THE COMPLETE WORKS OF
D.H. LAWRENCE
(1885-1930)
Contents
The Novels
THE WHITE PEACOCK
THE TRESPASSER
SONS AND LOVERS
THE RAINBOW
WOMEN IN LOVE
THE LOST GIRL
MR NOON
AARON’S ROD
KANGAROO
THE BOY IN THE BUSH
THE PLUMED SERPENT
LADY CHATTERLEY’S LOVER
The Novellas
THE LADYBIRD
THE FOX
THE CAPTAIN’S DOLL
ST. MAWR
THE VIRGIN AND THE GIPSY
THE ESCAPED COCK
The Short Stories
LIST OF THE SHORT STORIES IN CHRONOLOGICAL ORDER
LIST OF THE SHORT STORIES IN ALPHABETICAL ORDER
The Plays
THE MARRIED MAN
THE FIGHT FOR BARBARA
DAVID
THE DAUGHTER-IN-LAW
THE WIDOWING OF MRS HOLROYD
A COLLIER’S FRIDAY NIGHT
THE MERRY-GO-ROUND
TOUCH AND GO
The Travel Writing
TWILIGHT IN ITALY
SEA AND SARDINIA
SKETCHES OF ETRUSCAN PLACES
MORNINGS IN MEXICO
The Poetry Collections
D .H. LAWRENCE’S POETRY: A BRIEF INTRODUCTION
LOVE POEMS AND OTHERS
AMORES
LOOK! WE HAVE COME THROUGH!
NEW POEMS
BAY: A BOOK OF POEMS
BIRDS BEASTS AND FLOWERS
IMAGIST POETRY
PANSIES
NETTLES
LAST POEMS
MORE PANSIES
The Poems
LIST OF POEMS IN CHRONOLOGICAL ORDER
LIST OF POEMS IN ALPHABETICAL ORDER
The Non-Fiction
A STUDY OF THOMAS HARDY
MOVEMENTS IN EUROPEAN HISTORY
PSYCHOANALYSIS AND THE UNCONSCIOUS
FANTASIA OF THE UNCONSCIOUS
STUDIES IN CLASSIC AMERICAN LITERATURE
REFLECTIONS ON THE DEATH OF A PORCUPINE AND OTHER ESSAYS
A PROPOS OF LADY CHATTERLEY’S LOVER
APOCALYPSE AND THE WRITINGS ON REVELATION
PHOENIX: THE POSTHUMOUS PAPERS OF D. H. LAWRENCE
A Translation
LITTLE NOVELS OF SICILY
The Paintings
THE PAINTINGS OF D. H. LAWRENCE
The Biographies
NOT I, BUT THE WIND... by Frieda Lawrence
THE SAVAGE PILGRIMAGE by Catherine Carswell
© Delphi Classics 2012
Version 9
THE COMPLETE WORKS OF
D.H. LAWRENCE
By Delphi Classics, 2012
The Novels
Lawrence’s birthplace - Eastwood, Nottingham
THE WHITE PEACOCK
Lawrence started his first novel in 1906, rewriting it three times, before it was published in 1911. The early versions had the working title of Laetitia. Set in the Eastwood area of his youth, Lawrence’s first novel is narrated in the first person by the somewhat weak character named Cyril Beardsall. It involves such typical Lawerence themes as the damage associated with mismatched marriages and the border country between town and country. A misanthropic gamekeeper makes an appearance, in some ways the prototype of Mellors in Lawrence’s last novel, Lady Chatterley’s Lover. The book includes some notable description of nature and the impact of industrialisation on the countryside and the town.
The Lawrence family, with a young David standing between his parents, 1895
CONTENTS
PART ONE
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
CHAPTER VIII
CHAPTER IX
PART TWO
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
CHAPTER VIII
CHAPTER IX
PART THREE
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
CHAPTER VIII
Felley Mill, known as Strelly Mill in Lawrrence’s first novel
PART ONE
CHAPTER I
THE PEOPLE OF NETHERMERE
I stood watching the shadowy fish slide through the gloom of the millpond. They were grey, descendants of the silvery things that had darted away from the monks, in the young days when the valley was lusty. The whole place was gathered in the musing of old age. The thick-piled trees on the far shore were too dark and sober to dally with the sun; the weeds stood crowded and motionless. Not even a little wind flickered the willows of the islets. The water lay softly, intensely still. Only the thin stream falling through the millrace murmured to itself of the tumult of life which had once quickened the valley.
I was almost startled into the water from my perch on the alder roots by a voice saying:
“Well, what is there to look at?” My friend was a young farmer, stoutly built, brown-eyed, with a naturally fair skin burned dark and freckled in patches. He laughed, seeing me start, and looked down at me with lazy curiosity.
“I was thinking the place seemed old, brooding over its past.” He looked at me with a lazy indulgent smile, and lay down on his back on the bank, saying:
“It’s all right for a doss — here.”
“Your life is nothing else but a doss. I shall laugh when somebody jerks you awake,” I replied.
He smiled comfortably and put his hands over his eyes because of the light.
