Table of Contents
Synopsis
Praise for Melissa Brayden
By the Author
Acknowledgments
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-one
Epilogue
About the Author
Books Available From Bold Strokes Books
Synopsis
Anastasia Mikhelson is the rising star of the New York City Ballet. She’s sacrificed creature comforts, a social life, as well as her own physical well-being for perfection in dance. Even her reputation as The Ice Queen doesn’t faze her. Though Ana’s at the peak of her career, competition from a new and noteworthy dancer puts all she’s worked for in jeopardy.
While Natalie Frederico has shown herself to be a prodigy when it comes to ballet, she much prefers modern dance and living on her own terms. Life is too short for anything else. However, when the opportunity to dance with the New York City Ballet is thrust upon her, it’s not like she could say no. Dealing with the company’s uptight lead is another story, however. When the two are forced to work side-by-side, sparks begin to fly onstage and off.
Praise for Melissa Brayden
“Melissa Brayden has become one of the most popular novelists of the genre, writing hit after hit of funny, relatable, and very sexy stories for women who love women.”—Afterellen.com
Waiting in the Wings
“This was an engaging book with believable characters and story development. It’s always a pleasure to read a book set in a world like theater/film that gets it right…a thoroughly enjoyable read.”—Lez Books
“This is Brayden’s first novel, but we wouldn’t notice if she hadn’t told us. The book is well put together and more complex than most authors’ second or third books. The characters have chemistry; you want them to get together in the end. The book is light, frothy, and fun to read. And the sex is hot without being too explicit—not an easy trick to pull off.”—Liberty Press
“Sexy, funny and all around enjoyable.”—Afterellen.com
Heart Block
“The story is enchanting with conflicts and issues to be overcome that will keep the reader turning the pages. The relationship between Sarah and Emory is achingly beautiful and skillfully portrayed. This second offering by Melissa Brayden is a perfect package of love—and life to be lived to the fullest. So grab a beverage and snuggle up with a comfy throw to read this classic story of overcoming obstacles and finding enduring love.”—Lambda Literary Review
“Although this book doesn’t beat you over the head with wit, the interactions are almost always humorous, making both characters really quite loveable. Overall a very enjoyable read.”—C-Spot Reviews
How Sweet It Is
“‘Sweet’ is definitely the keyword for this well-written, character-driven lesbian romance novel. It is ultimately a love letter to small town America, and the lesson to remain open to whatever opportunities and happiness comes into your life.”—Bob Lind, Echo Magazine
“Oh boy! The events were perfectly plausible, but the collection and the threading of all the stories, main and sub plots, were just fantastic. I completely and wholeheartedly recommend this book. So touching, so heartwarming and all-out beautiful.”—Rainbow Book Reviews
Kiss the Girl
“There are romances and there are romances...Melissa Brayden can be relied on to write consistently very sweet, pure romances and delivers again with her newest book Kiss the Girl…There are scenes suffused with the sweetest love, some with great sadness or even anger—a whole gamut of emotions that take readers on a gentle roller coaster with a consistent upbeat tone. And at the heart of this book is a hymn to true friendship and human decency.”—C-Spot Reviews
Just Three Words
“A beautiful and downright hilarious tale about two very relatable women looking for love.”—Sharing Is Caring Book Reviews
The Soho Loft Series
“The trilogy was enjoyable and definitely worth a read if you’re looking for solid romance or interconnected stories about a group of friends.”—The Lesbrary
First Position
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First Position
© 2016 By Melissa Brayden. All Rights Reserved.
ISBN 13: 978-1-62639-603-6
This Electronic Book is published by
Bold Strokes Books, Inc.
P.O. Box 249
Valley Falls, New York 12185
First Edition: August 2016
This is a work of fiction. Names, characters, places, and incidents are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.
This book, or parts thereof, may not be reproduced in any form without permission.
Credits
Editors: Lynda Sandoval and Stacia Seaman
Production Design: Stacia Seaman
Cover Design by Jeaning Henning
By the Author
Waiting in the Wings
Heart Block
How Sweet It Is
First Position
Soho Loft Romances:
Kiss the Girl
Just Three Words
Ready or Not
Acknowledgments
What a journey this has been! Every book holds a place in my heart for different reasons. First Position will forever be a labor of love that happened in the midst of some trying circumstances including two hospital stays (don’t worry, I’m fully recovered) and my thesis year of grad school (don’t worry, I graduated) and the loss of a beloved pet. As a result, I think I bonded with these particular characters in a very unique way, and saying good-bye is hard.
