by Mervyn Peake
He watched the chef approach the symbol of himself asleep outside his master’s room, curled up as he always was. By now the tardiness of the approach was unendingly slow. The feet in their thick soles would descend an inch at a time, and as they touched the ground the figure cocked his head of lard upon one side and his eyes rolled upwards as he listened for his own footfall. When within three feet of the sack the chef raised the cleaver in both hands and with his legs wide apart to give him a broader area of balance, edged his feet forward, one after the other, in little, noiseless shiftings. He had now judged the distance between himself and the sleeping emblem of his hate. Flay shut his eyes as he saw the cleaver rise in the air above the cumulous shoulder and the steel flared in the green light.
When he opened his eyes again, Abiatha Swelter was no longer by the sack, which appeared to be exactly as he had last seen it. He was at the chalk arrow again and was creeping forward as before. The horror that had filled Flay was aggravated by a question that had entered his mind. How did Swelter know that he slept with his chin at his knees? How did Swelter know his head always pointed to the east? Had he been observed during his sleeping hours? Flay pressed his face to the window for the last time. The dreadful repetition of the same murderous tip-toeing journey towards the sack, struck such a blow at the very centre of his nervous control that his knees gave way and he sank to his haunches on the barrel and wiped the back of his hand across his forehead. Suddenly his only thought was of escape – of escape from a region of the castle that could house such a friend; to escape from that window of green light; and, scrambling from the cask, he stumbled into the mist-filled darkness and, never turning his head again to the scene of horror, made tracks for the archway from whence he had deviated so portentously from his course.
Once within the building he made directly for the main stairs and with gigantic paces climbed like a mantis to the floor in which Nannie Slagg’s room was situated. It was some time before he came to her door, for the west wing in which she lived was on the opposite side of the building and necessitated a détour through many halls and corridors.
She was not in her room, and so he went at once to Lady Fuchsia’s, where, as he had surmised, he found her sitting by the fire with little of the deference which he felt she should display in front of his Lordship’s daughter.
It was when he had knocked at the door of the room with the knuckly single rap, that he had wakened Fuchsia from her sleep and startled the old nurse. Before he had knocked on the panels he had stood several minutes recovering his composure as best he could. In his mind emerged the picture of himself striking Swelter across the face with the chain, long ago as it seemed to him now in the Cool room. For a moment he started sweating again and he wiped his hands down his sides before he entered. His throat felt very dry, and even before noticing Lady Fuchsia and the nurse he had seen the tray. That was what he wanted. Something to drink.
He left the room with a steadier step and, saying that he would await Mrs Slagg and Titus under the archway and escort her to the library, he left them.
REINTRODUCING THE TWINS
At the same moment that Flay was leaving Fuchsia’s bedroom, Steerpike was pushing back his chair from the supper table at the Prunesquallors’, where he had enjoyed, along with the Doctor and his sister Irma, a very tender chicken, a salad and a flask of red wine; and now, the black coffee awaiting them on a little table by the fire, they were preparing to take up warmer and more permanent stations. Steerpike was the first to rise and he sidled around the table in time to remove the chair from behind Miss Prunesquallor and to assist her to her feet. She was perfectly able to take care of herself, in fact she had been doing it for years, but she leaned on his arm as she slowly assumed the vertical.
She was swathed to her ankles in maroon-coloured lace. That her gowns should cling to her as though they were an extra layer of skin was to her a salient point, in spite of the fact that of all people it was for her to hide those angular outcrops of bone with which Nature had endowed her and which in the case of the majority of women are modified by a considerate layer of fat.
Her hair was drawn back from her brow with an even finer regard for symmetry than on the night when Steerpike had first seen her, and the knot of grey twine which formed a culmination as hard as a boulder, a long way down the back of her neck, had not a single hair out of place.
