Praise for Minette Walters
The Ice House
‘Terrific first novel with a high Rendellesque frisson count’
The Times
The Sculptress
‘A devastatingly effective novel’
Observer
The Scold’s Bridle
‘A gothic puzzle of great intricacy and psychological power’
Sunday Times
The Dark Room
‘A marvellous, dramatically intelligent novel. It shimmers with suspense, ambiguity and a deep unholy joy’
Daily Mail
The Echo
‘It grips like steel . . . Passion, compassion, intelligence and romance are what Walters offers with no quarter for squeamish cowards’
Mail on Sunday
The Breaker
‘Stands head and shoulders above the vast majority of crime novels . . . Existing fans will love The Breaker, new readers will be instant converts’
Daily Express
The Shape of Snakes
‘Breaking all the rules of popular fiction, Minette Walters asks as much of her readers as many literary novelists, and yet she offers them a book as gripping as any thriller’
Times Literary Supplement
Acid Row
‘Humane intelligence enables Walters to twist and turn her plot . . . Acid Row is a breathtaking achievement’
Daily Telegraph
Fox Evil
‘Fox Evil is the work of a writer at the peak of her confidence and supreme ability’
The Times
Disordered Minds
‘A powerful, acute and vivid work from a staggeringly talented writer’
Observer
The Tinder Box
‘If there wasn’t a recognised school of crime writing called Home Counties noir before, there is now. Minette Walters invented it and remains the undisputed Head Girl’
Birmingham Post
The Devil’s Feather
‘One of the most powerful yet nuanced practitioners of the psychological thriller . . . always keeps the narrative momentum cracked up to a fierce degree’
Daily Express
Chickenfeed
‘A marvellous little story, thoroughly intimate with human nastiness’
Evening Standard
Acid Row
With her debut, The Ice House, Minette Walters won the Crime Writers’ Association John Creasey Award for the best first crime novel of 1992. Rapidly establishing a reputation as one of the most exciting crime novelists writing today, her second novel, The Sculptress, was acclaimed by critics as one of the most compelling and powerful novels of the year and won the Edgar Allan Poe Award for the best crime novel published in America in 1993. In 1994 Minette Walters achieved a unique triple when The Scold’s Bridle was awarded the CWA Gold Dagger for best crime novel of the year. Her following five novels, The Dark Room, The Echo, The Breaker, The Shape of Snakes and Acid Row were also published to further critical acclaim throughout the world and her ninth novel, Fox Evil, won the 2003 CWA Gold Dagger for Fiction. Her short novel, Chickenfeed, was written for World Book Day to encourage emergent readers and was voted the 2006 Quick Reads Readers’ Favourite.
Minette Walters lives in Dorset with her husband and two children.
By the same author
The Ice House
The Sculptress
The Scold’s Bridle
The Dark Room
The Echo
The Breaker
The Shape of Snakes
Fox Evil
Disordered Minds
The Tinder Box
The Devil’s Feather
Chickenfeed
(Quick Reads)
MINETTE WALTERS
Acid Row
PAN BOOKS
First published 2001 by Macmillan
First published in paperback 2002 by Pan Books
This electronic edition published 2008 by Pan Books
an imprint of Pan Macmillan Ltd
Pan Macmillan, 20 New Wharf Road, London N1 9RR
Basingstoke and Oxford
Associated companies throughout the world
www.panmacmillan.com
ISBN 978-0-330-46304-1 in Adobe Reader format
ISBN 978-0-330-46303-4 in Adobe Digital Editions format
ISBN 978-0-330-46306-5 in Microsoft Reader format
ISBN 978-0-330-46305-8 in Mobipocket format
Copyright © Minette Walters 2001
The right of Minette Walters to be identified as the author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988.
You may not copy, store, distribute, transmit, reproduce or otherwise make available this publication (or any part of it) in any form, or by any means (electronic, digital, optical, mechanical, photocopying, recording or otherwise), without the prior written permission of the publisher. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages.
A CIP catalogue record for this book is available from the British Library.
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For Sheonagh and Pat
Acid Row
THE RIOT LOST MOMENTUM as news of the butchery spread through the estate. The details were vague. No one knew how many had been killed or how, but castration, lynching and a machete attack were all mentioned. The streets began to empty rapidly. Collective guilt was felt, if not openly expressed, and no one was inclined to face retribution for murder.
The youths on the barricades who had held the police at bay with petrol bombs took a similar view. They would argue afterwards, and with some justification, that they hadn’t known what was going on, but when word of the frenzied attack filtered through they, too, melted away. It was one thing to fight an honourable battle with the enemy, quite another to be accused of aiding and abetting insanity in Humbert Street.
The headlines the next morning – 29 July – were lurid. ‘Drink-crazed lynch mob goes on the rampage’ . . . ‘Sex pervert butchered’ . . . ‘5 hours of savagery leaves 3 dead, 189 injured’ . . . The outside world gave a shudder of disgust. Leader-writers lined up the usual suspects. Government. Police. Social workers. Education chiefs. Across the country, morale in the vocational services reached an all-time low.
