Seven Lies (ARC)

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Seven Lies (ARC) Page 12

by Elizabeth Kay


  04

  I heard her laugh. Her humor was wicked. It still had the power to

  05

  shock me, even when my mind was filled with her thoughts, her wit,

  06

  her traumas.

  07

  I pulled on my dressing gown and secured the belt around my waist.

  08

  It was dark purple and worn, the fibers clumping together along the

  09

  sleeves where something had once been spilled. It had belonged to Jon-

  10

  athan and was far too big for me. The shoulder seams sat inches down

  11

  my upper arms and the hem hung below my knees, almost touching my

  12

  feet. He’d worn it whenever he’d woken early on weekends to prepare

  13

  a cooked breakfast.

  14

  I opened the front door. She was wearing a thick navy jumper and

  15

  loose jeans cropped above her ankles. Her white socks looked like those

  16

  we’d worn in primary school, thick with elasticated bands at the top

  17

  and fabric bobbles along the fringes of white trainers. Her hair had been 18

  trimmed, cut short to mirror her jawline, sliding into a pointed chin.

  19

  “About bloody time,” Emma said. “You look like shit.”

  20

  I turned to look at myself in the small round mirror that hung from

  21

  a nail on the wall in the hallway. I hadn’t removed my makeup the night

  22

  before. My eyes were surrounded by smudges of black and my lipstick

  23

  had bled into the folds around my mouth.

  24

  I shrugged. “It was a good night.”

  25

  “Good?” she asked. “Your best friend’s wedding and all you can say

  26

  is good? Is that it?”

  27

  She handed me a brown paper bag filled with pastries. I peered in-

  28

  side: a plain butter croissant, a pain au chocolat.

  29

  “For you,” she said.

  30

  She headed toward the sofa and curled herself into the cushions, her

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  feet coiled beneath her, sinking into my furniture, very much at home

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  here. I poured myself a glass of orange juice from the fridge.

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  S E V E N L I E S

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  “It was great,” I said instead. “A really great night. That better?”

  01

  “Urgh, that’s even worse,” she groaned. “You’re rubbish at this. Tell

  02

  me something interesting. Were there any arguments? Any fights? Who

  03

  got to sleep with the maid of honor?”

  04

  “No one got to sleep with the maid of honor,” I replied. “And no

  05

  fights, as far as I’m aware.”

  06

  “Charles on his best behavior, then?” she asked. “Not too much of

  07

  a cunt?”

  08

  “Not too bad,” I said. “Although there was this one thing right at the

  09

  end of the evening.”

  10

  My flat is surrounded by other flats on all sides but one and is always

  11

  that little bit too warm. So whenever I have guests— which, frankly, isn’t 12

  very often— I watch them gradually undress throughout the course of

  13

  their visit. At first, it’s just their coats and sweaters, then it’s their shoes 14

  and cardigans, and eventually they are sitting sockless in strap vests.

  15

  Emma was no different. But I was frightened by what I saw that day.

  16

  She lifted her jumper over her head. Her shoulder bones were sit-

  17

  ting high above the flesh of her shoulders. Her collarbones protruded,

  18

  pressing against her skin and stretching it, so that it looked too thin,

  19

  almost translucent. Her upper arms were scrawny, like the wings of a

  20

  bird, all skin and bone and no fat at all.

  21

  I took a sharp breath, a sigh in reverse, and Emma looked up with

  22

  her eyes wide and wary.

  23

  “Don’t,” she said, reading the concern written in the crease at the

  24

  center of my forehead and between my eyebrows. “I’m not interested.”

  25

  “ Em . . .” I said, but then she looked at me, fierce and unblinking,

  26

  and I knew that there was nothing more to say.

  27

  Emma was twelve when she first fell between the gaps in our con-

  28

  centration. I don’t remember the early days of her illness. I was so busy 29

  revising, so focused on things that would never matter to me— quadratic

  30

  equations, the formula for respiration, river landscapes— that I failed to S31

  recognize the deterioration of the thing that mattered most of all.