The Doctor had himself noticed that she was spending more and more time upon her toilette, although it had at all times proved one of her most absorbing occupations; a paradox to the Doctor’s mind which delighted him, for his sister was, even in his fraternal eyes, cruelly laden with the family features. As she approached her chair to the left of the fire, Steerpike removed his hand from her elbow, and, shifting back the Doctor’s chair with his foot while Prunesquallor was drawing the blinds, pulled forward the sofa into a more favourable position in front of the fire.
‘They don’t meet – I said “They don’t meet”,’ said Irma Prunesquallor, pouring out the coffee.
How she could see anything at all, let alone whether they met or not, through her dark glasses was a mystery.
Dr Prunesquallor, already on his way back to his chair, on the padded arms of which his coffee was balancing, stopped and folded his hands at his chin.
‘To what are you alluding, my dear? Are you speaking of a brace of spirits? ha ha ha! – twin souls searching for consummation, each in the other? Ha ha! ha ha ha! Or are you making reference to matters more terrestrial? Enlighten me, my love.’
‘Nonsense,’ said his sister. ‘Look at the curtains, I said: “Look at the curtains”.’
Dr Prunesquallor swung about.
‘To me,’ he said, ‘they look exactly like curtains. In fact, they are curtains. Both of them. A curtain on the left, my love, and a curtain on the right. Ha ha! I’m absolutely certain they are!’
Irma, hoping that Steerpike was looking at her, laid down her coffee-cup.
‘What happens in the middle, I said; what happens right down the middle?’ Her pointed nose warmed, for she sensed victory.
‘There is a great yearning one for the other. A fissure of impalpable night divides them, Irma, my dear sister, there is a lacuna.’
‘Then kill it,’ said Irma, and sank back into her chair. She glanced at Steerpike, but he had apparently taken no notice of the conversation and she was disappointed. He was leaning back into one corner of the couch, his legs crossed, his hands curled around the coffee-cup as though to feel its warmth, and his eyes were peering into the fire. He was evidently far away.
When the Doctor had joined the curtains together with great deliberation and stood back to assure himself that the Night was satisfactorily excluded from the room, he seated himself, but no sooner had he done so than there was a jangling at the door-bell which continued until the cook had scraped the pastry from his hands, removed his apron and made his way to the front door.
Two female voices were speaking at the same time.
‘Only for a moment, only for a moment,’ they said. ‘Just passing – On our way home – Only for a moment – Tell him we won’t stay – No, of course not; we won’t stay. Of course not. Oh no – Yes, yes. Just a twinkling – only a twinkling.’
But for the fact that it would have been impossible for one voice to wedge so many words into so short a space of time and to speak so many of them simultaneously, it would have been difficult to believe that it was not the voice of a single individual, so continuous and uniform appeared the flat colour of the sound.
Prunesquallor cast up his hands to the ceiling and behind the convex lenses of his spectacles his eyes revolved in their orbits.
The voices that Steerpike now heard in the passage were unfamiliar to his quick ear. Since he had been with the Prunesquallors he had taken advantage of all his spare time and had, he thought, run to earth all the main figures of Gormenghast. There were few secrets hidden from him, for he had that scavenger like faculty of acquiring unashamedly and from
an infinite variety of sources, snatches of knowledge which he kept neatly at the back of his brain and used to his own advantage as opportunity offered.
When the twins, Cora and Clarice, entered the room together, he wondered whether the red wine had gone to his head. He had neither seen them before nor anything like them. They were dressed in their inevitable purple.
Dr Prunesquallor bowed elegantly. ‘Your Ladyships,’ he said, ‘we are more than honoured. We are really very much more than honoured, ha ha ha!’ He whinnied his appreciation. ‘Come right along, my dear ladies, come right the way in, Irma, my dear, we have been doubly lucky in our privileges. Why “doubly” you say to yourself, why “doubly”? Because, O sister, they have both come, ha ha ha! Very much so, very much so.’
Prunesquallor, who knew from experience that only a fraction of what anyone said ever entered the brains of the twins, permitted himself a good deal of latitude in his conversation, mixing with a certain sycophancy remarks for his own amusement which could never have been made to persons more astute than the twins.
