by Uwe Tellkamp
Turmstrasse was busier, a squad of soldiers was marching in the direction of Bautzner Strasse, perhaps heading for the Waldcafé or the Tannhäuser Cinema or, more likely, to a dance in the Bird of Paradise Bar in the Schlemm Hotel; no, thought Meno, when he saw that the leader had a net of handballs slung over his shoulder, and recalled a plain notice on the advertising pillar on Planetenweg: a friendly between the German and Soviet brothers-in-arms in the sports hall in the grounds of the sanatorium. People were coming out of Sibyllenleite, from the funicular, some familiar faces among them; Meno nodded to Iris Hoffmann, who worked as an engineering draughtswoman for the VEB Pentacon combine, she nodded back. And there was the sweet chestnut outside Arbogast’s Institute already, there was the People’s Observatory behind the wall, the wide gate on rollers with the flashing light at the cobbled drive to the Institute buildings on Turmstrasse, there the modern cube of the Institute for Flow Research at the beginning of Holländische Leite, into which Meno turned. On Unterer Plan he waited at a high, wrought-iron gate; the elaborate Gothic tendrils combined to form a black gryphon; the top of the gate was in the shape of a bee lily.
Arbogast Castle appeared in all its glory. Castle wasn’t the official designation; the Baron preferred the more modest ‘House’ and that was what was written in high relief on a metal plate over the main entrance with the sweeping flight of steps. Many of the Tower-dwellers called it ‘Castle’, a designation that another property up there had: ‘Rapallo Castle’ below Sibyllenleite. But Rapallo Castle looked Mediterranean, had the bright lines of the south, a Riviera building in northern exile with stone scrolls and an elegantly curved roof, not a palace jagged with pinnacles and needlepoint ridge turrets like the one Meno was facing that made him think more of prehistoric animals, extinct dinosaurs with armoured scales and dragon’s spikes, than of a home with hot and cold running water.
Lights were going on and off, cutting changing stage sets out of the garden: the three flagpoles beside the steps appeared: the Soviet flag in faded red, the black-red-and-gold one with the hammer, compasses and wreath of grain, and the third flag, a yellow one with a black retort. Meno had never seen that flag before, perhaps it bore the coat of arms of the Lords of Arbogast. When windows in the east wing lit up, they illuminated the large Arbogast observatory, which, clad in white stone, looked like an owl’s egg in the sloping part of the garden. There were still a few minutes to go until five o’clock, the time for which Arbogast had invited Meno. He grasped the wrought iron of the gate, unsure whether he should ring now. At that moment an alarm bell began to blare, sirens joined in with their wail; lights burst on in the garden, flooding the paths with white brightness. A camera on a tubular stand rose like a ghost out of a flap in the ground, searched for a moment, then shot a flash at his face that looked as baffled as it was terrified. He staggered back, and it was a good thing too, for at the next moment two snarling bodies thumped into the gate; Meno thought, once he had recovered his sight, he recognized one of the two dogs as Kastshey. The camera hummed back into the ground. Once more Meno heard the shrill ‘heigh-ho’ boatman’s whistle, the dogs immediately left the gate and raced back with long bounds into the depths of the garden, where, after a few seconds, they silently disappeared. An intercom beside the gate crackled and a rusty female voice said, ‘Baron Arbogast is delighted you have come. Please use the little door in the wall beside the intercom.’ Until now Meno hadn’t noticed this door; it was less a door than a heavy steel bulkhead that slid up like the blade of a guillotine. Clutching his briefcase with his manuscript to him, Meno leapt through the opening. At the entrance he was received by a female dwarf in an apron, the pockets of which were packed full of clothes pegs. ‘Good evening, Herr Rohde. My name is Else Alke, I am Baron Arbogast’s housekeeper. He apologizes for not being here to welcome you himself and for keeping you waiting a little while. An important meeting. For Baroness Arbogast?’ The housekeeper pointed to the rose, which Meno quickly unwrapped. ‘Give it to me.’ She took the paper, raised her head and stared at Meno out of toad-green eyes. ‘The Baroness loves roses.’
