I summarized his recent recitations and asked for a list of project participants. “Be sure to include all of your assistants, including the ones running the magic tricks—they’re the most likely to be involved. I’d also like to see exactly what phenomena you’re getting. I’ll need to see recordings, but I can tell a lot more if I can observe the whole setup in person, in real time.” If Tuckman was getting any legit paranormal activity, I probably wouldn’t be able to see most of it on a recording, but in person was a different situation. Even glass and sound baffles wouldn’t filter it all from my Grey-adapted eyes.
For a moment, I thought Tuckman would object, but he swallowed it. He had to. Spoilers at work wasn’t the only possible answer to Tuckman’s problem, but he wouldn’t consider any that couldn’t be seen or recorded. I, on the other hand, had firsthand knowledge that ghosts and poltergeists did exist and weren’t just conflations of ordinary events by stressed minds. Few people get smacked as hard by them as I’d been, though. OK, so call me prejudiced, but I did wonder what he was really getting.
“All right,” Tuckman conceded, looking sour. “There’s a session tomorrow afternoon. I’ll arrange for you to observe from the booth—”
“I’d prefer to be in the room.”
“Impossible. Disruption of the setting may cause the legitimate phenomena to fail. The experiment must remain clean—that’s why I need you. Everything is monitored. Everything is documented. I have an early session video here and I’ll get my assistant to sort out some more representative recordings for you to study. But unless there is no other way, you cannot be in the séance room during the session.”
It was frustrating, but I had to give him the point for now. “All right. Now, you said that your group did produce some actual PK activity on their own, yes?”
“Yes. They do produce some verifiable and reproducible table raps, movements, light flickers—that sort of thing.” He let his mouth curl into a smug little smile. “They’ve demonstrated remarkable skill at it, especially considering the short time they’ve been working together.”
“Then it’s possible your group is actually producing all these phenomena themselves.”
“It is not possible.”
So speaks a mouth attached to a closed mind—and here I’d had such hope for science when I was younger. “What makes you think so?”
“The phenomena are too large, too powerful. It’s beyond the ability of simple human minds to exert such physical force without physical contact. You’ll understand when you see the sessions.”
I suspected I’d understand a lot more than Tuckman did. “How big is the group?” I asked.
“Eight. Seven study participants and one assistant—I’ll count Mark Lupoldi as a participant, though he’s my . . . special assistant.”
“The one who fakes phenomena.”
“Yes.”
“OK. Make sure he’s noted on the list that way. Can you take me to see your experiment space now?”
“No. I have a lecture to give in fifteen minutes.”
“I can go by myself if you’ll give me the key and directions. Unless there’s something in the room you don’t want me to see . . .”
“If you want to start digging into it right away, I won’t object.” He took a ring of keys from a tray on his obsessively neat desk and removed two. He held the large, brassy keys out to me. “Here. It’s room twelve in St. John Hall. The building is unlocked this time of day, but you’ll need the key to the rooms, including the observation booth. The room numbers are stamped on the keys. Sign in and out with the front desk and leave the keys with the proctor when you leave.”
He unlocked the file drawer in his desk and pulled out a pristine manila folder with a typed label that read CELIA.
“Who’s Celia?” I asked.
“Our ‘ghost’ is named Celia Falwell. It took quite a while to find a name for which there was little or no information on the Internet.”
“Why did it matter?”
Tuckman shook his head with impatience. “Because I didn’t want them Googling the name and dragging information in, subconsciously, about whoever they found. The personality had to be consistently their own creation.” He looked at his watch. “I don’t have time for this.” He drew a computer disc and a sheaf of paper from the folder and stood up. “I have to get to my lecture.” He picked up an expensive, soft-sided leather satchel and pocketed the rest of his keys.
He waved me out and locked up his office before handing the pages and disc to the department secretary. “Please make a copy of these for Ms. Blaine and put the originals in my box, Denise.”
