And somewhere, in his secret English heart, being a good deal of a soldier, he believed they were right to resent the difference. He felt himself a little in the wrong, for having all the advantages. Nevertheless he represented a system, and he would not be shoved out.
Except by death. Which came on him soon after Connie’s call, suddenly. And he remembered Clifford handsomely in his will.
The heirs at once gave out the order for the demolishing of Shipley. It cost too much to keep up. No one would live there. So it was broken up. The avenue of yews was cut down. The park was denuded of its timber, and divided into lots. It was near enough to Uthwaite. In the strange, bald desert of this still-one-more no-man’s-land, new little streets of semi-detacheds were run up, very desirable! The Shipley Hall Estate!
Within a year of Connie’s last call, it had happened. There stood Shipley Hall Estate, an array of red-brick semi-detached ‘villas’ in new streets. No one would have dreamed that the stucco hall had stood there twelve months before.
But this is a later stage of King Edward’s landscape gardening, the sort that has an ornamental coal-mine on the lawn.
One England blots out another. The England of the Squire Winters and the Wragby Halls was gone, dead. The blotting out was only not yet complete.
What would come after? Connie could not imagine. She could only see the new brick streets spreading into the fields, the new erections rising at the collieries, the new girls in their silk stockings, the new collier lads lounging into the Pally or the Welfare. The younger generation were utterly unconscious of the old England. There was a gap in the continuity of consciousness, almost American: but industrial really. What next?
Connie always felt there was no next. She wanted to hide her head in the sand: or, at least, in the bosom of a living man.
The world was so complicated and weird and gruesome! The common people were so many, and really so terrible. So she thought as she was going home, and saw the colliers trailing from the pits, grey-black, distorted, one shoulder higher than the other, slurring their heavy ironshod boots. Underground grey faces, whites of eyes rolling, necks cringing from the pit roof, shoulders out of shape. Men! Men! Alas, in some ways patient and good men. In other ways, non-existent. Something that men should have was bred and killed out of them. Yet they were men. They begot children. One might bear a child to them. Terrible, terrible thought! They were good and kindly. But they were only half, Only the grey half of a human being. As yet, they were ‘good’. But even that was the goodness of their halfness. Supposing the dead in them ever rose up! But no, it was too terrible to think of. Connie was absolutely afraid of the industrial masses. They seemed so weird to her. A life with utterly no beauty in it, no intuition, always ‘in the pit’.
Children from such men! Oh God, oh God!
Yet Mellors had come from such a father. Not quite. Forty years had made a difference, an appalling difference in manhood. The iron and the coal had eaten deep into the bodies and souls of the men.
Incarnate ugliness, and yet alive! What would become of them all? Perhaps with the passing of the coal they would disappear again, off the face of the earth. They had appeared out of nowhere in their thousands, when the coal had called for them. Perhaps they were only weird fauna of the coal-seams. Creatures of another reality, they were elementals, serving the elements of coal, as the metal-workers were elementals, serving the element of iron. Men not men, but animas of coal and iron and clay. Fauna of the elements, carbon, iron, silicon: elementals. They had perhaps some of the weird, inhuman beauty of minerals, the lustre of coal, the weight and blueness and resistance of iron, the transparency of glass. Elemental creatures, weird and distorted, of the mineral world! They belonged to the coal, the iron, the clay, as fish belong to the sea and worms to dead wood. The anima of mineral disintegration!
Connie was glad to be home, to bury her head in the sand. She was glad even to babble to Clifford. For her fear of the mining and iron Midlands affected her with a queer feeling that went all over her, like influenza.
‘Of course I had to have tea in Miss Bentley’s shop,’ she said.
‘Really! Winter would have given you tea.’
‘Oh yes, but I daren’t disappoint Miss Bentley.’ Miss Bentley was a shallow old maid with a rather large nose and romantic disposition who served tea with a careful intensity worthy of a sacrament.
‘Did she ask after me?’ said Clifford.
‘Of course! — may I ask your Ladyship how Sir Clifford is! — I believe she ranks you even higher than Nurse Cavell!’
