The carriage was waiting. She stared at it critically in the flaring lantern hanging in the porte cochère. It was a simple black landau like a thousand others, neither better nor worse, with nothing to call attention to it. The horses that pulled it were sound and strong, but not showy in any way, not even carefully matched. It would do.
She called up a quiet order to the man on the box, then gathered her heavy cloak of dark blue wool around the costume she still wore and climbed inside. She patted her cloak pocket to be sure her demi-mask was there, then sat down, leaning back on the leather seat. The carriage jerked into motion. She sat staring out the window, seeing nothing. Her mind drifted, and she allowed it free rein, not wanting for the moment to think of what she was about to do.
Jean. His family, staunch Creoles, had owned the plantation that adjoined the land her father had won at poker. They had resented the presence of the Americans, and there had been little communication between the two pieces of property, though there were a number of paths as well as the main river road connecting them. Regardless, each family had always known what the other was doing, whether they were ill or well, when there was cause for grief or celebration. The reason was simple; most of the slaves of the two places were related by blood, and it was their constant visiting back and forth with news that had created many of the worn paths.
Then one morning while out riding, nearly two years after Nathan Hamilton had taken possession of the plantation, Anya escaped the stableboy who acted as her groom. She allowed her pony to wander in the direction of the other plantation, craning her neck in curiosity to see what might be seen. She was not paying attention to her progress, and soon became lost on the winding trails.
It was Jean, a truant also, who found her. He took her home with him, introduced her to his maman and his père, to his grand-mère in her lace cap and his Tante Cici, who was confined to her chair with a bad leg; to his cousins who lived with them, and his Scots tutor, who had been searching for him since breakfast.
His family carried on over her as if she were the most intrepid of young females, to have traveled the few miles separating the two places alone. They fed her bonbons and dragées, or candy-coated almonds, and allowed her to sip a small glass of wine. They sent a messenger to Beau Refuge to relieve the anxiety of her father and stepmother, but insisted that she stay for lunch. A holiday was declared, education not being considered a matter of vital importance, and she and Jean and his many cousins played games and rode in a cart pulled by a pet goat, sang and danced to the music played by Tante Cici. Finally, Jean, being all of ten or eleven years old himself, escorted her home, staunchly determined to support her as she explained to her papa how she had come to stray so far. Long before that day was over she had loved him. She had never stopped.
Once at Beau Refuge, Anya invited Jean in to meet her father and mother and baby Celestine. But though Jean had told her about his aunt’s bad leg and about one of his younger cousins who was “slow,” as well as explaining the presence of the older gentleman who was a friend of his father and who lived with his family in a guesthouse with a barn owl in the attic and wrote books about ghosts, she did not tell him about her Uncle Will. That came much later, when she knew beyond a doubt that he would not desert her once he knew.
William Hamilton, Uncle Will, her father’s brother, had arrived one day without warning. Younger than Nathan by a year, his wife and two children had been killed when their house caught fire in the middle of the night. Uncle Will had saved himself, but could not forgive himself for not saving his family. Since Nathan was his only relative living, Will had come to be with him, and to settle in a place where there were no reminders of the tragedy.
At first he had seemed all right, though he made little effort to throw off his depression of the spirits. But always he would moan in his sleep and cry out. Then came days when he would lie and scream until he was hoarse. He began to roam the house at night, beating the walls with his hands. Once he tried to cut his wrists with a kitchen knife and, when Nathan stopped him, attacked his own brother. It was after he broke the lock of the cabinet where Nathan kept his guns, threatened Madame Rosa with a fowling piece, then shot himself in the foot with it that Anya’s father confined him.
It had been the practice at the time to confine those for whom life had proved too much, the insane, in the parish jails throughout the state, there being no other facilities, though since then a special hospital had been built at Jackson to contain them. The jails had not been an ideal solution, for the unfortunates were often preyed upon by other prisoners, or else were a danger themselves to the weaker inmates.
Nathan Hamilton had not been able to support the thought of that kind of life for his brother. He had prepared a room for him in the building that housed the cotton gin at Beau Refuge, a stout structure some distance from the house, so that his cries would not be a disturbance. A fireplace had been installed for comfort in winter, as well as high windows with strong iron bars for air. It had been furnished with a bed, an eating table and chair, an armchair, armoire, and washstand. It also had a leg shackle with a long chain that was attached to a stout bolt set into the thick wall beside the bed.
There in that room above the gin, with a pair of strong servants to tend to his needs, Uncle Will had stayed for four long years. He had endured his confinement without complaint for the most part, though sometimes he begged to be set free in the swamp with a gun and a knife. Then one night he managed to hang himself with a rope he had made, inch by patient inch, season after season, by twisting into threads the cotton fibers that drifted into his room, and twisting the threads into a rope.
The room was still there at Beau Refuge. Like everything else at the plantation, it was kept in order; the floor swept, the bed ropes renewed, the lock and the shackle oiled, and the fireplace chimney kept free of birds’ nests. Now and then baled cotton was stored in it when space became scarce. Once an unruly slave bent on beating his woman to death was kept there until he calmed down. It was empty now.
