Delphi Complete Poetical Works of Algernon Charles Swinburne (Illustrated) (Delphi Poets Series)

Home > Other > Delphi Complete Poetical Works of Algernon Charles Swinburne (Illustrated) (Delphi Poets Series) > Page 84
Delphi Complete Poetical Works of Algernon Charles Swinburne (Illustrated) (Delphi Poets Series) Page 84

by Algernon Charles Swinburne

Was even of Æschylus,

  And his one word great as the crying of ten,

  Crying in men’s ears of wrath toward wrong,

  Of love toward right immortal, sanctified with song.

  32.

  Him too whom none save one before him ever

  Beheld, nor since hath man again beholden,

  Whom Dante seeing him saw not, nor the giver

  Of all gifts back to man by time withholden,

  Shakespeare — him too, whom sea-like ages sever,

  As waves divide men’s eyes from lights upholden

  To landward, from our songs that find him never,

  Seeking, though memory fire and hope embolden —

  Him too this one song found,

  And raised at its sole sound

  Up from the dust of darkling dreams and olden

  Legends forlorn of breath,

  Up from the deeps of death,

  Ulysses: him whose name turns all songs golden,

  The wise divine strong soul, whom fate

  Could make no less than change and chance beheld him great.

  33.

  Nor stands the seer who raised him less august

  Before us, nor in judgment frail and rathe,

  Less constant or less loving or less just,

  But fruitful-ripe and full of tender faith,

  Holding all high and gentle names in trust

  Of time for honour; so his quickening breath

  Called from the darkness of their martyred dust

  Our sweet Saints Alice and Elizabeth,

  Revived and reinspired

  With speech from heavenward fired

  By love to say what Love the Archangel saith

  Only, nor may such word

  Save by such ears be heard

  As hear the tongues of angels after death

  Descending on them like a dove

  Has taken all earthly sense of thought away but love.

  34.

  All sweet, all sacred, all heroic things,

  All generous names and loyal, and all wise,

  With all his heart in all its wayfarings

  He sought, and worshipped, seeing them with his eyes

  In very present glory, clothed with wings

  Of words and deeds and dreams immortal, rise

  Visible more than living slaves and kings,

  Audible more than actual vows and lies:

  These, with scorn’s fieriest rod,

  These and the Lord their God,

  The Lord their likeness, tyrant of the skies

  As they Lord Gods of earth,

  These with a rage of mirth

  He mocked and scourged and spat on, in such wise

  That none might stand before his rod,

  And these being slain the Spirit alone be lord or God.

  35.

  For of all souls for all time glorious none

  Loved Freedom better, of all who have loved her best,

  Than he who wrote that scripture of the sun

  Writ as with fire and light on heaven’s own crest,

  Of all words heard on earth the noblest one

  That ever spake for souls and left them blest:

  GLADLY WE SHOULD REST EVER, HAD WE WON FREEDOM: WE HAVE LOST, AND VERY GLADLY REST.

  O poet hero, lord

  And father, we record

  Deep in the burning tablets of the breast

  Thankfully those divine

  And living words of thine

  For faith and comfort in our hearts imprest

  With strokes engraven past hurt of years

  And lines inured with fire of immemorial tears.

  36.

  But who being less than thou shall sing of thee

  Words worthy of more than pity or less than scorn?

  Who sing the golden garland woven of three,

  Thy daughters, Graces mightier than the morn,

  More godlike than the graven gods men see

  Made all but all immortal, human born

  And heavenly natured? With the first came He,

  Led by the living hand, who left forlorn

  Life by his death, and time

  More by his life sublime

  Than by the lives of all whom all men mourn,

  And even for mourning praise

  Heaven, as for all those days

  These dead men’s lives clothed round with glories worn

  By memory till all time lie dead,

  And higher than all behold the bay round Shakespeare’s head.

  37.

  Then, fairer than the fairest Grace of ours,

  Came girt with Grecian gold the second Grace,

  And verier daughter of his most perfect hours

  Than any of latter time or alien place

  Named, or with hair inwoven of English flowers

  Only, nor wearing on her statelier face

  The lordlier light of Athens. All the Powers

  That graced and guarded round that holiest race,

  That heavenliest and most high

  Time hath seen live and die,

  Poured all their power upon him to retrace

  The erased immortal roll

  Of Love’s most sovereign scroll

  And Wisdom’s warm from Freedom’s wide embrace,

  The scroll that on Aspasia’s knees

  Laid once made manifest the Olympian Pericles.

  38.

