by Тахера Мафи
“In seventh grade Shelly Morrison got caught cheating off your math test. She kept screaming that if she failed, her father would kill her. You told the teacher that you were the one cheating off of her test. You got a zero on the exam, and detention for a week.” He lifts his head but doesn’t look at me. “You had bruises on your arms for at least a month after that. I always wondered where they came from.”
My heart is beating too fast. Dangerously fast. I clench my fingers to keep them from shaking. I lock my jaw in place and wipe my face clean of emotion but I can’t slow the thrumming in my chest no matter how hard I try.
“A million times,” he says, his voice so quiet now. “I saw you do things like that a million times. But you never said a word unless it was forced out of you.” He laughs again, this time a hard, heavy sort of laugh. He’s staring at a point directly past my shoulder. “You never asked for anything from anyone.” He finally meets my eyes. “But no one ever gave you a chance.”
I swallow hard, try to look away but he catches my face.
He whispers, “You have no idea how much I’ve thought about you. How many times I’ve dreamt”—he takes a tight breath—“how many times I’ve dreamt about being this close to you.” He moves to run a hand through his hair before he changes his mind. Looks down. Looks up. “God, Juliette, I’d follow you anywhere. You’re the only good thing left in this world.”
I’m begging myself not to burst into tears and I don’t know if it’s working. I’m everything broken and glued back together and blushing everywhere and I can hardly find the strength to meet his gaze.
His fingers find my chin. Tip me up.
“We have three weeks at the most,” he says. “I don’t think they can control the mobs for much longer.”
I nod. I blink. I rest my face against his chest and pretend I’m not crying.
3 weeks.
TWENTY-FOUR
2 weeks pass.
2 weeks of dresses and showers and food I want to throw across the room. 2 weeks of Warner smiling and touching my waist, laughing and guiding the small of my back, making sure I look my best as I walk beside him. He thinks I’m his trophy. His secret weapon.
I have to stifle the urge to crack his knuckles into concrete.
But I offer him 2 weeks of cooperation because in 1 week we’ll be gone.
Hopefully.
But then, more than anything else, I’ve found I don’t hate Warner as much as I thought I did.
I feel sorry for him.
He finds a strange sort of solace in my company; he thinks I can relate to him and his twisted notions, his cruel upbringing, his absent and simultaneously demanding father.
But he never says a word about his mother.
Adam says that no one knows anything about Warner’s mother—that she’s never been discussed and no one has any idea who she is. He says that Warner is only known to be the consequence of ruthless parenting, and a cold, calculated desire for power. He hates happy children and happy parents and their happy lives.
I think Warner thinks that I understand. That I understand him.
And I do. And I don’t.
Because we’re not the same.
I want to be better.
Adam and I have little time together but nighttime. And even then, not so much. Warner watches me more closely every day; disabling the cameras only made him more suspicious. He’s always walking into my room unexpectedly, taking me on unnecessary tours around the building, talking about nothing but his plans and his plans to make more plans and how together we’ll conquer the world. I don’t pretend to care.
Maybe it’s me who’s making this worse.
“I can’t believe Warner actually agreed to get rid of your cameras,” Adam said to me one night.
“He’s insane. He’s not rational. He’s sick in a way I’ll never understand.”
Adam sighed. “He’s obsessed with you.”
“What?” I nearly snapped my neck in surprise.
“You’re all he ever talks about.” Adam was silent a moment, his jaw too tight. “I heard stories about you before you even got here. That’s why I got involved—it’s why I volunteered to go get you. Warner spent months collecting information about you: addresses, medical records, personal histories, family relations, birth certificates, blood tests. The entire army was talking about his new project; everyone knew he was looking for a girl who’d killed a little boy in a grocery store. A girl named Juliette.”
I held my breath.
