Baltasar and Blimunda (Harvest Book)

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Baltasar and Blimunda (Harvest Book) Page 10

by José Saramago


  Yet these are difficult times. The nuns of St Monica are about to rebel, in open defiance of the King's edict that they consort in the convent parlour only with their parents, children, brothers, sisters, and relatives to the second degree, a measure with which the King is resolved to put an end to the scandals provoked by noble and not-so-noble philanderers who have a penchant for the brides of Christ and make them pregnant in less time than it takes to recite the Ave Maria, if Dom João V, does it, it is to his credit, but not when it is any old João or José. The provincial superior at Graça was asked to intervene in order to calm the nuns down and try to persuade them to obey the King's orders under threat of excommunication, but to no avail, incensed and outraged, three hundred nuns overcome by sacred wrath at the idea of being cut off from secular life rebelled and defied the edict time and time again and, as if to prove how dainty feminine hands can force doors open, they took to the streets, dragging the prioress with them by force, holding the crucifix aloft, they marched in procession, until they were confronted by the friars from Graça, who begged of them in the name of Christ's five sacred wounds to end their mutiny, a holy colloquium ensuing then and there between friars and nuns, each side arguing their case, the crisis resulted in the magistrate's running to the King to ask whether or not he should suspend the Order, and between the comings and goings to discuss the matter, the morning soon passed for, anxious to make an early start, the rebellious nuns had been on their feet since dawn, and while they waited for the magistrate to come back and report there was much toing and froing and, after hours of standing the older nuns sat on the ground, while the excited novices remained on the alert, all of them rejoicing in the warmth of that summer day, which is always so spiritually uplifting, bemused at the sight of those who passed or stopped to stare, for these were pleasures nuns could not enjoy every day, and they chatted freely with whomsoever they pleased, using this opportunity to renew their association with the forbidden visitors who now rushed to the scene and between secret pacts, knowing gestures, quiet rendezvous, and coded signals with hands and handkerchiefs, the hours passed until noon, when the nuns began to get hungry and started to eat the sweetmeats they had brought in their knapsacks, for those who go to war must carry their own provisions, and the demonstration ended with a countermand from the Palace, whereby things became as lax as before, the nuns of St Monica were overjoyed when they received the news and sang hymns of praise and there was one further consolation, when the provincial sent them a formal pardon by messenger rather than come in person, just in case he might be the victim of a stray bullet, for revolts staged by nuns are the most dangerous of hostilities. These women are often condemned against their will to perpetual seclusion in some convent in order to protect the family fortunes in favour of the male heir, where they are trapped for life so that even the simple pleasure of holding hands through the grilles, or having some amorous encounter or sweet embrace is bliss, even if it should lead to hell and damnation. For, after all, if the sun attracts the amber and the world attracts the flesh, someone must gain something, even if it is only to take advantage of what has been left behind by those who were born to possess everything.

  Another predictable vexation is the auto-da-fé, not for the Church, which regards it as a means of strengthening the faith, along with its other advantages, and not for the King, who, having hauled a number of Brazilian plantation owners before the Inquisition, wastes no time in expropriating their lands, but for those who are flogged in public, sent into exile, or burned at the stake and just as well that there was only one woman sentenced to death for immorality on this occasion, for it will not take long to paint her portrait and hang it in the Church of St Dominic, alongside all those other portraits of women whose depraved bodies have been roasted alive and whose ashes have been dispersed, yet, surprisingly enough, the torture and agony of so many does not appear to deter others, so one can only assume that human beings like to suffer or have greater esteem for their spiritual convictions than for the preservation of their bodies, God clearly did not know what He was doing when He created Adam and Eve. What is one to make of cases such as that of the professed nun who turned out to be Jewish and was sentenced to life imprisonment and solitary confinement, or the recent case of the woman from Angola who arrived here from Rio de Janeiro and was accused of being Jewish, or that merchant from the Algarve who asserted that every man is saved according to the faith he upholds, for all faiths are equal, and Christ is worth as much as Mohammed, the Gospel as much as the Cabala, the sweet as much as the bitter, sin as much as virtue, or that strapping mulatto of dubious origin from Caparica whose name is Manuel Mateus, no relation to Sete-Sóis, but is known to his friends as Saramago and whose notoriety as a sorcerer led to his being tortured and condemned with three young women who were found guilty of similar offences, what is one to make of these heretics and the other one hundred and thirty who have been brought before the Inquisition, many of whom will soon be keeping Blimunda's mother company if she is still alive.