  Clothed on with tenderest weft of Tuscan air,

  Came laughing like Etrurian spring the third,

  With green Valdelsa’s hill-flowers in her hair

  Deep-drenched with May-dews, in her voice the bird

  Whose voice hath night and morning in it; fair

  As the ambient gold of wall-flowers that engird

  The walls engirdling with a circling stair

  My sweet San Gimignano: nor a word

  Fell from her flowerlike mouth

  Not sweet with all the south;

  As though the dust shrined in Certaldo stirred

  And spake, as o’er it shone

  That bright Pentameron,

  And his own vines again and chestnuts heard

  Boccaccio: nor swift Elsa’s chime

  Mixed not her golden babble with Petrarca’s rhyme.

  39.

  No lovelier laughed the garden which receives

  Yet, and yet hides not from our following eyes

  With soft rose-laurels and low strawberry-leaves,

  Ternissa, sweet as April-coloured skies,

  Bowed like a flowering reed when May’s wind heaves

  The reed-bed that the stream kisses and sighs,

  In love that shrinks and murmurs and believes

  What yet the wisest of the starriest wise

  Whom Greece might ever hear

  Speaks in the gentlest ear

  That ever heard love’s lips philosophize

  With such deep-reasoning words

  As blossoms use and birds,

  Nor heeds Leontion lingering till they rise

  Far off, in no wise over far,

  Beneath a heaven all amorous of its first-born star.

  40.

  What sound, what storm and splendour of what fire,

  Darkening the light of heaven, lightening the night,

  Rings, rages, flashes round what ravening pyre

  That makes time’s face pale with its reflex light

  And leaves on earth, who seeing might scarce respire,

  A shadow of red remembrance? Right nor might

  Alternating wore ever shapes more dire

  Nor manifest in all men’s awful sight

  In form and face that wore

  Heaven’s light and likeness more

  Than these, or held suspense men’s hearts at height

  More fearful, since man first

  Slaked with man’s blood his thirst,

  Than when Rome clashed with Hannibal in fight,

  Till tower on ru
ining tower was hurled

  Where Scipio stood, and Carthage was not in the world.

  41.

  Nor lacked there power of purpose in his hand

  Who carved their several praise in words of gold

  To bare the brows of conquerors and to brand,

  Made shelterless of laurels bought and sold

  For price of blood or incense, dust or sand,

  Triumph or terror. He that sought of old

  His father Ammon in a stranger’s land,

  And shrank before the serpentining fold,

  Stood in our seer’s wide eye

  No higher than man most high,

  And lowest in heart when highest in hope to hold

  Fast as a scripture furled

  The scroll of all the world

  Sealed with his signet: nor the blind and bold

  First thief of empire, round whose head

  Swarmed carrion flies for bees, on flesh for violets fed.

  42.

  As fire that kisses, killing with a kiss,

  He saw the light of death, riotous and red,

  Flame round the bent brows of Semiramis

  Re-risen, and mightier, from the Assyrian dead,

  Kindling, as dawn a frost-bound precipice,

  The steely snows of Russia, for the tread

  Of feet that felt before them crawl and hiss

  The snaky lines of blood violently shed.

  Like living creeping things

  That writhe but have no stings

  To scare adulterers from the imperial bed

  Bowed with its load of lust,

  Or chill the ravenous gusts

  That made her body a fire from heel to head;

  Or change her high bright spirit and clear,

  For all its mortal stains, from taint of fraud or fear.

  43.

  As light that blesses, hallowing with a look;

  He saw the godhead in Vittoria’s face

  Shine soft on Buonarroti’s, till he took,

  Albeit himself God, a more godlike grace,

  A strength more heavenly to confront and brook

  All ill things coiled about his worldly race,

  From the bright scripture of that present book

  Wherein his tired grand eyes got power to trace

  Comfort more sweet than youth,

  And hope whose child was truth,

  And love that brought forth sorrow for a space,

  Only that she might bear

  Joy: these things, written there,

  Made even his soul’s high heaven a heavenlier place,

  Perused with eyes whose glory and glow

  Had in their fires the spirit of Michael Angelo.

  44.

  With balms and dews of blessing he consoled

  The fair fame wounded by the black priest’s fang,

  Giovanna’s, and washed off her blithe and bold

  Boy-bridegroom’s blood, that seemed so long to hang

  On her fair hand, even till the stain of old

  Was cleansed with healing song, that after sang

  Sharp truth by sweetest singers’ lips untold

  Of pale Beatrice, though her death-note rang

  From other strings divine

  Ere his rekindling line

  With yet more piteous and intolerant pang

  Pierced all men’s hearts anew

  That heard her passion through

  Till fierce from throes of fiery pity sprang

  Wrath, armed for chase of monstrous beasts,

  Strong to lay waste the kingdom of the seed of priests.

  45.

  He knew the high-souled humbleness, the mirth

  And majesty of meanest men born free,

  That made with Luther’s or with Hofer’s birth

  The whole world worthier of the sun to see:

  The wealth of spirit among the snows, the dearth

  Wherein souls festered by the servile sea

  That saw the lowest of even crowned heads on earth

  Thronged round with worship in Parthenope.

