by J. Thorn
If you enjoyed this story you'll love Reversion: The Inevitable Horror (The Portal Arcane Series - Book I). Find out why readers who enjoy the creeping doom of Stephen King's Langoliers are diving into the engaging world of the Portal Arcane series. Grab Reversion: The Inevitable Horror (The Portal Arcane Series - Book I) OR get The Complete Portal Arcane Trilogy: 3 Novels and 4 Shorts of Intense Dark Fantasy (PLUS Book I of the Hidden Evil Trilogy) for a special low price! Browse the entire J. Thorn catalog at http://jthorn.net/books/.
Praise for the Portal Arcane Series...
"This is a great start for what promises to be an engaging, intense series."
Scott Nicholson, Author of the #1 Amazon Best Selling Horror Novel, The Home
"It's all about the journey, about the creeping horror of individual moments, the long wait, the brief moments of terror, and then more waiting. It was... a fascinating read, and I will definitely be interested in following this series.."
K. Sozaeva, Amazon Vine Voice, Top 500 Reviewer
Reversion: The Inevitable Horror (The Portal Arcane Series - Book I)
With a noose around his neck, Samuel arrives in a forest littered with caution tape and artifacts of the deceased. He struggles to regain his memory while fending off a pack of wolves and the mysterious visitors who seem to know more about this dying world than he does. Major, Kole and Mara, new companions also trapped in this strange place, realize they must outrun the ominous cloud eating away at their world before it collapses upon itself. Samuel must find a way to escape the reversion.
The Law of Three: A New Wasteland (The Portal Arcane Series - Book II)
The reversion plucks Samuel from a dying world and drops him into another, a decaying desert wasteland of darkness and peril. As his memories return, he finds himself in another cycle of destruction. With newcomers Jack and Lindsay, Samuel leads the group towards redemption in the mountain stronghold of a mysterious man known as Deva. Finally, as the locality collapses behind him, Samuel realizes his only escape from the reversion will be putting his faith in The Law of Three.
Corrosion: Terminal Horizon (The Portal Arcane Series - Book III)
Samuel and Lindsay arrive on the shores of another reversion and quickly realize their journey is not over. They pass through a portal, slipping into a rotting and decayed city inhabited by an army of the undead and their maleficent leader, his brother Kole. While trying desperately to beat the cloud to the east, Samuel must also face his brother and the inevitable confrontation at the end of the world. Only one will survive the Corrosion.
If you are still reading, you must be a hardcore fan. Please visit http://www.authorgraph.com/authors/JThorn_ where I will personalize and autograph your digital book for free. Please do not hesitate to get in touch. I respond personally to every message. My phone number is 216.245.8476 or if you appreciate creativity on the dial pad, 216.24J.THRN. Seriously, that’s my phone number. Call and leave me a voicemail with your name and number and I promise to call you back. Did a scene in the book trouble you? Call me. Did you love the book and want to shower me with praise? Call me. Do you want advice on writing or publishing your own book? Call me. Do you want to order a large pepperoni with mushrooms and cheese? Can’t help you there. I want you to have the best reading experience possible because we all have limited time on this planet. If you weren’t completely satisfied with my book, or if you loved it, or if you simply want help; please call me. I would love to hear from you. And if you want to be part of an exclusive group of horror and dark fantasy lovers, you have to check this out:
http://jthorn.net/join/
Other works from J. Thorn
Browse the entire J. Thorn catalog at http://jthorn.net/books/.
About the Author
Healed by the written word
Want a story that's rooted in a fundamental aspect of being human?
I believe reading dark fiction can be healing. My overriding mission is to connect with you through my art, and I hope to inspire you to do the same. I’m a word architect and driven visionary. I’m obsessed with heavy metal, horror films and technology. And I admire strong people who are not afraid to speak their mind.
I grew up in an Irish Catholic, working class family and was the first to go to college. I didn't have expensive toys, so I used my own imagination for entertainment. And then I abused alcohol for entertainment. I spent the first thirty years of my life convincing myself I wasn’t an addict and the last ten worrying about all the potential threats the substances hid from me.
Anxiety and depression are always hiding in the corner, waiting to jump me when I start to feel happiness.
I had to break through family programming and accept the role of the black sheep. In my 30s I started writing horror and formed a heavy metal band while my family rolled their eyes, sighed and waited for the “phase” to end.
I spent years paralyzing myself with self-loathing and criticism, keeping my creativity smothered and hidden from the rest of the world. I worked a job I hated because that’s what Irish Catholic fathers do. They don’t express themselves, they pay the damn mortgage. I may have left my guilt and faith behind long ago, but the scars remain.
My creativity is my release, my therapy and my place to work through it all. I haven't had a drink in a long time, but the anxiety and depression are always lurking. Writing novels and songs keeps it at bay. I scream over anxiety with my microphone and I turn my guitar up loud enough to drown out the whispers of self-doubt.