Denise frowned at him. “OK.” She was over thirty, but wore her hair, clothes, and makeup like a twenty-year-old. As soon as Tuckman turned away from her, she puckered her face into a disgusted expression.
“I’ll see you tomorrow at the session. You can call me this evening if you have questions,” Tuckman said, giving a little nod before he left me alone with the secretary and her sour silence.
Once Denise had finished making copies for me, I headed for St. John Hall.
Pacific Northwest University was founded by fire-breathing Calvinists in 1890. I guess they figured that the visitation of more literal hellfire in 1889, when the downtown core of the city burned to the ground, proved that Seattle needed some salvation through education—since neither temperance nor politics seemed to have had much effect in that direction. Its religiosity didn’t take very strong root, however—the school is pretty secular now, and not as large or prestigious as the nearby University of Washington. A lot of people mistake the small campus of PNU for a private high school. Its apparent size is deceptive; quite a few of the large houses nearby are actually school property, in use as dorms, labs, and offices.
I strode west through the quad, raising flurries of new-fallen leaves before me and a scurry of phantoms in the edges of my vision. Places people frequent tend to build up a layer or two of ghosts and lingering Grey things after a while and the campus of PNU had collected its share. So long as I kept my eyes straight ahead, I could keep the vague, uncanny figure that flowed along beside me in my peripheral vision. If I turned my head, it seemed to vanish, though I knew that was just the treacherous nature of the Grey. I held it at bay for now. The ghost turned and faded through me as I stopped in front of my destination. I shuddered from the rough cold of the phantom’s passage.
St. John Hall was a squat Art Deco building of yellow brick and odd-sized windows. I suppose the intent of the architect was a warm, golden building with glinting windows that filled the interior with light. Time and use had made the building look grubby and half blind where the windows had been covered up inside. I peered at it, letting the chill and the cloudy light of the Grey well up around me. The building didn’t look a lot different in the Grey than it did in the normal, except for the usual flickers of history and a bright, hot spot of yellow that seemed to penetrate one of the upper windows like an arrow shaft through a target.
I was reluctant to step all the way into the Grey and take a clear look at that yellow shaft of energy. Bad enough that I was standing out in public looking at it, without risking going all translucent and slippy myself. I had no idea what anyone else would see if I let myself go through to the deep Grey. I knew what I would see, though: black emptiness and a blazing grid of lines that describes the world in hot colors of energy and potential magic—this was the inexplicably alive thing I could not describe to Mara or anyone else. That gleaming yellow shaft looked like part of the grid and I was willing to bet it ran through room twelve.
I pushed the Grey back to a controlled flicker and entered St. John Hall. Although there was a small reception desk in the entryway, no one was manning it. I could hear a couple of people talking and giggling nearby, but I didn’t disturb them. I just signed the guest ledger and took myself upstairs.
Room twelve was at the front of the third floor, right across from the stairs. The door labeled 12 was intersected by the h
ot yellow shaft, as I’d expected. Beside it was another room marked O-12. The keys in my hand matched the numbers on the doors. The lair of Tuckman’s merry band of ghost-makers was hardwired directly to the Grey via that bright piece of the grid. They wouldn’t be able to avoid tapping or touching it in some way if they had any psychic or magical ability at all—and it, in its way, would touch them, too. I wondered if the power line had started in that position or if it had been pulled there by the activities of the group. Either could explain the sudden elevation in phenomena, though I didn’t think Tuckman would buy that. Still, grid or no grid, something had triggered the change, and finding that trigger was what I was being paid for, not proving my client to be an ass. And the intrusion of the grid could be a coincidence. In spite of my unusual knowledge, I couldn’t assume the problem was strictly paranormal any more than Tuckman could assume the opposite. People are more likely to do bad things than ghosts are: people have volition and imagination; most ghosts or paranormal constructs have neither.
