Sci Fiction Classics Volume 1

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Sci Fiction Classics Volume 1 Page 44

by Vol 1 (v1. 2) (epub)


  A wire-service man yelled, "Turn it up!" There was a convulsive movement around the set. The sound vanished entirely for a moment, then blasted out:

  "… Martians are vertebrate, warm-blooded and apparently mammalian. A superficial examination indicates a generally low level of metabolism, although Dr. Bache states that it is possible that this is in some measure the result of their difficult and confined voyage through 137,000,000 miles of space in the specimen chamber of the Algonquin Nine spacecraft. There is no, repeat no, evidence of communicable disease, although standing sterilization precautions are …"

  "Hell he says," cried somebody, probably a stringer from CBS. "Walter Cronkite had an interview with the Mayo Clinic that …"

  "Shut up!" bellowed a dozen voices, and the TV became audible again:

  "… completes the full text of the report from Dr. Hugo Bache as released at this hour by Colonel 'Happy' Wingerter." There was a pause; then the announcer's voice, weary but game, found its place and went on with a recap of the previous half-dozen stories. The poker game began again as the announcer was describing the news conference with Dr. Sam Sullivan of the Linguistic Institute of the University of Indiana, and his conclusions that the sounds made by the Martians were indeed some sort of language.

  What nonsense, thought Mr. Mandala, drugged and drowsy. He pulled a stool over and sat down, half asleep.

  Then the noise of laughter woke him and he straightened up belligerently. He tapped his call bell for attention. "Gentlemen! Ladies! Please!" he cried. "It's four o'clock in the morning. Our other guests are trying to sleep."

  "Yeah, sure," said the CBS man, holding up one hand impatiently. "But wait a minute. I got one. What's a Martian high-rise? You give up?"

  "Go ahead," said a red-haired girl, a staffer from Life.

  "Twenty-seven floors of basement apartments!"

  The girl said, "All right, I got one too. What is a Martian female's religious injunction requiring her to keep her eyes closed during intercourse?" She waited a beat. "God forbid she should see her husband having a good time!"

  "Are we playing poker or not?" groaned one of the players, but they were too many for him. "Who won the Martian beauty contest? … Nobody won!" "How do you get a Martian female to give up sex? … Marry her!" Mr. Mandala laughed out loud at that one, and when one of the reporters came to him and asked for a book of matches he gave it to him. "Ta," said the man, puffing his pipe alight. "Long night, eh?"

  "You bet," said Mr. Mandala genially. On the television screen the tape was running again, for the fourth time. Mr. Mandala yawned, staring vacantly at it; it was not much to see but, really, it was all that anyone had seen or was likely to see of the Martians. All these reporters and cameramen and columnists and sound men, thought Mr. Mandala with pleasure, all of them waiting here for the ten A.M. briefing at the Cape would have a forty-mile drive through the palmetto swamps for nothing. Because what they would see when they got there would be just about what they were seeing now.

  One of the poker players was telling a long, involved joke about Martians wearing fur coats at Miami Beach. Mr. Mandala looked at them with dislike. If only some of them would go to their rooms and go to sleep he might try asking the others if they were registered in the motel. Although actually he couldn't squeeze anyone else in anyway, with all the rooms doubly occupied already. He gave up the thought and stared vacantly at the Martians on the screen, trying to imagine people all over the world looking at that picture on their television sets, reading about them in their newspapers, caring about them. They did not look worth caring about as they sluggishly crawled about on their long, weak limbs, like a stretched seal's flippers, gasping heavily in the drag of Earth's gravity, their great long eyes dull.

  "Stupid-looking little bastards," one of the reporters said to the pipe smoker. "You know what I heard? I heard the reason the astronauts kept them locked in the back was the stink."

  "They probably don't notice it on Mars," said the pipe smoker judiciously. "Thin air."

  "Notice it? They love it." He dropped a dollar bill on the desk in front of Mr. Mandala. "Can I have change for the Coke machine?" Mr. Mandala counted out dimes silently. It had not occurred to him that the Martians would smell, but that was only because he hadn't given it much of a thought. If he had thought about it at all, that was what he would have thought.

