My daily routine rarely varies. I rise at seven. First Feeding. Then I clean my skin (my outer one, the Earthskin, I mean) and dress. From eight to ten I transmit data to Home-world. Then I go out for the morning field trip: talking to people, buying newspapers, often some library research. At one I return to my room. Second Feeding. I transmit data from two to five. Out again, perhaps to the theater, to a motion picture, to a political meeting. I must soak up the flavor of this planet. Often to saloons; I am equipped for ingesting alcohol, though of course I must get rid of it before it has been in my body very long, and I drink and listen and sometimes argue. At midnight back to my room. Third Feeding. Transmit data from one to four in the morning. Then three hours of sleep, and at seven the cycle begins anew. It is a comforting schedule. I don't know how many agents Homeworld has on Earth, but I like to think that I'm one of the most diligent and useful. I miss very little. I've done good service, and, as they say here, hard work is its own reward. I won't deny that I hate the physical discomfort of it and frequently give way to real despair over my isolation from my own kind. Sometimes I even think of asking for a transfer to Homeworld. But what would become of me there? What services could I perform? I have shaped my life to one end: that of dwelling among the Earthfolk and reporting on their ways. If I give that up, I am nothing.
Of course there is the physical pain. Which is considerable.
The gravitational pull of Earth is almost twice that of Homeworld. It makes for a leaden life for me. My inner organs always sagging against the lower rim of my carapace. My muscles cracking with strain. Every movement a willed effort. My heart in constant protest. In my eleven years I have as one might expect adapted somewhat to the conditions; I have toughened, I have thickened. I suspect that if I were transported instantly to Homeworld now I would be quite giddy, baffled by the lightness of everything. I would leap and soar and stumble, and might even miss this crushing pull of Earth. Yet I doubt that. I suffer here; at all times the weight oppresses me. Not to sound too self-pitying about it. I knew the conditions in advance. I was placed in simulated Earth gravity when I volunteered, and was given a chance to withdraw, and I decided to go anyway. Not realizing that a week under double gravity is not the same thing as a lifetime. I could always have stepped out of the simulation chamber. Not here. The eternal drag on every molecule of me. The pressure. My flesh is always in mourning.
And the outer body I must wear. This cunning disguise. Forever to be swaddled in thick masses of synthetic flesh, smothering me, engulfing me. The soft slippery slap of it against the self within. The elaborate framework that holds it erect, by which I make it move: a forest of struts and braces and servoactuators and cables, in the midst of which I must unendingly huddle, atop my little platform in the gut. Adopting one or another of various uncomfortable positions, constantly shifting and squirming, now jabbing myself on some awkwardly placed projection, now trying to make my inflexible body flexibly to bend. Seeing the world by periscope through mechanical eyes. Enwombed in this mountain of meat. It is a clever thing; it must look convincingly human, since no one has ever doubted me, and it ages ever so slightly from year to year, graying a bit at the temples, thickening a bit at the paunch. It walks. It talks. It takes in food and drink, when it has to. (And deposits them in a removable pouch near my leftmost arm.) And I within it. The hidden chess player; the invisible rider. If I dared, I would periodically strip myself of this cloak of flesh and crawl around my room in my own guise. But it is forbidden. Eleven years now and I have not been outside my protoplasmic housing. I feel sometimes that it has come to adhere to me, that it is no longer merely around me but by now a part of me.
In order to eat I must unseal it at the middle, a process that takes many minutes. Three times a day I unbutton myself so that I can stuff the food concentrates into my true gullet. Faulty design, I call that. They could just as easily have arranged it so I could pop the food into my Earth-mouth and have it land in my own digestive tract. I suppose the newer models have that. Excretion is just as troublesome for me; I unseal, reach in, remove the cubes of waste, seal my skin again. Down the toilet with them. A nuisance.