  Sete-Sóis and Sete-Luas, two such lovely names that it seems a pity not to use them, did not come from São Sebastião da Pedreira to the Rossio to watch the auto-da-fé, but nearly everyone else flocked to watch the spectacle, and from eye-witness accounts and the official records that always survive despite the numerous earthquakes and fires, we know what and whom they saw being sentenced to torture, to the stake or exile, the black woman from Angola, the mulatto from Caparica, the Jewish nun, those impostors masquerading as priests who said Mass, confessed, and preached without any authority to do so, the judge from Arraiolos who had jewish blood on both his father's and his mother's side of the family, some one hundred and thirty-seven miscreants altogether, for the Holy Office of the Inquisition tries to cast its nets as widely as possible, in order to ensure that they will be full, thus obeying Christ's mandate when He told Saint Peter that He wanted him to be a fisher of men.

  The great sorrow shared by Baltasar and Blimunda is that they do not possess a net capable of dragging down those stars along with the ether which keeps them suspended in mid-air, according to Padre Bartolomeu Lourenço, who is about to leave them and cannot say when he will return. The Passarola, which had started out looking like a castle under construction, is now like a tower in ruins, a Babel rudelyinterrupted without warning, and cords, canvas, wires, and irons are all in disarray and they no longer even have the consolation of opening the chest and studying the design, for the priest is carrying it in his luggage, he departs tomorrow, is travelling by sea, and with no greater risk than one might expect from the hazards of a sea journey, for peace with France has finally been declared, the signing of the peace treaty warranting a solemn procession of judges, magistrates, and bailiffs on horseback, followed by the trumpeters and buglers, then the palace footmen bearing silver maces on their shoulders, and behind them seven kings-at-arms wearing sumptuous robes, and the last of them carrying in one hand the parchment that formally declared peace, the treaty was read first of all in the Palace Square below the King's apartments, from where the royal family could look down on the crowds who filled the courtyard, the palace guards standing in formation and after the treaty was read out in the King's presence, it was read out once more in the Praça de Sé, and a third time in the hospital grounds adjoining the Rossio and now that a peace treaty has been signed with France, treaties with other nations will follow, But who will give me back the hand I've lost, Baltasar muses sadly, Don't worry, between us we have three hands, Blimunda reassures him.

  Padre Bartolomeu Lourenço gave his blessing to the soldier and the clairvoyant and they kissed his hand, but at the last moment all three embraced, for friendship was stronger than reverence, and the priest said, Farewell, Blimunda, farewell, Baltasar, Look after each other and take care of the Passarola, for I shall return one day with the secret substance I mean to obtain, it will be neither gold nor diamonds, but the very air God Himself breathes, guard the key I gave you safely, and when you leave for Mafra, rem
ember to pass by here from time to time to inspect my machine, you may enter and leave without permission, for the King has entrusted me with the estate and he knows what is stored here, and with these words the priest mounted his mule and departed.

  Padre Bartolomeu Lourenço must already be on the open sea, so how should we amuse ourselves now, until we can fly, let's go to a bullfight, they can be very entertaining, In Mafra there are no bullfights, Baltasar explains, and since we don't have enough money to attend the entire four-day event, because the Palace has demanded an exorbitant fee for leasing the Palace Square this year, let's go on the last day for the grand finale, with tiered stands erected all around the square, even on the side where the river is, which makes it difficult to see anything except the upper decks of the ships anchored beyond, Sete-Sóis and Blimunda have found themselves good seats, not because they arrived earlier than anyone else but simply because an iron hook stuck to the end of an arm clears one's path just as quickly as the cannon that came from India and is preserved in the Tower of St Julian, someone feels a tap on the shoulder and turns around to find he might just as well be looking into the mouth of a cannon. The square is surrounded by masts that have tiny flags on top and are covered with streamers trailing all the way down to the ground and fluttering in the breeze, at the entrance to the arena is a wooden portico painted in simulated marble, and the columns are painted to look like stone from Arrábida with gilded cornices and friezes. The main pillar is supported by four enormous figures painted in a variety of colours and with a lavish display of gold leaf, the flag, made of tin plate, depicts on both sides the glorious St Antony standing on fields of silver, and the fittings are also gilt, the enormous crest of multicoloured plumes is so skilfully painted that the plumes look real, they give a nice finishing touch to the flagpole. The stands and terraces are swarming with people, spectators of rank and influence are seated in specially reserved seats, while the Royal Family watches from the palace windows, stewards are still watering the square, some eighty men dressed in the Moorish style with the arms of the Senate of Lisbon embroidered on their capes, the crowd is growing impatient as it eagerly waits for the bulls to appear, the preparations are now over, and the stewards withdraw from the arena, the square is as clean as a pin, and a fresh smell comes from the moistened ground, it is as if the world had been created anew, the spectators eagerly await the onslaught, soon that same ground will be covered with the blood, excrement, and urine of the bulls, or the droppings of the horses, and if some spectator should wet himself with excitement, let us hope that his breeches will protect him from the shame of making a fool of himself in the presence of all the inhabitants of Lisbon and of His Majesty Dom João V.