Irma had come forward, her iliac crest reflecting a streak of light.
‘Very charmed, your Ladyships; I said “very, very charmed”.’
She attempted to curtsey, but her dress was too tight.
‘You know my sister, of course, of course, of course. Will you have coffee? Of course you will, and a little wine? Naturally – or what would you prefer?’
But both the Doctor and his sister found that the Ladies Cora and Clarice had not been paying the slightest attention but had been staring at Steerpike more in the manner of a wall staring at a man than a man staring at a wall.
Steerpike in a well-cut uniform of black cloth, advanced to the sisters and bowed. ‘Your Ladyships,’ he said, ‘I am delighted to have the honour of being beneath the same roof. It is an intimacy that I shall never forget.’ And then, as though he were ending a letter – ‘I am your very humble servant,’ he added.
Clarice turned herself to Cora, but kept her eyes on Steerpike.
‘He says he’s glad he’s under the same roof as us,’ she said.
‘Under the same roof,’ echoed Cora. ‘He’s very glad of it.’
‘Why?’ said Clarice emptily. ‘What difference does it make about the roof?’
‘It couldn’t make any difference whatever the roof’s like,’ said her sister.
‘I like roofs,’ said Clarice; ‘they are something I like more than most things because they are on top of the houses they cover, and Cora and I like being over the tops of things because we love power, and that’s why we are both fond of roofs.’
‘That’s why,’ Cora continued. ‘That’s the reason. Anything that’s on top of something else is what we like, unless it is someone we don’t like who’s on top of something we are pleased with like ourselves. We’re not allowed to be on top, except that our own room is high, oh, so high up in the castle wall, with our Tree – our own Tree that grows from the wall, that is so much more important than anything Gertrude has.’
‘Oh yes,’ said Clarice; ‘she hasn’t anything as important as that. But she steals our birds.’
She turned her expressionless eyes to Cora, who met them as though she were her sister’s reflection. It may be that between them they recognized shades of expression in each other’s faces, but it is certain that no one else, however keen his eyesight, could have detected the slightest change in the muscles that presumably governed the lack of expressions of their faces. Evidently this reference to stolen birds was the reason why they came nearer to each other so that their shoulders touched. It was obvious that their sorrow was conjoined.
Dr Prunesquallor had, during all this, been trying to shepherd them into the chairs by the fire, but to no avail. They had no thought for others when their minds were occupied. The room, the persons around them ceased to exist. They had only enough room for one thought at a time.
But now that there was a sudden lull the Doctor, reinforced this time by Irma, managed to shift the twins by means of a mixture of deference and force and to get them established by the fire. Steerpike, who had vanished from the room, now returned with another pot of coffee and two more cups. It was this sort of thing that pleased Irma, and she tilted her head on its neck and turned up the corners of her mouth into something approaching the coy.
But when the coffee was passed to the twins they did not want it. One, taking her cue from the other, decided that she, or the other one, or possibly both, or neither, did not want it.
Would they have anything to drink? Cognac, sherry, brandy, a liqueur, cherry wine …?
They shook their heads profoundly.
‘We only came for a moment,’ said Cora.
‘Because we were passing,’ said Clarice. ‘That’s the only reason.’
But although they refused on those grounds to indulge in a drink of any sort, yet they gave no indication of being in a hurry to go, nor had they for a long time anything to say, but were quite content to sit and stare at Steerpike.
But after a long interval, halfway through which the Doctor and his sister had given up all attempts to make conversation, Cora turned her face to Steerpike.
‘Boy,’ she said, ‘what are you here for?’
‘Yes,’ echoed Clarice, ‘that’s what we want to know.’
‘I want,’ said Steerpike, choosing his words, ‘only your gracious patronage, your Ladyships. Only your favour.’
The twins turned their faces towards each other and then at the same moment they returned them to Steerpike.
‘Say that again,’ said Cora.
‘All of it,’ said Clarice.