I thought she would, Meno said to himself. While Alke was taking his coat and hat and putting them away, he looked round. He had taken his best suit out of the wardrobe, put on the best of the few shirts he owned, but the polished chessboard floor, the flame-patterned columns to the right and left separating gallery corridors from the hall, the heavy oak table: a black dragon carrying the top on its outspread wings, two solid-silver candelabra the height of a man on it flanking an oil painting, the rock-crystal chandelier filling the hall with soft light – all that made it clear to him that he was poor. He had also had that feeling when he had visited Jochen Londoner, Hanna’s father, but it wasn’t as strong as here, this was wealth that shouldn’t exist in socialism. Meno had already seen a few apartments of big-selling authors, of Party functionaries – never a house like this, however. The Party functionaries mostly had dubious taste, clearly deriving from their lower-middle-class background; it had also struck him that Party functionaries had no time for comfort without recognizable usefulness. The poor food at Barsano’s was notorious and the apartment he had furnished for himself in the extensive Block A complex was spartan. Here on the other hand … A door banged at the end of the left-hand colonnade, a man in a white coat came out and went, with echoing footsteps, bent over papers, without taking any notice of him, to the staircase. It was made of white marble with black spots, like a Dalmatian’s coat, and split into two wings that rose in an elegant curve to the first floor, where they came together in a balcony with a balustrade. On a thin-legged stand, like an easel, was a mirror that, as Meno realized when he went closer, was not made of glass but of metal. Meno adjusted his tie.
He heard the housekeeper’s rusty voice behind him. ‘The Baroness.’ Hurriedly he looked round at her, Else Alke nodded to him and pointed to the staircase. At the top a door opened and a woman in a hunting outfit came down to him.
‘Frau von Arbogast.’ My God, I really did sketch a kiss on the hand.
‘Herr Rohde. What a beautiful rose.’ She was visibly pleased.
‘Thank you very much for your invitation.’ How old can she be, fifty, sixty? Older? A face as brown as leather, a tough, supple figure. I wouldn’t want to go through the fires that have melted away every superfluous gram. And she does indeed have lilac hair.
‘It’s my husband you must thank. We’re delighted you’ve found the time to come and see us.’ Could she offer him something? Her husband was unfortunately still occupied, an urgent unscheduled meeting such as often cropped up in the stages of the formulation of the five-year plan. He had asked her to express his regret at his lack of punctuality, all the more so as he had explicitly requested that Herr Rohde be there as early as five o’clock. Would Herr Rohde be happy with her company until then? ‘Can I offer you something?’ They were standing at the bottom of the stairs and when he nodded, she made a gesture that he only understood when the housekeeper appeared. ‘Please put the rose in a vase and in my room. Something to drink for Herr Rohde.’ She raised her brows questioningly.
‘A glass of water, please.’
‘Oh, Herr Rohde. A glass of water. I’d like to give you something especially delicious. Bring us two glasses of pomegranate juice, please.’ They had been sent the fruit from the Black Sea, from Georgia, the Institute still had connections there. ‘There are various stories about us going round the district here. We are aware of that. The truth is that we worked in Sinop for ten years. It was good work and it was right that we did it.’ Was there anything else he wanted. He said no, observed her. How concerned she is. She’s like a ringmaster while the bareback riders are performing. That suit she’s wearing didn’t come from Exquisit. ‘That picture.’ He pointed to the oil painting over the dragon table. Frau von Arbogast couldn’t say. She handed Meno a glass and filled it and one for herself out of a carafe of blood-red pomegranate juice; the housekeeper held the tray and stared straight ahead as th
e Baroness drank with little hurried sips. Meno drank some, praised it. The juice was icy cold, of a velvety consistency and tasty; Meno closed his eyes, it was as if his throat were being coated in metal. The man in the white coat walked past again. ‘Herr Ritschel.’ The man stopped and turned round slowly, as if in slow motion or like someone who has to control an old rage, to face the Baroness. ‘Would you please tell my husband that I’m going to show Herr Rohde round the house for a while.’ Herr Ritschel turned round again, slightly more quickly, and plodded up the stairs.
