by Alan Hunter
GENTLY
I want you to tell me, Mrs Breske, everything you remember about the deceased.
MRS BRESKE
But there is nothing! He is here six, seven weeks, and I do not speak to him more than twice.
GENTLY
Did he have an accent?
MRS BRESKE
Ach, yes. He came from America, is true. He has that slur, you know, and he speaks through his nose. I, myself, have met many Americans. During the War I was in London. This one, yes, he is like the others, indeed, is certain.
GENTLY
He had a strong accent?
MRS BRESKE
Oh, ja.
GENTLY
Perhaps a little too strong?
MRS BRESKE
How is that?
GENTLY
His accent impressed you though he spoke so little. Perhaps the accent was a fake.
MRS BRESKE
(And she is stirred by this, her eyes swelling, her hands thrusting; her hands, on the thickened ring finger of which she still wears a fat gold band.)
Is not so, I tell you! He is an American from New York. His clothes too, his face, his ways – why should I tell you what is not so? Ask Frieda, she will tell you. I do not lie about this.
GENTLY
(Shrugs.)
Just an idea. Why did he come to your hotel?
MRS BRESKE
Why? How should I know that? Why do other people come?
GENTLY
Have other Americans stayed here?
MRS BRESKE
No. My clients are English people.
GENTLY
No other nationalities – say Austrians?
MRS BRESKE
I do not remember. Ask Frieda.
GENTLY
Then surely you’d be rather interested in this one, your first, American. You’d want to give him a good impression. And in fact, he did stay on for six weeks?
MRS BRESKE
I cannot help about that. He is just a guest like other people. He say, It suit me, is what I want, I will stay on: like that.
GENTLY
He owed you nothing?
MRS BRESKE
Ach, no!
GENTLY
He always paid you in English money?
MRS BRESKE
In English money, ja.
GENTLY
No travellers’ cheques?
MRS BRESKE
(Shakes her head.)
GENTLY
Didn’t you wonder what he was doing here, staying on from week to week – no letters, no contacts; just idling away his time?
MRS BRESKE
It is his business, what he does.
GENTLY
But you’d have made some remark. You’d have said: You’re having a long holiday, Mr Clooney, some little thing like that.
MRS BRESKE
(She rocks the chair, her eyes protruding and distant. The impression you have is that her soul has departed, is perhaps wandering the streets of pre-war Vienna.)
GENTLY
Well?
MRS BRESKE
Ja, some little thing. I try to remember myself. About his wife, I say that. That she will wonder where he is got to.
GENTLY
And what did he say?
MRS BRESKE
Ach, a joke. Yes, he is laughing, I remember. She is going, mmn, mmn, with other men, she will not wonder about him.
GENTLY
But he admitted having a wife.
MRS BRESKE
I tell you, it was a joke.
GENTLY
Was he . . . bitter, about it?
MRS BRESKE
No, not that one. He does not care, you understand?
GENTLY
Would you say he had something on his mind.
MRS BRESKE
He does not care about his wife. He laughs, he has jokes about her, is all over long ago. Ach, poor woman, whoever she is! I know. I know.
(And Edith Breske is absent again, this time certainly in Vienna, waltzing again with that romantic fiddler, that Martin Breske, her first and falsest.)
GENTLY
Are you a widow, Mrs Breske?
MRS BRESKE
Ach, who can tell me that? He ran off to Berlin with a blonde hair-dresser. Perhaps the Nazis got hold of him. He was, you know – was ist ein Schmetterling?
GENTLY
Butterfly.
MRS BRESKE
Ja, ein butterfly. A woman can do what she likes with him, he has no character, is a child. But good-looking, ach yes! I do not wish him any evil.
GENTLY
Your two daughters are very unlike.
MRS BRESKE
(Sharply.)
They are both his, that is true. Trudi takes after her father, is nothing erstaunlich about that.
GENTLY
He was tall, then.
MRS BRESKE
Ja, ja, he was not altogether short. Und Trudi has his eyes, his nose, ja, is very much like him.
GENTLY
(Pointing.)
Would that be his sister on that photograph?
MRS BRESKE
(Turning quickly, so that the chair swings.)
Was ist – nein, nein, er hat keine Schwester – jene ist Frau Lindemann – sie ist tot.
GENTLY
A relative?
MRS BRESKE
Oh, ja. She is my sister, Mitzi Lindemann. She married Herr Professor Hermann Lindemann. They are both dead before the war.
GENTLY
Then that’s where Trudi gets her looks.
MRS BRESKE
Ja, is possible, is in the family. The Nazis killed Herr Professor. He is born the wrong side of the bridge.
GENTLY
What bridge?
MRS BRESKE
The Radetsky Bridge. Das heisst, he is a Jew. Also, he is known to be a Marxist. Is enough. They shoot him.
GENTLY
And your sister?
MRS BRESKE
(Shrugs.)
She is already sick at that time. Ach, what do you know in your island? The sea out there is still all round you.