‘And I suppose you said I was blooming.’
‘Yes! And she looked as rapt as if I had said the heavens had opened to you. I said if she ever came to Tevershall she was to come to see you.’
‘Me! Whatever for! See me!’
‘Why yes, Clifford. You can’t be so adored without making some slight return. Saint George of Cappadocia was nothing to you, in her eyes.’
‘And do you think she’ll come?’
‘Oh, she blushed! and looked quite beautiful for a moment, poor thing! Why don’t men marry the women who would really adore them?’
‘The women start adoring too late. But did she say she’d come?’
‘Oh!’ Connie imitated the breathless Miss Bentley, ‘your Ladyship, if ever I should dare to presume!’
‘Dare to presume! how absurd! But I hope to God she won’t turn up. And how was her tea?’
‘Oh, Lipton’s and very strong. But Clifford, do you realize you are the roman de la rose of Miss Bentley and lots like her?’
‘I’m not flattered, even then.’
‘They treasure up every one of your pictures in the illustrated papers, and probably pray for you every night. It’s rather wonderful.’
She went upstairs to change.
That evening he said to her:
‘You do think, don’t you, that there is something eternal in marriage?’
She looked at him.
‘But Clifford, you make eternity sound like a lid or a long, long chain that trailed after one, no matter how far one went.’
He looked at her, annoyed.
‘What I mean,’ he said, ‘is that if you go to Venice, you won’t go in the hopes of some love affair that you can take au grand serieux, will you?’
‘A love affair in Venice au grand srieux? No. I assure you! No, I’d never take a love affair in Venice more than au tres petit serieux.’
She spoke with a queer kind of contempt. He knitted his brows, looking at her.
Coming downstairs in the morning, she found the keeper’s dog Flossie sitting in the corridor outside Clifford’s room, and whimpering very faintly.
‘Why, Flossie!’ she said softly. ‘What are you doing here?’
And she quietly opened Clifford’s door. Clifford was sitting up in bed, with the bed-table and typewriter pushed aside, and the keeper was standing at attention at the foot of the bed. Flossie ran in. With a faint gesture of head and eyes, Mellors ordered her to the door again, and she slunk out.
‘Oh, good morning, Clifford!’ Connie said. ‘I didn’t know you were busy.’ Then she looked at the keeper, saying good morning to him. He murmured his reply, looking at her as if vaguely. But she felt a whiff of passion touch her, from his mere presence.
‘Did I interrupt you, Clifford? I’m sorry.’
‘No, it’s nothing of any importance.’
She slipped out of the room again, and up to the blue boudoir on the first floor. She sat in the window, and saw him go down the drive, with his curious, silent motion, effaced. He had a natural sort of quiet distinction, an aloof pride, and also a certain look of frailty. A hireling! One of Clifford’s hirelings! ‘The fault, dear Brutus, is not in our stars, but in ourselves, that we are underlings.’
Was he an underling? Was he? What did he think of her?
It was a sunny day, and Connie was working in the garden, and Mrs Bolton was helping her. For some reason, the two women had drawn toge
ther, in one of the unaccountable flows and ebbs of sympathy that exist between people. They were pegging down carnations, and putting in small plants for the summer. It was work they both liked. Connie especially felt a delight in putting the soft roots of young plants into a soft black puddle, and cradling them down. On this spring morning she felt a quiver in her womb too, as if the sunshine had touched it and made it happy.
‘It is many years since you lost your husband?’ she said to Mrs Bolton as she took up another little plant and laid it in its hole.
‘Twenty-three!’ said Mrs Bolton, as she carefully separated the young columbines into single plants. ‘Twenty-three years since they brought him home.’
Connie’s heart gave a lurch, at the terrible finality of it. ‘Brought him home!’
‘Why did he get killed, do you think?’ she asked. ‘He was happy with you?’
It was a woman’s question to a woman. Mrs Bolton put aside a strand of hair from her face, with the back of her hand.
