by Mary Horlock
Barclay, Fiona, (i), (ii), (iii), (iv)
Barclay, John, (i), (ii), (iii), (iv)
death, (i), (ii)
and Gray’s divorce and
remarriage, (i)
married life, (i), (ii), (iii), (iv), (v)
and Nancy’s remarriage, (i)
Barclay, Maureen, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii)
deafness, (i), (ii)
engagement and wedding, (i), (ii), (iii), (iv)
and father’s death, (i), (ii)
and father’s divorce and remarriage, (i)
and father’s memorial exhibition, (i)
and husband’s death, (i), (ii)
married life, (i), (ii), (iii), (iv), (v)
and Mary Meade, (i), (ii)
and mother’s remarriage, (i)
and steel wool, (i), (ii)
Barclay, Patricia, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)
Barclay, Victoria, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)
Barkas, Geoffrey, (i), (ii), (iii), (iv), (v), (vi), (vii)
barrage balloons, (i)
Bath Assembly Rooms, (i)
Battle of Britain, (i)
Baxter, Godfrey, (i), (ii), (iii)
Beddington, Charles, (i)
Beddington, Frederick (‘Freddie’), (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x)
Beddington, Jack, (i), (ii)
Berry, Captain, (i), (ii)
Black Watch, (i), (ii), (iii), (iv), (v), (vi), (vii)
blackout, (i), (ii)
Blaikely, Ernest, (i), (ii), (iii), (iv), (v), (vi)
Boase, Captain, E. L., (i), (ii), (iii)
Bödecker, Elisabeth, (i)
Britain Can Make It festival, (i)
British Museum, (i), (ii)
British Steel Wool Company, (i), (ii)
Broughty Ferry, (i), (ii), (iii)
Brownwell, Sonia, (i), (ii), (iii)
Buckley, Colonel Richard, (i), (ii), (iii), (iv), (v), (vi), (vii)
Café Royal, (i), (ii)
Camerascopes, (i)
camouflage
and aerial photography, (i)
American schemes, (i)
dazzle painting, (i), (ii), (iii)
definition, (i)
development and training, (i)
early developments, (i)
and El Alamein, (i)
French developments, (i), (ii)
German schemes, (i), (ii), (iii), (iv), (v), (vi), (vii)
importance of decoys and dummies, (i), (ii), (iii)
increasing popularity of, (i)
and Normandy landings, (i)
Thayer and ‘Concealing
Colouration’, (i)
uniforms, (i)
‘zébrage’, (i)
‘Camouflage Bloke, The’, (i)
Camouflage Development and Training Centre, (CD&TC), (i), (ii)
Camouflage Research Establishment (CRE), (i)
Camouflage Sub-Committee, (i), (ii)
Camrose, Lord, (i)
‘Cannibal’ covers, (i)
Cave-Brown-Cave, Wing Commander T. R., (i)
Cerne Abbas giant, (i)
Chamberlain, Neville, (i), (ii), (iii)
Charles, Sergeant Major, (i)
Chelsea Arts Club, (i), (ii)
Cherwell, Lord, (i)
Christie’s Auctioneers, (i), (ii), (iii)
Churchill, Clementine, (i), (ii)
Churchill, Johnny, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi)
marriage and married life, (i), (ii), (iii)
and Mary Meade, (i), (ii), (iii), (iv), (v)
Churchill, Mary (née Cookson
(‘Little Mary’), (i), (ii), (iii), (iv), (v), (vi), (vii)
Churchill, Peregrine, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv)
Churchill, Winston, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)
Civil Camouflage Assessment Committee, (i)
Civil Defence Camouflage
Establishment (CDCE), (i), (ii)
Coldstream, Sir William, (i), (ii), (iii)
commando raids, (i)