Adam shook his head. “I knew it was you. It had to be. I asked Warner if I could help with the project—I told him I’d gone to school with you, that I’d heard about the little boy, that I’d seen you in person.” He laughed a hard laugh. “Warner was thrilled. He thought it would make the experiment more interesting,” he added, disgusted. “And I knew that if he wanted to claim you as some kind of sick project—” He hesitated. Looked away. Ran a hand through his hair. “I just knew I had to do something. I thought I could try to help. But now it’s gotten worse. Warner won’t stop talking about what you’re capable of or how valuable you are to his efforts and how excited he is to have you here. Everyone is beginning to notice. Warner is ruthless—he has no mercy for anyone. He loves the power, the thrill of destroying people. But he’s starting to crack, Juliette. He’s so desperate to have you . . . join him. And for all his threats, he doesn’t want to force you. He wants you to want it. To choose him, in a way.” He looked down, took a tight breath. “He’s losing his edge. And whenever I see his face I’m always about two inches away from doing something stupid. I’d love to break his jaw.”
Yes. Warner is losing his edge.
He’s paranoid, though with good reason. But then he’s patient and impatient with me. Excited and nervous all the time. He’s a walking oxymoron.
He disables my cameras, but some nights he orders Adam to sleep outside my door to make sure I don’t escape. He says I can eat lunch alone, but always ends up summoning me to his side. The few hours Adam and I would’ve had together are stolen from us, but the fewer nights Adam is allowed to sleep inside my room I manage to spend huddled in his arms.
We both sleep on the floor now, wrapped up in each other for warmth even with the blanket covering our bodies. Every time he touches me it’s like a burst of fire and electricity that ignites my bones in the most amazing way. It’s the kind of feeling I wish I could hold in my hand.
Adam tells me about new developments, whispers he’s heard around the other soldiers. He tells me how there are multiple headquarters across what’s left of the country. How Warner’s dad is at the capital, how he’s left his son in charge of this entire sector. He says Warner hates his father but loves the power. The destruction. The devastation. He strokes my hair and tells me stories and tucks me close like he’s afraid I’ll disappear. He paints pictures of people and places until I fall asleep, until I’m drowning in a drug of dreams to escape a world with no refuge, no relief, no release but his reassurances in my ear. Sleep is the only thing I look forward to these days. I can hardly remember why I used to scream.
Things are getting too comfortable and I’m beginning to panic.
“Put these on,” Warner says to me.
Breakfast in the blue room has become routine. I eat and don’t ask where the food comes from, whether or not the workers are being paid for what they do, how this building manages to sustain so many lives, pump so much water, or use so much electricity. I bide my time now. I cooperate.
Warner hasn’t asked me to touch him again, and I don’t offer.
“What are they for?” I eye the small pieces of fabric in his hands and feel a nervous twinge in my gut.
He smiles a slow, sneaky smile. “An aptitude test.” He grabs my wrist and places the bundle in my hand. “I’ll turn around, just this once.”
I’m almost too nervous to be disgusted by him.
My hands shake as I change into the outfit that turns out to be a tiny tank top and tinier sh
orts. I’m practically naked. I’m practically convulsing in fear of what this might mean. I clear my throat just the tiniest bit and Warner spins around.
He takes too long to speak; his eyes are busy traveling the road map of my body. I want to rip up the carpet and sew it to my skin. He smiles and offers me his hand.
I’m granite and limestone and marbled glass. I don’t move.
He drops his hand. He cocks his head. “Follow me.”
Warner opens the door. Adam is standing outside. He’s gotten so good at masking his emotions that I hardly register the look of shock that shifts in and out of his features. Nothing but the strain in his forehead, the tension in his temples, gives him away. He knows something’s not right. He actually turns his neck to take in my appearance. He blinks. “Sir?”
“Remain where you are, soldier. I’ll take it from here.”
Adam doesn’t answer doesn’t answer doesn’t answer— “Yes, sir,” he says, his voice suddenly hoarse.
I feel his eyes on me as I turn down the hall.
Warner takes me somewhere new. We’re walking through corridors I’ve never seen, blacker and bleaker and more narrow as we go. I realize we’re heading downward.
