Then Essay and Tinder accosted him together. He could summon only the strength to sit cross-legged against the wooden wall and bury his face in his arms, counting by sound the dogs shuffling through the straw in their pens as rain thundered onto the barn. When he lifted his head again, Essay and Tinder stammered before him and snaked their necks against his palms and shimmied. In time he pushed himself upright. Patches of wet cloth sucked away from his skin. He slipped out of the pen and walked to the Dutch doors and stood with one hand on the latch listening to water sheeting off the eaves.
He drew a breath and swung the door outward. The sapphire sky above floated a small, lone cloud made orange by the sunrise. The new leaves on the maple stirred and quaked; sparrows cartwheeled over the wet field like glazier’s points against the sky, and the swallows nesting in the eaves plunged into the morning air. The house burned white against the green of the woods. The Impala, neon blue. But there was no torrent to be seen, not even a drizzle. The sound of falling rain possessed him for one moment more and then vanished.
He was past the milk house before he remembered the syringe and turned and found it crushed in the center of a grassy puddle, needle snapped, barrel broken and awash. He cupped it in his palm and carried the pieces to the old silo where he pitched them through the rusted iron rungs and listened as they struck the far curve of cement and stone with a papery ring. Then he walked up the driveway, faster as he passed the house, the orchard, the mailbox. He started up the road, wheeled and headed the other way, breaking into a run and then dropping into a jerky reined-up step. He turned again. After a time he found himself walking back down the driveway and he began to circle the house in that same halting stride. Five times around, ten, twenty times, looking into the darkness behind the window glass. Each time he passed the old apple tree its lowest branches tugged at him and he brushed them away until he finally came to rest, panting, caught for the umpteenth time, and at last he turned to look at it.
It was an old tree, old already when he was born, maybe older than the house itself. At eye level the trunk split into three thick and nearly horizontal limbs, the longest of which arced toward the house and ended suddenly in a mass of waxy leaves. The branch would have continued through the kitchen window had it not been pruned mid-limb. He was shaking and chilled and his fingers were stiff but he managed to boost himself into the crotch of the tree and from there he worked himself onto the limb. The bark felt greasy from long days of rain. Past halfway it began to buck and wobble under his weight. Rainwater cupped in the new foliage showered him every time he moved. He worked slowly along. When he got to the stump end he steadied himself by gripping a hornlike pair of limbs and settled his sternum against the branch and lay outstretched, a swimmer among the boughs.
The window over the sink was closed, the gingham curtains parted to either side. The thin morning light was not enough to illuminate the interior, and at first only the orange power light at the base of the freezer was visible, its bulb winking and flickering. His breaths made the limb tremble like the string of an instrument wound overtight; it was no wider than his hand and its bark bit into his chest and soon his chest began to ache from it. He did not know why he was in the apple tree or what he was looking for but he lay waiting. In time, the side of the barn glowed red. One of the kennel dogs pressed into its run and looked around and retreated. The morning air was bright and water-laden. From downfield a killdeer chattered kee-dee, kee-dee.
Almondine floated into the kitchen, padding along on old legs. She paused beside the stove and circled the table and disappeared. Then Edgar’s mother walked into view, robe cinched around her waist. She stood with her back to the window and started the Mr. Coffee. She lifted her hair in a rope and dropped it outside her robe and waited. She filled her cup. She liked coffee black with just a bit of sugar—he’d made it for her many times that winter—and he watched her lift the spoon from her cup and put it wet into the sugar bowl twice and sip the coffee. The corner of the kitchen was windowed on two sides. She stood in profile looking west at the vapor writhing over the field. When Claude appeared he was dressed, as if he had just arrived. He walked up behind her and put one hand on her shoulder and let it rest there. He smoothed the collar of her robe against her neck and walked to the sink and rinsed out a cup. He didn’t look out then, just turned and poured his coffee and sat in the chair nearest the sink.
