by Solomon, Barbara H. (EDT); Rampone, W. Reginald, Jr. (EDT)
My anger lasted a whole year. I remember the exact day it left me. It was a Saturday, the day after a failed escape attempt by two convicted murderers. The warders were more than usually brutal that day; the inmates were on tenterhooks, not knowing from where the next blow would come. We were lined up in rows in our cell, waiting for hours to be addressed by the prison superintendent. When he came his scowl was hard as rock, his eyes were red and singeing, like fire. He paced up and down before us, systematically flagellating us with his harsh, staccato sentences. We listened, our heads bowed, our hearts quaking.
When he left, an inmate, just back from a week in solitary, broke down and began to weep. His hands shook, as if with a life of their own. “What’s going to happen next?” he wailed, going from person to person, looking into each face, not waiting for an answer. “We’ll be punished. If I go back there I’ll die. I can’t. I can’t.” Now he was standing before me, a skinny mass of eczema inflammations, and ringworm, and snot. He couldn’t be more than twenty, I thought; what did he do to end up in this dungeon? Then, without thinking, I reached out and patted his shoulder. I even smiled. With a confidence I did not feel I said kindly, “No one will take you back.” He collapsed into my arms, soaking my shirt with snot and tears and saliva. “Everything will be all right,” I repeated over and over. That was the day the anger left me.
* * *
In the over two months that he wrote before he was discovered and his diary seized, Lomba managed to put in quite a large number of entries. Most of them were poems, and letters to various persons from his by now hazy, pre-prison life—letters he can’t have meant to send. There were also long soliloquies and desultory interior monologues. The poems were mostly love poems, fugitive lines from poets he had read in school: Donne, Shakespeare, Graves, Eliot, etc. Some were his original compositions rewritten from memory; but a lot were fresh creations—tortured sentimental effusions to women he had known and admired, and perhaps loved. Of course they might have been imaginary beings, fabricated in the smithy of his prison-fevered mind. One of the poems reads like a prayer to a much doubted, but fervently hoped for God:
Lord, I’ve had days black as pitch
And nights crimson as blood,
But they have passed over me, like water.
Let this one also pass over me, lightly,
Like a smooth rock rolling down the hill,
Down my back, my skin, like soothing water.
That, he wrote, was the prayer on his lips the day the cell door opened without warning and the superintendent, flanked by two baton-carrying warders, entered.
* * *
Monday, September
I had waited for this; perversely anticipated it with each day that passed, with each surreptitious sentence that I wrote. I knew it was me he came for when he stood there, looking bigger than life, bigger than the low, narrow cell. The two dogs with him licked their chops and growled. Their eyes roved hungrily over the petrified inmates caught sitting, or standing, or crouching; laughing, frowning, scratching—like figures in a movie still.
“Lomba, step forward!” his voice rang out suddenly. In the frozen silence it sounded like glass breaking on concrete, but harsher, without the tinkling. I was on my mattress on the floor, my back propped against the damp wall. I stood up. I stepped forward.
He turned the scowl on me. “So, Lomba. You are.”
“Yes. I am Lomba,” I said. My voice did not fail me. Then he nodded, almost imperceptibly, to the two warders. They bounded forward eagerly, like game hounds scenting a rabbit. One went to a tiny crevice low in the wall, almost hidden by my mattress. He threw aside the mattress and poked two fingers into the triangular crack. He came out with a thick roll of papers. He looked triumphant as he handed it to the superintendent. Their informer had been exact. The other hound reached unerringly into a tiny hole in the sagging, rain-patterned ceiling and brought out another tube of papers.
“Search. More!” the superintendent barked. He unrolled the tubes. He appeared surprised at the number of sheets in his hands. I was. I didn’t know I had written so much. When they were through with the holes and crevices, the dogs turned their noses to my personal effects. They picked up my mattress and shook and sniffed and poked. They ripped off the tattered cloth on its back. There were no papers there. They took the pillow-cum-rucksack (a jeans trouser-leg cut off at mid-thigh and knotted at the ankle) and poured out the contents on to the floor. Two threadbare shirts, one pair of trousers, one plastic comb, one toothbrush, one half-used bar of soap, and a pencil. They swooped on the pencil before it had finished rolling on the floor, almost knocking heads in their haste.