‘By the way, I hope the dogs and the alarm system didn’t give you too much of a fright? It’s one of my husband’s passions, you know. He earned the money to set up his first firm by making cameras and alarm systems. The first camera went to me and burnt out, but that was intentional, Ludwig wanted to see me again … He’s so proud of his skill at making things.’ She examined her fingernails, took Meno’s empty glass and placed it beside her own on the tray that the housekeeper had left on the dragon table. ‘Yes, the picture. It’s very old. I brought it with me.’ The frame was square with sides of about six feet. The picture itself was in a circle that touched all four sides of the square but left the four corners free; they were painted over with copper paint and had an inscription with lots of flourishes that Meno couldn’t decipher. In a colonnade with stairs leading up to it, four men in long togas were quietly talking. In the foreground a man was sitting at a microscope; two men in green were standing by a telescope, one pointing up at the sky, the other observing an astrolabe with the seven planets; they looked like fruits ripening on his outstretched hand. A man with white hair was holding a carline thistle. A woman was doing calculations. In a meadow a child was playing; a wolf and a stag were drinking from a spring. A girl was holding a balance, a boy was drawing. Standing in the corner was someone with bad eyes. ‘Do you know what I always think when I see that man?’ The baroness pointed to a man in red with arms outstretched and face raised. ‘That he’s just about to invent the piano. Old Dutch school, that’s all I know; Ludwig says it’s a piece of good painting and I think he’s right, since most people who come to see us are interested in the picture. Fräulein Schevola, however, doesn’t think much of it … Too many old, learned men and if there has to be a woman, then a mathematician … She doesn’t like unjust pictures.’
‘Unjust?’
‘Pictures with totalitarian colours which are so strong that they demand humility and love, as she says. – You know Judith Schevola?’
‘From her books,’ Meno said, avoiding a direct answer.
‘She is a stimulating element in the circle of old debauchees who want to put the world to rights, some of whom you will meet this evening.’ She gave Meno a hard smile. ‘Let’s go. Ludwig would like you to see a few things before the others arrive. Ah, but he can show you them better than I.’ They went to meet Arbogast.
‘Herr Rohde. I’m delighted you’ve come. Please excuse my delay. Is there anything I can do for you? – Did you have some of our pomegranate juice brought out for him?’
‘Of course, Ludwig. – We were just looking at the picture. Herr Rohde was asking who painted it.’
‘You’re keen on painting? Oh, that is a pointless question to someone from Dresdner Edition.’ The Baron let go of Meno’s hand, which he, still standing on the bottom stair on which he was a good two heads higher than Meno, had been giving a weak but unceasing handshake.
‘I’ll go and check the preparations again. I’ll leave you two alone now.’
‘Of course, my jewel.’ Arbogast sketched a bow to his wife. She gave Meno a wink and left.
‘You must forgive my limp handshake, it’s what happens when you put your right hand in the one-million-volt electron-beam of a Van de Graaff generator. Do you know what that is? – Doesn’t matter. It corresponds to the ionizing effect of a hundred-kilogram radium source, which is, of course, purely hypothetical. Marie Curie had one gram at her disposal and for radium that is a considerable amount. So,’ Arbogast said coolly, looking at the blotchy burnt skin of his hand, ‘for the rest of my life as a physicist I’ll know what I’m talking about when I discuss radiation damage. My fingers are still a bit stiff … It’s something of an advantage at tennis. And Trude has never complained. My wife.’ Arbogast looked at the clock. ‘We still have fifty-two minutes and sixteen seconds before the official part of the evening begins. I would very much like to have a chat with you. If you’re agreeable?’ Arbogast spoke with a slightly nasal tone and a hint of a North German accent, which Meno had only just noticed from the way he pronounced the ‘st’ of stiff as ‘s-t’ rather than as the ‘sht’ usual elsewhere.