‘I don’t know, my Lady! He sort of wouldn’t give in to things: he wouldn’t really go with the rest. And then he hated ducking his head for anything on earth. A sort of obstinacy, that gets itself killed. You see he didn’t really care. I lay it down to the pit. He ought never to have been down pit. But his dad made him go down, as a lad; and then, when you’re over twenty, it’s not very easy to come out.’
‘Did he say he hated it?’
‘Oh no! Never! He never said he hated anything. He just made a funny face. He was one of those who wouldn’t take care: like some of the first lads as went off so blithe to the war and got killed right away. He wasn’t really wezzle-brained. But he wouldn’t care. I used to say to him: “You care for nought nor nobody!” But he did! The way he sat when my first baby was born, motionless, and the sort of fatal eyes he looked at me with, when it was over! I had a bad time, but I had to comfort him. “It’s all right, lad, it’s all right!” I said to him. And he gave me a look, and that funny sort of smile. He never said anything. But I don’t believe he had any right pleasure with me at nights after; he’d never really let himself go. I used to say to him: Oh, let thysen go, lad! — I’d talk broad to him sometimes. And he said nothing. But he wouldn’t let himself go, or he couldn’t. He didn’t want me to have any more children. I always blamed his mother, for letting him in th’ room. He’d no right t’ave been there. Men makes so much more of things than they should, once they start brooding.’
‘Did he mind so much?’ said Connie in wonder.
‘Yes, he sort of couldn’t take it for natural, all that pain. And it spoilt his pleasure in his bit of married love. I said to him: If I don’t care, why should you? It’s my look-out! — But all he’d ever say was: It’s not right!’
‘Perhaps he was too sensitive,’ said Connie.
‘That’s it! When you come to know men, that’s how they are: too sensitive in the wrong place. And I believe, unbeknown to himself he hated the pit, just hated it. He looked so quiet when he was dead, as if he’d got free. He was such a nice-looking lad. It just broke my heart to see him, so still and pure looking, as if he’d wanted to die. Oh, it broke my heart, that did. But it was the pit.’
She wept a few bitter tears, and Connie wept more. It was a warm spring day, with a perfume of earth and of yellow flowers, many things rising to bud, and the garden still with the very sap of sunshine.
‘It must have been terrible for you!’ said Connie.
‘Oh, my Lady! I never realized at first. I could only say: Oh my lad, what did you want to leave me for! — That was all my cry. But somehow I felt he’d come back.’
‘But he didn’t want to leave you,’ said Connie.
‘Oh no, my Lady! That was only my silly cry. And I kept expecting him back. Especially at nights. I kept waking up thinking: Why he’s not in bed with me! — It was as if my feelings wouldn’t believe he’d gone. I just felt he’d have to come back and lie against me, so I could feel him with me. That was all I wanted, to feel him there with me, warm. And it took me a thousand shocks before I knew he wouldn’t come back, it took me years.’
‘The touch of him,’ said Connie.
‘That’s it, my Lady, the touch of him! I’ve never got over it to this day, and never shall. And if there’s a heaven above, he’ll be there, and will lie up against me so I can sleep.’
Connie glanced at the handsome, brooding face in fear. Another passionate one out of Tevershall! The touch of him! For the bonds of love are ill to loose!
‘It’s terrible, once you’ve got a man into your blood!’ she said. ‘Oh, my Lady! And that’s what makes you feel so bitter. You feel folks wanted him killed. You feel the pit fair wanted to kill him. Oh, I felt, if it hadn’t been for the pit, an’ them as runs the pit, there’d have been no leaving me. But they all want to separate a woman and a man, if they’re together.’
‘If they’re physically together,’ said Connie.
‘That’s right, my Lady! There’s a lot of hard-hearted folks in the world. And every morning when he got up and went to th’ pit, I felt it was wrong, wrong. But what else could he do? What can a man do?’
A queer hate flared in the woman.
‘But can a touch last so long?’ Connie asked suddenly. ‘That you could feel him so long?’
