I suppose the little volume of poems was published sometime about the end of May, 1846. It stole into life; some weeks passed over, without the mighty murmuring public discovering that three more voices were uttering their speech. And, meanwhile, the course of existence moved drearily along from day to day with the anxious sisters, who must have forgotten their sense of authorship in the vital care gnawing at their hearts. On June 17, Charlotte writes:—
“Branwell declares that he neither can nor will do any thing for himself; good situations have been offered him, for which, by a fortnight’s work, he might have qualified himself, but he will do nothing, except drink and make us all wretched.”
In the Athenœum of July 4th, under the head of poetry for the million, came a short review of the poems of C., E. and A. Bell. The reviewer assigns to Ellis the highest rank of the three “brothers,” as he supposes them to be; he calls Ellis “a fine, quaint spirit;” and speaks of “an evident power of wing that may reach heights not here attempted.” Again, with some degree of penetration, the reviewer says, that the poems of Ellis “convey an impression of originality beyond what his contributions to these volumes embody.” Currer Bell is placed midway between Ellis and Acton. But there is little in the review to strain out, at this distance of time, as worth preserving. Still, we can fancy with what interest it was read at Haworth Parsonage, and how the sisters would endeavour to find out reasons for opinions, or hints for the future guidance of their talents.
I call particular attention to the following letter of Charlotte’s, dated July 10th, 1846. To whom it was written, matters not; but the wholesome sense of duty in it—the sense of the supremacy of that duty which God, in placing us in families, has laid out for us, seems to deserve especial regard in these days.
“I see you are in a dilemma, and one of a peculiar and difficult nature. Two paths lie before you; you conscientiously wish to choose the right one, even though it be the most steep, straight, and rugged; but you do not know which is the right one; you cannot decide whether duty and religion command you to go out into the cold and friendless world, and there to earn your living by governess drudgery, or whether they enjoin your continued stay with your aged mother, neglecting, for the present, every prospect of independency for yourself, and putting up with daily inconvenience, sometimes even with privations. I can well imagine, that it is next to impossible for you to decide for yourself in this matter, so I will decide it for you. At least, I will tell you what is my earnest conviction on the subject; I will show you candidly how the question strikes me. The right path is that which necessitates the greatest sacrifice of self-interest—which implies the greatest good to others; and this path, steadily followed, will lead, I believe, in time, to prosperity and to happiness; though it may seem, at the outset, to tend quite in a contrary direction. Your mother is both old and infirm; old and infirm people have but few sources of happiness—fewer almost than the comparatively young and healthy can conceive; to deprive them of one of these is cruel. If your mother is more composed when you are with her, stay with her. If she would be unhappy in case you left her, stay with her. It will not apparently, as far as short-sighted humanity can see, be for your advantage to remain at -, nor will you be praised and admired for remaining at home to comfort your mother; yet, probably, your own conscience will approve, and if it does, stay with her. I recommend you to do what I am trying to do myself.”
The remainder of this letter is only interesting to the reader as it conveys a peremptory disclaimer of the report that the writer was engaged to be married to her father’s curate3—the very same gentleman to whom, eight years afterwards, she was united; and who, probably, even now, although she was unconscious of the fact, had begun his service to her, in the same tender and faithful spirit as that in which Jacob served for Rachel. Others may have noticed this, though she did not.
A few more notes remain of her correspondence “on behalf of the Messrs. Bell” with Mr. Aylott. On July 15th she says, “I suppose, as you have not written, no other notices have yet appeared, nor has the demand for the work increased. Will you favour me with a line stating whether any, or how many copies have yet been sold?”
But few, I fear; for, three days later, she wrote the following :-
“The Messrs. Bell desire me to thank you for your suggestion respecting the advertisements. They agree with you that, since the season is unfavourable, advertising had better be deferred. They are obliged to you for the information respecting the number of copies sold.”
