“Shall I not be jealous?” Miss Bule inquired, casting down her eyes.
“Zobeide, no,” I replied; “you will ever be the favourite Sultana; the first place in my heart, and on my throne, will be ever yours.”
Miss Bule, upon that assurance, consented to propound the idea to her seven beautiful companions. It occurring to me, in the course of the same day, that we knew we could trust a grinning and good-natured soul called Tabby, who was the serving drudge of the house, and had no more figure than one of the beds, and upon whose face there was always more or less black-lead, I slipped into Miss Bule’s hand after supper, a little note to that effect: dwelling on the black-lead as being in a manner deposited by the finger of Providence, pointing Tabby out for Mesrour, the celebrated chief of the Blacks of the Hareem.
There were difficulties in the formation of the desired institution, as there are in all combinations. The other creature showed himself of a low character, and, when defeated in aspiring to the throne, pretended to have conscientious scruples about prostrating himself before the Caliph; wouldn’t call him Commander of the Faithful; spoke of him slightingly and inconsistently as a mere “chap”; said he, the other creature, “wouldn’t play”—Play! and was otherwise coarse and offensive. This meanness of disposition was, however, put down by the general indignation of an united Seraglio, and I became blessed in the smiles of eight of the fairest of the daughters of men.
The smiles could only be bestowed when Miss Griffin was looking another way, and only then in a very wary manner, for there was a legend among the followers of the Prophet that she saw with a little round ornament in the middle of the pattern on the back of her shawl. But every day after dinner, for an hour, we were all together, and then the Favourite and the rest of the Royal Hareem competed who should most beguile the leisure of the Serene Haroun reposing from the cares of State—which were generally, as in most affairs of State, of an arithmetical character, the Commander of the Faithful being a fearful boggler at a sum.
On these occasions, the devoted Mesrour, chief of the Blacks of the Hareem, was always in attendance (Miss Griffin usually ringing for that officer, at the same time, with great vehemence), but never acquitted himself in a manner worthy of his historical reputation. In the first place, his bringing a broom into the Divan of the Caliph, even when Haroun wore on his shoulders the red robe of anger (Miss Pipson’s pelisse), though it might be got over for the moment, was never to be quite satisfactorily accounted for. In the second place, his breaking out into grinning exclamations of “Lork you pretties!” was neither Eastern nor respectful. In the third place, when specially instructed to say “Bismillah!” he always said “Hallelujah!” This officer, unlike his class, was too good-humoured altogether, kept his mouth open far too wide, expressed approbation to an incongruous extent, and even once—it was on the occasion of the purchase of the Fair Circassian for five hundred thousand purses of gold, and cheap, too—embraced the Slave, the Favourite, and the Caliph, all round. (Parenthetically let me say God bless Mesrour, and may there have been sons and daughters on that tender bosom, softening many a hard day since!)
Miss Griffin was a model of propriety, and I am at a loss to imagine what the feelings of the virtuous woman would have been, if she had known, when she paraded us down the Hampstead-road two and two, that she was walking with a stately step at the head of Polygamy and Mahomedanism. I believe that a mysterious and terrible joy with which the contemplation of Miss Griffin, in this unconscious state, inspired us, and a grim sense prevalent among us that there was a dreadful power in our knowledge of what Miss Griffin (who knew all things that could be learnt out of book) didn’t know, were the mainspring of the preservation of our secret. It was wonderfully kept, but was once upon the verge of self-betrayal. The danger and escape occurred upon a Sunday. We were all ten ranged in a conspicuous part of the gallery at church, with Miss Griffin at our head—as we were every Sunday—advertising the establishment in an unsecular sort of way—when the description of Solomon in his domestic glory happened to be read. The moment that monarch was thus referred to, conscience whispered me, “Thou, too, Haroun!” The officiating minister had a cast in his eye, and it assisted conscience by giving him the appearance of reading personally at me. A crimson blush, attended by a fearful perspiration, suffused my features. The Grand Vizier became more dead than alive, and the whole Seraglio reddened as if the sunset of Bagdad shone direct upon their lovely faces. At this portentous time the awful Griffin rose, and balefully surveyed the children of Islam. My own impression was, that Church and State had entered into a conspiracy with Miss Griffin to expose us, and that we should all be put into white sheets, and exhibited in the centre aisle. But, so Westerly—if I may be allowed the expression as opposite to Eastern associations—was Miss Griffin’s sense of rectitude, that she merely suspected Apples, and we were saved.