“Why shall you laugh?” he drawled.
“Because you’ll be amusing,” said I.
We were silent for a long time, when he rolled over and began to poke with his finger in the bank.
“I thought,” he said in his leisurely fashion, “there was some cause for all this buzzing.”
I looked, and saw that he had poked out an old, papery nest of those pretty field bees which seem to have dipped their tails into bright amber dust. Some agitated insects ran round the cluster of eggs, most of which were empty now, the crowns gone; a few young bees staggered about in uncertain flight before they could gather power to wing away in a strong course. He watched the little ones that ran in and out among the shadows of the grass, hither and thither in consternation.
“Come here — come here!” he said, imprisoning one poor little bee under a grass stalk, while with another stalk he loosened the folded blue wings.
“Don’t tease the little beggar,” I said.
“It doesn’t hurt him — I wanted to see if it was because he couldn’t spread his wings that he couldn’t fly. There he goes — no, he doesn’t. Let’s try another.”
“Leave them alone,” said I. “Let them run in the sun. They’re only just out of the shells. Don’t torment them into flight.”
He persisted, however, and broke the wing of the next.
“Oh, dear — pity!” said he, and he crushed the little thing between his fingers. Then he examined the eggs, and pulled out some silk from round the dead larva, and investigated it all in a desultory manner, asking of me all I knew about the insects. When he had finished he flung the clustered eggs into the water and rose, pulling out his watch from the depth of his breeches’ pocket.
“It thought it was about dinner-time,” said he, smiling at me.
“I always know when it’s about twelve. Are you coming in?”
“I’m coming down at any rate,” said I as we passed along the pond bank, and over the plank bridge that crossed the brow of the falling sluice. The bankside where the grey orchard twisted its trees, was a steep declivity, long and sharp, dropping down to the garden.
The stones of the large house were burdened with ivy and honeysuckle, and the great lilac bush that had once guarded the porch now almost blocked the doorway. We passed out of the front garden into the farmyard, and walked along the brick path to the back door.
“Shut the gate, will you?” he said to me over his shoulder, as he passed on first.
We went through the large scullery into the kitchen. The servant-girl was just hurriedly snatching the table-cloth out of the table drawer, and his mother, a quaint little woman with big, brown eyes, was hovering round the wide fireplace with a fork.
“Dinner not ready?” said he with a shade of resentment.
“No, George,” replied his mother apologetically, “it isn’t. The fire wouldn’t burn a bit. You shall have it in a few minutes, though.”
He dropped on the sofa and began to read a novel. I wanted to go, but his mother insisted on my staying.
“Don’t go,” she pleaded. “Emily will be so glad if you stay — and father will, I’m sure. Sit down, now.”
I sat down on a rush chair by the long window that looked out into the yard. As he was reading, and as it took all his mother’s powers to watch the potatoes boil and the meat roast, I was left to my thoughts. George, indifferent to all claims, continued to read. It was very annoying to watch him pulling his brown moustache, and reading indolently while the dog rubbed against his leggings and against the knee of his old riding-breeches. He would not even be at the trouble to play with Trip’s ears, he was so content with his novel and his moustache. Round and round twirled his thick fingers, and the muscles of his bare arm moved slightly under the red-brown skin. The little square window above him filtered a green light from the foliage of the great horse-chestnut outside and the glimmer fell on his dark hair, and trembled across the plates which Annie was reaching down from the rack, and across the face of the tall clock. The kitchen was very big; the table looked lonely, and the chairs mourned darkly for the lost companionship of the sofa; the chimney was a black cavern away at the back, and the inglenook seats shut in another little compartment ruddy with firelight, where the mother hovered. It was rather a desolate kitchen, such a bare expanse of uneven grey flagstones, such far-away dark corners and sober furniture. The only gay things were the chintz coverings of the sofa and the arm-chair cushions, bright red in the bare sombre room; some might smile at the old clock, adorned as it was with remarkable and vivid poultry; in me it only provoked wonder and contemplation.
In a little while we heard the scraping of heavy boots outside, and the father entered. He was a big burly farmer, with his half-bald head sprinkled with crisp little curls.
“Hullo, Cyril,” he said cheerfully. “You’ve not forsaken us then,” and turning to his son:
“Have you many more rows in the coppice close?”
“Finished!” replied George, continuing to read.
“That’s all right — you’ve got on with ‘em. The rabbits has bitten them turnips down, Mother.”
“I expect so,” replied his wife, whose soul was in the saucepans. At last she deemed the potatoes cooked and went out with the steaming pan.
The dinner was set on the table and the father began to carve. George looked over his book to survey the fare, then read until his plate was handed him. The maid sat at her little table near the window, and we began the meal. There came the treading of four feet along the brick path, and a little girl entered, followed by her grown-up sister. The child’s long brown hair was tossed wildly back beneath her sailor hat. She flung aside this article of her attire and sat down to dinner, talking endlessly to her mother. The elder sister, a girl of about twenty-one, gave me a smile and a bright look from her brown eyes, and went to wash her hands. Then she came and sat down, and looked disconsolately at the underdone beef on her plate.