I let myself into room twelve and closed the door behind me. The space had been converted into a sitting room complete with bookshelf, end tables, and bric-a-brac. A pillow-strewn sofa sat against the wall that faced the control room mirror and a large round wooden table standing on a flower-figured Oriental rug in the middle of the room. A small brass chandelier hung from the ceiling above the table. The corner nearest the door had a tall white-painted board with Christmas lights sticking out of it in disciplined rows sorted by color. A few wooden chairs stood against the walls. A potted plant and a stuffed toy cat sat on the sill below the window that was transected by the Grey energy shaft.
Someone had put up a few pictures and posters on the walls. I walked around and studied them. Several were publicity photos or movie posters from the 1930s and ’40s. One of the pictures was a modern computer art portrait of a pretty young woman with her hair rolled back in a style from the 1940s. She looked a bit like a blond Loretta Young and had a wistful look as she stared out of the page that had been framed and hung on the wall. Next to it was a ragged photo of a man in the uniform and patches of a World War II pilot—or that’s what I guessed the winged patches meant, since the picture looked about right for the era.
I spotted a few bits of obvious recording and sensing equipment set around the room, but not as much as I’d expected. I got down on my knees and rolled up the edges of the rug. There were several black objects with wires running out of them attached to the bottom of the rug. Some of the wires poked up into the tufting and wound their way around in the design on the top side. Most likely these were part of Tuckman’s equipment for creating phenomena. I’d have to get someone more tech-savvy to take a look at them and tell me what they did and how. I didn’t want to be in the dark about what Tuckman’s team could manifest without aid and what was mere trickery. If the elevated phenomena were the real thing, I would have to prove to Tuckman that they could not be anything else. But, if Tuckman was right about additional faked phenomena, I’d also have to know how the machines could be interfered with—if they could be at all. I laid the rug back down as it had been and sat on the floor.
With the door closed, I thought I was safe enough to drop my guard and step into the Grey to take a different look around. I got comfortable, closed my eyes, and took a deep breath—this part still weirded me out and I needed to brace myself before full immersion in the Grey.
Even sitting, I had a moment of vertigo as I pushed across the barrier into the Grey, feeling the sudden burden of exertion and an unusual sensation of weight. I opened my eyes to the cold and the foggy light of the Grey, filled with the shapes and shadows of things long gone hanging in an endless mist-world. I could hear the mutterings of Grey things and the thrum of the grid. Room twelve was still there, dim under the swirl of the Grey and as shadowy as if it were the ghost world, instead. The table in front of me was hung with a drapery of overlapping shapes so various and complicated I couldn’t make them out. Among them a few swirls in the fog glowed with red, blue, and green traceries, and a crowd of half-formed human shapes seemed to press toward the table. They were unrecognizable, having no faces or details, only fog creatures that had no gleam of life. They weren’t ghosts, but the habit-worn impressions left in the Grey by live people doing the same thing in the same spot over and over.
A harsh yellow glow emanated from under the table. I looked, then crawled forward, pressing between the chilly shapes. A globe of pale yellow energy pulsed brighter and dimmer in a slow breathing rhythm. The thing was beneath the exact center of the table, about the size of a basketball hovering over the floor. It was difficult to keep in focus as I crept near. I was panting a bit as I worked to hold my equilibrium against the two worlds—normal and paranormal—that pulled on me.
Closer, the ball of energy wasn’t an even glow, but a jumble of gleaming threads like a living scribble made by a giant child. I staggered a little on my hands and knees, tossed off balance by the writhing view. Bits of history, mist-things passing through me, and shifting layers of Grey made me dizzy for a moment and I tumbled forward, getting a shock of ice and fire as my head and shoulder punched into the loose knot of Grey light and energy. I pulled myself back from the cold/hot sensation that had whipped through me and rested on my haunches, unsettled by the eerie feel of the thing in front of me. I wiped at my face, trying to remove the cobwebby sensation of it.