I have called the Seraglio, united. Upon the question, solely, whether the Commander of the Faithful durst exercise a right of kissing in that sanctuary of the palace, were its peerless inmates divided. Zobeide asserted a counter-right in the Favourite to scratch, and the fair Circassian put her face, for refuge, into a green baize bag, originally designed for books. On the other hand, a young antelope of transcendent beauty from the fruitful plains of Camdentown (whence she had been brought, by traders, in the half-yearly caravan that crossed the intermediate desert after the holidays), held more liberal opinions, but stipulated for limiting the benefit of them to that dog, and son of a dog, the Grand Vizier—who had no rights, and was not in question. At length, the difficulty was compromised by the installation of a very youthful slave as Deputy. She, raised upon a stool, officially received upon her cheeks the salutes intended by the gracious Haroun for other Sultanas, and was privately rewarded from the coffers of the Ladies of the Hareem.
And now it was, at the full height of enjoyment of my bliss, that I became heavily troubled. I began to think of my mother, and what she would say to my taking home at midsummer eight of the most beautiful of the daughters of men, but all unexpected. I thought of the number of beds we made up at our house, of my father’s income, and of the baker, and my despondency redoubled. The Seraglio and malicious Vizier, divining the cause of their Lord’s unhappiness, did their utmost to augment it. They professed unbounded fidelity, and declared that they would live and die with him. Reduced to the utmost wretchedness by these protestations of attachment, I lay awake, for hours at a time, ruminating on my frightful lot. In my despair, I think I might have taken an early opportunity of falling on my knees before Miss Griffin, avowing my resemblance to Solomon, and praying to be dealt with according to the outraged laws of my country, if an unthought-of means of escape had not opened before me.
One day, we were out walking, two and two—on which occasion the Vizier had his usual instructions to take note of the boy at the turnpike, and if he profanely gazed (which he always did) at the beauties of the Hareem, to have him bow-strung in the course of the night—and it happened that our hearts were veiled in gloom. An unaccountable action on the part of the antelope had plunged the State into disgrace. That charmer, on the representation that the previous day was her birthday, and that vast treasures had been sent in a hamper for its celebration (both baseless assertions), had secretly but most pressingly invited thirty-five neighbouring princes and princesses to a ball and supper: with a special stipulation that they were “not to be fetched till twelve.” This wandering of the antelope’s fancy, led to the surprising arrival at Miss Griffin’s door, in divers equipages and under various escorts, of a great company in full dress, who were deposited on the top step in a flush of high expectancy, and who were dismissed in tears. At the beginning of the double knocks attendant on these ceremonies, the antelope had retired to a back attic, and bolted herself in; and at every new arrival Miss Griffin had gone so much more and more distracted, that at last she had been seen to tear her front. Ultimate capitulation on the part of the offender, had been followed by sol
itude in the linen-closet, bread and water and a lecture to all, of vindictive length, in which Miss Griffin had used expressions: firstly, “I believe you all of you knew of it”; secondly, “Every one of you is as wicked as another”; thirdly, “A pack of little wretches.”
Under these circumstances, we were walking drearily along; and I especially, with my Moosulmaun responsibilities heavy on me, was in a very low state of mind; when a strange man accosted Miss Griffin, and, after walking on at her side for a little while and talking with her, looked at me. Supposing him to be a minion of the law, and that my hour was come, I instantly ran away, with the general purpose of making for Egypt.
The whole Seraglio cried out, when they saw me making off as fast as my legs would carry me (I had an impression that the first turning on the left, and round by the public-house, would be the shortest way to the Pyramids), Miss Griffin screamed after me, the faithless Vizier ran after me, and the boy at the turnpike dodged me into a corner, like a sheep, and cut me off. Nobody scolded me when I was taken and brought back; Miss Griffin only said, with a stunning gentleness,This was very curious! Why had I run away when the gentleman looked at me?