But of the two thousand rioters who jostled for a view of the killing spree, not one would ever admit to being there . . .
From the Director of Social Services – Tuesday 10 July 2001
Official Notification to Health & Social Workers
Highly Confidential – Not for public release
Rehousing: Milosz Zelowski, 23 Humbert Street, Bassindale – previously of Callum Road, Portisfield.
Reason for move: Targeted by Portisfield residents after publication of photograph in local newspaper.
Status: Registered paedophile. Convicted of sexual assault – 3 counts over 15-year period. Released May 2001.
Threat to the community: Minimal. Nature of offence suggests watching brief only.
Threat to offender: Severe.
Police warn that Zelowski may become the target of vigilantes if his identity and status become known.
Contents
One
Two
Three
Four
Five
Six
Seven
Eight
Nine
Ten
Eleven
Twelve
Thirteen
Fourteen
/> Fifteen
Sixteen
Seventeen
Eighteen
Nineteen
Twenty
Twenty-one
Twenty-two
Twenty-three
Twenty-four
Twenty-five
Twenty-six
Twenty-seven
Twenty-eight
Twenty-nine
Thirty
Thirty-one
Thirty-two
One
19–20 July 2001
ONLY A HANDFUL of staff at the Nightingale Health Centre ever read the memo referring to the presence of a paedophile on the Bassindale Estate. It vanished under a pile of paperwork in the central office and ended up being filed by one of the clerical workers, who assumed it had done the rounds. For those who did see it, it was an unremarkable document, recording the name and details of a new patient. For the rest, it was irrelevant since it wouldn’t – or shouldn’t – affect the way they treated the man.
One of the health visitors tried to have the issue raised at a staff meeting, but she was overruled by her supervisor, who had responsibility for setting the agenda. There was a history of hostility between the two women – neither believing the other was up to her job – which may have prejudiced the way the supervisor handled the matter. It was the summer and everyone wanted to be home in reasonable time. In any case, even if the doctors agreed that it was dangerous and irresponsible to house a paedophile on an estate full of children, there was nothing they could do about it. The decision to move him had been taken by the police.
The same health visitor approached Dr Sophie Morrison in a blatant attempt to have the supervisor’s decision overturned. By that time she was less interested in the paedophile than in scoring points, and Sophie Morrison, being naive and inexperienced in office politics, was easily intimidated. Such, at least, was Fay Baldwin’s interpretation of the cheerful young woman who had joined the surgery two years before.
Fay waited until the end of evening surgery, then gave her signature tap on Sophie’s door – a rat-a-tat-tat of brittle nails that produced identical reactions in all her colleagues. ‘Time for a chat?’ she asked brightly, poking her head into the room.
‘ ’Fraid not,’ said Sophie, launching herself manically at her keyboard and typing ‘the quick brown fox jumps over the lazy dog’ repetitively into her monitor. ‘Catching up on some notes . . . and then home. Sorry, Fay. How about tomorrow?’
It didn’t work. It never did. The dreadful woman eased herself inside anyway and perched her scraggy bottom on the edge of the desk. It was encased, as usual, in an impeccably tailored skirt; and, as usual, there wasn’t a dyed hair out of place. Both were outward and visible signs that she considered herself a model of efficiency and professionalism, but they were in inverse proportion to what was going on inside her head. It was Catch-22. She was desperate to cling to the only thing that gave her life meaning – her job. Yet her hatred for the people she dealt with – patients and professionals alike – had reached disastrous proportions.
Sophie had argued that the kindest course would be to retire her early and set her up with psychiatric help in order to cope with the emptiness of her life. The senior partner – a great deal less sympathetic towards elderly, frustrated virgins whose only talent was for stirring – preferred to let sleeping dogs lie. It was less than three months before they’d be shot of her for good, was his view. If she was one of their patients it might be different, but she had coquettishly eschewed the Nightingale’s doctors in favour of the competition on the other side of town. ‘I couldn’t possibly take my clothes off in front of people I know,’ she’d said.
As if anyone cared.
‘I’ll only be a minute,’ trilled Fay now in her littlegirly voice. ‘You can spare me sixty seconds, can’t you, Sophie?’
‘As long as you don’t mind my packing up at the same time,’ said the doctor with an inward sigh. She shut down her computer and slid her chair backwards, wondering which of her patients had just had typing exercises added to their notes. It was always the same with Fay. You found yourself doing things you didn’t want to do, simply to escape the wretched woman. ‘I’m meeting Bob at eight.’
‘Is it true you’re getting married?’
‘Yes,’ said Sophie, happy to be on safe ground. ‘I finally got him up to the mark.’
‘I wouldn’t marry a reluctant man.’
‘It was a joke, Fay.’ Her smile faded before the other woman’s downturned mouth. ‘Ah, well, it’s hardly earth-shattering news.’ She pulled her waist-length plait from behind her shoulder and started to comb it out with her fingers, quite unconsciously drawing attention to her unaffected youthfulness.
‘It was Melanie Patterson who told me,’ remarked Fay spitefully. ‘I would have mentioned it last week but she said it was supposed to be a secret.’