Into a basement.
We pass through 1, 2, 4 metal doors. Soldiers everywhere, their eyes everywhere, appraising me with both fear and something else I’d rather not consider. I’ve realized there are very few females in this building.
If there were ever a place to be grateful for being untouchable, it’d be here.
It’s the only reason I have asylum from the preying eyes of hundreds of lonely men. It’s the only reason Adam is staying with me—because Warner thinks Adam is a cardboard cutout of vanilla regurgitations. He thinks Adam is a machine oiled by orders and demands. He thinks Adam is a reminder of my past, and he uses it to make me uncomfortable. He’d never imagine Adam could lay a finger on me.
No one would. Everyone I meet is absolutely petrified.
The darkness is like a black canvas punctured by a blunt knife, with beams of light peeking through. It reminds me too much of my old cell. My skin ripples with uncontrollable dread.
I’m surrounded by guns.
“In you go,” Warner says. I’m pushed into an empty room smelling faintly of mold. Someone hits a switch and fluorescent lights flicker on to reveal pasty yellow walls and carpet the color of dead grass. The door slams shut behind me.
There’s nothing but cobwebs and a huge mirror in this room. The mirror is half the size of the wall. Instinctively I know Warner and his accomplices must be watching me. I just don’t know why.
There are secrets everywhere.
There are answers nowhere.
Mechanical clinks/cracks/creaks and shifts shake the space I’m standing in. The ground rumbles to life. The ceiling trembles with the promise of chaos. Metal spikes are suddenly everywhere, scattered across the room, puncturing every surface at all different heights. Every few seconds they disappear only to reappear with a sudden jolt of terror, slicing through the air like needles.
I realize I’m standing in a torture chamber.
Static and feedback from speakers older than my dying heart crackle to life. I’m a racehorse galloping toward a false finish line, breathing hard for someone else’s gain.
“Are you ready?” Warner’s amplified voice echoes around the room.
“What am I supposed to be ready for?” I yell into the empty space, certain that someone can hear me. I’m calm. I’m calm. I’m calm. I’m petrified.
“We had a deal, remember?” the room responds.
“Wha—”
“I disabled your cameras. Now it’s your turn to hold up your end of the bargain.”
“I won’t touch you!” I shout, spinning in place, terrified, horrified, worried I might faint at any moment.
“That’s all right,” he says. “I’m sending in my replacement.” The door squeals open and a toddler waddles in wearing nothing but a diaper. He’s blindfolded and hiccupping sobs, shuddering in fear.
One pin pops my entire existence into nothing.
“If you don’t save him,” Warner’s words crackle through the room, “we won’t, either.”
This child.
He must have a mother a father someone who loves him this child this child this child stumbling forward in terror. He could be speared through by a metal stalagmite at any second.
Saving him is simple: I need to pick him up, find a safe spot of ground, and hold him in my arms until the experiment is over.
There’s only one problem.
If I touch him, he might die.
TWENTY-FIVE
Warner knows I don’t have a choice. He wants to force me into another situation where he can see the impact of my abilities, and he has no problem torturing an innocent child to get exactly what he wants.
Right now I have no options.
I have to take a chance before this little boy steps forward in the wrong direction.
I quickly memorize as much as I can of the traps and dodge/hop/narrowly avoid the spikes until I’m as close as possible.
I take a deep, shaky breath and focus on the shivering limbs of the boy in front of me and pray to God I’m making the right decision. I’m about to pull off my shirt to use as a barrier between us when I notice the slight vibration in the ground. The tremble that precedes the terror. I know I have half of a second before the spikes slice up through the air and even less time to react.
I yank him up and into my arms.
His screams pierce through me like I’m being shot to death, one bullet for every second. He’s clawing at my arms, my chest, kicking my body as hard as he can, crying out in agony until the pain paralyzes him. He goes weak in my grip and I’m being ripped to pieces, my eyes, my bones, my veins all tumbling out of place, all turning on me to torture me forever with memories of the horrors I’m responsible for.