“A pencil!” the superintendent said, shaking his head, exaggerating his amazement. The prisoners were standing in a tight, silent arc. He walked the length of the arc, displaying the papers and pencil, clucking his tongue. “Papers. And pencil. In prison. Can you believe that? In my prison!”
I was sandwiched between the two hounds, watching the drama in silence. I felt removed from it all. Now the superintendent finally turned to me. He bent a little at the waist, pushing his face into mine. I smelt his grating smell; I picked out the white roots beneath his carefully dyed moustache.
“I will ask. Once. Who gave you. Papers?” He spoke like that, in jerky, truncated sentences.
I shook my head. I did my best to meet his red-hot glare. “I don’t know.”
Some of the inmates gasped, shocked; they mistook my answer for reckless intrepidity. They thought I was foolishly trying to protect my source. But in a few other eyes I saw sympathy. They understood that I had really forgotten where the papers came from.
“Hmm,” the superintendent growled. His eyes were on the papers in his hands; he kept folding and unfolding them. I was surprised he had not pounced on me yet. Maybe he was giving me a spell to reconsider my hopeless decision to protect whoever it was I was protecting. The papers. They might have blown in through the door bars on the sentinel wind that sometimes patrolled the prison yard in the evenings. Maybe a sympathetic warder, seeing my yearning for self-expression emblazoned neonlike on my face, had secretly thrust the roll of papers into my hands as he passed me in the yard. Maybe—and this seems more probable—I bought them from another inmate (anything can be bought here in prison, from marijuana to a gun). But I had forgotten. In prison, memory short-circuit is an ally to be cultivated at all costs.
“I repeat. My question. Who gave you the papers?” he thundered into my face, spraying me with spit.
I shook my head. “I have forgotten.”
I did not see it, but he must have nodded to one of the hounds. All I felt was the crushing blow on the back of my neck. I pitched forward, stunned by pain and the unexpectedness of it. My face struck the door bars and I fell before the superintendent’s boots. I saw blood where my face had touched the floor. I waited. I stared, mesmerized, at the reflection of my eyes in the high gloss of the boots’ toecaps. One boot rose and landed on my neck, grinding my face into the floor.
“So. You won’t. Talk. You think you are. Tough,” he shouted. “You are. Wrong. Twenty years! That is how long I have been dealing with miserable bastards like you. Let this be an example to all of you. Don’t. Think you can deceive me. We have our sources of information. You can’t. This insect will be taken to solitary and he will be properly dealt with. Until. He is willing to. Talk.”
I imagined his eyes rolling balefully round the tight, narrow cell, branding each of the sixty inmates separately. The boot pressed down harder on my neck; I felt a tooth bend at the root.
“Don’t think because you are political. Detainees you are untouchable. Wrong. You are all rats. Saboteurs. Anti-government rats. That is all. Rats.”
But the superintendent was too well versed in the ways of torture to throw me into solitary that very day. I waited two days before they came and blindfolded me and too
k me away to the solitary section. In the night. Forty-eight hours. In the first twenty-four hours I waited with my eyes fixed on the door, bracing myself whenever it opened; but it was only the cooks bringing the meal, or the number-check warders come to count the inmates for the night, or the slop-disposal team. In the second twenty-four hours I bowed my head into my chest and refused to look up. I was tired. I refused to eat or speak or move. I was rehearsing for solitary.
* * *
They came, at around ten at night. The two hounds. Banging their batons on the door bars, shouting my name, cursing and kicking at anyone in their path. I hastened to my feet before they reached me, my trouser-leg rucksack clutched like a shield in my hands. The light of their torch on my face was like a blow.
“Lomba!”
“Come here! Move!”
“Oya, out. Now!”
I moved, stepping high over the stirring bodies on the floor. The light fell on my rucksack.