She snatches her head and stares, protuberantly, at the same circumfluent sea, where it lies, patched with emerald, purple and gamboge, but hard blue, beyond her window. Edith Breske, who had seen no sea till those nightmare months of ’37, to whom it is, will ever be, a roaring desert of separation; never soothing, never inviting, but God’s mighty current dividing the land. She stares, daughter of muddy Danube, alien-eyed, at prison bars.
GENTLY
So perhaps the American had a wife. That is all you can tell me about him. Now, Mrs Breske, I want you to remember what you can about Tuesday evening. Did you see the American go out?
MRS BRESKE
(Shakes her head.)
I see the poor man at dinner. After that, I don’t know. I think I do not see him again.
GENTLY
Who sat at his table?
MRS BRESKE
He has a table by himself.
GENTLY
Always?
MRS BRESKE
Ja, always. He ask for the little window table.
GENTLY
That’s the window overlooking the drive.
MRS BRESKE
Ja, and he has the room just above it. At first I give him a front room, but he says the noise of the sea keep him awake. That is all right, other people like it, I am quite happy he shall move.
GENTLY
So he had a room and a table overlooking the drive. It was almost as though he expected a visitor.
MRS BRESKE
(Hoists her shoulders.)
GENTLY
Did he have one?
MRS BRESKE
A thousand times I tell you, no! He is alone, that man. He does not talk, make friends. He sits in his room, walks on the beach, eats his food, listens to the music. You do not know he is there. He does not make any complaint. He seems content, he smiles at you. But h
e does not open his mouth.
GENTLY
Did that never strike you as odd?
MRS BRESKE
Odd? Himmel, they are all odd! I am too busy, I do not notice. Ach, he pays his bill, nicht wahr?
GENTLY
But you did notice.
MRS BRESKE
Is all the same! Other people are funny too.
GENTLY
Not quite so funny.
MRS BRESKE
Pfoo, pfoo.
GENTLY
Are they?
MRS BRESKE
(An impatient gesture.)
GENTLY
Going back to Tuesday evening. You saw the American at dinner. Who served him?
MRS BRESKE
Ja – Franz. Franz is serving the little table.
GENTLY
Who is he?
MRS BRESKE
Who? A waiter. Franz Klapper. Is from Ischl.
GENTLY
A regular waiter?
MRS BRESKE
Oh, ja. Is here from two, three seasons.
GENTLY
What time would you have finished dinner?
MRS BRESKE
Ach, the service is over at nine. But people sit there, you know, there is the music, good wine. Till ten or eleven it is sometimes. The orchestra go off at eleven.
GENTLY
And the American kept sitting there?
MRS BRESKE
I do not know that myself. Frieda says he is still there at a quarter past ten.
GENTLY
Drinking?
MRS BRESKE
Ja, that is certain. He is served six whiskies.
GENTLY
He listens to the music, and drinks.
MRS BRESKE
Ja. It is his way.
Gently is silent. Mrs Breske slides a look at him. Is not so terrible, this Herr Oberinspektor, though perhaps shrewd, ach yes! Now he arranges in his capacious mind (does he not resemble the great Willi, that chef, the favourite of crowned heads, whose disciple she is proud to be; who, as she is fond of telling, could break two dozen eggs in twenty seconds, the shells falling in a neat pile in a pan placed there to receive them – One does not break eggs, Fraulein Tichtel, one introduces them – ?) her words, not one of which he has forgotten or failed to give its full significance. What then? He can make nothing of them to the discredit of Edith Breske, or of the Hotel Continental, its staff, and its forty-four guests. He will ask his fill, no doubt, and write a long, highly official report, which will satisfy everybody concerned, and tie the matter up neatly; that is his business as a Herr Oberinspektor; but he can do no more. The great Willi, without eggs, could not make a Spanish omelette. Mrs Breske stares large-eyed, rocks sedately, waits.
GENTLY
So then the American goes out.
MRS BRESKE
Ja, he often does this before retiring.
GENTLY
Always alone.
MRS BRESKE
Is what they say. I do not myself keep late hours.
GENTLY
When did you retire, Mrs Breske?
MRS BRESKE
Ach, nine, a half after. It is very tiring, you understand, I am a long time in the kitchen.
GENTLY
And then?
MRS BRESKE
Ja?
GENTLY
What followed?
MRS BRESKE
(Stares at him, her teeth showing.)
GENTLY
When you had gone up, what followed?
MRS BRESKE
Was? I undress, go to bed!
GENTLY
And then?
MRS BRESKE
Then? Ich weiss nicht! – what do you mean, and then?
GENTLY
(Shakes his head.)
MRS BRESKE
(Her mouth crumples.)
GENTLY
It won’t do, Mrs Breske. This is a murder investigation. I have to know what people were doing, how far they can be eliminated. You told Inspector Shelton you slept alone. The waiter, Gordini, says he slept alone. Other people have said you slept together. If you did, you must tell me.
MRS BRESKE
(In tears.)
Is not fair to ask this!
GENTLY
Don’t forget it clears Gordini.
MRS BRESKE
(Passionately.)
Ach, Carlo! As though you believe – ! What could Carlo know about this?