I hope to leave a legacy of art that will continue to entertain and enrich lives long after I'm gone. I want others to see that you don’t have to conform to the mainstream to be fulfilled.
Don’t be afraid of the dark. Embrace it.
* * *
Official Website
Facebook
Twitter
Rising Fears
by
Michaelbrent Collings
Copyright © 2012 by Michaelbrent Collings
All rights reserved.
No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without written permission from the author. For information send request to [email protected].
website: http://www.michaelbrentcollings.com
email: [email protected]
cover and interior art © 2012 by hektor2
used under license from Shutterstock.com
cover design by Michaelbrent Collings
For more information on Michaelbrent’s books, including specials and sales; and for info about
signings, appearances, and media,
check out his webpage (michaelbrentcollings.com),
”Like” his Facebook fanpage (facebook.com/MichaelbrentCollings)
or
sign up for his mailing list (http://eepurl.com/VHuvX)
DEDICATION
To...
James Dashner, a gentleman in the truest sense,
who read a book because he was asked...
Brandon Mull, who was a great guy when we were young,
and who continues (for some reason) to take my calls...
and to Laura, FTAAE.
***
PROLOGUE:
UNCAGED
***
In spite of her name, Amy-Lynn Rand was not a small-town girl. Born and raised in Los Angeles, California, it had seemed like the probable end of the world when she got married to a man who not only haled from an improbably small town in Washington, but was determined to return to it someday.
She had put off the inevitable for seven years. Seven good years. Then she had finally gotten pregnant, and looked around at the big city for the first time through the eyes of a mother-to-be...and shuddered.
The avenues and promenades that had seemed so inviting and fun to a woman of twenty were now harbingers of doom to her. Boardwalks that had once beckoned now seemed like
nothing but warrens for child molesters and potential murderers.
Amy-Lynn, the big city girl with the small town name, looked around her beloved Los Angeles, and for the first time in her life she shuddered rather than smiled.
They moved back to the town where her husband Ron had been born, back to Rising, Washington, and though Amy-Lynn would have been the first to admit that the move was one borne of fear, she also would have been the first to admit that the end of her trip carried almost as much foreboding as her beginning had.
Within six hours of her arrival in Rising, however, she realized two things: first, that her only idea of small-town living came from television shows where small towns were most often portrayed as the birth-place of bigots and busy-bodies; and second, that those shows had clearly been written by big-city folks with no more idea of what a small town was like than she had had.
Instead of insular life, she found the people open to the point of being a shock to the system. She and her husband had arrived late, Ron driving the small U-haul that carried every one of their meager possessions - only enough to furnish the small apartment that was all they could afford in Los Angeles. Amy-Lynn had fretted about how they would get everything unloaded: Ron's family were all dead or moved away, and at seven months pregnant she knew she wasn't much for the heavy lifting. Ron, however, had merely smiled in a particularly infuriating way and chuckled whenever she broached the subject.
But sure enough, within ten minutes of opening the back of the U-haul, there were a pack of neighbors, passers-by, and even two sheriff's deputies that were all buzzing like ants in and out of the house, each of them summoned not by a phone call or a plea for aid, but merely by the fact that there was someone new in the neighborhood, and that someone needed help. Amy-Lynn found herself being coddled in her own home as the wives in the area descended on her as well, each bearing not just friendship, but also foodstuffs for the pantry - nothing frozen, they all knew from experience that the movers wouldn't want or be prepared to deal with frozen items just yet - and advice for the new mother.
She felt like she had somehow managed to get to heaven without the burdensome and occasionally messy process of dying getting in the way.
Now eight years after moving to Rising, the view was of the same idyllic small town that it had been eight years ago.
Main road.
A schoolhouse, for grades K through twelve, a small brick building that somehow managed to convey both an inviting air and one of permanence, as though the building could speak and was even now telling all that it had gone through many long winters...and expected to go through many more.
Behind the schoolhouse was a small football field, the pride of the town, where each Friday night almost everyone for twenty square miles could be found.
A few children were out riding their bikes in the waning light of day, a few honest-to-goodness Bicycle playing cards in their bike spokes. Amy-Lynn smiled at that for a moment, then shuddered as the sound of the playing cards carried to her ears: it sounded like the flap-crack of splintering bones.
She cast her eyes around for something else to focus on, gripped by a sudden feeling of dread that she had not experienced in almost a decade, not since leaving Los Angeles.
She looked up, and saw the mist-shrouded Olympic Mountains, the huge range casting long shadows over the town in the last pale gasps of day. Usually the view comforted Amy-Lynn: the mountains exuded permanence, lending a sense of stability to an otherwise oft-changing world. Today, however, at the end of this long day, at the end of a short trip through memory that played host to darkness as much as light, the mountains seemed less like the ponderous guardians that they usually were, and more like an omen of coming doom. The mist that hung on them seemed to Amy-Lynn like the darkness that hung at the edges of so many pleasant dreams: a constant reminder that what was light could be made dim at a moment's notice; that what was lovely could be rendered vile and horrifying in an instant.