On July 23rd she writes to the Messrs. Aylott:—
“The Messrs. Bell would be obliged to you to post the enclosed note in London. It is an answer to the letter you forwarded, which contained an application for their autographs from a person who professed to have read and admired their poems. I think I before intimated, that the Messrs. Bell are desirous for the present of remaining unknown, for which reason they prefer having the note posted in London to sending it direct, in order to avoid giving any clue to residence or identity by post-mark, &c.”
Once more, in September, she writes, “As the work has received no further notice from any periodical, I presume the demand for it has not greatly increased.”
In the biographical notice of her sisters, she thus speaks of the failure of the modest hopes vested in this publication. “The book was printed; it is scarcely known, and all of it that merits to be known are the poems of Ellis Bell. The fixed conviction I held, and hold, of the worth of these poems, has not, indeed, received the confirmation of much favourable criticism; but I must retain it notwithstanding.”
THE LIFE OF CHARLOTTE BRONTË,
AUTHOR OF
“JANE EYRE,” “SHIRLEY,” “VILLETTE,” &c.
BY
E. C. GASKELL,
AUTHOR OF “MARY BARTON,” “RUTH,” ETC.
“Oh my God,
Thou hast knowledge, only Thou,
How dreary ’tis for women to sit still
On winter nights by solitary fires
And hear the nations praising them far off.”
AURORA LEIGH.
IN TWO VOLUMES.
VOL. II.
CHAPTER I.
During this summer of 1846, while her literary hopes were waning, an anxiety of another kind was increasing. Her father’s eyesight had become seriously impaired by the progress of the cataract which was forming. He was nearly blind. He could grope his way about, and recognise the features of those he knew well, when they were placed against a strong light; but he could no longer see to read; and thus his eager appetite for knowledge and information of all kinds was severely balked. He continued to preach. I have heard that he was led up into the pulpit, and that his sermons were never so effective as when he stood there, a grey sightless old man, his blind eyes looking out straight before him, while the words that came from his lips had all the vigour and force of his best days. Another fact has been mentioned to me, curious as showing the accurateness of his sensation of time. His sermons had always lasted exactly half an hour. With the clock right before him, and with his ready flow of words, this had been no difficult matter as long as he could see. But it was the same when he was blind; as the minute-hand came to the point, marking the expiration of the thirty minutes, he concluded his sermon.
Under his great sorrow he was always patient. As in times of far greater affliction, he enforced a quiet endurance of his woe upon himself. But so many interests were quenched by this blindness that he was driven inwards, and must have dwelt much on what was painful and distressing in regard to his only son. No wonder that his spirits gave way, and were depressed. For some time before this autumn, his daughters had been collecting all the information they could respecting the probable success of operations for cataract performed on a person of their father’s age. About the end of July, Emily and Charlotte had made a journey to Manchester for the purpose of searching out an operator; and there they heard of the fame of the late Mr. Wilson as an oculist. They went to him at once
, but he could not tell, from description, whether the eyes were ready for being operated upon or not. It therefore became necessary for Mr. Brontë to visit him; and towards the end of August, Charlotte brought her father to him. He determined at once to undertake the operation, and recommended them to comfortable lodgings, kept by an old servant of his. These were in one of numerous similar streets of small monotonous-looking houses, in a suburb of the town. From thence the following letter is dated, on August 21st, 1846:—
“I just scribble a line to you to let you know where I am, in order that you may write to me here, for it seems to me that a letter from you would relieve me from the feeling of strangeness I have in this big town. Papa and I came here on Wednesday; we saw Mr. Wilson, the oculist, the same day; he pronounced papa’s eyes quite ready for an operation, and has fixed next Monday for the performance of it. Think of us on that day! We got into our lodgings yesterday. I think we shall be comfortable: at least our rooms are very good, but there is no mistress of the house (she is very ill, and gone out into the country), and I am somewhat puzzled in managing about provisions: we board ourselves. I find myself excessively ignorant. I can’t tell what to order in the way of meat. For ourselves I could contrive, papa’s diet is so very simple; but there will be a nurse coming in a day or two, and I am afraid of not having things good enough for her. Papa requires nothing you know but plain beef and mutton, tea and bread and butter; but a nurse will probably expect to live much better; give me some hints if you can. Mr. Wilson says we shall have to stay here for a month at least. I wonder how Emily and Anne will get on at home with Branwell. They, too, will have their troubles. What would I not give to have you here! One is forced, step by step, to get experience in the world; but the learning is so disagreeable. One cheerful feature in the business is, that Mr. Wilson thinks most favourably of the case.”