  Mr. Mandala fished out a dime for himself and followed the two men over to the Coke machine. The picture on the TV changed to some rather poorly photographed shots brought back by the astronauts, of low, irregular sand-colored buildings on a bright sand floor. These were what NASA was calling "the largest Martian city," altogether about a hundred of the flat, windowless structures. "I dunno," said the second reporter at last, tilting his Coke bottle. "You think they're what you'd call intelligent?"

  "Difficult to say, exactly," said the pipe smoker. He was from Reuter's and looked it, with a red, broad English squire's face. "They do build houses," he pointed out.

  "So does a bull gorilla."

  "No doubt. No doubt." The Reuter's man brightened. "Oh, just a moment. That makes me think of one. There once was—let me see, at home we tell it about the Irish—yes, I have it. The next spaceship goes to Mars, you see, and they find that some dread Terrestrial disease has wiped out the whole race, all but one female. These fellows too, gone. All gone except this one she. Well, they're terribly upset, and they debate it at the UN and start an anti-genocide pact and America votes two hundred million dollars for reparations and, well, the long and short of it is, in order to keep the race from dying out entirely they decide to breed a non-human man to this one surviving Martian female."

  "Cripes!"

  "Yes, exactly. Well, then they find Paddy O'Shaughnessy, down on his luck and they say to him, 'See here, just go in that cage there, Paddy, and you'll find this female. And all you've got to do is render her pregnant, do you see?' And O'Shaughnessy says, 'What's in it for me?' and they offer him, oh, thousands of pounds. And of course he agrees. But then he opens the door of the cage and he sees what the female looks like. And he backs out." The Reuter's man replaced his empty Coke bottle in the rack and grimaced, showing Paddy's expression of revulsion. "'Holy Saints,' he says. 'I never counted on anything like this.' 'Thousands of pounds. Paddy!' they say to him, urging him on. 'Oh, very well, then,' he says, 'but on one condition.' 'And what may that be?' they ask him. 'You've got to promise me,' he says, 'that the children'll be raised in the Church.'"

  "Yeah, I heard that," said the other reporter. And he moved to put his bottle back, and as he did his foot caught in the rack and four cases of empty Coke bottles bounced and clattered across the floor.

  Well, that was just about more than Mr. Mandala could stand and he gasped, stuttered, dinged his bell and shouted, "Ernest! Berzie! On the double!" And when Ernest showed up, poking his dark plum-colored head out of the service door with an expression that revealed an anticipation of disaster, Mr. Mandala shouted: "Oh, curse your thick heads, I told you a hundred times, keep those racks cleaned out." And he stood over the two bellmen, fuming, as they bent to the litter of whole bottles and broken glass, their faces glancing up at him sidewise, worried, dark plum and Arabian sand. He knew that all the reporters were looking at him and that they disapproved.

  And then he went out into the late night to cool off, because he was sorry and knew he might make himself still sorrier.

  The grass was wet. Condensing dew was dripping from the fittings of the diving board into the pool. The motel was not as quiet as it should be so close to dawn, but it was quiet enough. There was only an occasional distant laugh, and the noise from the lounge. To Mr. Mandala it was reassuring. He replenished his soul by walking all the galleries around the rooms, checking the ice makers and the cigarette machines, and finding that all was well.

  A military jet from McCoy was screaming overhead. Beyond it the stars were still bright, in spite of the beginnings of dawn in the east. Mr. Mandala yawned, glanced mildly up a
nd wondered which of them was Mars, and returned to his desk; and shortly he was too busy with the long, exhausting round of room calls and check-outs to think about Martians. Then, when most of the guests were getting noisily into their cars and limobuses and the day men were coming on, Mr. Mandala uncapped two cold Cokes and carried one back through the service door to Ernest.

  "Rough night," he said, and Ernest, accepting both the Coke and the intention, nodded and drank it down. They leaned against the wall that screened the pool from the access road and watched the newsmen and newsgirls taking off down the road toward the highway and the ten o'clock briefing. Most of them had had no sleep. Mr. Mandala shook his head, disapproving so much commotion for so little cause.

  And Ernest snapped his fingers, grinned and said, "I got a Martian joke, Mr. Mandala. What do you call a seven-foot Martian when he's comin' at you with a spear?"

  "Oh, hell, Ernest," said Mr. Mandala, "you call him sir. Everybody knows that one." He yawned and stretched and said reflectively, "You'd think there'd be some new jokes. All I heard was the old ones, only instead of picking on the Jews and the Catholics and—and everybody, they were telling them about the Martians."