Amy-Lynn heard a creak and looked over.
The porch swing.
It was swaying gently in the evening breeze. And again the usually-charming view was one that seemed less a reminder of a pleasant afternoon sipping lemonade and more as though the ghosts of past residents were still present, still swinging in eternity, still searching for rest.
The remains of the day's lemonade still sat in glasses on the porch rail, condensation dripping from them like nervous sweat.
"Mommy!" came a youthful, high-pitched voice from inside the house, and Amy-Lynn shuddered then turned gratefully away from the view of the town, and returned her attention to her treasure, her all: her reason for life and continued reason for living.
Sean Rand was a tow-headed child of eight, bright eyes gleefully alight as he shot a marble across the kitchen floor. It rolled across the linoleum tile with a dry, brittle noise, then hit another marble with pinpoint accuracy. Crack! went the two glass orbs, and one suddenly halted as if by magic, its momentum stolen by the second marble, which rolled away rapidly.
Amy-Lynn watched the second marble roll away, and rolled her eyes. "You got me again, Sean," she said.
Sean grinned, his perfect smile leaning a bit to one side, marred by an accident that had happened less than a year before. He had been learning to ride on a two-wheel bike, leaving behind the training wheels in favor of a much cooler dirt bike that Ron had given their son for Christmas. But though he had been a quick learner, overconfidence had come with practice, and Amy-Lynn still shuddered every time she remembered the crash: her son smashing through their oh-so-perfect white picket fence, and one of the resulting splinters leaping up as if by dark magic to spear through her son's cheek. She could still see the blood in her dreams, the dripping red that splashed - so much, too much - on the white of the fence, staining it forever.
It had turned out to be almost nothing. Just a head wound, and everyone knew - or so the old ladies on the block said with mellow sagacity - how much head wounds bled, even little ones. Still, the blood that had come out before she had managed to staunch the bleeding and get stitches - only two, head wounds really did bleed, even the little ones - had been so bright and so frightening that it still made feature appearances in her dreams, and she couldn't help but shudder whenever Sean's little cheek, still slightly scarred from the mishap, pulled to one side due to a muscle that had been torn in the accident.
The grin, even pulled to one side, however, was highly infectious, and Amy-Lynn couldn't help but smile herself as Sean clasped his hands over his head in victory and shouted, "I...am..."
And then Amy-Lynn joined in with him to finish: "...The Greatest!"
And then, as she always did when she and Sean did this victory shout, she attacked him with a flurry of hugs and tickles, stopping only when Sean started to say, "Stop it...stop it! Can't breathe!"
So she paused, just long enough for him to get his breath back, then said, "Better?" Sean nodded as he always did, and then Amy-Lynn redoubled her attack as she always did.
It was happiness. A moment of bliss that was almost - almost - enough to chase away the fearful thoughts from her mind.
Until Sean kicked out. His foot hit his marble, still sitting in a red glow on the ground. The marble rolled...
..."Oh no!" shouted Sean...
...and then it disappeared through a large, dark gap below the door that led from the kitchen down into the basement.
"Oops, there goes your marble," said Amy-Lynn, still smiling.
Sean was still smiling, too. Until he saw where the marble had gone to hide.
He stopped laughing.
Stopped smiling.
Almost, she thought, he stopped breathing.
Amy-Lynn's brow softened, and she touched Sean gently on the shoulder. "It's okay, kiddo," she said. "It's just the basement."
She moved to the door. Swung it open.
Darkness beyond. Death-black. Funeral-black. To an eight-year-old, she supposed, this may as well have been the doorway to Hell.
"Go on, Sean," coaxed Amy-Lynn. "There's nothing to worry about. Nothing to fear."
Sean whispered something.
"What?" said Amy-Lynn.
The boy turned to her, and she was shocked to see that his face was now streaked with tears, mere seconds after he had been laughing his bell-tone little boy's laugh.
"The monster," whispered Sean.
Amy-Lynn pursed her lips. This obsession with a monster in the basement was a new thing, almost as new as her own sudden fear of the mountains that until today had always provided peace and serenity to her. She and Ron had both tried to coax their son on numerous occasions into the basement, but in the last week or so the child had utterly refused to go, no matter what the provocation or the possible reward.
Amy-Lynn was, she thought, a patient and loving mother. But she also knew that patience and love had to be tempered with firmness and encouragement in the face of fear.
No time like the present, she thought, and gestured to her son. "Here," she said. She reached into the basement, and was almost disturbed herself to see how completely her hand disappeared into the murky blackness that began only inches beyond the doorjamb.
Has it always been this dark in the basement? she thought. And on the heels of that thought came another, unbidden and strange: What if something does pull me in?