The carriage rolled through the city and turned into a dark street near the outskirts. Here were rows of narrow shotgun houses, so called because a shot fired through the front door of the house would go completely through the two rooms placed end to end and exit out the back door. Before one such house, the carriage drew up. Anya got down and moved quickly to climb the narrow steps and knock on the door.
It seemed a long time before there was an answer. Then a bolt was drawn and the door opened a cautious crack.
“Samson? Is that you?” Anya asked.
“Mam’zelle Anya! What you doin’ here this time of night?”
The door was drawn open, and in the light of the carriage lanterns could dimly be seen an enormous black man. His head barely cleared the doorframe, and his shoulders and arms bulged with muscles that had come from pounding hot iron in his job as a blacksmith. His voice as he spoke held disapproval not unmixed with suspicion, and he peered beyond her toward the carriage that waited.
“I need to talk to you, and to Elijah. Is he here?”
“Yes, mam’zelle.”
“Good,” she said, and when Samson’s brother, a man larger if possible that Samson himself, appeared, she began to outline what she wanted.
They did not like it; that much was plain. Anya could not blame them. It could not be denied that what she asked would be dangerous. Still, they did not deny her. She had known she could depend on them, no matter the hour or the nature of the request.
It was Samson and Elijah who had tended her Uncle Will. In order to help pass the time of their vigil, Anya had shared her school books with them, teaching them painstakingly to read and write by drawing with a stick in the dirt. Later, after her uncle’s death, the pair had been given jobs in the blacksmith shop. But they yearned for the freedom they had read about in the history books and in the tracts passed out by the abolitionists. They thought they could make their own way, earn their keep in the blacksmith trade.
As A
nya’s father lay dying of the injuries from his fall from horseback, the two men had come to her. They asked that mam’zelle intercede for them, that she beg the master to free them. It was still possible then for a man to free a slave by will on his death, and so Anya had agreed. Not only had she spoken to her father, but later, when Samson and Elijah opened their own blacksmith shop, she had told everyone she knew of the delicate and intricate patterns of wrought iron for gates and railings and cornices created by the big men. They had prospered, and they had not forgotten.
It troubled Anya that she must ask them to risk so much now. It could not be helped, however, She would protect them insofar as she was able, no matter what happened.
A short time later, with Samson an Elijah clinging to the rear of the carriage like footmen, the driver turned the vehicle back toward the center of town.
It was growing late, still with everything that had happened, it was only just after midnight. The gas streetlamps on Canal Street and St. Charles Street were burning brightly, and the mule-drawn omnibuses that rattled up and down the thoroughfares were most of them more than half-full. Many of the balls held that night were only just now ending, and the carriage traffic was thick as the guests made their way homeward.
On a street corner Anya saw a Charley, or constable of the city police, in his painted and numbered leather cap. He stood slapping his short club, known as a spontoon, into the palm of his hand as he talked to a pair of men dressed in the flamboyant fashion favored by most professional gamblers. As Anya watched, one of the gamblers thrust what looked like a wad of bills into the pocket of the constable’s coat.
She looked away, her lips curled in disgust, though she was not surprised. New Orleans, one of the richest cities in the United States for many years, had always attracted its share of political scavengers. The current crop of government officials, however, was the most corrupt and venal in living memory. The party in power was the Native American party, known derisively as the Know-Nothing party for the constant refrain of its officials when accused of wrongdoing. So blatantly irregular were the methods they used to come to power and keep themselves there, hiring thugs to attack registered voters of the opposition party and registering names from tombstones for their own party, that people had begun to despair of a political solution.
Some said that behind the Know-Nothing party was a cabal of powerful men who had made themselves rich by manipulating the situation. These men never sullied their hands with the foul business of running the city, nor were their identities known to more than a few, but they had installed as their tool a New Yorker named Chris Lillie who had brought with him a whole new bag of dirty tricks from Tammany Hall.
The situation had grown so bad that something had to be done. There were persistent rumors of men gathering in quiet places to organize a citizens’ group, calling themselves a Vigilance Committee. It was said they were arming themselves, and that there was a strong possibility of a general uprising to enforce fair elections when next they fell due, in early summer.
The police force was the tool of the Know-Nothings. Their laxity, their habit of spending their time on duty in the nearest barroom, was also a byword. At that moment it was something for which Anya was grateful, another factor she had taken into her careful calculations.
As the carriage reached Dauphine Street, the bright lights and homeward-bound revelers were left behind. The gaslight streetlamps did not extend this far. The houses were shuttered and dark except for a vagrant gleam of lamplight in some upper room. The shops were closed. Quiet blanketed the buildings, broken only by the occasional barking of a dog or howling of a cat. The carriage lanterns made strange patterns of shadow and light on plastered walls as they gleamed through graceful designs of iron railings and window grills, shifting as the carriage moved. The beams probed into the gateways of dark courtyards, searching out the dark leathery leaves of palms and banana trees in the shadowed recesses.
Anya leaned forward to open the small window under the driver’s seat. “Slowly, please, Solon,” she called.
The pace of the carriage slackened. Anya let down the glass of the large side window and put out her head, staring intently ahead.
