by Stephen King
"But . . ." I felt suddenly woozy. I gripped the edge of the desk. The lobby was lit by fluorescents, and in that bright even glare the cuts on the backs of my hands stood out boldly—eight small purple crescents like grins, just above the knuckles. The man in the pickup was right. I ought to get some disinfectant on those.
The woman behind the desk was looking at me patiently. The plaque in front of her said she was YVONNE EDERLE
.
"But is she all right?"
She looked at her computer. "What I have here is S. Stands for satisfactory. And four is a general-population floor. If your mother had taken a turn for the worse, she'd be in ICU. That's on three. I'm sure if you come back tomorrow, you'll find her just fine. Visiting hours begin at—"
"She's my Ma," I said. "I hitchhiked all the way down from the University of Maine to see her. Don't you think I could go up, just for a few minutes?"
"Exceptions are sometimes made for immediate family," she said, and gave me a smile. "You just hang on a second. Let me see what I can do." She picked up the phone and punched a couple of buttons, no doubt calling the nurses' station on the fourth floor, and I could see the course of the next two minutes as if I really did have second sight. Yvonne the Information Lady would ask if the son of Jean Parker in
487 could come up for a minute or two—just long enough to give his mother a kiss and an encouraging word—and the nurse would say oh God, Mrs. Parker died not fifteen minutes ago, we just sent her down to the morgue, we haven't had a chance to update the computer, this is so terrible.
The woman at the desk said, "Muriel? It's Yvonne. I have a young man down here at the desk, his name is"—she looked at me, eyebrows raised, and I gave her my name—"Alan Parker. His mother is Jean Parker, in 487? He wonders if he could just . . ."
She stopped. Listened. On the other end the nurse on the fourth floor was no doubt telling her that Jean Parker was dead.
"All right," Yvonne said. "Yes, I understand." She sat quietly for a moment, looking off into space, then put the mouthpiece of the telephone against her shoulder and said, "She's sending Anne Corrigan down to peek in on her. It will only be a second."
"It never ends," I said.
Yvonne frowned. "I beg pardon?"
"Nothing," I said. "It's been a long night and—"
"—and you're worried about your mom. Of course. I think you're a very good son to drop everything the way you did and come on the run."
I suspected Yvonne Ederle's opinion of me would have taken a drastic drop if she'd heard my conversation with the young man behind the wheel of the Mustang, but of course she hadn't. That was a little secret, just between George and me.
It seemed that hours passed as I stood there under the bright fluorescents, waiting for the nurse on the fourth floor to come back on the line. Yvonne had some papers in front of her. She trailed her pen down one of them, putting neat little checkmarks beside some of the names, and it occurred to me that if there really was an Angel of Death, he or she was probably just like this woman, a slightly overworked functionary with a desk, a computer, and too much paperwork. Yvonne kept the phone pinched between her ear and one raised shoulder. The loudspeaker said that Dr. Farquhar was wanted in radiology, Dr. Farquhar. On the fourth floor a nurse named Anne Corrigan would now be looking at my mother, lying dead in her bed with her eyes open, the stroke-induced sneer of her mouth finally relaxing.
Yvonne straightened as a voice came back on the line. She listened, then said: "All right, yes, I understand. I will. Of course I will. Thank you, Muriel." She hung up the telephone and looked at me solemnly. "Muriel says you can come up, but you can only visit for five minutes. Your mother's had her evening meds, and she's very soupy."
I stood there, gaping at her.
Her smile faded a little bit. "Are you sure you're all right, Mr. Parker?"
"Yes," I said. "I guess I just thought—"
Her smile came back. It was sympathetic this time. "Lots of people think that," she said. "It's understandable. You get a call out of the blue, you rush to get here . . . it's understandable to think the worst. But Muriel wouldn't let you up on her floor if your mother wasn't fine. Trust me on that."
"Thanks," I said. "Thank you so much."