And the loneliness! To look at the stars and know Homeworld is out there somewhere! To think of all the others, mating, chanting, dividing, abstracting, while I live out my days in this crumbling hotel on an alien planet, tugged down by gravity and locked within a cramped counterfeit body—always alone, always pretending that I am not what I am and that I am what I am not, spying, questioning, recording, reporting, coping with the misery of solitude, hunting for the comforts of philosophy—
In all of this there is only one real consolation, aside, that is, from the pleasure of knowing that I am of service to Homeworld. The atmosphere of New York City grows grimier every year. The streets are full of crude vehicles belching undigested hydrocarbons. To the Earthfolk, this stuff is pollution, and they mutter worriedly about it. To me it is joy. It is the only touch of Homeworld here: that sweet soup of organic compounds adrift in the air. It intoxicates me. I walk down the street breathing deeply, sucking the good molecules through my false nostrils to my authentic lungs. The natives must think I'm insane. Tripping on auto exhaust! Can I get arrested for overenthusiastic public breathing? Will they pull me in for a mental checkup?
Elizabeth Cooke continues to waft wistful attentions at me. Smiles in the hallway. Hopeful gleam of the eyes. "Perhaps we can have dinner together some night soon, Mr. Knecht. I know we'd have so much to talk about. And maybe you'd like to see the new poems I've been doing." She is trembling. Eyelids flickering tensely; head held rigid on long neck. I know she sometimes has men in her room, so it can't be out of loneliness or frustration that she's cultivating me. And I doubt that she's sexually attracted to my outer self. I believe I'm being accurate when I say that women don't consider me sexually magnetic. No, she loves me because she pities me. The sad shy bachelor at the end of the hall, dear unhappy Mr. Knecht; can I bring some brightness into his dreary life? And so forth. I think that's how it is. Will I be able to go on avoiding her? Perhaps I should move to another part of the city. But I've lived here so long; I've grown accustomed to this hotel. Its easy ways do much to compensate for the hardships of my post. And my familiar room. The huge many-paned window; the cracked green floor tiles in the bathroom; the lumpy patterns of replastering on the wall above my bed. The high ceiling; the funny chandelier. Things that I love. But of course I can't let her try to start an affair with me. We are supposed to observe Earthfolk, not to get involved with them. Our disguise is not that difficult to penetrate at close range. I must keep her away somehow. Or flee.
Incredible! There is another of us in this very hotel!
As I learned through accident. At one this afternoon, returning from my morning travels: Elizabeth in the lobby, as though lying in wait for me, chatting with the manager. Rides up with me in the elevator. Her eyes looking into mine. "Sometimes I think you're afraid of me," she begins. "You mustn't be. That's the great tragedy of human life, that people shut themselves up behind walls of fear and never let anyone through, anyone who might care about them and be warm to them. You've got no reason to be afraid of me." I do, but how to explain that to her? To sidestep prolonged conversation and possible entanglement I get off the elevator one floor below the right one. Let her think I'm visiting a friend. Or a mistress. I walk slowly down the hall to the stairs, using up time, waiting so she will be in her room before I go up. A maid bustles by me. She thrusts her key into a door on the left: a rare faux pas for the usually competent help here, she forgets to knock before going in to make up the room. The door opens and the occupant, inside, stands revealed. A stocky, muscular man, naked to the waist. "Oh, excuse me," the maid gasps, and backs out, shutting the door. But I have seen. My eyes are quick. The hairy chest is split, a dark gash three inches wide and some eleven inches long, beginning between the nipples and going past the navel. Visible within is the black shiny surface of a Homeworld carapace. My countryman, openi
ng up for Second Feeding. Dazed, numbed, I stagger to the stairs and pull myself step by leaden step to my floor. No sign of Elizabeth. I stumble into my room and throw the bolt. Another of us here? Well, why not? I'm not the only one. There may be hundreds in New York alone. But in the same hotel? I remember, now, I've seen him occasionally: a silent, dour man, tense, hunted-looking, unsociable. No doubt I appear the same way to others. Keep the world at a distance. I don't know his name or what he is supposed to do for a living.