Thank you, Lynda Sandoval, for remaining on board for the wild ride that this book was and as always steering me in the right direction when I second-guess myself or veer off course. You’ve gone above and beyond for me, and I recognize how lucky I am to have such a fantastic editor.
Len Barot and Sandy Lowe continue to make me happy that I’m published by Bold Strokes Books. I feel supported and encouraged and am happy you’re my home. The countless people who work with them to make Bold Strokes run never cease to amaze me. Thank you!
My friends are amazing! Thank you to Nikki, Georgia, and Rachel for existing. You make my world brighter.
Alan should receive some sort of medal for the work he did keeping the world at bay for me in the course of this year, which allowed me to rebound, regroup, and feel like me again. My rock, as always!
My mother, father, sisters, nieces, nephew, and brother-in-law are all worthy of a big acknowledgement for their presence, kind words, and rock-star level of support. You proved yourselves big-time this year!
To my readers, I’d like to take a moment and tell you how much our friendship on the page means to me. Thank you for reading and for your
kindness. I received messages, cards, snacks, and even a few “get well” stuffed animals, which made me fight that much harder to get back to this book. I hope you enjoy it.
For Bailey Jeremiah, who did lots of dancing of his own on those four paws.
Chapter One
Anastasia Mikhelson had come to hate orange plastic chairs.
Yet here she sat in one. Again.
Alone in the hallway, studying the texture of the beveled wall, her heart thudded faster than was probably good for her, but that made sense given the nature of the afternoon. That fast and repetitive beat served as the only sound in the empty hallway, adding an ominous quality to the already nerve-wracking event.
Ana had been counting the days, and more recently, the hours until this meeting with Bill, and in less than twenty minutes, the whole thing would be over, and the fate of her career no longer a mystery. She took a slow breath in an attempt to settle her nerves, because the outcome of this conversation meant everything. She glanced down the lonely hallway in one direction and then the other before finally returning her gaze to the big brown door that marked the entry point to Bill Bradshaw’s office. She blinked twice, gave her head a firm shake, and smiled brightly as the door opened. Nope, no nervous dancer out here. Just a very grateful employee. That’s me.
“Ana? Come in,” Bill said. He’d been the Ballet Master in Chief of the New York City Ballet for going on twenty-six years now, and Ana’s boss for all of nine. He was tall, lean, and handsome for a man of sixty-one. A shock of white hair topping chiseled features made for a number of notable paintings of him around Manhattan and beyond. Bill Bradshaw was a legend in the dance world and most everyone respected him.
“Thanks, Bill. I hope your afternoon has been an easy one.” He pulled her into a one-arm embrace as she passed, and planted a kiss on her temple—his standard greeting—and followed her into his office.
“Not too bad. Not too bad at all. Busy, though.” His afternoon would have consisted of one-on-one meetings with each dancer in the company, of which there were close to ninety, for their annual evaluations. In meetings like these, dancers were promoted, counseled on progress, or worse, told their contracts would not be renewed for the following season. For Ana, this meeting was her chance for a promotion from soloist to principal dancer, the highest rank in the company. She’d been a soloist for five years now, killing herself and pushing her body past its limits to make the leap to principal, and then sitting in that orange chair at the end of each season hoping against hope.
She’d been passed over each time.
Maybe Bill believed she hadn’t been ready in the past. Or that she hadn’t put in enough time. Whatever it was, she was prepared to leave the heartbreak behind her. This upcoming season was hers, and Ana was prepared to tell Bill so herself if it came to it. She was determined not to let anything get in her way. She’d sacrificed too much.
“How’s your father?” Bill asked. “I haven’t heard from Klaus in a good six months.”
“He’s doing great,” she told him. “Still Papa. He’s the guest choreographer at Miami this season. It’s going so well, they might want him back for next season, too. Though I doubt he’ll accept. He’s had a lot of offers.”
“Oh yes. I remember hearing that. Lucky bastards to have snagged him.”
“Agreed,” Ana said, settling into her seat in anticipation for what the meeting would bring. She was, however, familiar with the obligatory small talk about her father before any major conversation about her own career. Klaus Mikhelson had achieved fame as a world-renowned Russian ballet dancer before immigrating to the United States in the late seventies and doing the same thing here. As one would imagine, he received tons of attention. Thereby, Ana had been compared to her father her entire life. The fact that she’d not seen the same success had been…hard. On both of them.
“Well, tell that old fellow I said hello and that I owe him a drink,” Bill said, sitting.
“Will do.” Ana smiled good-naturedly and wondered about that moment. Would she also be informing her father of her promotion? Or rather, trying to explain to him that she was once again passed over for principal?