Their murmur penetrated the window glass but not their words. After a few minutes Edgar’s mother set her cup on the table and walked to the bathroom. Claude sat watching the mercator of sunlight advance up the field. Wisps of fog swirled and thinned under the new heat of morning. A flock of sparrows lit at the bird feeder at the corner of the house, bickering and flapping one another out of the way, so close Edgar could have snatched one.
He lay in the tree and watched. Claude was leaner than his father and though he was younger and without his father’s bookish stoop, his hair was shot with gray. He sat in Edgar’s father’s chair and pursed his lips and brought the coffee cup to his mouth.
Edgar had been afraid he would see them kiss.
Almondine went up to Claude and raised her face and Claude smoothed his hand over the top of her skull. Edgar’s mother emerged from the bathroom, hair turbaned. Incandescent light from the bedroom fell across the kitchen table. Claude stood and went to the sink and rinsed out his coffee cup and finally he looked out that window.
Maybe he didn’t know what he’d seen at first. His gaze passed aimlessly across the tree and moved on. Edgar had time to wonder if the new leaves were camouflage enough to hide him, though it didn’t seem possible and he didn’t care anyway. Claude swabbed the dishcloth in his cup and picked up a towel and began to dry it. But somewhere in the back of his mind there must have been a twinge, a nag, an afterimage, for when he lifted his face again he looked straight at Edgar and then he shuddered and stepped back from the sink.
A STEP BACK—A SMALL MOTION, perfectly natural, if any reaction can be said to be natural when you realize someone has climbed a tree outside the window and has been watching like a panther for God knows how long. Since you woke up, perhaps. You lean forward. The boy’s hair is wet and dripping, as if he has been there all night in the rain. He has a frozen, impudent look on his face as if the pane of glass between you could protect him from anything, from everything, and if he blinks you do not see it. After a long stare to be sure you are seeing what you see, you understand that the boy has been up there all along—the rustle wouldn’t have escaped your attention even if you had been half-asleep and distracted. And the birds would never have battled like they did over the feeder just an arm’s length away.
You weigh the idea that this is a prank. You lean back and try to quietly laugh, as if you are in on it. You turn your back and set the coffee mug on the table and then look out the window again and watch with false equanimity as the boy peers back, hands clasped around the bough he is balanced so far out upon. When his mother comes up behind you, you turn and face her and that is when you kiss. You unselfconsciously kiss. Her hand lingers on your shoulder. You stand with your back to the window, saying nothing about what you have seen, as she pulls her coat off its hook. She says one last thing and then she and Almondine are out the door and walking toward the barn.
You turn back to the window. Though you expect him to have looked away to gaze at his mother and the dog as they cross the yard, he has not. His expression is slack and his eyes fill his face. He is all watching, no reacting. And a small voice in the back of your mind says this is a boy that spends his days watching. You’re not going to win a staring contest.
And you get to thinking as well (he is still staring from his wet perch) that if this is a contest then you have already lost, because in that moment when you first understood what you were seeing through the window—when your eyes said it was so and your mind replied it was impossible—in that moment, as you think of it from the boy’s viewpoint, you know you looked frightened. You stepped back from t
he window, back from the sight of his foreshortened body, fronted by that face, those eyes, that shock of hair hanging over his forehead, dripping.
You stepped back and looked up and your eyes were wide. Now you glance up again, attempt an insolent grin, but it does not come off easily. It comes off forced and the grin fades as if the muscles of your face have grown paralytic and this is also something the boy can see, who has not once looked away or betrayed an emotion. But your failure to muster a smile isn’t what gets to you. What gets to you is that the boy seems to be reading your mind, can hear these thoughts, and this makes you wonder what else he has seen, what else he might know, or guess. And as you lock gazes and you finally force the amused smile you wish had come easily, what unnerves you, what finally makes you turn away, is that without moving a muscle or blinking an eye he begins to smile back.