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  E L I Z A B E T H K AY

  01

  It was July, I think. Emma and I had both finished school for the

  02

  summer— if I remember rightly Marnie was in the South of France—

  03

  and our parents were busy, as ever, hacking away at their marriage with

  04

  pickaxes disguised in insults and eye rolls. It was hot, too hot for En-

  05

  gland, the temperature over eighty- five degrees. We went to the open-

  06

  air pool and I squeezed our towels in between the hundreds of others,

  07

  the families with five children dipping and diving and running dripping

  08

  across the grass, the women with their curves, the older couples sitting

  09

  with their newspapers on folding chairs. I was wearing a swimsuit and

  10

  I was sweating in the sun, moisture trickling between my breasts, drop-

  11

  lets simmering on my top lip. Emma was wearing knee- length shorts

  12

  and a woolen jumper, and she was shivering. I wanted her to go in the

  13

  pool with me, but she wouldn’t: she said something about valuables,

  14

  but we had none, just towels and clothing and one book each. I nagged,

  15

  of course, because I’m an older sister and that is my right, and eventu-

  16

  ally she relented. I remember her easing her jumper over her head, and

  17

  her shoulders and collarbones were so much worse then, desperate to

  18

  escape her body, pushing at her thin, fair skin. She slipped her shorts

  19

  over her thighs and her legs were shapeless, straight lines of bone with

  20

  so little flesh, so little depth. She stared at me, challenging me to re-

  21

  spond to her frail, frightful body, and I said nothing.

  22

  Over the next few months I forced food onto her pla
te and some-

  23

  times she ate it and sometimes she didn’t. And then she was better,

  24

  briefly. And then she was worse again. And the next couple of years

  25

  continued in this pattern, never in the best of health, never in the worst, 26

  until I left for university when she was just fourteen. And then there

  27

  were very few peaks and so many troughs. Until eventually even my

  28

  parents could no longer deny the situation sitting there at their dining

  29

  table and she was hospitalized and then released and then eventually

  30

  hospitalized again.

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  I know that this casts her as a very particular character in a very

  32N

  particular story. But, if you’d met Emma— I wish that you had; you’d

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  S E V E N L I E S

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  have liked her, I think— you’d know that she wasn’t that person at all.

  01

  Emma was never a victim. She was sick, yes, and for a very long time,

  02

  but that was such a small part of her narrative.

  03

  Her sickness existed somewhere within her, a strange plague that

  04

  she couldn’t control, there in her mind and in her bones and in the very

  05

  tissue of her being. It was a significant part of her life, but think of it as 06

  a path that she didn’t choose, didn’t want, but that she learned to travel 07

  in her own way. She eventually chose not to be treated anymore and I

  08

  did my very best to respect that decision.

  09

  “Stop looking at me like that,” she said, curling up on my sofa,

  10

  shielding herself, hiding behind her jumper. “Like you’ve seen a ghost.”

  11

  I raised an eyebrow; I couldn’t help it.

  12

  For years— for almost my entire time at university— I had night-

  13

  mares about Emma’s corpse. I would be dreaming of something else

  14

  when, in the middle of whatever I was envisaging— holidays, lecture

  15

  halls, Marnie— I would discover Emma’s dead body, her limbs stiff and

  16

  blue, eyes clouded and open wide. I would wake gasping for air, sweat-

  17

  ing and shaking in cold, damp sheets.

  18

  “Fuck’s sake,” she said eventually, pulling her jumper back over her

  19

  head. “It’s fine. I’m fine.”

  20

  And I had no choice but to let it go. There was nothing to be gained

  21

  in an argument and everything to be lost.

  22

  “Charles,” she said, patting the space beside her on the sofa. “You

  23

  were saying.”

  24

  I sat down and recalled the events of the previous evening. I told her

  25

  about his slurring, the endless bottles of champagne, the relentless top-26

  ups. I talked about his arm draped over my shoulder, the coarse fabric

  27

  of his starchy white shirt at the back of my neck. I closed my eyes; I

  28

  knew that I was blushing as I described his palm falling over my breast,

  29

  his fingertips over my nipple. I explained the space that expanded be-

  30

  tween us, the bright white of Marnie’s dress as she approached and her

  S31

  beside us and that sense of something being sucked back into its box.

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  E L I Z A B E T H K AY

  01

  Emma was wide- eyed, openmouthed. “And what did she say?” Emma

  02

  whispered.

  03

  “Nothing,” I replied. “She didn’t say anything. She didn’t see any-04

  thing.”

  05

  “She didn’t see anything at all?” Emma looked down at the cushion

  06

  clutched to her chest.