  His hand bade Justice guide

  Her child Tyrannicide,

  Light winged by fire that brings the dawn to be;

  And pierced with Tyrrel’s dart

  Again the riotous heart

  That mocked at mercy’s tongue and manhood’s knee:

  And oped the cell where kinglike death

  Hung o’er her brows discrowned who bare Elizabeth.

  46.

  Toward Spenser or toward Bacon proud or kind

  He bared the heart of Essex, twain and one,

  For the base heart that soiled the starry mind

  Stern, for the father in his child undone

  Soft as his own toward children, stamped and signed

  With their sweet image visibly set on

  As by God’s hand, clear as his own designed

  The likeness radiant out of ages gone

  That none may now destroy

  Of that high Roman boy

  Whom Julius and Cleopatra saw their son

  True-born of sovereign seed,

  Foredoomed even thence to bleed,

  The stately grace of bright Cæsarion,

  The head unbent, the heart unbowed,

  That not the shadow of death could make less clear and proud.

  47.

  With gracious gods he communed, honouring thus

  At once by service and similitude,

  Service devout and worship emulous

  Of the same golden Muses once they wooed,

  The names and shades adored of all of us,

  The nurslings of the brave world’s earlier brood,

  Grown gods for us themselves: Theocritus

  First, and more dear Catullus, names bedewed

  With blessings bright like tears

  From the old memorial years,

  And loves and lovely laughters, every mood

  Sweet as the drops that fell

  Of their own oenomel

  From living lips to cheer the multitude

  That feeds on words divine, and grows

  More worthy, seeing their world reblossom like a rose.

  48.

  Peace, the soft seal of long life’s closing story,

  The silent music that no strange note jars,

  Crowned not with gentler hand the years that glory

  Crowned, but could hide not all the spiritual scars

  Time writes on the inward strengths of warriors hoary

  With much long warfare, and with gradual bars

  Blindly pent in: but these, being transitory,

  Broke, and the power came back that passion mars:

  And at the lovely last

  Above all anguish past

  Before his own the sightless eyes like stars

  Arose that watched arise

  Like stars in other skies

  Above the strife of ships and hurtling cars

  The Dioscurian songs divine

  That lighten all the world with lightning of their line.

  49.

  He sang the last of Homer, having sung

  The last of his Ulysses. Bright and wide

  For him time’s dark strait ways, like clouds that clung

  About the day-star, doubtful to divide,

  Waxed in his spiritual eyeshot, and his tongue

  Spake as his soul bore witness, that descried,

  Like those twin towering lights in darkness hung,

  Homer, and grey Laertes at his side

  Kingly as kings are none

  Beneath a later sun,

  And the sweet maiden ministering in pride

  To sovereign and to sage

  In their more sweet old age:

  These things he sang, himself as old, and died.

  And if death be not, if life be,

  As Homer and as Milton are in heaven is he.

  50.

  Poet whose large-eyed loy
alty of love

  Was pure toward all high poets, all their kind

  And all bright words and all sweet works thereof;

  Strong like the sun, and like the sunlight kind;

  Heart that no fear but every grief might move

  Wherewith men’s hearts were bound of powers that bind;

  The purest soul that ever proof could prove

  From taint of tortuous or of envious mind;

  Whose eyes elate and clear

  Nor shame nor ever fear

  But only pity or glorious wrath could blind;

  Name set for love apart,

  Held lifelong in my heart,

  Face like a father’s toward my face inclined;

  No gilts like thine are mine to give,

  Who by thine own words only bid thee hail, and live.

  Thy lifelong works, Napoleon, who shall write?

  Time, in his children’s blood who takes delight.

  From the Greek of Landor.

  GRAND CHORUS OF BIRDS FROM ARISTOPHANES

  Attempted in English verse after the original metre.

  I was allured into the audacity of this experiment by consideration of a

  fact which hitherto does not seem to have been taken into consideration

  by any translator of the half divine humourist in whose incomparable

  genius the highest qualities of Rabelais were fused and harmonized with

  the supremest gifts of Shelley: namely, that his marvellous metrical

  invention of the anapæstic heptameter was almost exactly reproducible in

  a language to which all variations and combinations of anapæstic,

  iambic, or trochaic metre are as natural and pliable as all dactylic and

  spondaic forms of verse are unnatural and abhorrent. As it happens, this

  highest central interlude of a most adorable masterpiece is as easy to

  detach from its dramatic setting, and even from its lyrical context, as

  it was easy to give line for line of it in English. In two metrical

  points only does my version vary from the verbal pattern of the

  original. I have of course added rhymes, and double rhymes, as necessary

  makeweights for the imperfection of an otherwise inadequate language;

  and equally of course I have not attempted the impossible and

 

‹ Prev