As I started to turn away, she said: "Mr. Parker? If you came from the University of Maine up north, may I ask why you're wearing that button? Thrill Village is in New Hampshire, isn't it?"
I looked down at the front of my shirt and saw the button pinned to the breast pocket: I RODE THE BULLET AT THRILL VILLAGE
, LACONIA. I remembered thinking he intended to rip my heart out. Now I understood: he had pinned his button on my shirt just before pushing me into the night. It was his way of marking me, of making our encounter impossible not to believe. The cuts on the backs of my hands said so; the button on my shirt said so, too. He had asked me to choose and I had chosen.
So how could my mother still be alive?
"This?" I touched it with the ball of my thumb, even polished it a little. "It's my good-luck charm." The lie was so horrible that it had a kind of splendor. "I got it when I was there with my mother, a long time ago. She took me on the Bullet."
Yvonne the Information Lady smiled as if this were the sweetest thing she had ever heard. "Give her a nice hug and kiss," she said. "Seeing you will send her off to sleep better than any of the pills the doctors have." She pointed. "The elevators are over there, around the corner."
With visiting hours over, I was the only one waiting for a car. There was a litter-basket off to the left, by the door to the newsstand, which was closed and dark. I tore the button off my shirt and threw it in the basket. Then I rubbed my hand on my pants. I was still rubbing it when one of the elevator doors opened. I got in and pushed for four. The car began to rise. Above the floor-buttons was a poster announcing a blood drive for the following week. As I read it, an idea came to me . . . except it wasn't so much an idea as a certainty. My mother was dying now, at this very second, while I rode up to her floor in this slow industrial elevator. I had made the choice; it therefore fell to me to find her. It made perfect sense.
The elevator door opened on another poster. This one showed a cartoon finger pressed to big red cartoon lips. Beneath it was a line reading OUR PATIENTS APPRECIATE YOUR QUIET
! Beyond the elevator lobby was a corridor going right and left. The odd-numbered rooms were to the left. I walked down that way, my sneakers seeming to gain weight with every step. I slowed in the four-seventies, then stopped entirely between 481 and 483. I couldn't do this. Sweat as cold and sticky as half-frozen syrup crept out of my hair in little trickles. My stomach was knotted up like a fist inside a slick glove. No, I couldn't do it. Best to turn around and skedaddle like the cowardly chickenshit I was. I'd hitchhike out to Harlow and call Mrs. McCurdy in the morning. Things would be easier to face in the morning.
I started to turn, and then a nurse poked her head out of the room two doors up . . . my mother's room. "Mr. Parker?" she asked in a low voice.
For a wild moment I almost denied it. Then I nodded.
"Come in. Hurry. She's going."
They were the words I'd expected, but they still sent a cramp of terror through me and buckled my knees.
The nurse saw this and came hurrying toward me, her skirt rustling, her face alarmed. The little gold pin on her breast read ANNE CORRIGAN. "No, no, I just meant the sedative . . . she's going to sleep. Oh my God, I'm so stupid. She's fine, Mr. Parker, I gave her her Ambien and she's going to sleep, that's all I meant. You aren't going to faint, are you?" She took my arm.
"No," I said, not knowing if I was going to faint or not. The world was swooping and there was a buzzing in my ears. I thought of how the road had leaped toward the car, a black-and-white movie road in all that silver moonlight. Did you ride the Bullet? Man, I rode that fucker four times.
Anne Corrigan led me into the room and I saw my mother. She had always been a big woman, and the hospital bed was small and narr
ow, but she still looked almost lost in it. Her hair, now more gray than black, was spilled across the pillow. Her hands lay on top of the sheet like a child's hands, or even a doll's. There was no frozen stroke-sneer such as the one I'd imagined on her face, but her complexion was yellow. Her eyes were closed, but when the nurse beside me murmured her name, they opened. They were a deep and iridescent blue, the youngest part of her, and perfectly alive. For a moment they looked nowhere, and then they found me. She smiled and tried to hold out her arms. One of them came up. The other trembled, rose a little bit, then fell back. "Al," she whispered.