“What’s that in your hand, eh? Where you think say you dey carry am go? Bring am. Come here! Move!”
* * *
Outside. The cell door clanked shut behind us. All the compounds were in darkness. Only security lights from poles shone at the sentry posts. In the distance, the prison wall loomed huge and merciless, like a mountain. Broken bottles. Barbed wire. Then they threw the blindfold over my head. My hands instinctively started to rise, but they were held and forced behind me and cuffed.
“Follow me.”
One was before me, the other was behind, prodding me with his baton. I followed the footsteps, stumbling. At first it was easy to say where we were. There were eight compounds within the prison yard; ours was the only one reserved for political detainees. There were four other Awaiting Trial men’s compounds surrounding ours. Of the three compounds for convicted criminals, one was for lifers and one, situated far away from the other compounds, was for condemned criminals. Now we had passed the central lawn where the warders conducted their morning parade. We turned left towards the convicted prisoners’ compounds, then right towards . . . we turned right again, then straight . . . I followed the boots, now totally disoriented. I realized that the forced march had no purpose to it, or rather its purpose was not to reach anywhere immediately. It was part of the torture. I walked. On and on. I bumped into the front warder whenever he stopped abruptly.
“What? You no de see? Idiot!”
Sometimes I heard their voices exchanging pleasantries and amused chuckles with other warders. We marched for over thirty minutes; my slippered feet were chipped and bloody from hitting into stones. My arms locked behind me robbed me of balance and often I fell down; then I’d be prodded and kicked. At some places—near the light poles—I was able to see brief shimmers of light. At other places the darkness was thick as walls, and eerie. I recalled the shuffling, chain-clanging steps we heard late at nights through our cell window. Reluctant, sad steps. Hanging victims going to the hanging room; or their ghosts returning. We’d lie in the dark, stricken by immobility as the shuffling grew distant and finally faded away.
Now we were on concrete, like a corridor. The steps in front halted. I waited. I heard metal knock against metal, then the creaking of hinges. A hand took my wrist, cold metal touched me as the handcuffs were unlocked. My hands felt light with relief. I must have been standing right before the cell door because when a hand on my back pushed me forward I stumbled inside. I was still blindfolded, but I felt the consistency of the darkness change: it grew thicker, I had to wade through it to feel the walls. That was all: walls so close together that I felt like a man in a hole. I reached down and touched a bunk. I sat down. I heard the door close. I heard footsteps retreating. When I removed the blindfold the darkness remained the same, only now a little air touched my face. I closed my eyes. I don’t know how long I remained like that, hunched forward on the bunk, my sore, throbbing feet on the floor, my elbows on my knees, my eyes closed.
As if realizing how close I was to tears, the smells got up from their corners, shook the dust off their buttocks and lined up to make my acquaintance—to distract me from my sad thoughts. I shook their hands one by one. Loneliness Smell, Anger Smell, Waiting Smell, Masturbation Smell, Fear Smell. The most noticeable was Fear Smell; it filled the tiny room from floor to ceiling, edging out the others. I did not cry. I opened my lips and slowly, like a Buddhist chanting his mantra, I prayed:
Let this one also pass over me, lightly,
Like a smooth rock rolling down the hill,
Down my back, my skin, like soothing water.
He was in solitary for three days. This is how he described the cell in his diary: The floor was about six feet by ten, and the ceiling was about seven feet from the floor. There were two pieces of furniture: the iron bunk with its tattered, lice-ridden mat, and the slop bucket in the corner.
His only contact with the outside was when his mess of beans, once daily at six p.m., was pushed into the cell through a tiny flap at the bottom of the wrought-iron door, and at precisely eight p.m. when the cell door was opened for him to take out the slop bucket and replace it with a fresh one. He wrote that the only way he distinguished night from day was by the movement of his bowels—in hunger or in purgation.
Then on the third day, late in the evening, things began to happen. Like Nichodemus, the superintendent came to him, covertly, seeking knowledge.
