The Age of Netflix

Home > Other > The Age of Netflix > Page 38
The Age of Netflix Page 38

by Cory Barker


  Storey, John, editor. Cultural Theory and Popular Culture: A Reader. 4th edition. Harlow, UK: Pearson Education Limited, 2009.

  Straubhaar, Joseph. “Beyond Media Imperialism: Asymmetrical Interdependence and Cultural Proximity.” Critical Studies in Mass Communication 8 (1991): 39–59.

  Swann, Phillip. TV Dot Com: The Future of Interactive Television. New York: TV Books, 2000.

  Theodoropoulou, Vivi. “Consumer Convergence: Digital television and the Early Interactive Audience in the UK.” In Broadcasting and Convergence: New Articulations of the Public Service Remit, edited by Taisto Hujanen and Gregory F. Lowe, 285–297. Gothenburg: Nordicom, 2003.

  _____. “Convergent Television and ‘Audience Participation’: The Early Days of Interactive Digital Television in the UK.” VIEW Journal of European Television History and Culture 3.6 (2014): 69–77. http://www.viewjournal.eu/index.php/view/article/view/JETHC071/171. Accessed January 27, 2015.

  _____. “The Introduction of Digital Television in the UK: A Study of Its Early Audience.” Dissertation, London School of Economics and Political Science, 2012. http://etheses.lse.ac.uk/349/.

  Thompson, Ethan. “Comedy Verité? The Observational Documentary Meets the Televisual Sitcom.” The Velvet Light Trap 60 (2007): 63–72.

  Thompson, Ethan, and Jason Mittell. How to Watch Television. New York: New York University, 2013.

  Thompson, Robert. “Preface.” In Quality TV: Contemporary American Television and Beyond, edited by Janet McCabe and Kim Akass, xvii–xx. London: I.B. Tauris, 2007.

  Todreas, Timothy M. Value Creation and Branding in Television’s Digital Age. Westport, CT: Quorum Books, 1999.

  Tryon, Chuck. On-Demand Culture: Digital Delivery and the Future of Movies. New Brunswick: Rutgers University Press, 2013.

  _____. “TV Got Better: Netflix’s Original Programming Strategies and Binge Viewing” Media Industries Journal 2.2 (2015): 104–116.

  Tse, Yu-Kei. “Television’s Changing Role in Social Togetherness in the Personalized Online Consumption of Foreign TV.” New Media & Society 18.8 (2014): 1547–1562.

  Tufekci, Zeynep, and Christopher Wilson. “Social Media and the Decision to Participate in Political Protest: Observations from Tahrir Square.” Journal of Communication 62 (2013): 363–379.

  Turim, Maureen. Flashbacks in Film: Memory and History. New York: Routledge, 1989.

  Turner, Graeme. “‘Liveness’ and ‘Sharedness’ Outside the Box.” Flow 13.11 (2011). http://flowtv.org/2011/04/liveness-and-sharedness-outside-the-box/.

  Turow, Joseph. “Introduction: On Not Taking the Hyperlink for Granted.” In The Hyperlinked Society: Questioning Connections in the Digital Age, edited by Joseph Turow and Lokman Tsui, 1–23. Ann Arbor: The University of Michigan Press, 2008.

  _____. Niche Envy: Marketing Discrimination in the Digital Age. Cambridge, Mass: MIT Press, 2006.

  Uricchio, William. “The Future of a Medium Once Known as Television.” In The YouTube Reader, edited by Pelle Snickars and Patrick Vonderau, 24–29. Stockholm: National Library of Sweden, 2009.

  _____. “TV as Time Machine: Television’s Changing Heterochronic Regimes and the Production of History.” In Relocating Television: Television in the Digital Context, edited by Jostein Gripsrud, 27–40. London: Routledge, 2010.

  Van den Broeck, Wendy, Jo Pierson, and Bram Lievens. “Video-On-Demand: Towards New Viewing Practices.” Observatorio Journal 3 (2007): 23–44.

  van Dijk, Jan A.G.M. The Deepening Divide. Thousand Oaks, CA: Sage Publications, 2005.

  Vidali, Debora S. “Millennial Encounters with Mainstream Television News: Excess, Void, and Points of Engagement.” Linguistic Anthropology 10 (2010): 372–388.