“August 26th, 1846.
“The operation is over; it took place yesterday. Mr. Wilson performed it; two other surgeons assisted. Mr. Wilson says, he considers it quite successful; but papa cannot yet see anything. The affair lasted precisely a quarter of an hour; it was not the simple operation of couching Mr. C. described, but the more complicated one of extracting the cataract. Mr. Wilson entirely disapproves of couching. Papa displayed extraordinary patience and firmness; the surgeons seemed surprised. I was in the room all the time, as it was his wish that I should be there; of course, I neither spoke nor moved till the thing was done, and then I felt that the less I said, either to papa or the surgeons, the better. Papa is now confined to his bed in a dark room, and is not to be stirred for four days; he is to speak and be spoken to as little as possible. I am greatly obliged to you for your letter, and your kind advice, which gave me extreme satisfaction, because I found I had arranged most things in accordance with it, and, as your theory coincides with my practice, I feel assured the latter is right. I hope Mr. Wilson will soon allow me to dispense with the nurse; she is well enough, no doubt, but somewhat too obsequious; and not, I should think, to be much trusted; yet I was obliged to trust her in some things....
“Greatly was I amused by your account of -’s flirtations;ac and yet something saddened also. I think Nature intended him for something better than to fritter away his time in making a set of poor, unoccupied spinsters unhappy. The girls, unfortunately, are forced to care for him, and such as him, because, while their minds are mostly unemployed, their sensations are all unworn, and, consequently, fresh and green; and he, on the contrary, has had his fill of pleasure, and can with impunity make a mere pastime of other people’s torments. This is an unfair state of things: the match is not equal. I only wish I had the power to infuse into the souls of the persecuted a little of the quiet strength of pride-of the supporting consciousness of superiority (for they are superior to him because purer)—of the fortifying resolve of firmness to bear the present, and wait the end. Could all the virgin population of receive and retain these sentiments, he would continually have to veil his crest before them. Perhaps, luckily, their feelings are not so acute as one would think, and the gentleman’s shafts consequently don’t wound so deeply as he might desire. I hope it is so.”
A few days later, she writes thus: “Papa is still lying in bed, in a dark room, with his eyes bandaged. No inflammation ensued, but still it appears the greatest care, perfect quiet, and utter privation of light are necessary to ensure a good result from the operation. He is very patient, but, of course, depressed and weary. He was allowed to try his sight for the first time yesterday. He could see dimly. Mr. Wilson seemed perfectly satisfied, and said all was right. I have had bad nights from the toothache since I came to Manchester.”
All this time, notwithstanding the domestic anxieties which were harassing them—notwithstanding the ill-success of their poems—the three sisters were trying that other literary venture, to which Charlotte made allusion in one of her letters to the Messrs. Aylott. Each of them had written a prose tale, hoping that the three might be published together. “Wuthering Heights” and “Agnes Grey” are before the world. The third-Charlotte’s contribution—is yet in manuscript, but will be published shortly after the appearance of this memoir.ad The plot in itself is of no great interest; but it is a poor kind of interest that depends upon startling incidents rather than upon dramatic development of character; and Charlotte Brontë never excelled one or two sketches of portraits which she has given in “The Professor,” nor, in grace of womanhood, ever surpassed one of the female characters there described. By the time she wrote this tale, her taste and judgment had revolted against the exaggerated idealisms of her early girlhood, and she went to the extreme of reality, closely depicting characters as they had shown themselves to her in actual life: if there they were strong even to coarseness,—as was the case with some that she had met with in flesh and blood existence,—she “wrote them down as ass;” if the scenery of such life as she saw was for the most part wild and grotesque, instead of pleasant or picturesque, she described it line for line. The grace of the one or two scenes and characters, which are drawn rather from her own imagination than from absolute fact, stand out in exquisite relief from the deep shadows and wayward lines of others, which call to mind some of the portraits of Rembrandt.