Smoke
B Y THEN THE YARD WAS IN FULL MORNING LIGHT, THE LAWN a beaded pelt of water. Edgar clambered backward along the apple tree branch and dropped to the ground and trotted past the porch steps. His mother had hooked the barn doors open using the eyelets screwed into the red siding. From the doorway he could hear her voice. She was in one of the whelping rooms soothing a mother as she examined her pup. He walked into the workshop where metal scrap described an ocher swath across the floor. From its nail above the bench Edgar took down an old framing hammer, the one Claude had used roofing the barn the previous summer, the same one he’d lost more than once in the tall grass so that now it bore a freckled patina of rust. The thing was heavy in his hand and he meant to walk back to the house with it, but when he turned Almondine stood in the doorway. Her gaze was fixed upon him and her tail swung side to side in an unhurried wingbeat. The sight of her pulled him up short. He tightened his grip on the hammer’s handle-shaft and went forward and bent and put his free hand to her forechest to walk her back, but instead of giving way she craned her muzzle up and pressed her nose to his ear and then his neck.
He stood. A quaking breath escaped him. He looked at her peering upward, her irises grained with bay and black, the whorls of fine brown fur contouring her face, the diamond of ebony feathering down from her forehead and between her eyes and along the top of her muzzle. He jammed the claw of the hammer into his pocket and this time he set both hands against her. By the time he’d moved her clear of the doorway, the mash of his hands against her fur had quelled something in him and he wound up on his knees while she scented up and down his wet clothes.
His mother emerged from the whelping room. She had a young pup with her, spinning and biting at its leash. “There you are,” she said, then broke off to correct the pup. When she’d finished she was kneeling too and she looked over at him.
“Good grief,” she said. “You’re soaked. Have you been down in the woods already?”
No. Not—No.
He was still figuring out what to say when he heard the back porch door open and whack shut. It was all the provocation the pup needed to leap up and shake the lead in its mouth as if it were a serpent. Edgar’s mother deftly settled it and circled its muzzle with her thumb and forefinger to stop its nipping. “These guys are stir-crazy,” she said. “Thank God the rain stopped. Hurry up and get changed. I’m going to need help this morning.” She kept her attention on the pup as she spoke, waiting for it to break again. Edgar couldn’t tell if she was avoiding his gaze and he waited. When she looked over he saw she was avoiding nothing.
“What’s wrong?” she said.
He could have told her then about what he’d seen that night past, but it was as though she knelt in some place visible to him but unreachable by words. He thought if only he waited she might notice the difference in him. Maybe in the world itself. Outside, there was the thud of the Impala’s door closing. The starter turned over and the engine roughly idled. He knelt there and looked at the doorway. The hammer’s claw bit into his hip. He knew there was still time to walk to the Impala, drag open the door, bring the steel head of the hammer crashing around, but a kind of dislocation passed through him, as though some alternate Edgar had split away to pursue that different future. Then the Impala was rolling along the driveway. On the road it throated up and topped the hill.
He looked up. His mother was still watching him but he didn’t answer her. He turned back to the workshop and replaced the hammer and walked to the house. After he’d changed clothes he came downstairs to the living room and looked at the blanket and pillow lying crumpled on the couch. Claude had not been on the couch when Edgar walked through the house the night before and the gesture at pretense left him feeling hollowed out. He sat with a hand in Almondine’s ruff and stared at the couch. Finally he stood and walked out the door.