Committee of Imperial Defence, (i), (ii), (iii)
Constable, John, (i)
Conway, Sir Martin, (i)
Corot, Jean-Baptiste-Camille, (i)
Corps of Guides, (i)
Cott, Hugh B., (i)
Crafts Council, (i), (ii)
Crawford, W. S., (i)
Crete, fall of, (i), (ii)
Cubism, (i), (ii)
Czechslovakia, invasion of, (i)
Dadd, Francis, (i)
Daily Mail, (i)
Dalgliesh, Captain Kenneth, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)
Dardanelles campaign, (i), (ii)
Daumier, Honoré, (i)
Degas, Edgar, (i), (ii)
Delacroix, Eugène, (i)
Denison smocks, (i)
Dickens, Harold, (i)
Dieppe raid, (i), (ii), (iii)
disarmament, (i)
Dover gun sites, (i), (ii)
‘Dumbo’, (i)
dummy airfields and aircraft, (i)
Dundee Advertiser, (i), (ii)
Dundee Art Society, (i)
Dundee City Art Gallery, (i)
Dundee Courier, (i)
Dundee ‘Victory’ exhibition, (i)
Dunkirk evacuation, (i), (ii), (iii), (iv)
Dunoyer de Segonzac, André, (i)
Dye, John, (i)
El Alamein, Battle of, (i), (ii)
Ellis, Mr, (i)
Embroideress, The, (i)
Ewing, Arthur George, (i)
Farrar Bell, Michael, (i), (ii), (iii), (iv)
Festival of Britain, (i)
Festubert, Battle of, (i), (ii)
Field magazine, (i)
Fighter Command, (i)
Findlay, Sir John, (i)
Fine Arts Society, (i)
First Army School of Sniping, Observing and Scouting, (i)
Forain, Jean-Louis, (i)
Fragonard, Jean-Honoré, (i)
France, fall of, (i)
Freeman, Harold, (i)
Freud, Lucian, (i)
Futurism, (i), (ii)
Gallipoli campaign, (i)
George V, King, (i)
Gibraltar Barn Farm, (i)
Glasson, Captain Lancelot, (i), (ii)
‘Good Reception’, (i)
Gordon, Jan, (i)
Graphic, The, (i), (ii), (iii)
Gray, Joseph (father), (i)
Gray, Joseph
‘The ABC of Camouflage’, (i)
and art market, (i)
Blitz etchings, (i), (ii)
Camouflage and Air Defence, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x)
claim for recognition, (i), (ii), (iii)
deafness, (i), (ii), (iii)
death, (i)
and death of Tom Van Oss, (i)
and divorce plan, (i), (ii)
etchings, (i), (ii), (iii), (iv)
and flying, (i), (ii), (iii)
front-line service, (i), (ii)
lectures on camouflage, (i), (ii), (iii)
marriage to Mary, (i)
married life, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)
and Mary Meade, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)
and Maureen’s engagement
and wedding, (i), (ii), (iii)
memorial exhibition, (i)
obsession with air war, (i), (ii)
and portrait painting, (i), (ii), (iii)
promoted to major, (i)
self-portrait, (i), (ii)
and steel wool, (i), (ii), (iii)
Gray, Joseph, works:
After Neuve Chapelle, (i), (ii)
The Almond Tree, Marlow, (i)
Incendiary, (i)
Lord Brocket in his Garter Robes,
(i)
Orange Willows, (i)
A Ration Party, (i), (ii), (iii), (iv), (v)
The Wave, (i)
Gray, Mary (née Meade), (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi)
crisis in relationship, (i), (ii), (iii), (iv), (v), (vi)
and divorce plan, (i), (ii)
and Gray’s death, (i)
and Johnny Churchill’s wedding, (i)
and London Blitz, (i), (ii)
marriage, (i)
married life, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)
and memorial exhibition, (i), (ii)
and occupational therapy, (i), (ii)