We are forbidden to make contact with fellow Homeworlders except in case of extreme emergency. Isolation is a necessary condition of our employment. I may not introduce myself to him; I may not seek his friendship. It is worse now for me, knowing that he is here, than when I was entirely alone. The things we could reminisce about! The friends we might have in common! We could reinforce one another's endurance of the gravity, the discomfort of our disguises, the vile climate. But no. I must pretend I know nothing. The rules. The harsh, unbending rules. I to go about my business, he his; if we meet, no hint of my knowledge must pass.
So be it. I will honor my vows. But it may be difficult.
He goes by the name of Swanson. Been living in the hotel eighteen months; a musician of some sort, according to the manager. "A very peculiar man. Keeps to himself; no small talk, never smiles. Defends his privacy. The other day a maid barged into his room without knocking and I thought he'd sue. Well, we get all sorts here." The manager thinks he may actually be a member of one of the old European royal families, living in exile, or something romantic. The manager would be surprised.
I defend my privacy too. From Elizabeth, another assault on it.
In the hall outside my room. "My new poems," she said. "In case you're interested." And then: "Can I come in? I'd read them to you. I love reading out loud." And: "Please don't always seem so terribly afraid of me. I don't bite, David. Really I don't. I'm quite gentle."
"I'm sorry."
"So am I." Anger, now, lurking in her shiny eyes, her thin taut lips. "If you want me to leave you alone, say so, I will. But I want you to know how cruel you're being. I don't demand anything from you. I'm just offering some friendship. And you're refusing. Do I have a bad smell? Am I so ugly? Is it my poems you hate and you're afraid to tell me?"
"Elizabeth—"
"We're only on this world such a short time. Why can't we be kinder to each other while we are? To love, to share, to open up. The reality trip. Communication, soul to soul." Her tone changed. An artful shading. "For all I know, women turn you off. I wouldn't put anybody down for that. We've all got our ways. But it doesn't have to be a sexual thing, you and me. Just talk. Like, opening the channels. Please? Say no and I'll never bother you again, but don't say no, please. That's like shutting a door on life, David. And when you do that, you start to die a little."
Persistent. I should tell her to go to hell. But there is the loneliness. There is her obvious sincerity. Her warmth, her eagerness to pull me from my lunar isolation. Can there be harm in it? Knowing that Swanson is nearby, so close yet sealed from me by iron commandments, has intensified my sense of being alone. I can risk letting Elizabeth get closer to me. It will make her happy; it may make me happy; it could even yield information valuable to Home-world. Of course I must still maintain certain barriers.
"I don't mean to be unfriendly. I think you've misunderstood, Elizabeth. I haven't really been rejecting you. Come in. Do come in." Stunned, she enters my room. The first guest ever. My few books; my modest furnishings; the ultrawave transmitter, impenetrably disguised as a piece of sculpture. She sits. Skirt far above the knees. Good legs, if I understand the criteria of quality correctly. I am determined to allow no sexual overtures. If she tries anything, I'll resort to—I don't know—hysteria. "Read me your new poems," I say. She opens her portfolio. Reads.
In the midst of the hipster night of doubt and
Emptiness, when the bad-trip god came to me with
Cold hands, I looked up and shouted yes at the
Stars. And yes and yes again. I groove on yes;
The devil grooves on no. And I waited for you to
Say yes, and at last you did. And the world said
The stars said the trees said the grass said the
Sky said the streets said yes and yes and yes—
She is ecstatic. Her face is flushed; her eyes are joyous. She has broken through to me. After two hours, when it becomes obvious that I am not going to ask her to go to bed with me, she leaves. Not to wear out her welcome. "I'm so glad I was wrong about you, David," she whispers. "I couldn't believe you were really a life-denier. And you're not." Ecstatic.
I am getting into very deep water.