If I had had any breath to answer with, I dare say I should have made no answer; having no breath, I certainly made none. Miss Griffin and the strange man took me between them, and walked me back to the palace in a sort of state; but not at all (as I couldn’t help feeling, with astonishment) in culprit state.
When we got there, we went into a room by ourselves, and Miss Griffin called in to her assistance, Mesrour, chief of the dusky guards of the Hareem. Mesrour, on being whispered to, began to shed tears.
“Bless you, my precious!” said that officer, turning to me; “your pa’s took bitter bad!”
I asked, with a fluttered heart, “Is he very ill?”
“Lord temper the wind to you, my lamb!” said the good Mesrour, kneeling down, that I might have a comforting shoulder for my head to rest on, “your pa’s dead!”
Haroun Alraschid took to flight at the words; the Seraglio vanished; from that moment, I never again saw one of the eight of the fairest of the daughters of men.
I was taken home, and there was Debt at home as well as Death, and we had a sale there. My own little bed was so superciliously looked upon by a Power unknown to me, hazily called “The Trade,” that a brass coal-scuttle, a roasting-jack, and a birdcage, were obliged to be put into it to make a Lot of it, and then it went for a song. So I heard mentioned and I wondered what song, and thought what a dismal song it must have been to sing!
Then, I was sent to a great, cold, bare, school of big boys; where everything to eat and wear was thick and clumpy, without being enough; where everybody, large and small, was cruel; where the boys knew all about the sale, before I got there, and asked me what I had fetched, and who had bought me, and hooted at me. “Going, going, gone!” I never whispered in that wretched place that I had been Haroun or had had a Seraglio: for, I knew that if I mentioned my reverses, I should be so worried, that I should have to drown myself in the muddy pond near the playground, which looked like the beer.
Ah me, ah me! No other ghost has haunted the boy’s room, my friends, since I have occupied it, than the ghost of my own childhood, the ghost of my own innocence, the ghost of my own airy belief. Many a time have I pursued the phantom: never with this man’s stride of mine to come up with it, never with these man’s hands of mine to touch it, never more to this man’s heart of mine to hold it in its purity. And here you see me working out, as cheerfully and thankfully as I may, my doom of shaving in the glass a constant change of customers, and of lying down and rising up with the skeleton allotted to me for my mortal companion.
1859
THE FIDDLER OF THE REELS
Thomas Hardy
“TALKING OF Exhibitions, World’s Fairs, and what not,” said the old gentleman, “I would not go round the corner to see a dozen of them nowadays. The only exhibition that ever made, or ever will make, any impression upon my imagination was the first of the series, the parent of them all, and now a thing of old times—the Great Exhibition of 1851, in Hyde Park, London. None of the younger generation can realize the sense of novelty it produced in us who were then in our prime. A noun substantive went so far as to become an adjective in honor of the occasion. It was “exhibition” hat, “exhibition” razor-strop, “exhibition” watch; nay, even “exhibition” weather, “exhibition” spirits, sweethearts, babies, wives—for the time.
“For South Wessex, the year formed in many ways an extraordinary chronological frontier or transit-line, at which there occurred what one might call a precipice in Time. As in a geological “fault,” we had presented to us a sudden bringing of ancient and modern into absolute contact, such as probably in no other single year since the Conquest was ever witnessed in this part of the country.”
These observations led us onward to talk of the different personages, gentle and simple, who lived and moved within our narrow and peaceful horizon at that time; and of three people in particular, whose queer little history was oddly touched at points by the Exhibition, more concerned with it than that of anybody else who dwelt in those outlying shades of the world, Stickleford, Mellstock, and Egdon. First prominence among these three came Wat Ollamoor—if that were his real name—whom the seniors in our party had known well.
He was a woman’s man, they said,—supremely so—externally little else. To men he was not attractive; perhaps a little repulsive at times. Musician, dandy, and company-man in practice; veterinary surgeon in theory, he lodged awhile in Mellstock village, coming from nobody knew where; though some said his first appearance in this neighbourhood had been as fiddle-player in a show at Greenhill Fair.