Gray, Nancy (Agnes), (i), (ii), (iii), (iv), (v), (vi)
and Dick Orr-Ewing, (i), (ii), (iii), (iv)
and divorce plan, (i), (ii)
and Gray’s relationship with Mary Meade, (i), (ii), (iii)
lives with Maureen and John, (i)
and Maureen’s engagement and wedding, (i), (ii), (iii), (iv), (v)
and Tempsford, (i)
Guirand de Scévola, Lucien-Victor, (i), (ii)
Havinden, Captain Ashley, (i), (ii)
Henry, Susan, (i), (ii)
Hesketh-Prichard, Major Hesketh
Vernon, (i), (ii)
Hitler, Adolf, (i), (ii), (iii), (iv)
HMS Malvernian, (i); Home Guard, (i), (ii)
Horlock, Philip, (i)
Hutton, John, (i)
Illustrated London News, (i), (ii), (iii)
Imperial War Museum, (i), (ii), (iii), (iv), (v), (vi), (vii)
Impressionists, (i), (ii), (iii), (iv), (v)
Indian Mutiny, (i)
Jagger, David, (i)
John, Augustus, (i)
khaki, (i)
Kitchener, Lord, (i)
Le Breton-Simmons, Charles, (i), (ii), (iii), (iv), (v)
League of Nations, (i)
Lee, Joseph, (i)
Lem, Stanislaw, (i)
Lewis, John, (i), (ii)
Lewis, Wyndham, (i)
Life magazine, (i)
Lockheed Burbank aircraft plant, (i)
London Blitz, (i), (ii), (iii)
Loos, Battle of, (i), (ii)
Loudon, Norman, (i), (ii)
Lovat Scouts, (i), (ii)
Lozowick, Louis, (i)
Lumsden, Harry Burnett, (i)
M&E Equipment, (i), (ii), (iii), (iv), (v), (vi), (vii)
McCall, Charles, (i), (ii)
McCririck, Charles, (i)
Manet, Edouard, (i)
Mare, André, (i)
Mary, Queen, (i)
Maskelyne, Jasper, (i), (ii), (iii)
Meade, Charles Hippsley, (i)
Meade, Charlotte, (i), (ii)
Meade, Diana, (i), (ii)
Meade, James, E., (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii)
Meade, Kathleen (‘Kitty’), (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x)
Meade, Margaret, (i), (ii), (iii), (iv), (v), (vi), (vii)
Meade, Mary, see Gray, Mary
Meade, Tom, (i)
Miller, Lee, (i)
Ministry of Home Security, (i), (ii)
Ministry of Information, (i)
Ministry of Supply, (i), (ii), (iii)
Modernism, (i), (ii)
Mollo, Lieutenant Eugene, (i), (ii), (iii), (iv), (v), (vi), (vii)
Mollo, John, (i), (ii)
Monet, Claude, (i)
Montgomery, General Bernard, (i), (ii), (iii), (iv)
Moore, Henry, (i)
Moulton, Mr, (i)
Mountbatten, Lord Louis, (i)
Muir, Major, J. B., (i)
Munich Crisis and Agreement, (i), (ii)
Nash, Paul, (i), (ii)
National Gallery, (i)
Nazism, (i)
Needlewoman, The, (i), (ii), (iii), (iv)
Neuve Chapelle, Battle of, (i), (ii), (iii), (iv), (v), (vi)
Nevinson, Christopher, (i), (ii)
Normandy landings, (i)
North Africa, (i), (ii), (iii), (iv)
Northern Ireland, (i), (ii), (iii)
Nuthall, Betty, (i)
Official War Artists Scheme, (i)
Ohmer, Colonel John F., (i)
Orr-Ewing, Dick, (i), (ii), (iii), (iv), (v), (vi)
Packham, John, (i)
Parkerising, (i)
Paterson, Andrew, (i)
Pearl Harbor, (i)
Penrose, Roland, (i), (ii)
People’s Friend, (i)
Picasso, Pablo, (i)
Pioneer Corps, (i)
‘Pluto’ (Pipeline Under The Ocean), (i)
pointillism, (i)
Pont du Hem, (i)
Proud, Peter, (i), (ii), (iii)
Proudfoot, James, (i)
RAF Tempsford, (i)
Ray’s Prints, (i)
RDF stations, (i)
RE8, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)
Rogers, Captain, F.S.Y., (i)
Rogers, Captain, later Major, F. S. Y., (i), (ii)