I went to her, starting to cry. There was a chair by the wall, but I didn't bother with it. I knelt on the floor and put my arms around her. She smelled warm and clean. I kissed her temple, her cheek, the corner of her mouth. She raised her good hand and patted her fingers under one of my eyes.
"Don't cry," she whispered. "No need of that."
"I came as soon as I heard," I said. "Betsy McCurdy called."
"Told her . . . weekend," she said. "Said the weekend would be fine."
"Yeah, and to hell with that," I said, and hugged her.
"Car . . . fixed?"
"No," I said. "I hitchhiked."
"Oh gorry," she said. Each word was clearly an effort for her, but they weren't slurred, and I sensed no bewilderment or disorientation. She knew who she was, who I was, where we were, why we were here. The only sign of anything wrong was her weak left arm. I felt an enormous sense of relief. It had all been a cruel practical joke on Staub's part . . . or perhaps there had been no Staub, perhaps it had all been a dream after all, corny as that might be. Now that I was here, kneeling by her bed with my arms around her, smelling a faint remnant of her Lanvin perfume, the dream idea seemed a lot more plausible.
"Al? There's blood on your collar." Her eyes rolled closed, then came slowly open again. I imagined her lids must feel as heavy to her as my sneakers had to me, out in the hall.
"I bumped my head, Ma, it's nothing."
"Good. Have to . . . take care of yourself." The lids came down again; rose even more slowly.
"Mr. Parker, I think we'd better let her sleep now," the nurse said from behind me. "She's had an extremely difficult day."
"I know." I kissed her on the corner of the mouth again. "I'm going, Ma, but I'll be back tomorrow."
"Don't . . . hitchhike . . . dangerous."
"I won't. I'll catch a ride in with Mrs. McCurdy. You get some sleep."
"Sleep . . . all I do," she said. "I was at work, unloading the dishwasher. I came over all headachy. Fell down. Woke up . . . here." She looked up at me. "Was a stroke. Doctor says . . . not too bad."
"You're fine," I said. I got up, then took her hand. The skin was fine, as smooth as watered silk. An old person's hand.
"I dreamed we were at that amusement park in New Hampshire," she said.
I looked down at her, feeling my skin go cold all over. "Did you?"
"Ayuh. Waiting in line for the one that goes . . . way up high. Do you remember that one?"
"The Bullet," I said. "I remember it, Ma."
"You were afraid and I shouted. Shouted at you."
"No, Ma, you—"
Her hand squeezed down on mine and the corners of her mouth deepened into near-dimples. It was a ghost of her old impatient expression.
"Yes," she said. "Shouted and swatted you. Back . . . of the neck, wasn't it?"
"Probably, yeah," I said, giving up. "That's mostly where you gave it to me."
"Shouldn't have," she said. "It was hot and I was tired, but still . . . shouldn't have. Wanted to tell you I was sorry."
My eyes started leaking again. "It's all right, Ma. That was a long time ago."
"You never got your ride," she whispered.
"I did, though," I said. "In the end I did."
She smiled up at me. She looked small and weak, miles from the angry, sweaty, muscular woman who had yelled at me when we finally got to the head of the line, yelled and then whacked me across the nape of the neck. She must have seen something on someone's face—one of the other people waiting to ride the Bullet— because I remember her saying What are you looking at, beautiful? as she led me away by the hand, me snivelling under the hot summer sun, rubbing the back of my neck . . . only it didn't really hurt, she hadn't swatted me that hard; mostly what I remember was being grateful to get away from that high, twirling construction with the capsules at either end, that revolving scream machine.
"Mr. Parker, it really is time to go," the nurse said.
I raised my mother's hand and kissed the knuckles. "I'll see you tomorrow," I said. "I love you, Ma."
"Love you, too. Alan . . . sorry for all the times I swatted you. That was no way to be."
But it had been; it had been her way to be. I didn't know how to tell her I knew that, accepted it. It was part of our family secret, something whispered along the nerve-endings.
