Jane looked around. He didn't recognise these streets. No signs. No buses bearing destination boards. A row of skulls in rags leered at him from the melted plastic bench under a bus shelter like a comedy audience in between laughs, waiting for the next gag. The buildings had lost any detail that might have pointed to an era or an architect. Blunted, edgeless edifices. Polished office blocks of steel and glass were now riddled dark monoliths, floors bowing with rain.
They moved quickly, hesitantly, dashing to doorways in a bid to find some plaque that would tell them where they were, or a forgotten piece of post behind the door bearing an address. Jane hated the way they scurried around, like mice knowing there was a predator on the wing.
Behind one door was a lipless drop into a benighted chasm that Jane almost toppled over. Becky's hand on his belt saved him a fall that might have lasted minutes. It was like staring in on his own nightmares.
Eventually they hit a series of junctions that pulled at Jane's memory. He took a turning, then another, came back, stared and thought and went another way. With each step he felt knowledge return. It gave him the same sense of relief as an accident missed by inches.
'This way,' he said.
'Where are we?'
'Good news, I think,' Jane said. 'I thought we might be heading towards the Tower, and trouble. But we're further north than that. I think Liverpool Street Station is up here. Which means we're close.'
The shattered forecourt of the station announced itself moments later. They bypassed it on their left, mindful of the baleful stare of figures hunched into the glittering cave of an old coffee shop where coals burned cherry red and something indistinct turned on a makeshift spit. They crossed the road and turned right. A web of ginnels and alleys where small restaurants and wine bars had once enjoyed brisk business at the weekends when the old Spitalfields Market had traded were now host to slouching gangs drinking red biddy or wrestling in the icy mud on the cobblestones. There were others, still and emaciated, sitting on kerbs at the very end of life, blood leaking from their eyes or smeared across their faces as it seeped from noses and gums. They were paper, these people, all but ready to be blown entirely away by the tireless winds. You could see the grooves and notches on their bones through the skin. The recessions and tugs in throat and stomach at each drawn breath was so pronounced that it seemed they must implode. You could hear the suck of it over the muted roar of weather, like something being rescued from thin mud. Becky and Jane moved silently through them, eyes averted whenever possible, knowing that this was them in time.
'Where do we find Plessey?'
'He's inside,' Jane said, gesturing with his chin at the sacked remnants of the old market. Much of the façade was caved in; the ironwork frame remained, albeit malformed by fire, along with dozens of roasted trestles, warehouse trolleys, roll-cage containers and lampblack scaffolds. 'Or he should be. I've only ever seen him here. Aidan likes his shop. Lots of stuff to look at.'
They moved through the wreckage like vacationers at the beach searching for rock pools. In a far corner of the great hall was a shop with its windows boarded over, reinforced with sandbags and razor wire. Faded gold lettering on a purple awning heralded HOUSE OF CLASS.
Jane threw a fallen bracket from the scaffolding at the board. There was a dull clang. They heard a voice call out. Jane said, 'It's me, Richard Jane. Have you seen Aidan?'
There was the sound of bolts shooting back, fully half a dozen before the door cracked open and a small crushed face looked out from a ring of shadow. Plessey ignored the two of them and ranged his gaze over the rest of the marketplace. 'We weren't followed,' Jane assured him.
'Inside,' he said, and left them to forge a path through the obstacles.
Once they were in, Jane closed the door and rebolted it. It was sepia-dark in the shop. Buttery light was reflected back at them in soft-edged rectangles from burnished copper, foxed glass, mottled tin. A smell of naphthalene. Jane felt a known claustrophobia, the kind of stifling he had felt whenever he went to visit his grandparents as a child. Small rooms containing too many things, not least the people who lived there, barnacled fast to ancient, heavy rocking chairs, like pilots in a steampunk story, all antimacassars and brown tartan.
Plessey had moved ahead. He was busy with a teapot and a tin of leaves. The smallness of his face was explained by his ubiquitous peaked balaclava; Jane had never seen him without it. Perhaps it protected some injury caused by the Event. Perhaps he was just cold. They followed him along a narrow corridor, columns of things from the past crowding in from either side. Scratched dusty gramophone records of dull shellac. Mountains of old cracked lacquer boxes for fountain pens. Rusting tins that had once contained boiled sweets. A cigar box overflowing with tickets for trams, trains, dancehall events, coupons and vouchers for rations never obtained. Horn-rimmed spectacle frames. Sheepskin coats. Every smell was brown. It was tobacco and tannin, leather and corduroy, heavy, oppressive. Jane felt sweat rising through his skin. At any moment his grandmother would bring him a bowl of stodgy suet pudding and custard, Camp coffee made with condensed milk. Chocolate lipstick bleeding into crow's feet. Dusty haloes shining in the floss of her hair. The metronomic beat on the mantelpiece of a clock presented on their wedding day and ageing alongside them. Oak and ormolu. The grind of the rocking chair. Slow, inescapable punishment.
'Are you all right?' Becky asked.
Jane nodded. 'Just forgot how much I hate this shop,' he said.