Rommel, General Erwin, (i), (ii), (iii), (iv), (v)
Roosevelt, Franklin D., (i)
Royal Academy Schools, (i)
Royal College of Art, (i)
Royal College of Needlework, (i)
Royal Engineers and Signals Board (RESB), (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)
Royal Ordnance factories, (i), (ii)
Russian Revolution, (i)
Ryves, Reginald, (i)
St Clement Danes, (i)
Sargent, John Singer, (i), (ii)
Sayer, Brigadier Arthur, (i), (ii), (iii), (iv), (v), (vi), (vii)
Sayer, Jack P., (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii)
post-war career, (i), (ii), (iii), (iv)
Schofield, Cecil Strathmore, (i), (ii), (iii)
and Mary Meade, (i)
post-war career, (i), (ii)
and steel wool patent, (i), (ii), (iii), (iv)
Schofield, Valerie, (i)
Seago, Major Edward, (i), (ii), (iii), (iv)
Second Boer War, (i)
Sherwood Foresters, (i), (ii)
Simmons, see Le Breton Simmons
Smith, Matthew, (i)
smokescreens, (i)
snipers, (i), (ii), (iii), (iv)
Society of Graphic Art, (i)
sodium alginate, (i)
Solo (cross-Solent pipeline), (i)
Solomon, Gilbert, (i), (ii)
Solomon, Solomon J., (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii)
Sound City studios, (i), (ii), (iii)
Soutar, Charles Geddes, (i)
South Shields School of Art, (i)
Special Operations Executive (SOE), (i), (ii)
Spence, Sir Alexander, (i)
Spence, Basil, (i), (ii)
steel wool, (i), (ii), (iii), (iv), (v), (vi)
American patent, (i)
challenge from B. G., (i)
and commando raids, (i)
and Gray’s claim, (i), (ii), (iii)
increasing in popularity, (i)
manufacture ceases, (i)
and Normandy landings, (i), (ii)
Schofield and patent, (i), (ii), (iii), (iv)
supply chain, (i)
Stein, Gertrude, (i)
Stephen, Lieutenant Sidney, (i)
Stevenson, Lieutenant Talbert, (i)
Sudetenland Crisis, (i)
Suez Canal, (i)
‘Sunshield’ covers, (i), (ii)
Surrealism, (i), (ii)
Sykes, Steven, (i), (ii), (iii), (iv), (v)
Tarleton, Lieutenant, F. R., (i)
Tate Gallery, (i), (ii), (iii), (iv)
Thayer, Abbott Handerson, (i), (ii), (iii)
Time magazine, (i)
Tinsley Wire Industries, (i)
Tobruk, (i), (ii), (iii), (iv)
Tonks, Henry, (i)
Tosh, Major, E., (i), (ii)
Treaty of Versailles, (i)
Trevelyan, Julian, (i), (ii), (iii), (iv), (v)
Turner, Colonel John, (i), (ii), (iii), (iv)
United Nations, (i)
US Corps of Engineers, (i)
Van Oss, Tom, (i), (ii), (iii), (iv), (v), (vi)
Vieille Chapelle, (i)
Villon, Jacques, (i)
Vonnegut, Kurt, (i)
Vorticists, (i)
Wadsworth, Edward, (i)
Walker, Lieutenant Colonel
Harry, (i), (ii)
War Artists Advisory Committee, (i)
Wavell, General Archibald, (i), (ii)
Weinberg, Lieutenant, (i), (ii)
Wildenstein’s Gallery, (i), (ii)
Wilenski, Reginald, (i)
Wilkinson, Lieutenant Colonel
John Shann, (i), (ii), (iii)
Wilkinson, Norman, (i), (ii), (iii)
Williams & Williams, (i)
Wimereux, (i)
Woevre, (i)
Women’s Education and Indus
trial Union of Boston, (i)
Woolwich dockyards, (i)
Wyatt, Lieutenant Colonel Francis, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii)
Wycombe Abbey, (i)
Yeats, Jack B., (i)
YMCA, (i)
Ypres, Battle of, (i)
Zeppelins, (i)
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