Pain and power are bleeding through his body into mine, jolting through his limbs and crashing into me until I nearly drop him. It’s like reliving a nightmare I’ve spent 3 years trying to forget.
“Absolutely amazing,” Warner sighs through the speakers, and I realize I was right. He must be watching through a 2-way mirror. “Brilliant, love. I’m thoroughly impressed.”
I’m too desperate to be able to focus on Warner right now. I have no idea how long this sick game is going to last, and I need to lessen the amount of skin I’m exposing to this little boy’s body.
My skimpy outfit makes so much sense now.
I rearrange him in my arms and manage to grab hold of his diaper. I’m holding him up with the palm of my hand. I’m desperate to believe I couldn’t have touched him long enough to cause serious damage.
He hiccups once; his body quivers back to life.
I could cry from happiness.
But then the screams start back up again, no longer cries of torture but of fear. He’s desperate to get away from me and I’m losing my grip, my wrist nearly breaking from the effort. I don’t dare remove his blindfold. I’d rather die than allow him to see this space, to see my face.
I clench my jaw so fast I’m afraid I’m going to break my teeth. If I put him down, he’ll start running. And if he starts running, he’s finished. I have to keep holding on.
The roar of an old mechanical wheeze revives my heart. The spikes slip back into the ground, one by one until they’ve all disappeared. The room is harmless again so swiftly I fear I may have imagined the danger. I drop the boy back onto the floor and bite down on my lip to swallow the pain welling in my wrist.
The child starts running and accidentally bumps my bare legs.
He screams and shudders and falls to the floor, curled up into himself, sobbing until I consider destroying myself, ridding myself of this world. Tears are streaming fast down my face and I want nothing more than to reach out to him and help him, hug him close, kiss his beautiful cheeks and tell him I’ll take care of him forever, that we’ll run away together, that
I’ll play games with him and read him stories at night and I know I can’t. I know I never will. I know it will never be possible.
And suddenly the world shifts out of focus.
I’m overcome by a rage, an intensity, an anger so potent I’m almost elevated off the ground. I’m boiling with blind hatred and disgust. I don’t even understand how my feet move in the next instant. I don’t understand my hands and what they’re doing or how they decided to fly forward, fingers splayed, charging toward the window. I only know I want to feel Warner’s neck snap between my own two hands. I want him to experience the same terror he just inflicted upon a child. I want to watch him die. I want to watch him beg for mercy.
I catapult through the concrete walls.
I crush the glass with 10 fingers.
I’m clutching a fistful of gravel and a fistful of fabric at Warner’s neck and there are 50 different guns pointed at my head. The air is heavy with cement and sulfur, the glass falling in an agonized symphony of shattered hearts.
I slam Warner into the corroded stone.
“Don’t you dare shoot her,” Warner wheezes at the guards. I haven’t touched his skin yet, but I have the strangest suspicion that I could smash his rib cage into his heart if I just pressed a little harder.
“I should kill you.” My voice is one deep breath, one uncontrolled exhalation.
“You—” He tries to swallow. “You just—you just broke through concrete with your bare hands.”
I blink. I don’t dare look behind me. But I know without looking backward that he can’t be lying. I must have. My mind is a maze of impossibility.
I lose focus for one instant.
The guns click click click Every moment is loaded.
“If any of you hurt her I will shoot you myself,” Warner barks.
“But sir—”
“STAND DOWN, SOLDIER—”
The rage is gone. The sudden uncontrollable anger is gone. My mind has already surrendered to disbelief. Confusion. I don’t know what I’ve done. I obviously don’t know what I’m capable of because I had no idea I could destroy anything at all and I’m suddenly so terrified so terrified so terrified of my own two hands. I stumble backward, stunned, and catch Warner watching me hungrily, eagerly, his emerald eyes bright with boyish fascination. He’s practically trembling in excitement.