  Villarejo, Amy. Ethereal Queer: Television, Historicity, Desire. Durham: Duke University Press, 2014.

  Vukanovic, Zvezdan. “Global Paradigm Shift: Strategic Management of New and Digital Media in New and Digital Economics.” International Journal on Media Management 11 (2009): 81–90.

  Wachter, Cynthia, J., and John R. Kelly. “Exploring VCR Use as a Leisure Activity.” Leisure Sciences 20.3 (1998): 213–227.

  Waller, Gregory A. “Flow, Genre, and the Television Text.” In In the Eye of the Beholder: Critical Perspectives in Popular Film and Television, edited by Gary R. Edgerton, Michael T. Marsden, and Jack Nachbar, 55–66. Bowling Green, OH: Bowling Green State University Press, 1997.

  Warner, Michael. Publics and Counterpublics. New York: Zone Books, 2005.

  Warschauer, Mark. Technology and Social Inclusion: Rethinking the Digital Divide. Cambridge: MIT Press, 2003.

  Waugh, Thomas. “Introduction: Why Documentaries Keep Trying to Change the World, or Why People Changing the World Keep Making Documentaries.” In Show Us Life: Toward a History and Aesthetics of the Committed Documentary, edited by Thomas Waugh, xi–xxvii. Metuchen, NJ: Scarecrow Press, 1984.

  Webster, Frank. “Network.” In New Keywords: A Revised Vocabulary of Culture and Society, edited by Tony Bennett, Lawrence Grossberg, and Meaghan Morris, 239–240. Malden, MA: Blackwell Publishing, 2005.

  Weedon, Chris. “Feminist Practice and Poststructuralist Theory.” In Cultural Theory and Popular Culture: A Reader, 4th edition, edited by John Storey, 320–331. Harlow, UK: Pearson Education Limited, 2009.

  Williams, Raymond. The Country and the City. New York: Oxford University Press, 1973.

  _____. Television: Technology and Cultural Form. Glasgow: Fontana/Collins, 1974.

  Wohn, D. Yvette, and Eun-Kyung Na. “Tweeting About TV: Sharing Television Viewing Experiences via Social Media Message Streams.” First Monday 16.3–7 (2011). http://www.firstmonday.org/ojs/index.php/fm/article/view/3368.

  Wood, Helen. “Television Is Happening: Methodological Considerations for Capturing Digital Television Reception.” European Journal of Cultural Studies 10.4 (2007): 485–506.

  Wu, Tim. “Netflix’s War on Mass Culture.” New Republic, December 4, 2013. Accessed January 22, 2016. http://www.newrepublic.com/article/115687/netflixs-war-mass-culture.

  Žižek, Slavoj. The Year of Dreaming Dangerously. New York: Verso, 2012.

  About the Contributors

  Djoymi Baker teaches screen studies at Swinburne University of Technology and the University of Melbourne, Australia. She is a coauthor of The Encyclopedia of Epic Films (2014). Her work has appeared in journals such as Popular Culture Review and Senses of Cinema and edited collections such as as Millennial Mythmaking and Star Trek as Myth (both 2010).

  Cory Barker is a Ph.D. candidate in the Department of Communication & Culture at Indiana University. His research focuses on the intersections between television and social media and particularly how contemporary television networks use social media to reaffirm core industry strategies. His work has appeared in Television & New Media, The Popular Culture Studies Journal, and The Projector.

  Maíra Bianchini is a Ph.D. candidate in the Contemporary Communication and Culture Post-Graduation Program at the Federal University of Bahia (UFBA) in Brazil. She is a member of the Television Fiction Analysis Laboratory (A-Tevê) at UFBA.

  Elia Margarita Cornelio-Marí is an assistant professor at the Juárez Autonomous University of Tabasco in Villahermosa, Mexico. Her main research interest is the flow of television across countries, with special emphasis on how local audiences make sense of foreign programming.

  Joseph Donica is an assistant professor of English at Bronx Community College of the City University of New York. He teaches American literature, literary criticism and theory and writing courses. He has published on American architecture, 9/11 literature, Arab American literature, Hurricane Katrina and disability studies.