Many a worthy villager envied him his power over unsophisticated maidenhood—a power which seemed sometimes to have a touch of the weird and wizardly in it. Personally he was not ill-favoured, though rather un-English, his complexion being a rich olive, his rank hair dark and rather clammy—made still clammier by secret ointments, which, when he came fresh to a party, caused him to smell like “boys’-love” (southern-wood) steeped in lamp-oil. On occasion he wore curls—a double row—running almost horizontally around his head. But as these were sometimes noticeably absent, it was concluded that they were not altogether of Nature’s making. By girls whose love for him had turned to hatred he had been nicknamed “Mop,” from this abundance of hair, which was long enough to rest upon his shoulders; as time passed the name more and more prevailed.
His fiddling possibly had the most to do with the fascination he exercised, for, to speak fairly, it could claim for itself a most peculiar and personal quality, like that in a moving preacher. There were tones in it which bred the immediate conviction that indolence and averseness to systematic application were all that lay between “Mop” and the career of a second Paganini.
While playing he invariably closed his eyes; using no notes, and, as it were, allowing the violin to wander on at will into the most plaintive passages ever heard by rustic man. There was a certain lingual character in the supplicatory expressions he produced, which would well-nigh have drawn an ache from the heart of a gate-post. He could make any child in the parish, who was at all sensitive to music, burst into tears in a few minutes by simply fiddling one of the old dance-tunes he almost entirely affected—country jigs, reels, and “Favorite Quick Steps” of the last century—some mutilated remains of which even now reappear as nameless phantoms in new quadrilles and gallops, where they are recognized only by the curious, or by such old-fashioned and far-between people as have been thrown with men like Wat Ollamoor in their early life.
His date was a little later than that of the old Mellstock quire-band which comprised the Dewys, Mail, and the rest—in fact, he did not rise above the horizon thereabout till those well-known musicians were disbanded as ecclesiastical functionaries. In their honest love of thoroughness they despised the new man’s style. Theophilus Dewy (Reuben the tranter’s younger brother) use
d to say there was no “plumness” in it—no bowing, no solidity—it was all fantastical. And probably this was true. Anyhow, Mop had, very obviously, never bowed a note of church-music from his birth; he never once sat in the gallery of Mellstock church where the others had tuned their venerable psalmody so many hundreds of times; he never, in all likelihood, entered a church at all. All were devil’s tunes in his repertory. “He could no more play the Wold Hundredth to his true time than he could play the brazen serpent,” the tranter would say. (The brazen serpent was supposed in Mellstock to be a musical instrument particularly hard to blow.)
Occasionally Mop could produce the aforesaid moving effect upon the souls of grown-up persons, especially young women of fragile and responsive organization. Such an one was Car’line Aspent. Though she was already engaged to be married before she met him, Car’line, of them all, was the most influenced by Mop Ollamoor’s heart-stealing melodies, to her discomfort, nay, positive pain and ultimate injury. She was a pretty, invocating, weak-mouthed girl, whose chief defect as a companion with her sex was a tendency to peevishness now and then. At this time she was not a resident in Mellstock parish where Mop lodged, but lived some miles off at Stickleford, further down the river.
How and where she first made acquaintance with him and his fiddling is not truly known, but the story was that it either began or was developed on one spring evening, when, in passing through Lower Mellstock, she chanced to pause on the bridge near his house to rest herself, and languidly leaned over the parapet. Mop was standing on his door-step, as was his custom, spinning the insidious thread of semi- and demi-semiquavers from the E string of his fiddle for the benefit of passers-by, and laughing as the tears rolled down the cheeks of the little children hanging around him. Car’line pretended to be engrossed with the rippling of the stream under the arches, but in reality she was listening, as he knew. Presently the aching of the heart seized her simultaneously with a wild desire to glide airily in the mazes of an infinite dance. To shake off the fascination she resolved to go on, although it would be necessary to pass him as he played. On stealthily glancing ahead at the performer, she found to her relief that his eyes were closed in abandonment to instrumentation, and she strode on boldly. But when closer her step grew timid, her tread convulsed itself more and more accordantly with the time of the melody, till she very nearly danced along. Gaining another glance at him when immediately opposite, she saw that one of his eyes was open, quizzing her as he smiled at her emotional state. Her gait could not divest itself of its compelled capers till she had gone a long way past the house; and Car’line was unable to shake off the strange infatuation for hours.
Great English Short Stories Page 4