GENTLY
(Shrugs.)
He’s a strong boy, perhaps has a knife.
MRS BRESKE
Ach, Gott, Sie sind verrückt! Next it is me, is Trudi, is Frieda – are plenty of knives in the kitchen!
GENTLY
So.
MRS BRESKE
(Crying.)
Is not fair! Why must I tell you? Carlo is gentle, like an angel. Franz, ja, he has a temper – but Carlo, Carlo! Is all madness!
GENTLY
(Waits.)
MRS BRESKE
(Still crying.)
Carlo is kind, you understand?
GENTLY
I haven’t accused him.
MRS BRESKE
Carlo loves me. Ach, a woman needs to be loved! You ask if I am a widow. Ja, jawohl, I am a widow! All these years I have no husband, no one to sleep at my side. Is too much, is not right, a woman cannot do like that.
GENTLY
I’m not here to blame you, Mrs Breske.
MRS BRESKE
She needs a man, all the time. Is not alive, you understand, is not living, without a man. Ach, to be a lonely woman! How can one tell a man of this? Is nothing inside her, is all hollow. Without loving is no good!
GENTLY
Well.
MRS BRESKE
Is not right! You do not need to ask this.
GENTLY
I must know your movements.
MRS BRESKE
Oh, ja, ja!
GENTLY
You saw as much of the American as anyone.
MRS BRESKE
(She dashes angrily at the tears on her tallowy cheeks, seems about to give an explosive answer, then, surprisingly does not.)
Are all the same, diese Polizisten. English, deutsch, it does not matter.
GENTLY
Gordini slept with you, didn’t he.
MRS BRESKE
Gut, so! What then?
GENTLY
When did he come, when did he leave?
MRS BRESKE
Und was tat er dort, you would like to know?
GENTLY
Just what I’m asking.
MRS BRESKE
Oh, ja. He brought up my night-cap, it is ten hours.
GENTLY
And stayed.
MRS BRESKE
Ja, and slept.
GENTLY
Till.
MRS BRESKE
Ach, I am not sure. Is all this business, everyone awake. He was in my room till after six hours.
GENTLY
From ten p.m. to six a.m.
MRS BRESKE
Ja, is certain, I can say.
GENTLY
That’s all about that, Mrs Breske. Thank you for being frank with me.
MRS BRESKE
(Does not look very grateful for Gently’s thanks. She makes a manner of humming sound through her nose, rather like an angry cat.)
GENTLY
(As though half to himself.)
Of course . . . all this was very upsetting for you.
MRS BRESKE
You do not care about that. People’s feelings do not matter.
GENTLY
But you were upset, weren’t you?
MRS BRESKE
Ach, Gott, am I not to be? One of my guests has been killed – a good advertisement is it, ja?
GENTLY
And this it was that upset you?
MRS BRESKE
Is not enough? Ach, this man!
GENTLY
But wasn’t it mak
ing matters worse – to be hysterical over it in front of your guests?
MRS BRESKE
(Gapes for a moment.)
I cry a little, nothing more! This man is killed who I have known – I cry, ja – I have my feelings.
GENTLY
So it wasn’t just the bad advertisement.
MRS BRESKE
Ja – nein! I am not a stone.
GENTLY
Yet you spoke to him only twice.
MRS BRESKE
Es macht nichts – is my way!
GENTLY
(A faint shrug.)
Perhaps, without noticing, you had become fond of him.
MRS BRESKE
Nein, I tell you – I do not care! Is nothing to me, is only a guest – Number 7, does not complain.
GENTLY
But you cry.
MRS BRESKE
Ach, ach!
GENTLY
Could it be you were afraid?
MRS BRESKE
(Says nothing, rocks her chair, stares, showing her bunched teeth.)
GENTLY
You may remember something later on. People often do that. Now I’d like to talk to some other people, Mrs Breske. First, I think, to your daughter.
MRS BRESKE
Ja . . . Frieda.
GENTLY
Yes.
MRS BRESKE
I will find her, send her to you.
CHAPTER FIVE
AND NOW MRS Breske, leaving her parlour, coming into the hall, where guests sit waiting, is much less easy in her mind about the Herr Oberinspektor and his shrewdness: so much so that her first act, after scowling distantly at the guests, is to enter the bar and to order a neat brandy from Rudi, the bartender. She drinks it quickly. Ach, Rudi! Rudi is a youngster from Hochstadtbei-Zoom. He has brown eyes and a bee-stung mouth and may one day serve night-caps. Ach, Rudi! Ja, ’dige Frau? Mrs Breske shakes her head. She cannot put her uneasiness in words, either English or German. And Rudi gazes at her doe-eyed, troubled by Frau Breske’s trouble, wondering if the occasion of it is some sin or omission of his own. You knew the American, Rudi? Absurd question! Of course he did. So? Another shake of the head. Ach, Rudi! – is all. Then she stands turning the brandy-glass, looking at Rudi without seeing him, till the lad becomes embarrassed and starts to blush round the ears. What is the matter with Frau Breske? Rudi is used to a different approach.