'I haven't seen Aidan for at least a week,' Plessey said. His voice was as soporific as the things he collected around him; he sounded as if he were just getting rid of something rich in his mouth: fruit cake or port or blue cheese. Wet sibilants. Contentment.
'Fielding is dead,' Jane said. 'Murdered.'
Plessey didn't reply. He turned from the water he was boiling on a small gas ring and widened his eyes. Jane could imagine what he might have said, camp, theatrical: You don't say.
'We haven't got anybody for it. It was something of a surprise.'
'No telling how we might behave when we're thrust into the bear pit, hey?' Plessey said. 'The centre cannot hold. Falcons and falconers. Mere anarchy and all that.' He stirred powdered milk into china cups with a silver spoon. The cups rattled briefly in their saucers as he handed them over. 'I apologise for the absence of a little something to go with this. Fresh out of brandy snaps and macaroons, I'm afraid. No sugar, either. And there probably won't be any for a thousand years.'
'Fielding,' Jane went on, 'just before he was killed, he was talking to me about a rumour. Something about a raft. A way out, or forward. Something.'
Plessey tapped his spoon three times on the edge of his cup, placed it in the saucer and took a sip. 'Not half bad,' he said.
'I thought maybe you'd heard something.'
Plessey sipped again, then gazed at Jane as if trying to assess him for trust. Jane felt impatience riddling him. He liked Plessey, but there was always the sense of you being part of his audience. Mention of falcons had made Jane twitchy.
'Come with me,' Plessey said.
They put down their cups and saucers and followed him through the shop to a hatch in the floor with an iron ring bolted into it. Plessey lifted the hatch and looked into their faces again. Then he disappeared into shadows.
At the bottom of the shaft was a series of rough cases made out of pallets, wine crates and what looked like banister posts, all held together with pins, braces, staples or twine. There was more stock here for the house owner who liked the vintage look. Wooden grooming sets inlaid with nacre. Glass boxes containing silver earrings and pearl necklaces. A corner filled with old transistor radios and their component parts: valves, connectors, wires, knobs. It was to these that he took them now. A workbench was covered in coils of copper wire and small lengths of planed and sanded wood.
'What's this?' Jane asked.
'None of the valves work, of course. We're still struggling with electricity. God knows what's been going on in East En
ders. But I've been making crystal radios for the last six months.'
'Why?'
'Something to do, for one thing. When you find yourself on your own it's good to keep busy. But also in the hope of making connections.'
'You mean you've been broadcasting?'
'God, no, dear boy. I don't have the face for radio. I've been searching, looking for signals.'
'You made a radio that works?' asked Becky. She wore an expression almost of disgust, as if he had admitted to messing about in a laboratory and creating a lethal plague.
'After a fashion. It's very simple. You wind a coil of insulated wire around a cylinder – in this case, a plastic bottle – and strip away a little of the enamel coating from the loops. Solder a diode to the bottom of the wire. Solder one of the wires from a telephone handset to the diode and the other to the wire at the top of the bottle. Then you clip a grip to the antenna, that long piece of wire there, and clip the other end to one of the bare pieces of wire that we exposed. Then you earth the radio and theoretically, depending on which part of the coil you touch with your alligator grips, you should pick up different signals.'
Jane scanned the workbench. 'And did you? Pick up different signals?'
'Well . . . one, at least.'
'Show us.'
Plessey sat down on a rug-covered office chair and pulled open a drawer on a heavy desk next to the bench. From it he pulled a shoebox. Inside this was something that resembled an abandoned physics project from school.
'How do you power it?'
'That's the beauty of a crystal radio. You don't need to power it. That said, there's a big chest with a duffel bag filled with thousands of dry-cell batteries. I spent the best part of a week going through it, sorting the possibles from the ones that have leaked and then testing them all. I found maybe half a dozen that work. But they won't last for ever. I've been very sparing with my midnight vigils.'
There were no lights to indicate that the radio was on. No frequency display. Plessey handed Jane the receiver and he placed it to his head. He touched a clip to the exposed wire and the soft, crackling nonsense sounds of the cosmos played tinnily through the earpiece.
Jane's breath caught in his throat. A nothing noise, the voice of the void, but it had been so long since he had heard anything like it that he might well have been listening to his mother saying hello across the years. It had beauty and an immensity, despite the lack of rich amplification. He handed the receiver to Becky.
'I don't hear anybody,' Becky said, and thrust the receiver back at him. Jane felt a stab of irritation. The man had made a radio, a working radio, and she wanted the shipping forecast.
'Patience, my dear,' Plessey said, and the performer in him was at the fore again. He moved the rod to a point on the coil that had been marked with blue felt pen, and this time Jane heard a distinct difference. The white noise was reduced. There was a rhythmic sound, a weird, percussive sound that Jane couldn't identify, until Plessey, at his shoulder, said, 'That . . . I think that might be hammers.'
Now that he'd said it, Jane couldn't understand how he could have heard anything but. After about ten minutes, they heard something else. It sounded like a chair being scraped across a wooden floor.
'Here we go,' Plessey said. 'Bang on schedule.'