“I do hate this raw meat,” she said.
“Good for you,” replied her brother, who was eating industriously. “Give you some muscle to wallop the nippers.” She pushed it aside, and began to eat the vegetables. Her brother re-charged his plate and continued to eat.
“Well, our George, I do think you might pass a body that gravy,” said Mollie, the younger sister, in injured tones.
“Certainly,” he replied. “Won’t you have the joint as well?”
“No!” retorted the young lady of twelve, “I don’t expect you’ve done with it yet.”
“Clever!” he exclaimed across a mouthful.
“Do you think so?” said the elder sister, Emily, sarcastically.
“Yes,” he replied complacently, “you’ve made her as sharp as yourself, I see, since you’ve had her in Standard Six. I’ll try a potato, Mother, if you can find one that’s done.”
“Well, George, they seem mixed, I’m sure that was done that I tried. There — they are mixed — look at this one, it’s soft enough. I’m sure they were boiling long enough.”
“Don’t explain and apologise to him,” said Emily irritably. “Perhaps the kids were too much for her this morning,” he said calmly, to nobody in particular.
“No,” chimed in Mollie, “she knocked a lad across his nose and made it bleed.”
“Little wretch,” said Emily, swallowing with difficulty. “I’m glad I did! Some of my lads belong to — to — ”
“To the devil,” suggested George, but she would not accept it from him.
Her father sat laughing; her mother, with distress in her eyes, looked at her daughter, who hung her head and made patterns on the table-cloth with her finger.
“Are they worse than the last lot?” asked the mother, softly, fearfully.
“No — nothing extra,” was the curt answer.
“She merely felt like bashing ‘em,” said George, calling, as he looked at the sugar-bowl and at his pudding:
“Fetch some more sugar, Annie.”
The maid rose from her little table in the corner, and the mother also hurried to the cupboard. Emily trifled with her dinner and said bitterly to him:
“I only wish you had a taste of teaching, it would cure your self-satisfaction.”
“Pf!” he replied contemptuously, “I could easily bleed the noses of a handful of kids.”
“You wouldn’t sit there bleating like a fatted calf,” she continued.
This speech so tickled Mollie that she went off into a burst of laughter, much to the terror of her mother, who stood up in trembling apprehension lest she should choke.
“You made a joke, Emily,” he said, looking at his younger sister’s contortions.
Emily was too impatient to speak to him further, and left the table. Soon the two men went back to the fallow to the turnips, and I walked along the path with the girls as they were going to school.
“He irritates me in everything he does and says,” burst out Emily with much heat.
“He’s a pig sometimes,” said I.
“He is!” she insisted. “He irritates me past bearing, with his grand know-all way, and his heavy smartness — I can’t bear it. And the way Mother humbles herself to him — !”
“It makes you wild,” said I.
“Wild!” she echoed, her voice vibrating with nervous passion. We walked on in silence, till she asked:
“Have you brought me those verses of yours?”
“No — I’m so sorry — I’ve forgotten them again. As a matter of fact, I’ve sent them away.”
“But you promised me.”
“You know what my promises are. I’m as irresponsible as a puff of wind.”
She frowned with impatience and her disappointment was greater than necessa
ry. When I left her at the corner of the lane I felt a string of her deep reproach in my mind. I always felt the reproach when she had gone.
I ran over the little bright brook that came from the weedy, bottom pond. The stepping-stones were white in the sun, and the water slid sleepily among them. One or two butterflies, indistinguishable against the blue sky, trifled from flower to flower and led me up the hill, across the field where the hot sunshine stood as in a bowl, and I was entering the caverns of the wood, where the oaks bowed over and saved us a grateful shade. Within, everything was so still and cool that my steps hung heavily along the path. The bracken held out arms to me, and the bosom of the wood was full of sweetness, but I journeyed on, spurred by the attacks of an army of flies which kept up a guerrilla warfare round my head till I had passed the black rhododendron bushes in the garden, where they left me, scenting no doubt Rebecca’s pots of vinegar and sugar.
The low red house, with it roof discoloured and sunken, dozed in sunlight, and slept profoundly in the shade thrown by the massive maples encroaching from the wood.
There was no one in the dining-room, but I could hear the whirr of a sewing-machine coming from the little study, a sound as of some great, vindictive insect buzzing about, now louder, now softer, now settling. Then came a jingling of four or five keys at the bottom of the keyboard of the drawing-room piano, continuing till the whole range had been covered in little leaps, as if some very fat frog had jumped from end to end.
“That must be mother dusting the drawing-room,” I thought. The unaccustomed sound of the old piano startled me. The vocal chords behind the green-silk bosom — you only discovered it was not a bronze-silk bosom by poking a fold aside — had become as thin and tuneless as a dried old woman’s. Age had yellowed the teeth of my mother’s little piano, and shrunken its spindle legs. Poor old thing, it could but screech in answer to Lettie’s fingers flying across it in scorn, so the prim, brown lips were always closed save to admit the duster.
Complete Works of D.H. Lawrence (Illustrated) Page 1