Damn! Damn! Damn! ‘I didn’t want to tempt fate in case Bob changed his mind,’ said Sophie, concentrating on her plait. It was a gross slander against her amiable fianc but if it prevented another row with Fay about Melanie Patterson it would be worth it. They had almost come to blows the week before and she didn’t want a repeat.
‘She said you’d invited her to the wedding.’
Damn! Damn! And more damns! Sophie stood up and walked across to a mirror on the far wall. Anything to avoid the reproach in the woman’s face. ‘It’s not for ages yet,’ she lied. ‘The invitations won’t be going out for another four weeks.’ There was a slight softening of Fay’s expression in the glass. ‘What did you want to talk about?’ she asked her.
‘Well, in fact Melanie’s part of it, so it’s a good thing her name’s come up,’ said the woman smugly. ‘Claire simply refuses to listen to me on this . . . keeps saying it’s not a matter for discussion . . . but I’m afraid I can’t agree with her. Firstly, I take my job rather more seriously than she does. And, secondly, in view of the way Melanie lets those children of hers run wild in the street—’
Sophie cut her short. ‘Don’t do this, Fay,’ she said with uncharacteristic sharpness. ‘You made your views on Melanie very clear last week.’
‘Yes, but—’
‘No.’ The young woman turned round and there was considerable anger in her eyes. ‘I will not discuss Melanie with you again. Can’t you see Claire was trying to do you a favour by making that clear to you?’
Fay bridled immediately. ‘You can’t avoid it,’ she said. ‘She’s my responsibility, too.’
Sophie reached for her case. ‘Not any more. I’ve asked Claire to assign one of the younger visitors to Melanie. She was going to tell you on Monday.’
Retirement must have taken a sudden step closer, because the woman’s highly powdered face lost colour. ‘You can’t reduce my list just because I disagree with you,’ she said fiercely.
‘Calling one of my patients a slut and a whore and then losing your temper when I took you to task about it is rather more serious than disagreement,’ said Sophie coolly. ‘It’s unprofessional, Fay.’
‘It’s what she is,’ the woman hissed. ‘You come from a good family . . . you ought to be able to recognize it for yourself.’ Spittle flew from her mouth. ‘She sleeps with any man who shows an interest . . . usually when she’s drunk . . . then she swans around like Lady Muck, saying she’s pregnant again . . . as if it’s something to be proud of.’
Sophie shook her head. It was pointless arguing. In any case, she hated face-to-face confrontations with this woman, because they invariably became personal. Fay’s life had prejudiced her views. She should have been working in the days when illegitimacy was frowned on and girls ‘who were no better than they should be’ were hidden away in hostels and treated with scorn. That way, her status as a virtuous woman would have counted for something instead of making her an object of pity or amusement. The mystery was why she had ever chosen health visiting as a career, although, as the senior partner was fond of pointing out, lecturing, scolding and training th
e unwashed masses were probably what health visiting had been about when she started.
Sophie opened her office door. ‘I’m going home,’ she said firmly, standing back and making it clear she expected the other woman to leave first.
Fay stood up, her mouth working uncontrollably like an old lady’s with dementia. ‘Well, don’t say I didn’t warn you,’ she said tightly. ‘You think you can treat everyone the same . . . but you can’t. I know what these beasts are like . . . seen the kind of damage they do to the poor little souls they abuse. It’s all so secretive . . . done behind closed doors . . . filthy, disgusting men . . . silly women who close their eyes to what’s really going on . . . and all for what? Sex!’ She spat out the word like a vile taste. ‘Still . . . at least my hands are clean. No one can say I didn’t try.’ She walked stiff-legged from the office.
Sophie watched her go with a frown of concern. Dear God! Beasts . . . ? Filthy, disgusting men . . . ? Fay had lost the plot completely. It was bad enough to accuse Melanie of being a slut. A hundred times worse to accuse her and her men of child abuse.
But then Sophie had no idea that a paedophile had been housed just one door away from four-year-old Rosie and two-year-old Ben Patterson.
The term ‘sink estate’ might have been invented for Bassindale, which stood as a sprawling monument to the social engineering of the 1950s and 1960s, when planners had cut into the green belt to provide subsidized housing for those on low incomes. In this case, two hundred acres of broadleaf woodland bordering Bassindale Farm had been put to the axe and replaced with concrete.
It should have been idyllic. A worthy project in the post-war push for equality and opportunity. A chance for improvement. Quality homes surrounded by open countryside. Fresh air and space.
But all the roads on the perimeter bordering the fields were culs-de-sac. Like bicycle spokes, they ended at a solid rim – houses with block-built garden walls – to protect the surrounding crops and herds from thoughtless estate dwellers and their dogs. The only two thoroughfares, Bassindale Row and Forest Road, looped back on themselves in an unconnected, inverted W to provide four points of access through the concrete belt that kept the estate hidden from the busy traffic on the main road. From the air, Bassindale and Forest looked like the anchoring strands of a section of cobweb, with a tracery of streets and dead ends providing the transverse threads. From the ground – as recognized by the police – they were the potential redoubts that could turn Bassindale into a fortress. The estate was a concrete-clad pressure bomb.
Acid Row Page 1