‘Oh my Lady, what else is there to last? Children grows away from you. But the man, well! But even that they’d like to kill in you, the very thought of the touch of him. Even your own children! Ah well! We might have drifted apart, who knows. But the feeling’s something different. It’s ‘appen better never to care. But there, when I look at women who’s never really been warmed through by a man, well, they seem to me poor doolowls after all, no matter how they may dress up and gad. No, I’ll abide by my own. I’ve not much respect for people.’
CHAPTER 12
Connie went to the wood directly after lunch. It was really a lovely day, the first dandelions making suns, the first daisies so white. The hazel thicket was a lace-work, of half-open leaves, and the last dusty perpendicular of the catkins. Yellow celandines now were in crowds, flat open, pressed back in urgency, and the yellow glitter of themselves. It was the yellow, the powerful yellow of early summer. And primroses were broad, and full of pale abandon, thick-clustered primroses no longer shy. The lush, dark green of hyacinths was a sea, with buds rising like pale corn, while in the riding the forget-me-nots were fluffing up, and columbines were unfolding their ink-purple ruches, and there were bits of blue bird’s eggshell under a bush. Everywhere the bud-knots and the leap of life!
The keeper was not at the hut. Everything was serene, brown chickens running lustily. Connie walked on towards the cottage, because she wanted to find him.
The cottage stood in the sun, off the wood’s edge. In the little garden the double daffodils rose in tufts, near the wide-open door, and red double daisies made a border to the path. There was the bark of a dog, and Flossie came running.
The wide-open door! so he was at home. And the sunlight falling on the red-brick floor! As she went up the path, she saw him through the window, sitting at the table in his shirt-sleeves, eating. The dog wuffed softly, slowly wagging her tail.
He rose, and came to the door, wiping his mouth with a red handkerchief still chewing.
‘May I come in?’ she said.
‘Come in!’
The sun shone into the bare room, which still smelled of a mutton chop, done in a dutch oven before the fire, because the dutch oven still stood on the fender, with the black potato-saucepan on a piece of paper, beside it on the white hearth. The fire was red, rather low, the bar dropped, the kettle singing.
On the table was his plate, with potatoes and the remains of the chop; also bread in a basket, salt, and a blue mug with beer. The table-cloth was white oil-cloth, he stood in the shade.
‘You are very late,’ she said. ‘Do go on eating!’
She sat down on a wooden chair, in the sunlight by the door.
‘I had to go to Uthw
aite,’ he said, sitting down at the table but not eating.
‘Do eat,’ she said. But he did not touch the food.
‘Shall y’ave something?’ he asked her. ‘Shall y’ave a cup of tea? t’ kettle’s on t’ boil’ — he half rose again from his chair.
‘If you’ll let me make it myself,’ she said, rising. He seemed sad, and she felt she was bothering him.
‘Well, tea-pot’s in there’ — he pointed to a little, drab corner cupboard; ‘an’ cups. An’ tea’s on t’ mantel ower yer ‘ead,’
She got the black tea-pot, and the tin of tea from the mantel-shelf. She rinsed the tea-pot with hot water, and stood a moment wondering where to empty it.
‘Throw it out,’ he said, aware of her. ‘It’s clean.’
She went to the door and threw the drop of water down the path. How lovely it was here, so still, so really woodland. The oaks were putting out ochre yellow leaves: in the garden the red daisies were like red plush buttons. She glanced at the big, hollow sandstone slab of the threshold, now crossed by so few feet.
‘But it’s lovely here,’ she said. ‘Such a beautiful stillness, everything alive and still.’
He was eating again, rather slowly and unwillingly, and she could feel he was discouraged. She made the tea in silence, and set the tea-pot on the hob, as she knew the people did. He pushed his plate aside and went to the back place; she heard a latch click, then he came back with cheese on a plate, and butter.
She set the two cups on the table; there were only two. ‘Will you have a cup of tea?’ she said.
‘If you like. Sugar’s in th’ cupboard, an’ there’s a little cream jug. Milk’s in a jug in th’ pantry.’
Complete Works of D.H. Lawrence (Illustrated) Page 495