  The first bull entered the arena, then the second, and then the third, then the eighteen bullfighters on foot whom the Senate had contracted in Castela at vast expense, then the picadors cantered into the arena and stabbed with their pikes, while those on foot embedded darts festooned with coloured papers in the necks of the bulls, one of the picadors showed his anger at a bull that had pulled his cape to the ground by charging at the animal and wounding it with his lance, which is one way of avenging tarnished honour. The fourth bull charges in, then the fifth, and the sixth, and on and on up to ten, twelve, fifteen, twenty bulls, until the square is like a blood-bath, the women laugh, screech with joy, and clap their hands, the palace windows look like branches in full blossom, while down below the bulls expire one after another, their corpses being removed on low wagons drawn by six horses, the same number as are used for members of the Royal Family and the titled aristocracy, and if the six horses are not a sign of the majesty and dignity attributed to the bulls, they do show how much the bulls weigh, just ask those horses groomed and resplendent, their embroidered trappings in crimson velvet and their saddles and caparisons trimmed with silvered fringes while the poor bulls are riddled with darts and pierced with lance wounds and their entrails dragging along the ground, in their frenzy, the men grope the frenzied women, who brazenly snuggle up against them, including Blimunda, who clings to Baltasar, and why not, he can feel all that blood being shed in the arena rush to his head, those rivulets on the flanks of the bulls pour out the blood of living death and make his head spin, but the image that imprints itself on his mind and brings tears to his eyes is the bull's drooping head, its gaping mouth, its great tongue hanging out, a tongue that will never again taste pastures, except those mythical pastures in the other world of bulls, whether it be paradise or hell.

  If there is any justice, it will be paradise, for there could scarcely be a greater hell than what they have already experienced, for instance, those mantles of fire, which consist of various types of fireworks tied to the bulls and lit from both ends, and as the mantle of fire starts to burn, the fireworks go on exploding for a considerable time, lighting up the entire arena, it is as if the bull were being roasted alive, maddened and enraged, the wretched creature races to and fro across the arena, rearing and bellowing, while Dom João V and his subjects applaud its miserable death, and the bull is given no opportunity to defend itself or to kill while being slaughtered. The place smells of burned flesh, but this odour gives no offence to nostrils accustomed to the great barbecue of the auto-da-fé, besides, the bull ends up on somebody's plate and is put to good use in the end, whereas all that remains of a Jew burned at the stake is whatever property he may have left behind.

  The stewards now carry in some gaudily painted figures in terracotta, larger than life-size, with arms raised to heaven, and put them in the centre of the arena, What kind of show is this, ask those who have never seen it before, perhaps the spectators are giving their eyes a rest after so much carnage, for if the figures are made of terra-cotta, the worst that one is likely to see is a pile of rubble which can easily be swept up, The feast has been ruined, the sceptical and violent will protest, Bring on another mantle of fire so we can laugh with the King, there are not all that many occasions when we can enjoy a good laugh together, and now two bulls emerge from their pen and are startled to find the arena deserted except for those terracotta figures with raised arms and no legs, with bulging paunches and sinister pockmarks. The bulls decide to avenge all the wrongs they have suffered and they charge, shattering the figures with a dull explosion that sends dozens upon dozens of rabbits scampering frantically in all directions, only to be pursued and clubbed to death by the bullfighters and spectators who dart into the arena, one eye on the rabbit they are pursuing, the other on the bull that might start to pursue them, the crowds hoot with laughter, hysterical mob that they are, and suddenly the uproar assumes another pitch, from two of the exploding terracotta figures emerge flocks of pigeons flapping their wings, disoriented by the shock and dazzled by the harsh light, some of them losing all control fail to gain altitude and end up crashing into the upper stands, where they are seized by avid hands, not so much interested in having a tasty meal of stuffed pigeon, as in reading the quatrains written on the pieces of paper attached to the birds' necks, like the following, Freed from captivity, I should welcome falling into certain hands, In fear and trembling, I await my fate for those who soar highest suffer the greatest fall, Tranquil in the face of death, I watch my assassins die in my pursuit for when bulls charge, pigeons also try to run, but not all of them, for some circle skywards thus escaping the vortex of hands and cries, and soaring ever higher, they capture the sunlight and shimmering like birds of gold, they disappear over the rooftops.

 

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