must have as much surface as possible to touch the air with. But it has another work to do. A grisly work. A natural work all the same. It must fight. For that use it is pointed at the end as you see and has teeth around the edge—these. The first thing the elm plant does is to grow straight up out of the ground with a spear thrust, its leaves rolled tightly together. Its enemies do not notice it. Then suddenly each leaf spreads itself out and with its teeth attacks other plants; it overturns them, holds them out of the sunlight, drowns them. And this is the tree! Do you wonder why the elm plant does not overrun the earth? Because other plants fight back, each in its own way. I show you a blade of grass. It has no teeth. How can it fight? Perhaps it lives by love and sweetness. It does not. It grows very fast by stealth, taking up so little room that nothing else minds, until all at once it is tall and strong enough to throw out blades in every direction and fall upon other plants. It smothers them to death. Then the bramble. I care not for the bramble. Not because it fights. For another reason. Here is its weapon. Besides the spear point and the teeth the bramble leaf you see is in five parts, like one’s hand. It is a hand in fact, and one very hard to cast off. When it cannot overthrow and kill an enemy as the elm does, it climbs up his back to light and air, and in fact prefers that opportunity, gaining its profit not in natural combat but in shrewd advantage, like the middleman. Another plant I would like to show you. There is one near by. Unfortunately it would be inconvenient to exhibit him in these circumstances. His familiar name is honeysuckle. He is sleek, suave, brilliantly arrayed, and you would not suspect his nature, which is that of the preying speculator. Once you are in his toils it is hopeless. If you have not drowned or smothered him at first he will get you. The way of this plant is to twist itself round and round another and strangle it.

  “This awful strife is universal in plant life. There are no exemptions. Among animals it is not so fierce. They can run from one another. Plants must fight it out where they stand. They must live or die on the spot. Among plants of one kind there is rivalry. The weak fall out and die; the better survive. That is the principle of natural selection. But all plants of one kind fight alike against plants of all other kinds. That is the law of their strength. None is helped but who first helps himself. A race of plants that had wasted its time waiting for Congress to give it light and air, or for a state bureau with hired agents to organize it by “the Golden Rule, or had been persuaded that its interests were in common with those of the consumer, would have disappeared from the earth.

  “The farmer is like a plant. He cannot run. He is rooted. He shall live or die on the spot. But there is no plant like a farmer. There are nobles, ruffians, drudges, drones, harlots, speculators, bankers, thieves and scalawags, all these among plants, but no idiots, saying, ‘How much will you give?’ and ‘What will you take?’ Until you fight as the elm fights, take as the elm takes, think as the elm thinks, you will never be powerful and cannot be wise.”

  CHAPTER IV

  WEAVER stopped. The state bureau’s organizer tried to speak again and got somewhat excited in the futility of the effort. Everybody was up and moving about, with no more attention for him. He did at length impound an audience of four calm and wordless minds unable to say either yes or no or to get away from him. The rest coalesced in groups of two and three, some to depart at once, others to exchange news and information of the countryside. There were cries: “Good night.... Wait a minute.... Take Ann with you.... We’re going too.... Ho
w’s mother?”

  Weaver spoke to no one, nor did anyone speak to him. He was as a bishop among them, not to be spoken to unless he wished it; also it was apparent that he troubled their minds. They were eager to hear him and then never knew what to do with what he said. He walked straight from under the three lanterns toward his daughter, looking neither right nor left, but only at her. She rose to meet him. He took her arm and they walked away together. Dreadwind followed them. The moon had come up. One could see clearly in the road. After having followed them at a distance for some time he quickened his steps to overtake them.

  “May I walk with you a bit?” he asked, coming beside the girl.

  “That ye walk not as other Gentiles,” said Weaver. “Walk about Zion, go round about her.”

  Dreadwind took the hint and came around to the old man’s side.

  “This is the third time I’ve seen you today,” he said.

  “Twice,” said the old man sharply. “Twice. Mind what you say.”

  And Dreadwind took another hint, which was that Weaver wished his appearance in the bucket shop not to be mentioned.

  “I heard what you said to them just now,” he said—Dreadwind said. “I was particularly interested,” he added, “in that part of your parable about the honeysuckle.”

  “You might be,” said Weaver.

  This was unexpected and not to be digested in a moment. The pause became awkward and it was left to Dreadwind to end it.

  “My name is Dreadwind,” he said, unable to think of anything better.

  “I know who you are,” said the old man.

  “And your name is Weaver?” said Dreadwind, rather vacantly.

  “Everybody knows that,” the old man retorted.

 

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