‘Only your gracious patronage, your Ladyships. Only your favour. That is what I want.’
‘Well, we’ll give it you,’ said Clarice. But for the first time the sisters were at variance for a moment.
‘Not yet,’ said Cora. ‘It’s too soon for that.’
‘Much too soon,’ agreed Clarice. ‘It’s not time yet to give him any favour at all. What’s his name?’
This was addressed to Steerpike.
‘His name is Steerpike,’ was the youth’s reply.
Clarice leaned forward in her chair and whispered to Cora across the hearthrug: ‘His name is Steerpike.’
‘Why not?’ said her sister flatly. ‘It will do.’
Steerpike was, of course, alive with ideas and projects. These two half-witted women were a gift. That they should be the sisters of Lord Sepulchrave was of tremendous strategic value. They would prove an advance on the Prunesquallors, if not intellectually at any rate socially, and that at the moment was what mattered. And in any case, the lower the mentality of his employers the more scope for his own projects.
That one of them had said his name ‘Steerpike’ would ‘do’ had interested him. Did it imply that they wished to see more of him? That would simplify matters considerably.
His old trick of shameless flattery seemed to him the best line to take at this critical stage. Later on, he would see. But it was another remark that had appealed to his opportunist sense even more keenly, and that was the reference to Lady Groan.
These ridiculous twins had apparently a grievance, and the object of it was the Countess. This when examined further might lead in many directions. Steerpike was beginning to enjoy himself in his own dry, bloodless way.
Suddenly as in a flash he remembered two tiny figures the size of halma players, dressed in the same crude purple. Directly he had seen them enter the room an echo was awakened somewhere in his subconscious, and although he had put it aside as irrelevant to the present requirements, it now came back with redoubled force and he recalled where he had seen the two minute replicas of the twins.
He had seen them across a great space of air and across a distance of towers and high walls. He had seen them upon the lateral trunk of a dead tree in the summer, a tree that grew out at right angles from a high and windowless wall.
Now he realized why they had said ‘Our Tree that gr
ows from the wall that is so much more important than anything Gertrude has.’ But then Clarice had added: ‘But she steals our birds.’ What did that imply? He had, of course, often watched the Countess from points of vantage with her birds or her white cats. That was something he must investigate further. Nothing must be let fall from his mind unless it were first turned to and fro and proved to be useless.
Steerpike bent forward, the tips of his fingers together. ‘Your Ladyships,’ he said, ‘are you enamoured of the feathered tribe? – Their beaks, their feathers, and the way they fly?’
‘What?’ said Cora.
‘Are you in love with birds, your Ladyships?’ repeated Steerpike, more simply.
‘What?’ said Clarice.
Steerpike hugged himself inside. If they could be as stupid as this, he could surely do anything he liked with them.
‘Birds,’ he said more loudly; ‘do you like them?’
‘What birds?’ said Cora. ‘What do you want to know for?’
‘We weren’t talking about birds,’ said Clarice unexpectedly.
‘We hate them.’
‘They’re such silly things,’ Cora ended.
‘Silly and stupid; we hate them,’ said Clarice.
‘Avis, avis, you are undone, undone!’ came Prunesquallor’s voice. ‘Your day is over. Oh, ye hordes of heaven! the treetops shall be emptied of their chorus and only clouds ride over the blue heaven.’
Prunesquallor leaned forward and tapped Irma on the knee.
‘Pretty pleasing,’ he said, and showed her all his brilliant teeth together. ‘What did you think, my riotous one?’
‘Nonsense!’ said Irma, who was sitting on the couch with Steerpike. Feeling that as the hostess she had so far this evening had very little opportunity of exhibiting what she, and she alone felt was her outstanding talent in that direction, she bent her dark glasses upon Cora and then upon Clarice and tried to speak to both of them at once.
‘Birds,’ she said, with something arch in her voice and manner, ‘birds depend – don’t you think, my dear Ladyships – I said birds depend a lot upon their eggs. Do you not agree with me? I said do you not agree with me?’
