by Mervyn Peake
His eyes travelled away from it at length and noticed the darkened pictures on the walls, but the light was too dim for him to be able to discern what they contained.
His eyes moved here and there, recovering their strength; but his body lay inert, until at length he raised himself upon one elbow.
Above him was a table, and with an effort he struggled on to his knees and, gripping its edge raised himself by degrees. The room began to swim before his eyes and the pictures on the walls dwindled away to the size of stamps and swayed wildly across the walls. His hands were not his hands as he gripped the table edge. They were another’s hands in which he could vaguely, and in an occult way, feel the shadows of sentiency. But the fingers held on, independently of his brain or body, and he waited until his eyes cleared and he saw below him the stale oddments of food that Fuchsia had brought up to the attic on the morning of the previous day.
They were littered on the table, each object remorseless in its actuality.
The nebulous incoherence of things had changed in his brain, as he stared down upon the still life group on the table, to a frightening proximity.
Two wrinkled pears; half a seed cake; nine dates in a battered white cardboard box, and a jug of dandelion wine. Beside these a large hand-painted book that lay open where a few verses were opposed by a picture in purple and grey. It was to Steerpike in his unusual physical state as though that picture were the world, and that he, in some shadowy adjacent province, were glimpsing the reality.
He was the ghost, the purple-and-grey page was truth and actual fact.
Below him stood three men. They were dressed in grey, and purple flowers were in their dark confused locks. The landscape beyond them was desolate and was filled with old metal bridges, and they stood before it together upon the melancholy brow of a small hill. Their hands were exquisitely shaped and their bare feet also, and it seemed that they were listening to a strange music, for their eyes gazed out beyond the page and beyond the reach of Steerpike, and on and on beyond the hill of Gormenghast and the Twisted Woods.
Equally real to the boy at that moment were the grey-black simple letters that made up the words and the meaning of the verses on the opposite side of the page. The uncompromising visual starkness of all that lay on the table had for a moment caused him to forget his hunger, and although uninterested in poetry or pictures, Steerpike, in spite of himself, read with a curiously slow and deliberate concentration upon the white page of the three old men in their grey and purple world.
Simple, seldom and sad
We are;
Alone on the Halibut Hills
Afar,
With sweet mad Expressions
Of old
Strangely beautiful,
So we’re told
By the Creatures that Move
In the sky
And Die
On the night when the Dead Trees
Prance and Cry.
Sensitive, seldom, and sad –
Sensitive, seldom, and sad –
Simple, seldom and sad
Are we
When we take our path
To the purple sea –
With mad, sweet Expressions
Of Yore,
Strangely beautiful,
Yea, and More
On the Night of all Nights
When the sky
Streams by
In rags, while the Dead Trees
Prance and Cry.
Sensitive, seldom, and sad –
Sensitive, seldom, and sad.
Steerpike noticed small thumb-marks on the margin of the page. They were as important to him as the poems or the picture. Everything was equally important because all had become so real now where all had been so blurred. His hand as it lay on the table was now his own. He had forgotten at once what the words had meant, but the script was there, black and rounded.
He put out his hand and secured one of the wrinkled pears. Lifting it to his mouth he noticed that a bite had already been taken from its side.
Making use of the miniature and fluted precipice of hard, white discoloured flesh, where Fuchsia’s teeth had left their parallel grooves, he bit greedily, his top teeth severing the wrinkled skin of the pear, and the teeth of his lower jaw entering the pale cliff about halfway up its face; they met in the secret and dark centre of the fruit – in that abactinal region where, since the petals of the pear flower had been scattered in some far June breeze, a stealthy and profound maturing had progressed by day and night.
As he bit, for the second time, into the fruit his weakness filled him again as with a thin atmosphere, and he carefully lowered himself face down over the table until he had recovered strength to continue his clandestine meal. As he lifted his head, he noticed the long couch with its elegant lines. Taking hold of the seed cake in one hand and the jug of dandelion wine in the other, after tipping the dates out of their cardboard box into his pocket, he felt his way along the edge of the table and stumbled across the few paces that divided him from the couch, where he seated himself suddenly and put his dusty feet up, one after the other, upon the wine-red leather of the upholstery.
He had supposed the jug to contain water, for he had not looked inside when he lifted it and felt its weight in his wrist, and when he tasted the wine on his tongue he sat up with a sudden revival of strength, as though the very thought of it had resuscitated him. Indeed, the wine worked wonders with him, and within a few minutes, with the cake, the dates and the rest of the second pear to support its tonic properties, Steerpike was revived, and getting to his feet he shuffled around the room in his own peculiar way. Drawing his lips back from his closed teeth, he whistled in a thin, penetrating, tuneless manner, breaking off every now and then as his eyes rested with more than a casual glance on some picture or another.
The light was fading very rapidly, and he was about to try the handle of the door to see whether, dark as it was, he could find a still more comfortable room in which to spend the night before he finally stretched himself on the long couch, when he heard the distinct sound of a footstep.