We spend an hour or two together every night. Sometimes in my room, sometimes in hers. Usually she comes to me, but now and then, to be polite, I seek her out after Third Feeding. By now I've read all her poetry; we talk instead of the arts in general, politics, racial problems. She has a lively, well-stocked, disorderly mind. Though she probes constantly for information about me, she realizes how sensitive I am, and quickly withdraws when I parry her. Asking about my work; I reply vaguely that I'm doing research for a book, and when I don't amplify she drops it, though she tries again, gently, a few nights later. She drinks a lot of wine, and offers it to me. I nurse one glass through a whole visit. Often she suggests we go out together for dinner; I explain that I have digestive problems and prefer to eat alone, and she takes this in good grace but immediately resolves to help me overcome those problems, for soon she is asking me to eat with her again. There is an excellent Spanish restaurant right in the hotel, she says. She drops troublesome questions. Where was I born? Did I go to college? Do I have family somewhere? Have I ever been married? Have I published any of my writings? I improvise evasions. Nothing difficult about that, except that never before have I allowed anyone on Earth such sustained contact with me, so prolonged an opportunity to find inconsistencies in my pretended identity. What if she sees through?
And sex. Her invitations grow less subtle. She seems to think that we ought to be having a sexual relationship, simply because we've become such good friends. Not a matter of passion so much as one of communication: we talk, sometimes we take walks together, we should do that together too. But of course it's impossible. I have the external organs but not the capacity to use them. Wouldn't want her touching my false skin in any case. How to deflect her? If I declare myself impotent she'll demand a chance to try to cure me. If I pretend homosexuality she'll start some kind of straightening therapy. If I simply say she doesn't turn me on physically she'll be hurt. The sexual thing is a challenge to her, the way merely getting me to talk with her once was. She often wears the transparent pink shawl that reveals her breasts. Her skirts are hip high. She does herself with aphrodisiac perfumes. She grazes my body with hers whenever opportunity arises. The tension mounts; she is determined to have me.
I have said nothing about her in my reports to Homeworld. Though I do transmit some of the psychological data I have gathered by observing her.
"Could you ever admit you were in love with me?" she asked tonight.
And she asked, "Doesn't it hurt you to repress your feelings all the time? To sit there locked up inside yourself like a prisoner?"
And, "There's a physical side of life too, David. I don't mind so much the damage you're doing to me by ignoring it. But I worry about the damage you're doing to you."
Crossing her legs. Hiking her skirt even higher.
We are heading toward a crisis. I should never have let this begin. A torrid summer has descended on the city, and in hot weather my nervous system is always at the edge of eruption. She may push me too far. I might ruin everything. I should apply for transfer to Homeworld before I cause trouble. Maybe I should confer with Swanson. I think what is happening now qualifies as an emergency.
Elizabeth stayed past midnight tonight. I had to ask her finally to leave: work to do. An hour later she pushed an envelope under my door. Newest
poems. Love poems. In a shaky hand: "David you mean so much to me. You mean the stars and nebulas. Can't you let me show my love? Can't you accept happiness? Think about it. I adore you."
What have I started?
103°F. today. The fourth successive day of intolerable heat. Met Swanson in the elevator at lunch time; nearly blurted the truth about myself to him. I must be more careful. But my control is slipping. Last night, in the worst of the heat, I was tempted to strip off my disguise. I could no longer stand being locked in here, pivoting and ducking to avoid all the machinery festooned about me. Resisted the temptation; just barely. Somehow I am more sensitive to the gravity too. I have the illusion that my carapace is developing cracks. Almost collapsed in the street this afternoon. All I need: heat exhaustion, whisked off to the hospital, routine fluoroscope exam. "You have a very odd skeletal structure, Mr. Knecht." Indeed. Dissecting me, next, with three thousand medical students looking on. And then the United Nations called in. Menace from outer space. Yes. I must be more careful. I must be more careful. I must be more—
Aliens Among Us Page 8