"I'll see you tomorrow, Ma. Okay?"
She didn't answer. Her eyes had rolled shut again, and this time the lids didn't come back up. Her chest rose and fell slowly and regularly. I backed away from the bed, never taking my eyes off her.
In the hall I said to the nurse, "Is she going to be all right? Really all right?"
"No one can say that for sure, Mr. Parker. She's Dr. Nunnally's patient. He's very good. He'll be on the floor tomorrow afternoon and you can ask him—"
"Tell me what you think."
"I think she's going to be fine," the nurse said, leading me back down the hall toward the elevator lobby. "Her vital signs are strong, and all the residual effects suggest a very light stroke." She frowned a little. "She's going to have to make some changes, of course. In her diet . . . her lifestyle . . ."
"Her smoking, you mean."
"Oh yes. That has to go." She said it as if my mother quitting her lifetime habit would be no more difficult than moving a vase from a table in the living room to one in the hall. I pushed the button for the elevators, and the door of the car I'd ridden up in opened at once. Things clearly slowed down a lot at CMMC once visiting hours were over.
"Thanks for everything," I said.
"Not at all. I'm sorry I scared you. What I said was incredibly stupid."
"Not at all," I said, although I agreed with her. "Don't mention it."
I got into the elevator and pushed for the lobby. The nurse raised her hand and twiddled her fingers. I twiddled my own in return, and then the door slid between us. The car started down. I looked at the fingernail marks on the backs of my hands and thought that I was an awful creature, the lowest of the low. Even if it had only been a dream, I was the lowest of the goddam low. Take her, I'd said. She was my mother but I had said it just the same: Take my Ma, don't take me. She had raised me, worked overtime for me, waited in line with me under the hot summer sun in a dusty little New Hampshire amuse ment park, and in the end I had hardly hesitated. Take her, don't take me. Chickenshit, chickenshit, you fucking chickenshit.
When the elevator door opened I stepped out, took the lid off the litter-basket, and there it was, lying in someone's almost-empty paper coffee cup: I RODE THE BULLET AT THRILL VILLAGE, LACONIA.
I bent, plucked the button out of the cold puddle of coffee it was lying in, wiped it on my jeans, put it in my pocket. Throwing it away had been the wrong idea. It was my button now—good-luck charm or bad-luck charm, it was mine. I left the hospital, giving Yvonne a little wave on my way by. Outside, the moon rode the roof of the sky, flooding the world with its strange and perfectly dreamy light. I had never felt so tired or so dispirited in my whole life. I wished I had the choice to make again. I would have made a different one. Which was funny—if I'd found her dead, as I'd expected to, I think I could have lived with it. After all, wasn't that the way stories like this one were supposed to end?
Nobody wants to give a fella a ride in town, the old man with the truss had said, and how true that was. I walked all the way across Lewiston— three dozen blocks of Lisbon Stree
t and nine blocks of Canal Street, past all the bottle clubs with the jukeboxes playing old songs by Foreigner and Led Zeppelin and AC/DC in French—without putting my thumb out a single time. It would have done no good. It was well past eleven before I reached the DeMuth Bridge. Once I was on the Harlow side, the first car I raised my thumb to stopped. Forty minutes later I was fishing the key out from under the red wheelbarrow by the door to the back shed, and ten minutes after that I was in bed. It occurred to me as I dropped off that it was the first time in my life I'd slept in that house all by myself.
It was the phone that woke me up at quarter past noon. I thought it would be the hospital, someone from the hospital saying my mother had taken a sudden turn for the worse and had passed away only a few minutes ago, so sorry. But it was only Mrs. McCurdy, wanting to be sure I'd gotten home all right, wanting to know all the details of my visit the night before (she took me through it three times, and by the end of the third recitation I had begun to feel like a criminal being interrogated on a murder charge), also wanting to know if I'd like to ride up to the hospital with her that afternoon. I told her that would be great.