With a hand still outstretched towards the door, he stood motionless for a moment, and then his head inclined itself to the left as he listened. There was no doubt that someone was moving either in the next room or in the next room but one.
Moving one step nearer to the door as silently as a ghost, he turned the handle and drew it back the merest fraction, but sufficiently for him to place one eye at the aperture and to command a view of something which made him suck at his breath.
There was no reason why, because the room he had been in for the last hour or more was small, he should have presumed that the door out of it would lead to an apartment of roughly the same size. But when on peering through the chink between the door and the lintel he saw how mistaken had been his intuition regarding the size of the room beyond, he received a shock second only to that of seeing the figure that was approaching him.
Nor was it only the size. It was perhaps even more of a shock to realize that he had been above the adjacent room. Through the gloom he watched the figure of a girl, holding in her hand a lighted candle that lit the bodice of her dress to crimson. The floor across which she walked slowly but firmly appeared to stretch endlessly behind her and to her right and to her left. That she was below him and that within a few feet a balcony divided him from her, as she approached, was so unexpected that a sense of unreality such as he had experienced during his recovery from his faint again pervaded him. But the sound of her footsteps was very real and the light of the candle flame upon her lower lip awoke him to the actuality. Even in his predicament he could not help wondering where he had seen her before. A sudden movement of the shadows on her face had awakened a memory. Thoughts moved swiftly through his mind. No doubt there were steps leading up to the balcony. She would enter the room in which he stood. She walked with certainty. She did not hesitate. She was unafraid. These must be her rooms, he had entered. Why was she here at this hour
? Who was she? He closed the door softly.
Where had he seen that red dress before? Where? Where? Very recently. The crimson. He heard her climbing the stairs. He glanced around the room. There was no hiding place. As his eyes moved he saw the book on the table. Her book. He saw a few crumbs where the seed cake had been standing on the cloth. He half ran on tip-toe to the window and glanced down. The emptiness of the dark air falling to the tops of towers sickened him as memories of his climb were reawakened. He turned away. Even as he heard her feet on the balcony he was saying: ‘Where? Where? Where did I see the red dress?’ and as the feet stopped at the door he remembered, and at the same moment dropped softly to his hands and knees beneath the window. Then, huddling himself into an awkward position, and with one arm outstretched limply, he closed his eyes in emulation of the faint from which he had not so long ago recovered.
He had seen her through the circular spyhole in the wall of the Octagonal Room. She was the Lady Fuchsia Groan, the daughter of Gormenghast. His thoughts pursued each other through his head. She had been distraught. She had been enraged that a brother had been born for her; she had escaped down the passage from her father. There could be no sympathy there. She was, like her father, ill at ease. She was opening the door. The air wavered in the candlelight. Steerpike, watching from between his lashes, saw the air grow yet brighter as she lit two long candles. He heard her turn upon her heel and take a pace forward and then there was an absolute silence.
He lay motionless, his head thrown back upon the carpet and twisted slightly on his neck.
It seemed that the girl was as motionless as he, and in the protracted and deathly stillness he could hear a heart beating. It was not his own.
‘ULLAGE OF SUNFLOWER’
For the first few moments Fuchsia had remained inert, her spirit dead to what she saw before her. As with those who on hearing of the death of their lover are numb to the agony that must later wrack them, so she for those first few moments stood incomprehensive and stared with empty eyes.
Then, indeed, was her mind split into differing passions, the paramount being agony that her secret had been discovered – her casket of wonder rifled – her soul, it seemed, thrown naked to a world that could never understand.
Behind this passion lay a fear. And behind her fear was curiosity – curiosity as to who the figure was. Whether he was recovering or dying; how he had got there, and a long way behind the practical question of what she should do. As she stood there it was as though within her a bonfire had been lighted. It grew until it reached the zenith of its power and died away, but undestroyable among the ashes lay the ache of a wound for which there was no balm.
She moved a little nearer in a slow, suspicious way, holding the candle stiffly at arms length. A blob of the hot wax fell across her wrist and she started as though she had been struck. Another two cautious paces brought her to the side of the figure and she bent down and peered at the tilted face. The light lay upon the large forehead and the cheekbones and throat. As she watched, her heart beating, she noticed a movement in the stretched gullet. He was alive. The melting wax was hurting her hand as it ran down the coloured side of the candle. A candlestick was kept behind the couch on a rickety shelf and she raised herself from her stooping with the idea of finding it, and began to retreat from Steerpike. Not daring to take her eyes off him, she placed one leg behind the other with a grotesque deliberation and so moved backwards. Before reaching the wall, however, the calf of her leg came into unexpected contact with the edge of the couch, and she sat down very suddenly upon it as though she had been tapped behind the knees. The candle shook in her hand and the light flickered across the face of the figure on the floor. Although it seemed to her that the head started a little at the noise she had made, she put it down to the fickle play of the light upon his features, but peered at him for a long time nevertheless to convince herself. Eventually she curled her legs under her on the couch and raised herself to her knees and, reaching her free hand out behind her, she felt her fingers grip the shelf and after some fumbling close upon the iron candlestick.