  James N. Gilmore is a Ph.D. candidate in Indiana University’s Department of Communication and Culture. He is the coeditor of Superhero Synergies (2014). His work has also been published in Communication and Critical/Cultural Studies, Television & New Media, New Media and Society, and elsewhere.

  Justin Grandinetti is a Ph.D. candidate in North Carolina S
tate University’s Communication, Rhetoric, and Digital Media Department. His work focuses on questions of networks, mobilities, surveillance, big data, dividuation and control in regard to new communication technologies. His scholarship takes a media archaeological approach to understanding streaming media as assemblage.

  Maria Carmem Jacob de Souza is a professor in the Communication Department and in the Contemporary Communication and Culture Post-Graduation Program, both at Federal University of Bahia (UFBA). She is also the coordinator of the Television Fiction Analysis Laboratory (A-Tevê) at UFBA.

  Alison N. Novak is an assistant professor at Rowan University in the Department of Public Relations and Advertising. Her work explores millennial engagement with media and politics. She is the author of Media, Millennials, and Politics (2016). Her work has appeared in First Monday, Review of Communication, and The Journal of Information, Technology, & Politics.

  Maria San Filippo is an assistant professor of communication and media studies at Goucher College and the author of The B Word: Bisexuality in Contemporary Film and Television (2013), which received a Lambda Literary Award. Her new book project examines sexual provocation in twenty-first-century screen media.

  Emil Steiner is a Ph.D. candidate at the Lew Klein College of Media and Communication at Temple University. He has been an editor and reporter at The Washington Post and a member of the newsroom awarded the 2008 Pulitzer Prize for Breaking News Reporting. He has also served as an on-air contributor to the BBC, CNN, MSNBC and NPR.

  Vivi Theodoropoulou is a research associate in the Department of Communication and Internet Studies at the Cyprus University of Technology and a visiting lecturer at the Neapolis University Paphos. Her interests include the social dimensions of new media and cultural forms, fandom, new media and everyday life, media evolution, and big data and algorithmic communication in digital entertainment.

  Myc Wiatrowski is an academic advisor and associate instructor in the Department of Folklore and Ethnomusicology at Indiana University. His areas of research interest include folklore and the Internet, narratology, popular culture and politics, folk medicine and human rights and critical ethnography.

  List of Names and Terms

  Aarseth, Espen

  Adblock

  Adorno, Theodor

  Aduba, Uzo

  Alazraki, Gaz

  Aleida

  Algorithms

  All-at-once release strategy

  All in the Family (television series)

  Allen, Paul

  Alley, Rebel

  Amatriain, Xavier

  Amazon (company)

  AMC (channel)

  América Móvil

  Amerman, Daniel

  Andrejevic, Mark

  Apple (company)

  Aquarius (television series)

  Arab Spring

  Argentina

  Arnett, Will

  Aroma de Mujer (television series)

  ARPANET

  Arrested Development (television series)

  Arrow (television series)

  AT&T

  The A.V. Club (website)

  Awkward (television series)

  Ball, Alan

  Baran, Paul

  Bateman, Jason

  Battlestar Galactica (television series)

  BBC

  Bean, Sean

  Bennett, John

  Bennett, Tony

  Berlant, Lauren

  Biggs, Jason

  binge

  binge-viewing

  binge-watching

  Black Cindy (character)

  Bloodline (television series)

  Bloom, Larry (character)

  Blue to Go (technology)

  Bluth, Buster (character)

  Bluth, George (character)

  Bluth, Gob (character)

  Bluth, Lucille (character)

  Bluth, Michael (character)

  Bobo, Jacqueline

  Bourdieu, Pierre

  Brazil

  Breaking Bad (television series)

  Brewer, Madeline

  Brooks, Danielle

  Brown, Big Boo (character)

  Browne, Rembert

  Burócratas (television series)

  But I’m a Cheerleader (film)

  The Butler (film)

  Camelia La Texana (television series)

  Canada

  Cansada de besar sapos (film)

  Caputo, Joe (character)

  Carr, David

  El Cartel de los Sapos (television series)

  Cásese quien pueda (film)

  Castells, Manuel

  Center for the Digital Future

  centrifugal force

  Cera, Michael

  Chapman, Bill (character)

  Chapman, Cal (character)

  Chapman, Carol (character)

  Chapman, Piper (character)

  El Chapulín Colorado (television series)