Jane had to sit down himself when he heard the voice. It was female. It sounded as though she was from Wales. There was a musical undercurrent to her words. He barely registered what she was saying, he was so tied up in the moment of hearing a voice that wasn't in the immediate vicinity. But she repeated it:
This is Radio Free UK calling all survivors. If you are out there and you can hear this – I know it's a long shot, but what can you do? – then please do not give in. There is a way out of this. There is safety. You will find us off the south-east coast. Coordinates as follows: 50°, 54', 37"N, 0°, 58', 55"E. The raft exists. There is an escape. We are anchored off Dungeness, Kent. We launch in a week. We can take a hundred people. The raft exists.
The sound of footsteps moving off. The sound of the wind across an open doorway.
'They repeat the message every quarter of an hour,' Plessey said, switching off the radio. The disappearance of the sound was a wrench for Jane; he jerked towards the unit as if he was about to try to switch it back on. Plessey didn't notice. 'Sometimes it's the girl you've just heard. Other times there's an older woman, sounds like a newsreader – received pronunciation, you know. And there's also a chap, sounds as though he's from the West Country. They've never said, but I get the impression they've already got a fair-sized group down there.'
'Why?' asked Jane. He was thinking of Stanley, left behind in the city of butchers while everyone escaped.
'A raft,' Plessey said. 'For one hundred? Hardly the work of a carpenter and his gofer, no?'
'It's a trap,' Becky said. 'These people are being forced to lure survivors down there. They'll be waiting for us. With the fucking salt and pepper.'
'I don't think so,' Plessey said. 'They're doing well enough in the city, slowly picking us off. How many of us are left, do you think?'
'It's hard to say.' Jane shrugged. 'Latest estimates put us at around three to four thousand, give or take. The main survival hot spots are at Angel, Victoria and London Zoo.'
'They're running out of food and they know it,' Becky said, her voice becoming edged with panic and indignation. 'They're chasing us to the corners of the country.'
Plessey shook his head. 'Not the case. There's a stiff cordon of Skinners all across the southern city limits, ditto north too, building across the North Circular. They're tightening the noose, preventing escapes. There's no evidence to suggest they're moving out, hunting survivors in other parts of the country. Remember, they don't need to. Wherever we are, they are.'
'We have to make a break for it. As many as possible,' Jane said. 'If they can make one raft, they can build more, or come back for the stragglers.'
Becky was rubbing her hands together hard enough for their rasping to cut through his words. He had noticed this always happening whenever plans were discussed, change considered. She was frightened of any challenge to the status quo, and frightened of the status quo too. She recognised this paradox within herself, but it didn't make it any easier to deal with.
'What about Aidan?' she said. 'I know he likes to do his own thing, but he's been away longer than usual. I worry he's been . . . I think he might . . .'
Plessey shut away the radio in the desk drawer and lightly clapped his hands together.
'Look,' he said, 'would you care to stay here tonight? I insist, really. It's far too late for you to get back to the centre, and anyway, why would you want to? I have some mushroom soup, a large tin I'd like to break into, but much more than I can eat by myself and I wouldn't want it to go to waste.'
Jane woke in the night and he was crying silently. Candles burned in their makeshift bedroom, a small kitchen in which the erstwhile staff could have taken their breaks and eaten lunch. He could hear Becky breathing next to him; she held a swatch of blanket tight in one fist. Plessey's snores carried from the heart of the shop; he seemed to complement the creased, tired things that surrounded him. Jane could imagine him always being here, gradually melding with the furnishings and knick-knacks to the point where he would be camouflaged by them.
He had dreamed of sitting in Plessey's office chair, the crystal radio assembled before him, switched on. It had hummed with potential; even the valves unconnected to the body, strewn across the workbench, had glowed with some arcane intent. He touched the rod to the tightly coiled copper wire and at every contact there exploded from the amplifier a terrible screech, the unselfconscious cry of a child in danger, scared and hurt, a boy with death only seconds away from him.
'Stanley,' Jane called, even though there was no transmitter. 'Stan, it's me. It's Dad. Tell me where you are and I'll come for you. Tell me where you are. Please.'
Stanley kept screaming. The sound of something familiar in the background,
a weird, metallic, percussive beat. Each time Stanley paused for choking breath Jane heard it, a spastic, robotic infill. He realised with a euphoric pang that he was with the others at the beach, waiting to board the raft. In two days he could be reunited with his boy. He was dressing hurriedly, trying to pack his bag in poor light, wishing Stanley would stop screaming, calm down, say something, when the nature of the screams changed. If anything, they grew even more frantic. The hammering had stopped, or rather it had lost its metallic beat. Now it had increased its tempo but it was landing on something far less resistant that metal or wood. Jane stopped rushing around and dropped to his knees. He covered his ears but Stanley was behind them and even by the time he had begun to realise it was a dream it wouldn't release him.
He woke up much later. Plessey was gluing pieces of wood together, a box to protect his precious radio. Becky was helping with another batch of batteries, throwing the ones encrusted with salt into a metal waste-paper basket. She was doing it with enough force to suggest she wasn't fully engrossed in the task.
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