Ana glanced around Bill’s neatly organized workspace and waited as he settled in for the meeting. She caught sight of a folder open on his desk, her own headshot visible on top of the stack of papers inside. “So, you’ve been with the company for nine years now,” he said, and glanced up at her.
“That’s right.” She kept her voice even, professional. “And I want to thank you for the opportunities that have been afforded me, Bill. I feel I’ve grown immensely as a dancer since coming here as an apprentice.”
“Six injuries in that time,” he said, looking up from his notes. “How’s your ankle doing? Any pain?”
“Stronger than ever.” And it was. Two surgeries and months of physical therapy had her back at work and pushing past the pain of what had been a crushing injury two years prior—not that injuries were anything new.
He nodded and bowed his head again. “Glad to hear that. I have to tell you, Ana, that Roger and the other choreographers all feel that you really came into your own last fall in Orpheus. That was a good part for you. A step forward in your dancing.”
“I’m thrilled you thought so. I loved the work we did on that ballet but, Bill, I’m ready for more. I put two years in as a member of the corps, and six as a soloist. That’s not even counting my apprenticeship.”
“And you feel this is the year you want to emerge as a principal dancer in the company? Is that it?”
He looked skeptical, but she couldn’t let that deter her.
This was the moment she’d waited for. She sat forward in her seat and met his gaze head-on. “I do. No one can match my technique, and my commitment is unwavering.”
“I don’t know that technique is enough, Ana. You have to want it from here,” he said, a hand to his gut. “Dancing can’t just be precision. It has to come with an element of fire. Do you understand? Passion.”
“I have it. Dancing is my oxygen, Bill, and I will leave every part of me on that stage. You know that. I’m the first soloist in the door each morning and the last one out after a performance. I’ve worked my whole life for this opportunity, and if you give it to me, you won’t be sorry. I’ll work day and night for you.”
He reclined in his chair and regarded her as she organized her second-tier argument. “Okay,” he said simply.
Wait.
What did that mean?
“Okay?” Her hands went instantly numb, and a warm shiver moved up her spine. Was this the moment she’d been waiting for since she was six years old and watching The Nutcracker from the third gallery at Lincoln Center? Was she actually a principal dancer with the New York City Ballet?
“That’s what I said. It’s your year, Ana. I have a feeling.” He leaned across the desk as if he had very important words to impart. “But you can’t let up. Do you hear me?”
“I won’t.”
“The second you do, it’s over. The competition these days is like none other I’ve seen. The ability and technique is unrivaled, thereby your commitment has to be that much more to stay ahead.” She nodded, knowing how true his words were. The competition among company members was, in fact, ferocious. And while most of the dancers were friends just as much as they were rivals, Ana kept to herself, never taking her eye off the goal: to be the best. “You’re one of the most gifted dancers I’ve ever worked with, but you know what your dancing lacks, Ana?”
“Tell me.”
“A heartbeat. I need you to breathe life into your performance. You’re all technique. Gorgeous technique, I’ll give you that, but it’s sterile. Clinical. If dancing is your oxygen, I need to see that on onstage. Put that passion into your movement. It doesn’t matter how beautiful your extensions are if you don’t move your audience. Do you understand?”
“I can do that. Thank you, Bill.” It was the automatic answer, as it was the same note she’d receiv
ed throughout most of her career. The words stung acutely, but she’d find a way to improve, because it was too important not to.
When she arrived back at her apartment two hours later after a barre workout, she wanted nothing more than to celebrate—maybe indulge in a rare glass of bubbly for the momentous occasion. She’d purchased a bottle just in case. It had been undoubtedly the most important day of her life thus far, and she should take a moment to commemorate it. As she moved to the refrigerator, she stopped cold at the handwritten note she’d placed there as a daily reminder.
Better is always possible. Good is not enough.
She took her hand off the door handle and discarded the idea of a celebration, running her fingers across the words. She needed to stay in tip-top shape for the opening of the season, and champagne was not on her approved foods list.
Still smiling to herself over the events of the afternoon, she took the time instead to roll out her muscles from her morning dance class before sitting with her phone in her hand, ready to place the call she’d waited years to place.
“Hello, my darling,” her father said upon answering. His Russian accent had grown thinner but was still recognizable. “How did it go? What happened?”
Ana felt as if her heart would burst from her chest. At just the question, she had tears in her eyes. “Well, Bill had many complimentary things to say.” She swallowed the emotion in an attempt to give nothing away. Buildup was always better, wasn’t it? “He said to tell you that you owe him a drink, by the way.”
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