  "Yeah, I noticed that, Mr. Mandala," said Ernest.

  Mr. Mandala stood up. "Better get some sleep," he advised, "because they might all be back again tonight. I don't know what for.… Know what I think, Ernest? Outside of the jokes, I don't think that six months from now anybody's going to remember there ever were such things as Martians. I don't believe their coming here is going to make a nickel's worth of difference to anybody."

  "Hate to disagree with you, Mr. Mandala," said Ernest mildly, "but I don't think so. Going to make a difference to some people. Going to make a damn big difference to me."

  The End

  © 1967 by Frederik Pohl. First published in Dangerous Visions, Ed. Harlan Ellison, Garden City, NY: Doubleday, 1967.

  Love is the Plan The Plan is Death

  James Tiptree, Jr.

  Remembering—

  Do you hear, my little red? Hold me softly. The cold grows.

  I remember:

  —I am hugely black and hopeful, I bounde on six legs along the mountains in the new warm! … Sing the changer, Sing the stranger! Will the changes change forever? … All my hums have words now. Another change!

  Eagerly I bound on sunward following the tiny thrill in the air. The forests have been shrinking again. Then I see. It is me! Me-Myself, MOGGADEET—I have grown bigger more in the winter cold! I astonish myself, Moggadeet-the-small!

  Excitement, enticement, shrilling from the sun-side of the world. I come! … The sun is changing again too. Sun is walking in the night! Sun is walking back to Summer in the warming of the light! … Warm is Me-Moggadeet Myself. Forget the bad-time winter.

  Memory quakes me.

  The Old One.

  I stop, pluck up a tree. So much I wanted to ask the Old One. No time. Cold. Tree goes end over end down-cliff, I watch the fatclimbers tumble out. Not hungry.

  The Old One warned me of the cold—I didn't believe him. I move on, grieving.… Old One told you, The cold, the cold will hold you. Chill cold! Kill cold. In the cold I killed you.

  But it's warm now, all different. I'm Moggadeet again.

  I bound over a hill and see my brother Frim.

  At first I don't know him. A big black old one! I think. And in the warm, we can speak!

  I surge toward him bashing trees. The big black is crouched over a ravine, peering down. Black back has shiny ripples like—It IS Frim! Frim-I-hunted-for, Frim-run-away! But he's so big now! Giant Frim! A stranger, a changer—

  "Frim!"

  He doesn't hear me; all his eye-turrets are under the trees. His end is sticking up oddlike, all atremble. What's he hunting?

  "Frim! It's me, Moggadeet!"

  But he only quivers his legs; I see his spurs pushing out. What a fool, Frim! I remind myself how timid he is, I try to move gently. When I get closer I'm astonished again. I'm bigger than he is now! Changes! I can see right over his shoulder into the ravine.

  Hot yellow-green in there. A little glade all lit with sun. I bend my eyes to see what Frim is after, and all astonishments blow up the world.

  I see you.

  I saw you.

  I will always see you. Dancing in the green fire, my tiny red star! So bright! So small! So perfect! So fierce! I knew you—Oh, yes, I knew you in that first instant, my dawnberry, my scarlet minikin. Red! A tiny baby red one, smaller than my smallest eye. And so brave!

  The Old One said it. Red is the color of love.

  I see you swat at a hopper twice your size, my eyes bulge as you leap after it and go rolling, shrilling Lililee! Lilileee-ee! in baby wrath. Oh, my mighty hunter, you don't know someone is looking right into your tender little love-fur! Oh, yes! Palest pink it is, just brushed with rose. My jaws spurt, the world flashes and reels.

  And then Frim, poor fool, feels me behind him and rears up.

  But what a Frim! His throat-sacs are ballooning purple-black, his plates are engorged like the Mother of the storm-clouds! Glittering, rattling his spurs! His tail booms! "It's mine!" he bellows—I can hardly understand him. He jumps straight at me!

  "Stop, Frim, stop!" I cry, dodging away bewildered. It's warm—how can Frim be wild, kill-wild?

  "Brother Frim!" I call gently, soothingly. But something is badly wrong! My voice is bellowing too! Yes, in the warm and I want only to calm him, I am full of love—but the kill-roar is rushing through me, I too am swelling, rattling, booming! Invincible! To crush—to rend—

  Oh, I am shamed.