She forced the candle at once into one of the three iron arms and, getting up, placed it on the table by her book.
It had come into her mind that some effort might be made to reinvigorate the crumpled thing. She approached it again. Horrible as the thought was, that if she were the means of a recovery she would be compelled to talk to a stranger in her room, yet the idea of him lying there indefinitely, and perhaps dying there, was even more appalling.
Forgetting for a moment her fear, she knelt loudly on the floor beside him and shook him by the shoulder, her lower lip sticking out plumply and her black hair falling across her cheeks. She stopped to scrape some tallow from her fingers and then continued shaking him. Steerpike let himself be pushed about and remained perfectly limp; he had decided to delay his recovery.
Fuchsia suddenly remembered that when she had seen her Aunt Cora faint, a very long time ago, in the central hall of the East Wing, her father had ordered a servant in attendance to get a glass of water, and that when they had been unable to get the drink down the poor white creature’s throat, they had thrown it in her face and she had recovered immediately.
Fuchsia looked about her to see whether she had any water in the room. Steerpike had left the jug of dandelion wine by the side of the couch, but it was out of her range of vision and she had forgotten it. As her eyes travelled around her room they came at last to rest upon an old vase of semi-opaque dark-blue glass, which a week or so ago Fuchsia had filled with water, for she had found among the wild grass and the nettles near the moat, a tall, heavy-necked sunflower with an enormous Ethiopian eye of seeds and petals as big as her hand and as yellow as even she could wish for. But its long, rough neck had been broken and its head hung in a dead weight of fire among the tares. She had feverishly bitten through those fibres that she could not tear apart where the neck was fractured and had run all the way with her wounded treasure through the castle and up the flights of stairs and into her room, and then up again, around and around as she climbed the spiral staircase, and had found the dark-blue glass vase and filled it with water and then, quite exhausted, had lowered the dry, hairy neck into the depths of the vase and, sitting upon the couch, had stared at it and said to herself aloud:
‘Sunflower who’s broken, I found you, so drink some water up, and then you won’t die – not so quickly, anyway. If you do, I’ll bury you, anyway. I’ll dig a long grave and bury you. Pentecost will give me a spade. If you don’t die, you can stay. I’m going now,’ she had finished by saying, and had gone to her room below and had found her nurse, but had made no mention of her sunflower.
It had died. Indeed she had only changed the water once, and with its petals decaying it still leaned stiffly out of the blue glass vase.
Directly Fuchsia saw it she thought of the water in the vase. She had filled it full of clear white water. That it might have evaporated never entered her head. Such things were not part of her world of knowledge.
Steerpike’s vision, for he would peer cunningly through his eyelashes whenever occasion favoured, was obtruded by the table and he could not see what the Lady Fuchsia was doing. He heard her approaching and kept his eyelids together, thinking it was just about time for him to groan, and begin to recover, for he was feeling cramped, when he realized that she was bending directly over him.
Fuchsia had removed the sunflower and laid it on the floor, noticing at the same time an unpleasant and sickly smell. There was something pungent in it, something disgusting. Tipping the vase suddenly upside down, she was amazed to see, instead of a rush of refreshing water, a sluggish and stenching trickle of slime descend like a green soup over the upturned face of the youth.
She had tipped something wet over the face of someone who was ill and that to Fuchsia was the whole principle, so she was not surprised when she found that its cogency was immediate.
Steerpike, indeed, had received a nasty shock. The stench
of the stagnant slime filled his nostrils. He spluttered and spat the slough from his mouth, and rubbing his sleeve across his face smeared it more thinly but more evenly and completely than before. Only his dark-red concentrated eyes stared out from the filthy green mask, unpolluted.
SOAP FOR GREASEPAINT
Fuchsia squatted back on her heels in surprise as he sat bolt upright and glared at her. She could not hear what he muttered through his teeth. His dignity had been impaired, or perhaps not so much his dignity as his vanity. Passions he most certainly had, but he was more wily than passionate, and so even at this moment, with the sudden wrath and shock within him, he yet held himself in check and his brain overpowered his anger, and he smiled hideously through the putrid scum. He got to his feet painfully.
His hands were the dull sepia-red of dry blood for he had been bruised and cut in his long hours of climbing. His clothes were torn; his hair dishevelled and matted with dust and twigs and filth from his climb in the ivy.
Standing as straight as he could, he inclined himself slightly towards Fuchsia, who had risen at the same time.
‘The Lady Fuchsia Groan,’ said Steerpike, as he bowed. Fuchsia stared at him and clenched her hands at her sides. She stood stiffly, her toes were turned slightly inwards towards each other, and she leaned a little forwards as her eyes took in the bedraggled creature in front of her. He was not much bigger than she was, but much more clever; she could see that at once.
Now that he had recovered, her mind was filled with horror at the idea of this alien at large in her room.
Suddenly, before she had known what she was doing, before she had decided to speak, before she knew of what to speak, her voice escaped from her hoarsely:
‘What do you want? Oh, what do you want? This is my room. My room.’