What happened next was impossible, yet it happened anyway: an ordinary morning passed. But ordinary was the very thing Edgar was least prepared for. As soon as he walked out the door, his mother asked him to begin fetching the dogs from the kennel in pairs and triples, youngest first. By the time the sun was halfway to its zenith the ordinariness of the day encroached from every direction, the concrete, tangible, undeniable world insisting that the preceding night had not happened. Those memories that had poured through him, indelible at sunrise, began to fade until all that remained was the finest scrim in his mind. It could have been any warm summer morning except for the fact that whenever Edgar closed his eyes a gloss raindrop hung in the darkness before him, the yard lights captured and inverted within. By noon he felt he was coming apart. What he felt was confusion, though it seemed more complicated than that. When his mother headed in for lunch he said he wasn’t hungry and led the last two dogs to the barn and kenneled them and put his head against the pen door and listened as they lapped their water. He found work gloves and scooped up the rubble in the workshop and poured it into the milk can and dragged the can back where it belonged.
When he was done he climbed the mow steps. Almondine stood waiting for him in the midday twilight of pinholes and cracks. He sank onto a pair of straw bales and drew his knees to his chest. Before he could reach out to her, sleep engulfed him. She stood beside his curled body and set a nostril to the finger he’d cut the night before. After a time she circled and downed and lay watching him.
IN HIS DREAM, Edgar sat atop the mow stairs, looking into the workshop. He knew that wasn’t possible—the rough timbered wall of the stairwell should have blocked his view—but his sleep had a lucidity that rendered the wall as transparent as glass. Below, his father stood at the workbench, back turned. Edgar could see the black, tousled hair on the top of his head and the temples of his glasses hooked behind his ears. The top of the workbench was covered with leatherworking tools and a tin can of grommets, and his father held a leash whose clasp end had frayed. When Edgar glanced at the file cabinets, his father stood there too, walking his fingers across the overstuffed manila folders of an open drawer and lifting one out and splaying it open. Both of them worked silently, each engrossed and oblivious to the other.
A tendril of white smoke advanced between the ceiling beams. No flames in sight, no fire to extinguish. Edgar descended the stairs and stood in the workshop. The smoke thickened into a gray haze. He inhaled a wisp of it and coughed, but his father, both his fathers, carried on, unaware. Somehow Edgar had grown impossibly tall, his head almost brushing the ceiling beams. He had the power to be ordinary-sized, he knew, but then the figures of his father would vanish and he would be alone in the workshop.
He found the hay hatch by feel alone, running his hands along the ceiling until he could trace the outline. When he pressed upward a ponderous weight resisted—Edgar himself, asleep on the bales. He shifted both hands to one edge of the hatch and pushed again, straining. A crack appeared. Streamers of smoke shot through, sucked into the space above, but the weight of the hatch was too much and he had to set it back. Then a new plume of smoke appeared, dense and black and tasting like hot metal.
The next instant, the ceiling was out of reach and he was alone in the workshop. It was night.
Light from the gooseneck lamp over the front doors penetrated the small workshop window, casting a skewed yellow rectangle against the wall. Almondine appeared, leading Claude. A hesitant expression played over Claude’s face, but Almondine nosed him forward. He passed Edgar and took up the frayed lead. His hands worked the leather and soon the lead was repaired. Claude nodded and stroked Almondine’s back. Then Edgar walked to Almondine’s side and he, too, began to draw his hands along her flanks.
THEY COOKED DINNER THAT night standing side by side, Edgar frying sliced potatoes while his mother turned a pair of pork chops in a skillet, reaching over occasionally to add a dab of fat to his potatoes, like an old married couple thinking about the day while the grease spat. She set out silverware and plates and bread and butter and halved a grapefruit and sprinkled some sugar on top and put the halves face up in bowls.
They sat to eat. He pushed his spoon into the skin between the grapefruit sections and looked out the window at a world gone blue. Blue sky, blue earth, blue trees with blue leaves, as if visible through miles of clear water.
“What are you thinking?” she asked, finally.
He wanted desperately to talk about what had happened the night before but old feelings rushed forward from those first few weeks after the funeral when he’d dreamed about his father: speak and you’ll forget it all even as the words come out. You won’t remember long enough to finish. And he thought, too, about his father signing, They won’t believe you.
Do you think there is a heaven or hell? he signed.
The Story of Edgar Sawtelle Page 26