  Chase, David

  El Chavo del Ocho (television series)

  Chernus, Michael

  chronobiopolitics

  chrononormativity

  cinéma vérité

  circulation

  Claro Video

  cliffhangers

  Clinton, Hillary

  cloud tax

  Club de Cuervos (television series)

  Comcast

  common carrier

  communal viewing

  Communications Decency Act of 1996

  Community (television series)

  Couldry, Nick

  Cox, Ana Marie

  Cox, Laverne

  Crackle

  Crews, Terry

  Crocker, Steve

  Cross, David

  CSI (television series)

  CSNET

  cultural discount

  Dadas, Caroline

  data caps

  Deadwood (television series)

  de Certeau, Michel

  DeLaria, Lea

  del Castillo, Kate

  Derek (television series)

  de Rossi, Portia

  Desperate Housewives (television series)

  Diamantopoulos, Chris

  Diaz, Daya

  La Dictadura Perfecta (film)

  Die Hard (film)

  Digital TV (DTV)

  DirecTV

  Dish Móvil

  Dizzia, Maria

  Doane, Mary Ann

  Doctor Who (television series)

  Downton Abbey (television series)

  Draper, Don (character)

  DVD

  DVR

  Eastenders (television series)

  Eastman, Susan Tyler

  EdTV (film)

  Ellen (sitcom, television series)

  Ellis, John

  epic viewing

  episode recaps/reviews

  Escobar, Pablo

  Evans, Elizabeth

  Everything’s Relative (television series)

  Family Guy (television series)

  fandom

  fast-forwarding

  The Federal Communications Commission (FCC)

  Fey, Tina

  Fifty Shades of Grey (novel)

  Figuero, Natalie

  Fincher, David

  first sale doctrine

  Fishburne, Laurence

  Fisher, Isla

  Fiske, John

  Fontana, Tom

  Ford, Sam

  40 y 20 (television series)

  Foucault, Michel

  Fowler, Beth

  Fox Play (technology)

  The Frankfurt School

  Freccero, Carla

  Freeman, Elizabeth

  Friday Night Lights (television series)

  Friends (television series)

  Fuller House (television series)

  Fünke, Lindsay (character)

  Fünke, Maeby (character)

  Fünke, Tobias (character)

  Fusco, John

  Game of Thrones (television series)

  Gellman, Barto
n

  Gillan, Jennifer

  Gilligan, Vince

  Gina (character)

  Gitelman, Lisa

  Gladwell, Malcolm

  Glass, Ira

  Glenn, Kimiko

  Golden, Annie

  Golden Age of Television

  The Golden Girls (television series)

  Golden Globes

  Goltz, Dustin Bradley

  Gomez-Uribe, Carlos

  Grace and Frankie (television series)

  Grantland (website)

  Grazer, Brian

  Green, Joshua

  Greenwald, Andy

  Greenwald, Glenn

  Greer, Judy

  Grupo Televisa

  hacking

  Hamm, Jon

  Halberstam, J.

  Hale, Tony

  Harney, Michael

  Hartley, John

  Harvard’s Digital Futures Consortium

  Harvey, Laura

  Hastings, Reed

  Hauser, Gerard

  HBO

  Headey, Lena

  Healy, Sam (character)

  Hemlock Grove (television series)

  Here Comes Honey Boo-Boo (television series)

  Hills, Matt

  Hoag, Bill

  Holland, Cindy

  Homeland (television series)

  House (television series)

  House of Cards (television series)

  Howard, Philip N.

  Howard, Ron

  Hulu

  The Hunger Games: Catching Fire (film)

  Hurwitz, Mitch

  If These Walls Could Talk (film series)

  Imagine Entertainment

  Ingobernable (television series)

  Internet

  Internet Corporation for Assigned Names and Numbers (ICANN)

  iPad

  iPhone

  It’s a Wonderful Life (film)

  Jackman, Mahalia

  Jenkins, Henry

  Kahn, Robert

  Keeping Up with the Kardashians (television series)

  Kickstarter

  Kind, Maury (character)

  Klein, Lewis

  Klic (technology)

  Kohan, Jenji

  The L Word (television series)

  La Cause, Sebastian

  Lamar, M.

  Langlois, Ganaele

 

‹ Prev