  I came to myself in the wreckage of Frim, Frim-pieces everywhere, myself is sodden with Frim. But I did not eat him! I did not! Should I take joy in that? Did I defy the Plan? But my throat was closed. Not because it was Frim but because of darling you. You! Where are you? The glade is empty! Oh, fearful fear, I have frightened you, you are run away! I forget Frim. I forget everything but you my heartmeat, my precious tiny red.

  I smash trees, I uproot rocks, I tear the ravine open! Oh, where are you hiding? Suddenly I have a new fear: has my wild search harmed you? I force myself calm. I begin questing, circling, ever wider over the trees, moving cloud-silent, thrusting my eyes and ears down into every glade. A new humming fills my throat. Oooo, Oo-oo, Rum-a-looly-loo, I moan. Hunting, hunting for you.

  Once I glimpse a black bigness far away and I am suddenly up at my full height, roaring. Attack the black! Was it another brother? I would slay him, but the stranger is already vanishing. I roar again. No—it roars me, the new power of black. Yet deep inside, Myself-Moggadeet is watching, fearing. Attack the black—even in the warm? Is there no safety, are we truly like the fatclimbers? But at the same time it feels— Oh, right! Oh, good! Sweet is the Plan. I give myself up to seeking you, my new song longing Oo-loo and Looly rum-a-loo-oo-loo.

  And you answered! You!

  So tiny you, hidden under a leaf! Shrilling Li! Li! Lililee! Trilling, thrilling—half mocking, already imperious. Oh, how I whirl, crash, try to look under my feet, stop frozen in horror of squashing the Lilili! Lee! Rocking, longing, moaning Moggadeet.

  And you came out, you did.

  When I see your littlest hunting claws upraised my whole gut melts, it floods me. I am all tender jelly. Tender! Oh, tender-fierce like a Mother, I think! Isn't that how a Mother feels? My jaws are sluicing juice that isn't hunger-juice—I am choking with fear of frighting you or bruising your tininess—I ache to grip and knead you, to eat you in one gulp, in a thousand nibbles—

  Oh, the power of red—the Old One said it! Now I feel my special hands, my tender hands I always carry hidden—now they come swelling out, come pushing toward my head! What? What?

  My secret hands begin to knead and roll the stuff that's dripping from my jaws.

  Ah, that arouses you too, my redling, doesn't it?

  Yes, yes, I feel—torment—I feel your sly excitement! How your body remembers even now our love-
dawn, our very first moments of Moggadeet-Leely. Before I knew You-Yourself, before you knew Me. It began then, my heartlet, our love-knowing began in that very first instant when your Moggadeet stared down at you like a monster bursting. I saw how new you were, how helpless!

  Yes, even while I loomed over you marveling—even while my secret hands drew and spun your fate—even then it came to me in pity that long ago, last year when I was a child, I saw other little red ones among my brothers, before our Mother drove them away. I was only a foolish baby then; I didn't understand. I thought they'd grown strange and silly in their redness and Mother did well to turn them out. Oh, stupid Moggadeet!

  But now I saw you, my flamelet—I understood! You were only that day cast out by your Mother. Never had you felt the terrors of a night alone in the world; you couldn't imagine that such a monster as Frim was hunting you. Oh, my ruby nestling, my baby red! Never, I vowed it, never would I leave you—and have I not kept that vow? Never! I, Moggadeet, I would be your Mother.

  Great is the Plan, but I was greater!

  All I learned of hunting in my lonely year, to drift like the air, to leap, to grip so delicately—all these learnings became for you! Not to bruise the smallest portion of your bright body. Oh, yes! I captured you whole in all your tiny perfection, though you sizzled and spat and fought me like the sunspark you are. And then—

  And then—

  I began to— Oh terror! Delight-shame! How can I speak such a beautiful secret?—the Plan took me as a Mother guides her child, and with my special hands I began to—

  I began to bind you up!

  Oh, yes! Oh, yes! My special hands that had no use, now all unfurled and engorged and alive, never stopping the working in the strong juice of my jaws—they began to bind you, passing over and around and beneath you, every moment piercing me with fear and joy. I wound among your darling little limbs, into your inmost delicate recesses, gently swathing and soothing you, winding and binding until you became a shining jewel. Mine!

 

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