The three tales had tried their fate in vain together, at length they were sent forth separately, and for many months with still-continued ill success. I have mentioned this here, because, among the dispiriting circumstances connected with her anxious visit to Manchester, Charlotte told me that her tale came back upon her hands, curtly rejected by some publisher, on the very day when her father was to submit to his operation. But she had the heart of Robert Bruce within her, and failure upon failure daunted her no more than him. Not only did “The Professor” return again to try his chance among the London publishers, but she began, in this time of care and depressing inquietude, —in those grey, weary, uniform streets, where all faces, save that of her kind doctor, were strange and untouched with sunlight to her,—there and then, did the brave genius begin “Jane Eyre.” Read what she herself says:—“Currer Bell’s book found acceptance nowhere, nor any acknowledgment of merit, so that something like the chill of despair began to invade his heart.” And, remember, it was not the heart of a person who, disappointed in one hope, can turn with redoubled affection to the many certain blessings that remain. Think of her home, and the black shadow of remorse lying over one in it, till his very brain was mazed, and his gifts and his life were lost;—think of her father’s sight hanging on a thread;—of her sisters’ delicate health, and dependence on her care;—and then admire, as it deserves to be admired, the steady courage which could work away at “Jane Eyre,” all the time “that the one-volume tale was plodding its weary round in London.”
I believe I have already mentioned, that some of her surviving friends consider that an incident which she heard, when at school at Miss Wooler’s, was the germ of the story of Jane Eyre. But of this nothing can be known, except by conjecture. Those to whom she spoke upon
the subject of her writings are dead and silent; and the reader may probably have noticed, that in the correspondence from which I have quoted, there has been no allusion whatever to the publication of her poems, nor is there the least hint of the intention of the sisters to publish any tales. I remember, however, many little particulars which Miss Brontë gave me, in answer to my inquiries respecting her mode of composition, &c. She said, that it was not every day that she could write. Sometimes weeks or even months elapsed before she felt that she had anything to add to that portion of her story which was already written. Then, some morning, she would waken up, and the progress of her tale lay clear and bright before her, in distinct vision. When this was the case, all her care was to discharge her household and filial duties, so as to obtain leisure to sit down and write out the incidents and consequent thoughts, which were, in fact, more present to her mind at such times than her actual life itself. Yet notwithstanding this “possession” (as it were), those who survive, of her daily and household companions, are clear in their testimony, that never was the claim of any duty, never was the call of another for help, neglected for an instant. It had become necessary to give Tabby—now nearly eighty years of age-the assistance of a girl. Tabby relinquished any of her work with jealous reluctance, and could not bear to be reminded, though ever so delicately, that the acuteness of her senses was dulled by age. The other servant might not interfere with what she chose to consider her exclusive work. Among other things, she reserved to herself the right of peeling the potatoes for dinner; but as she was growing blind, she often left in those black specks, which we in the North call the “eyes” of the potato. Miss Brontë was too dainty a housekeeper to put up with this; yet she could not bear to hurt the faithful old servant, by bidding the younger maiden go over the potatoes again, and so reminding Tabby that her work was less effectual than formerly. Accordingly she would steal into the kitchen, and quietly carry off the bowl of vegetables, without Tabby’s being aware, and breaking off in the full flow of interest and inspiration in her writing, carefully cut out the specks in the potatoes, and noiselessly carry them back to their place. This little proceeding may show how orderly and fully she accomplished her duties, even at those times when the “possession” was upon her.
The life of Charlotte Brontë Page 33
