Browse

Home > Other > Browse > Page 16
Browse Page 16

by Henry Hitchings


  RUSSELL HARRIS, translator, curator, author and editor read Oriental Studies at Balliol College, Oxford. He has contributed to various international reference publications and written books on photographic portraits of India’s ruling princes, early automobiles, the social milieu of ladies’ fans in early photographic portraiture, inter alia, and has curated photographic exhibitions throughout Europe and the Middle East. He has translated literary and political works from French and Arabic including Alaa Al Aswany’s novel The Automobile Club of Egypt, and co-translated Al Aswany’s political columns in Democracy is the Answer. He currently works as an editor at the Institute of Ismaili Studies, London. When not translating or editing, his secret vice is taking his favourite books to Cairo to have them leather-bound for a song.

  MISHA HOEKSTRA has taught creative writing and literature at Brown University and Deep Springs College. He moved to Denmark twenty years ago, where he now writes and performs songs under the name Minka Hoist.

  ANNE MCLEAN studied history in London, Ontario and literary translation in London, England. Between those two degrees – before running away to Central America, where she started to learn Spanish – she spent two and a half years working at the Yonge Street branch of Toronto’s Book City. These days her favourite librerías include the London Review Bookshop and Palinuro in Medellín, Colombia.

  PUSHKIN PRESS

  Pushkin Press was founded in 1997, and publishes novels, essays, memoirs, children’s books—everything from timeless classics to the urgent and contemporary.

  Our books represent exciting, high-quality writing from around the world: we publish some of the twentieth century’s most widely acclaimed, brilliant authors such as Stefan Zweig, Marcel Aymé, Antal Szerb, Paul Morand and Yasushi Inoue, as well as compelling and award-winning contemporary writers, including Andrés Neuman, Edith Pearlman and Ryu Murakami.

  Pushkin Press publishes the world’s best stories, to be read and read again. Here are just some of the titles from our long and varied list. For more amazing stories, visit www.pushkinpress.com.

  THE SPECTRE OF ALEXANDER WOLF

  GAITO GAZDANOV

  ‘A mesmerising work of literature’ Antony Beevor

  BINOCULAR VISION

  EDITH PEARLMAN

  ‘A genius of the short story’ Mark Lawson, Guardian

  TRAVELLER OF THE CENTURY

  ANDRÉS NEUMAN

  ‘A beautiful, accomplished novel: as ambitious as it is generous, as moving as it is smart’ Juan Gabriel Vásquez, Guardian

  BEWARE OF PITY

  STEFAN ZWEIG

  ‘Zweig’s fictional masterpiece’ Guardian

  THE WORLD OF YESTERDAY

  STEFAN ZWEIG

  ‘The World of Yesterday is one of the greatest memoirs of the twentieth century, as perfect in its evocation of the world Zweig loved, as it is in its portrayal of how that world was destroyed’ David Hare

  JOURNEY BY MOONLIGHT

  ANTAL SZERB

  ‘Just divine… makes you imagine the author has had private access to your own soul’ Nicholas Lezard, Guardian

  BONITA AVENUE

  PETER BUWALDA

  ‘One wild ride: a swirling helix of a family saga… a new writer as toe-curling as early Roth, as roomy as Franzen and as caustic as Houellebecq’ Sunday Telegraph

  THE PARROTS

  FILIPPO BOLOGNA

  ‘A five-star satire on literary vanity… a wonderful, surprising novel’ Metro

  I WAS JACK MORTIMER

  ALEXANDER LERNET-HOLENIA

  ‘Terrific… a truly clever, rather wonderful book that both plays with and defies genre’ Eileen Battersby, Irish Times

  SONG FOR AN APPROACHING STORM

  PETER FRÖBERG IDLING

  ‘Beautifully evocative… a must-read novel’ Daily Mail

  THE RABBIT BACK LITERATURE SOCIETY

  PASII LMARI JÄÄSKELÄINEN

  ‘Wonderfully knotty… a very grown-up fantasy masquerading as quirky fable. Unexpected, thrilling and absurd’ Sunday Telegraph

  RED LOVE: THE STORY OF AN EAST GERMAN FAMILY

  MAXIM LEO

  ‘Beautiful and supremely touching… an unbearably poignant description of a world that no longer exists’ Sunday Telegraph

  THE BREAK

  PIETRO GROSSI

  ‘Small and perfectly formed… reaching its end leaves the reader desirous to start all over again’ Independent

  FROM THE FATHERLAND, WITH LOVE

  RYU MURAKAMI

  ‘If Haruki is The Beatles of Japanese literature, Ryu is its Rolling Stones’ David Pilling

  BUTTERFLIES IN NOVEMBER

  AUÐUR AVA ÓLAFSDÓTTIR

  ‘A funny, moving and occasionally bizarre exploration of life’s upheavals and reversals’ Financial Times

  BARCELONA SHADOWS

  MARC PASTOR

  ‘As gruesome as it is gripping… the writing is extraordinarily vivid… Highly recommended’ Independent

  THE LAST DAYS

  LAURENT SEKSIK

  ‘Mesmerising… Seksik’s portrait of Zweig’s final months is dignified and tender’ Financial Times

  BY BLOOD

  ELLEN ULLMAN

  ‘Delicious and intriguing’ Daily Telegraph

  WHILE THE GODS WERE SLEEPING

  ERWIN MORTIER

  ‘A monumental, phenomenal book’ De Morgen

  THE BRETHREN

  ROBERT MERLE

  ‘A master of the historical novel’ Guardian

  Copyright

  Pushkin Press

  71–75 Shelton Street,

  London WC2H 9JQ

  Browse: The World In Bookshops first published in 2016

  Copyright in the arrangement © Pushkin Press 2016

  Introduction © Henry Hitchings 2016

  ‘If You Wound a Snake…’ © Alaa Al Aswany 2016; ‘La Palmaverde’ © Stefano Benni 2016; ‘Snow Day’ © Michael Dirda 2016; ‘Dussmann: A Conversation’ © Daniel Kehlmann 2016; ‘Something That Doesn’t Exist’ © Andrey Kurkov 2016; ‘All that Offers a Happy Ending Is a Fairy Tale’ © Yiyun Li 2016; ‘A Bookshop in the Age of Progress’ © Pankaj Mishra 2016; ‘Intimacy’ © Dorthe Nors 2016; ‘Desiderium: The Accidental Bookshop of Nairobi’ © Yvonne Adhiambo Owuor; ‘The Pillars of Hercules’ © Ian Sansom 2016; ‘My Homeland Is Storyland’ © Elif Shafak 2016; ‘Bohemia Road’ © Iain Sinclair 2016; ‘Bookshop Time’ © Ali Smith 2016; ‘Leitner and I’ © Saša Stanišić 2016; ‘A Tale of Two Bookshops’ © Juan Gabriel Vásquez 2016

  ISBN 978 1 782272 53 3

  All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior permission in writing from Pushkin Press.

  www.pushkinpress.com

 

 

 


‹ Prev