She held herself aloof. When, on Sunday afternoon, she had looked through the windows of the Reichshalle in passing, and had seen the soldiers dancing with the common girls, a cold revulsion and anger had possessed her. She could not bear to see the soldiers taking off their belts and pulling open their tunics, dancing with their shirts showing through the open, sagging tunic, their movements gross, their faces transfigured and sweaty, their coarse hands holding their coarse girls under the arm-pits, drawing the female up to their breasts. She hated to see them clutched breast to breast, the legs of the men moving grossly in the dance.
At evening, when she had been in the garden, and heard on the other side of the hedge the sexual inarticulate cries of the girls in the embraces of the soldiers, her anger had been too much for her, and she had cried, loud and cold:
“What are you doing there, in the hedge?”
She would have had them whipped.
But Bachmann was not quite a common soldier. Fräulein Hesse had found out about him, and had drawn him and Emilie together. For he was a handsome, blond youth, erect and walking with a kind of pride, unconscious yet clear. Moreover, he came of a rich farming stock, rich for many generations. His father was dead, his mother controlled the moneys for the time being. But if Bachmann wanted a hundred pounds at any moment, he could have them. By trade he, with one of his brothers, was a waggon-builder. The family had the farming, smithy, and waggon-building of their village. They worked because that was the form of life they knew. If they had chosen, they could have lived independent upon their means.
In this way, he was a gentleman in sensibility, though his intellect was not developed. He could afford to pay freely for things. He had, moreover, his native, fine breeding. Emilie wavered uncertainly before him. So he became her sweetheart, and she hungered after him. But she was virgin, and shy, and needed to be in subjection, because she was primitive and had no grasp on civilized forms of living, nor on civilized purposes.
IV
At six o’clock came the inquiry of the soldiers: Had anything been seen of Bachmann? Fräulein Hesse answered, pleased to be playing a rôle:
“No, I’ve not seen him since Sunday — have you, Emilie?”
“No, I haven’t seen him,” said Emilie, and her awkwardness was construed as bashfulness. Ida Hesse, stimulated, asked questions, and played her part.
“But it hasn’t killed Sergeant Huber?” she cried in consternation.
“No. He fell into the water. But it gave him a bad shock, and smashed his foot on the side of the moat. He’s in hospital. It’s a bad look-out for Bachmann.”
Emilie, implicated and captive, stood looking on. She was no longer free, working with all this regulated system which she could not understand and which was almost god-like to her. She was put out of her place. Bachmann was in her room, she was no longer the faithful in service serving with religious surety.
Her situation was intolerable to her. All evening long the burden was upon her, she could not live. The children must be fed and put to sleep. The Baron and Baroness were going out, she must give them light refreshment. The man-servant was coming in to supper after returning with the carriage. And all the while she had the insupportable feeling of being out of the order, self-responsible, bewildered. The control of her life should come from those above her, and she should move within that control. But now she was out of it, uncontrolled and troubled. More than that, the man, the lover, Bachmann, who was he, what was he? He alone of all men contained for her the unknown quantity which terrified her beyond her service. Oh, she had wanted him as a distant sweetheart, not close, like this, casting her out of her world.
When the Baron and Baroness had departed, and the young manservant had gone out to enjoy himself, she went upstairs to Bachmann. He had wakened up, and sat dimly in the room. Out in the open he heard the soldiers, his comrades, singing the sentimental songs of the nightfall, the drone of the concertina rising in accompaniment.
“Wenn ich zu mei . . . nem Kinde geh’ . . .
In seinem Au . . . g die Mutter seh’. . . .”
But he himself was removed from it now. Only the sentimental cry of young, unsatisfied desire in the soldiers’ singing penetrated his blood and stirred him subtly. He let his head hang; he had become gradually roused: and he waited in concentration, in another world.
The moment she entered the room where the man sat alone, waiting intensely, the thrill passed through her, she died in terror, and after the death, a great flame gushed up, obliterating her. He sat in trousers and shirt on the side of the bed. He looked up as she came in, and she shrank from his face. She could not bear it. Yet she entered near to him.
“Do you want anything to eat?” she said.
“Yes,” he answered, and as she stood in the twilight of the room with him, he could only hear his heart beat heavily. He saw her apron just level with his face. She stood silent, a little distance off, as if she would be there for ever. He suffered.
As if in a spell she waited, standing motionless and looming there, he sat rather crouching on the side of the bed. A second will in him was powerful and dominating. She drew gradually nearer to him, coming up slowly, as if unconscious. His heart beat up swiftly. He was going to move.
As she came quite close, almost invisibly he lifted his arms and put them round her waist, drawing her with his will and desire. He buried his face into her apron, into the terrible softness of her belly. And he was a flame of passion intense about her. He had forgotten. Shame and memory were gone in a whole, furious flame of passion.
She was quite helpless. Her hands leapt, fluttered, and closed over his head, pressing it deeper into her belly, vibrating as she did so. And his arms tightened on her, his hands spread over her loins, warm as flame on her loveliness. It was intense anguish of bliss for her, and she lost consciousness.
When she recovered, she lay translated in the peace of satisfaction.
It was what she had had no inkling of, never known could be. She was strong with eternal gratitude. And he was there with her. Instinctively with an instinct of reverence and gratitude, her arms tightened in a little embrace upon him who held her thoroughly embraced.
And he was restored and completed, close to her. That little, twitching, momentary clasp of acknowledgment that she gave him in her satisfaction, roused his pride unconquerable. They loved each other, and all was whole. She loved him, he had taken her, she was given to him. It was right. He was given to her, and they were one, complete.
Warm, with a glow in their hearts and faces, they rose again, modest, but transfigured with happiness.