Then she saw it. The empty phaeton carriage, with the horse’s reins anchored to the banquette by an iron weight, was where she had expected to find it. With an expression of grim satisfaction on her features, she gave another quiet order, then sat back once more.
Her landau continued to the next corner and turned right on St. Philip Street. Halfway down the block, it drew close to the banquette and came to a stop. The vehicle rocked violently as Samson and Elijah jumped down from the back. Their large forms melted away into the darkness. Solon, on instructions, got down and doused the carriage lanterns, then climbed back up to the box. A solitary horseman passed by them in the street from the opposite direction, keeping to his far right to avoid the open gutter that channeled down the center. Stillness descended.
Anya had guessed right. Ravel Duralde was with his current mistress, an actress who had been appearing at Crisp’s Gaiety Theater until it closed down a few weeks before. He had left his carriage around the corner as a gentlemanly gesture toward appearances, but should soon be leaving the woman’s rooms that were located over the small ground-floor grocery shop beside her landau. The only exit was the gate guarding the alleyway that led from the courtyard shared by both grocery and the rented rooms. Anya could see the wrought-iron gate in the dimness. It was tightly shut. The windows of the rooms above the grocery were dark.
Celestine, and even perhaps Madame Rosa, would be aghast to think that Anya knew enough of the clandestine affairs of Ravel Duralde to be able to find him on such a night. She was not exactly comfortable with the knowledge herself, and yet the career of the man who had killed Jean had for some time provided a certain morbid interest for her. To hear of where he was and what he was doing had been irresistible to her, rather like the compulsion to press a bruise to discover the extent of injury. Knowing of his vices made it all the more satisfactory to despise him.
In the early days, just after the duel, she had rejoiced to learn that Ravel had joined the second Lopez filibuster expedition to Cuba in August of ‘51, because she had hoped that he would be killed. It had seemed only right that he should have been captured in that ill-fated attempt to take the Spanish island. When he was sentenced to a dungeon in a far-off Spain, Anya had not expected to hear of him again. But he had returned almost two years later, lean and dangerous and very much alive.
The addiction to gambling he displayed after the Spanish episode had seemed promising; many young men had begun on the road to disgrace that way. But Ravel seemed blessed by Lady Luck; he could not lose. He prospered, then went on to build a fortune based on speculation financed by his earnings at the faro tables. It appeared almost as if the money meant nothing to him, however; as if he willed his own downfall. Abandoning Mammon, he joined yet another filibuster expedition, going this time with the charismatic dreamer William Walker to Nicaragua in ‘55.
But he returned from that one also, arriving back in New Orleans in May of ‘57, not quite a year ago. He was a defeated man, cast out of Central America with his leader, but it had not shown in his manner. He had also been unharmed, though he had passed through fierce fire in numberless battles.
Ravel had not signed up for the second Walker expedition the previous fall. Some said it was because of his mother, widowed now, and not well. Others less charitable said it was because he had disagreed with Walker about the proposed site of the landing. In either case, he had spared himself another defeat, and possibly a court appearance with his leader since Walker was at present under indictment for violating the laws of neutrality. Ravel’s luck had held.
Anya had not really wished him harmed; she was not of a vindictive nature in spite of the antagonism she felt toward this man. Her own virulence sometimes shocked her, for no one else had ever roused such heat in her. She was normally of a warm and even dispositi
on, not given to brooding or holding grudges, yet it seemed that there should be some retribution.
Anya leaned to crane her neck, staring up at the shuttered windows of the second-floor rooms of the actress. Unbidden, there came to her mind a picture of what was surely taking place behind those shutters. The bodies entwined, the straining muscles and overstretched senses, the creaking bed ropes were so vivid that her breath caught in her throat. She threw herself back against the seat and clenched her hands into fists, forcing the images from her. She cared not at all how Ravel Duralde amused himself. Not at all.
The actress, Simone Michel, was young and attractive in an obvious fashion. Anya had seen her in several roles earlier in the winter, and thought her not bad in her chosen profession, though lacking the polish that experience would bring. The woman also lacked the hardness of the females who had been some years in the theater, even if she could not be described as virginal. It was always women like this that Ravel Duralde had chosen to take to bed in the past, women of a certain experience and only a few easily satisfied expectations.
Surprisingly, he had not, so far as Anya knew, given a carte blanche to one of the attractive free women of color who were paraded for young men of fortune at the quadroon balls. It might be that such a liaison had too much of an air of permanency. The quadroons, with their mothers who had been there before to guide them, had their expectations; they required guarantees of at least a semi-permanent relationship with a high degree of security.
Such reflections brought Anya to a central question. Why, given his usual choice of women, knowing her past antagonism toward him, had Ravel Duralde approached her at the ball?
That question had teased her all evening, hovering persistently at the back of her mind. He had known who she was, even masked; that much he had made plain. She would have sworn that in the past he had gone out of his way to avoid her when she was in New Orleans. Certainly she herself had seen to it, insofar as she was able, that they never came face to face. Why, then, had he violated what had been almost an unacknowledged pact between them? Why had he asked her to dance?
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