Jayne treats Leah's unhappiness with herbal remedies, cowslip wine and common sense in equal measure. In return Leah works hard for the delicious home-cooked meals they share. She wrestles with sheep, breaks nails and gets stuck in the mud – learning as much about herself as she does about farming. Soon Leah is happy milking cows, mucking out pigs and falling halfway in love with Duncan, a dishy tractor driver.
Back in London, steps are being taken to investigate what's happened to the missing money. It looks as though the real embezzler must soon be unmasked and Leah will have to choose between resuming her old life or starting a new one.
That's when her problems really start.
A Year And A Day
Despite Stella's misgivings her best friend Daphne persuades her to visit a fortune teller. Rosie-Lee promises both girls will live long and happy lives. For orphaned Stella, the fortune teller's claims include a tall, dark handsome man and the family she longs for. Stella doesn't believe a word, so Rosie-Lee produces a letter, to be read in a year's time, which will prove her predictions are true.
Stella remains sceptical but Daphne is totally convinced. She attempts to manipulate Stella's life, starting by introducing Stella to her new boss Luigi, who fits the romantic hero image perfectly. In complete contrast is Daphne's infuriating policeman brother John. Despite his childhood romance with Stella ending badly, he still acts as though he has a right to be involved in her life.
Soon John is the least of her worries. Daphne's keeping a secret, Luigi can't be trusted, romantically or professionally and both girls' jobs are at risk. Worse still, John's concerns for their safety are proved to be justified.
John, and Rosie-Lee's letter, are all Stella has to help put things right.
Paint Me A Picture
Mavis Forthright carefully rehearses her jump from Portsmouth's Round Tower. She's existed for over five decades. Lived hardly at all. Will end her misery with a few seconds' fall into the cold sea. Except she's not quite ready to die. A half day's delay to try a bacon sandwich from the cafe won't matter; Mother's no longer there to disapprove.
She delays another day to lend Janice a book. Then a week to use her new paints. A month. Until the end of term. Mavis makes new plans: to live, to create paintings full of emotion, perhaps even make friends.
As if to balance her survival a number of people connected to Mavis die. At first that doesn't matter. They're people she dislikes. Mavis continues painting, tending her garden, feeding the birds and keeping her home properly clean, without additional concern. Then people who've been kind to Mavis are killed or injured. That shouldn't happen.
Why are people dying? Is it because of charming Norman who's back from her past, or is that strange boy Jake her mistaken guardian angel? Perhaps Mavis herself is to blame. She must learn the truth, stop the deaths and protect those she's learned to care about before she can enjoy the new life she's making for herself.
Firestarter Page 20