  07

  “Are you quite sure?” she asked. “Definitely sure? This definitely

  08

  happened exactly like that? He wasn’t just drunk and loose- limbed and

  09

  a little bit handsy without really meaning to be?”

  10

  I shrugged. “Maybe,” I replied.

  11

  “Although it’s not very Charles to be anything other than exactly

  12

  what he means to be really, is it? That’s not really him at all.”

  13

  I smiled. Emma had never met Charles. So the only version of him

  14

  that she knew was mine.

  15

  Here, then, is something that I’ve thought about regularly over the

  16

  last few months. Emma didn’t know Charles. She had no reason to

  17

  doubt my experience, no reason not to believe that he really was a de-

  18

  praved pervert who would grope the maid of honor at his own wedding

  19

  and in front of his beautiful wife. And yet Emma’s instinctive response

  20

  was to question not Charles’s character but my version of events. What

  21

  does that say about me? About my capacity for truth? About my ability

  22

  to accurately read a situation?

  23

  Does it, in fact, suggest that Charles was innocent of all wrongdoing

  24

  that evening? That the error of judgment was mine and mine alone? I

  25

  don’t think so, but it’s worth your consideration. This is my truth, after 26

  all. And that is not the same as the truth.

  27

  “Are you going to tell Marnie?” she asked. “That her new husband

  28

  groped you? Because I really think that would be a bad idea.”

  29

  I shook my head.

  30

  “Still creepy, though,” she continued. “Definitely odd.” She rotated

  31S

  the cushion in front of her chest, pinching it at the corners, spinning it 32N

  like a wheel. “Were you scared?” she asked.

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  S E V E N L I E S

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  “Of Charles?”

  01

  “Yeah,” she said. “Like, did it frighten you?”

  02

  “No,” I said, instinctively. “No. Not really.”

  03

  And as soon as I’d said the words, I realized that they weren’t true.

  04

  I had been scared. Not terrified. It wasn’t like that. But unnerved and

  05

  uneasy and suddenly very aware of myself as something much smaller

  06

  stuck in the presence of something much bigger. And it was more than

  07

  the small fear that I often feel in situations that I cannot predict. It was 08

  more than the walk home from the tube station late at night and a

  09

  man’s footsteps behind me,
and more than someone standing too close

  10

  at a pedestrian crossing, and more than a group huddled up ahead in

  11

  the tunnel beneath the railway tracks. Because this was calculated. It

  12

  had purpose, an objective— and if it was to make me feel frightened,

  13

  then it had succeeded.

  14

  “How was Mum?” I asked.

  15

  Emma looked down at the floor and fiddled with a strand of wool

  16

  hanging loose from her jumper. “I didn’t go,” she replied. “I just . . . I 17

  couldn’t.”

  18

  I exhaled slowly, trying very hard not to sigh. I had explained sev-

  19

  eral times to my mother— I’d even written it on her calendar— that I

  20

  wouldn’t be coming that Saturday, because of the wedding, but that

  21

  Emma would be there instead.

  22

  “Don’t tell me off,” said Emma. “Please don’t. I called. I told the re-

  23

  ceptionist. I just couldn’t do it. Okay? I just couldn’t.”

  24

  When we were younger, still children, my mother and my sister

  25

  were incredibly close. It looked quite disgusting to me, to be fused so

  26

  snugly to somebody else. And yet while Emma sometimes struggled

  27

  with feeling so stifled— and would briefly escape to spend time with

  28

  me elsewhere in the house— she needed my mother in a myriad of

  29

  ways: emotionally, practically, for comfort and company. She was a

  30

  worrier, like my mother, even then, and was uncomfortable and uneasy

  S31

  around new people. She hid behind my mother’s legs in strange places,

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  E L I Z A B E T H K AY

  01

  peering between her thighs. At home, she followed my mother between

  02

  rooms, wanting to help in the kitchen, with the cleaning, with what-

  03

  ever it was that our mother was doing. In the evenings, she liked to be

  04

  cuddled and read to and bathed. Emma needed my mother and my

  05

  mother needed to be needed.

  06

  But when Emma really needed my mother— when she really needed

  07

  support and love and strength— she received nothing. Her anchor

  08

  slipped away, embarrassed at the very nature of the need. I look back

  09

  now, and I know that my mother was simply frightened. She was never

  10

  idealistic, and she must have known what was happening and how

  11

 

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