On the first storey the floor was made of smoothly polished clay-coloured stone with sea snails and ammonites that had been deposited in it; most were the size of a one-mark coin, a few had the diameter of a standard alarm clock, some that of a plate with the compartmentation clearly visible. Noticing Meno’s interest, Arbogast waited at the glass double door that had a proliferation of ferns engraved on it, bizarre plants with something of ice needles about them, very elaborately worked. The door handles were bronze sea horses.
Arbogast led Meno through a room with a conference table, at which Herr Ritschel and a few other white-coated assistants, without looking up, were slowly leafing through periodicals, to his study, quietly waving away Meno’s attempt at a general greeting. His study adjoined the conference room and was very plainly furnished: a large desk with two telephones, two chairs at an obtuse angle to each other, bookshelves that Meno scrutinized with curiosity the moment he went in: novels by Karl May stood beside handbooks of optics, a few Dresdner Edition volumes beside leather-bound annual numbers of physics journals. Meno couldn’t work out the system by which the books were ordered until he noticed that the books on any one shelf were all of the same height.
‘It looks better, I like this order, that might seem barbaric to you but, you know … Let’s sit down. Do you smoke?’
‘Now and then,’ Meno lied, ‘rarely and … not here, Herr Professor.’
‘We can abandon the formalities, Herr Rohde. Feel free as far as smoking is concerned, I’ve breathed in a fair number of substances.’ A thin smile appeared behind his steel-rimmed spectacles. ‘Be my guest.’
From his chair Meno could let his eye roam round the room unobtrusively. He had the impression that Arbogast noticed his curiosity and even approved of it, despite the fact that it wasn’t very polite to have a good look round while they were talking. Meno briefly wondered whether the chairs were deliberately placed at that angle to each other in order to allow guests to look round unobtrusively … At least it didn’t seem to bother Arbogast that Meno took advantage of the opportunity and that his answers were rather monosyllabic. Arbogast talked about Urania and the usual course the evenings took. He had crossed his legs and jiggled his foot in time to his words, and waggled his toes so that the leather of his snakeskin slippers was constantly undulating; in addition, though slightly out of time, Arbogast underlined his words with gestures of his long hands; Meno could see the black scarab slipping up and down on his ring finger. On the wall behind the desk were some framed tables and a coloured representation of the human organs of vision with the eye, suspended from fine ligaments, shown in various sections and perspectives. They were, as far as Meno could tell, physical and mathematical tables, but he couldn’t make head or tail of the one in the middle. Arbogast noticed what he was looking at. ‘That table is, in fact, only related to the others in general terms. I have been keeping it since I was young, since the inflation period, to be precise. On the left are the individuals I have got to know. On the right the amount of money needed to bribe each one.’ The Baron smiled. ‘I was always expensive, you know. Very expensive. To be able to afford that is part of an idea of freedom that is unfortunately misunderstood nowadays. You should tell me where you come some time.’ There was a knock at the door. Herr Ritschel came in. He pushed a cart with rubber tyres across the floor. With a
gesture of apology Arbogast stood up, Meno as well, when Ritschel turned his head slowly in his direction. His eye sockets were unusually deep and shadowed, did he have eyes at all … ?
‘The models, series D,’ Herr Ritschel murmured, giving each syllable the same emphasis. In the cart were several A4-size blocks of some transparent synthetic material, all veined with coloured lines.
‘You’re a zoologist, Herr Rohde,’ said Arbogast, waving him over, ‘you will be interested in this.’ There were eyes with nerve fibres and visual pathways each leading to a piece of the cerebral cortex, coloured light blue, the visual cortex where the brain creates an image of the world from the optical impressions pouring in.