* * *
Third Day, Solitary Cell
When I heard metal touch the lock on the door I sat down from my blind pacing. I composed my countenance. The door opened, bringing in unaccustomed rays of light. I blinked. “Oh, sweet light, may your face meeting mine bring me good fortune.” When my eyes had adjusted to the light, the superintendent was standing on the threshold—the cell entrance was a tight, brightly lit frame around his looming form. He advanced into the cell and stood in the centre, before me in my disadvantaged position on the bunk. His legs were planted apart, like an A. He looked like a cartoon figure: his jodhpur-like uniform trousers emphasized the skinniness of his calves, where they disappeared into the glass-glossy boots. His stomach bulged and hung like a belted sack. He cleared his voice. When I looked at his face I saw his blubber lips twitching with the effort of an attempted smile. But he couldn’t quite carry it off. He started to speak, then stopped abruptly and began to pace the tiny space before the bunk. When he returned to his original position he stopped. Now I noticed the sheaf of papers in his hands. He gestured in my face with it.
“These. Are the. Your papers.” His English was more disfigured than usual. He was soaking wet with the effort of saying whatever it was he wanted to say. “I read. All. I read your file again. Also. You are journalist. This is your second year. Here. Awaiting trial. For organizing violence. Demonstration against. Anti-government demonstration against the military legal government.” He did not thunder as usual.
“It is not true.”
“Eh?” The surprise on his face was comical. “You deny?”
“I did not organize a demonstration. I went there as a reporter.”
“Well . . .” He shrugged. “That is not my business. The truth. Will come out at your. Trial.”
“But when will that be? I have been forgotten. I am not allowed a lawyer, or visitors. I have been awaiting trial for two years now . . .”
“Do you complain? Look. Twenty years I’ve worked in prisons all over this country. Nigeria. North. South. East. West. Twenty years. Don’t be stupid. Sometimes it is better this way. Can you win a case against government? Wait. Hope.”
Now he lowered his voice, like a conspirator. “Maybe there’ll be another coup, eh? Maybe the leader will collapse and die. He is mortal, after all. Maybe a civilian government will come. Then. There will be amnesty for all political prisoners. Amnesty. Don’t worry. Enjoy yourself.”
I looked at him, planted before me like a tree, his hands clasped behind him, the papi
er-mâché smile on his lips. Enjoy yourself. I turned the phrase over and over in my mind. When I lay to sleep rats kept me awake, and mosquitoes, and lice, and hunger, and loneliness. The rats bit at my toes and scuttled around in the low ceiling, sometimes falling on to my face from the holes in the ceiling. Enjoy yourself.
“Your papers,” he said, thrusting them at me once more. I was not sure if he was offering them to me. “I read them. All. Poems. Letters. Poems, no problem. The letters, illegal. I burned them. Prisoners sometimes smuggle out letters to the press to make us look foolish. Embarrass the government. But the poems are harmless. Love poems. And diaries. You wrote the poems for your girl, isn’t it?”
He bent forward, and clapped a hand on my shoulder. I realized with wonder that the man, in his awkward, flatfooted way, was making overtures of friendship to me. My eyes fell on the boot that had stepped on my neck just five days ago. What did he want?
“Perhaps because I work in prison. I wear uniform. You think I don’t know poetry, eh? Soyinka, Okigbo, Shakespeare.”
It was apparent that he wanted to talk about poems, but he was finding it hard to begin.
“What do you want?” I asked.
He drew back to his full height. “I write poems too. Sometimes,” he added quickly when the wonder grew and grew on my face. He dipped his hand into his jacket pocket and came out with a foolscap sheet of paper. He unfolded it and handed it to me. “Read.”
It was a poem; handwritten. The title was written in capital letters: “MY LOVE FOR YOU.”
Like a man in a dream, I ran my eyes over the bold squiggles. After the first stanza I saw that it was a thinly veiled imitation of one of my poems. I sensed his waiting. He was hardly breathing. I let him wait. Lord, I can’t remember another time when I had felt so good. So powerful. I was Samuel Johnson and he was an aspiring poet waiting anxiously for my verdict, asking tremulously, “Sir, is it poetry, is it Pindar?”