I peered at the ball of energy, narrowing my concentration further. The mist thinned, leaving more of the grid exposed as I burrowed deeper into the Grey. I could see that gleaming threads spun out of the yellow ball and crawled away over the room, like creepers gone wild across an old brick wall. The room was thick with them; they twisted together, finally, into the energy shaft from the grid that stabbed through the window. Even the mirror wall was scrawled with them, though less thickly than the rest of the room. I turned my head with care, the worlds slipping over each other like half a dozen old black-and-white films projected at the same time on a stained screen, but I couldn’t see any reason for the energy vines. They were static, not growing or moving, yet they were throbbing with some imminent coil, producing a nerve-scraping whine.
I yanked myself back from the Grey, feeling the jerk and twist of the transition throughout my chest and spine. I kept my head down and gulped in air that tasted of dirt and dust until the sensations of nausea and pressure passed. I crawled from beneath the table and got back to my feet, my arms and legs a little shaky as I did so. I hadn’t expected to feel so worn out. I checked my watch and thought I’d lost some time, somehow. Working in the Grey is tiring and takes concentration, but this was disproportionate for the duration I’d been in there, even though I wasn’t sure how long that was. I’d left Tuckman’s office almost an hour earlier and the walk to St. John Hall had taken no more than ten minutes. Time passed oddly in the Grey, but I’d never just lost so much while I was fully immersed in it before. I’d have to ask Mara what was going on, when I had the chance.
I leaned against the doorframe, getting my equilibrium back and letting my breathing return to normal. I peered through the corner of my eye into the Grey and took one last glance around. The glowing vines, the knotted ball of energy all had the air of something poised, waiting. I disliked it and felt a ripple of disquiet run down my back.
I left the séance room and went into the observation room. It was even less enlightening. Through the glass, one corner of the main room near the door was a bit obscured, but the rest of the room was in view—only the room itself, however. I could barely see any sign of the Grey from inside the booth—just some of the strongest concentrations of light as dim gleams, nothing of the ghostly shapes or finer energy strands. In the booth, monitors, recorders of various kinds, switches, and black boxes with mysterious acronyms stenciled on the cases were arrayed neatly on or under the counters. There was no sign of wires or other rigging I would have expected, although there were controls for the room lights and for “ambient sound.” I would have loved
to have a baseline reading of the room, but I didn’t dare touch the switches. I’d get it from Tuckman, later.
I wondered why the Grey was all but invisible from inside the booth and if the double-thick panes of mirrored glass were somehow filtering it out. I’d noticed before that glass sometimes held the Grey at bay, or made it harder to see at least, but this seemed more filtered than usual. I was getting curious about the number of Grey oddities in this set of rooms. In the absence of a greater authority, I was the expert on the scene, but I didn’t know enough to guess why things seemed . . . off.
I checked and double-checked, but there was nothing more to find. At least not at that moment. I gave it up and headed for my office to go through the files Tuckman had given me. I wanted some idea of their contents before the session on Wednesday.
TWO
In my tiny office in Pioneer Square, I stretched out in my chair and skimmed through Tuckman’s files. I didn’t have the time to dig into the details—I just wanted an overview of the project and the people involved in it.
File information indicated the group had been working together since January and having remarkable success. There were two layers to the experiment: the official goal of creating and controlling a “poltergeist” through the power of the human mind, which the participants were made aware of; and the deeper goal—which Tuckman kept between himself, his assistant, and Mark Lupoldi—of studying the group’s reactions, interactions, and evolution when their increasingly outrageous goals met with success. They had followed the protocols, such as they were, of the Philip experiments conducted by the Canadian group New Horizons in the 1970s. Tuckman’s group at PNU jumped past the Canadian experiments’ mis-starts and improved upon the techniques a bit with modern technology, mechanical and objective observation and recording, and the help of specialists in illusion and misdirection. An appendix explained the function parameters of the equipment in technical terms I couldn’t decipher: leverage, nanometers per second, air resistance, impedance, induction, and so on.
Poltergeist (Greywalker, Book 2) Page 2