“I will get you something to eat,” she said, and in joy and security of service again, she left him, making a curious little homage of departure. He sat on the side of the bed, escaped, liberated, wondering, and happy.
V
Soon she came again with the tray, followed by Fräulein Hesse. The two women watched him eat, watched the pride and wonder of his being, as he sat there blond and naïf again. Emilie felt rich and complete. Ida was a lesser thing than herself.
“And what are you going to do?” asked Fräulein Hesse, jealous.
“I must get away,” he said.
But words had no meaning for him. What did it matter? He had the inner satisfaction and liberty.
“But you’ll want a bicycle,” said Ida Hesse.
“Yes,” he said.
Emilie sat silent, removed and yet with him, connected with him in passion. She looked from this talk of bicycles and escape.
They discussed plans. But in two of them was the one will, that Bachmann should stay with Emilie. Ida Hesse was an outsider.
It was arranged, however, that Ida’s lover should put out his bicycle, leave it at the hut where he sometimes watched. Bachmann should fetch it in the night, and ride into France. The hearts of all three beat hot in suspense, driven to thought. They sat in a fire of agitation.
Then Bachmann would get away to America, and Emilie would come and join him
. They would be in a fine land then. The tale burned up again.
Emilie and Ida had to go round to Franz Brand’s lodging. They departed with slight leave-taking. Bachmann sat in the dark, hearing the bugle for retreat sound out of the night. Then he remembered his post card to his mother. He slipped out after Emilie, gave it her to post. His manner was careless and victorious, hers shining and trustful. He slipped back to shelter.
There he sat on the side of the bed, thinking. Again he went over the events of the afternoon, remembering his own anguish of apprehension because he had known he could not climb the wall without fainting with fear. Still, a flush of shame came alight in him at the memory. But he said to himself: “What does it matter? — I can’t help it, well then I can’t. If I go up a height, I get absolutely weak, and can’t help myself.” Again memory came over him, and a gush of shame, like fire. But he sat and endured it. It had to be endured, admitted, and accepted. “I’m not a coward, for all that,” he continued. “I’m not afraid of danger. If I’m made that way, that heights melt me and make me let go my water” — it was torture for him to pluck at this truth — ”if I’m made like that, I shall have to abide by it, that’s all. It isn’t all of me.” He thought of Emilie, and was satisfied. “What I am, I am; and let it be enough,” he thought.
Having accepted his own defect, he sat thinking, waiting for Emilie, to tell her. She came at length, saying that Franz could not arrange about his bicycle this night. It was broken. Bachmann would have to stay over another day.
They were both happy. Emilie, confused before Ida, who was excited and prurient, came again to the young man. She was stiff and dignified with an agony of unusedness. But he took her between his hands, and uncovered her, and enjoyed almost like madness her helpless, virgin body that suffered so strongly, and that took its joy so deeply. While the moisture of torment and modesty was still in her eyes, she clasped him closer, and closer, to the victory and the deep satisfaction of both of them. And they slept together, he in repose still satisfied and peaceful, and she lying close in her static reality.
VI
In the morning, when the bugle sounded from the barracks they rose and looked out of the window. She loved his body that was proud and blond and able to take command. And he loved her body that was soft and eternal. They looked at the faint grey vapour of summer steaming off from the greenness and ripeness of the fields. There was no town anywhere, their look ended in the haze of the summer morning. Their bodies rested together, their minds tranquil. Then a little anxiety stirred in both of them from the sound of the bugle. She was called back to her old position, to realize the world of authority she did not understand but had wanted to serve. But this call died away again from her. She had all.
She went downstairs to her work, curiously changed. She was in a new world of her own, that she had never even imagined, and which was the land of promise for all that. In this she moved and had her being. And she extended it to her duties. She was curiously happy and absorbed. She had not to strive out of herself to do her work. The doing came from within her without call or command. It was a delicious outflow, like sunshine, the activity that flowed from her and put her tasks to rights.
Bachmann sat busily thinking. He would have to get all his plans ready. He must write to his mother, and she must send him money to Paris. He would go to Paris, and from thence, quickly, to America. It had to be done. He must make all preparations. The dangerous part was the getting into France. He thrilled in anticipation. During the day he would need a time-table of the trains going to Paris — he would need to think. It gave him delicious pleasure, using all his wits. It seemed such an adventure.
This one day, and he would escape then into freedom. What an agony of need he had for absolute, imperious freedom. He had won to his own being, in himself and Emilie, he had drawn the stigma from his shame, he was beginning to be himself. And now he wanted madly to be free to go on. A home, his work, and absolute freedom to move and to be, in her, with her, this was his passionate desire. He thought in a kind of ecstasy, living an hour of painful intensity.
Suddenly he heard voices, and a tramping of feet. His heart gave a great leap, then went still. He was taken. He had known all along. A complete silence filled his body and soul, a silence like death, a suspension of life and sound. He stood motionless in the bedroom, in perfect suspension.
Emilie was busy passing swiftly about the kitchen preparing the children’s breakfasts when she heard the tramp of feet and the voice of the Baron. The latter had come in from the garden, and was wearing an old green linen suit. He was a man of middle stature, quick, finely made, and of whimsical charm. His right hand had been shot in the Franco-Prussian war, and now, as always when he was much agitated, he shook it down at his side, as if it hurt. He was talking rapidly to a young, stiff Ober-leutnant. Two private soldiers stood bearishly in the doorway.
Emilie, shocked out of herself, stood pale and erect, recoiling.
“Yes, if you think so, we can look,” the Baron was hastily and irascibly saying.
“Emilie,” he said, turning to the girl, “did you put a post card to the mother of this Bachmann in the box last evening?”
Emilie stood erect and did not answer.
“Yes?” said the Baron sharply.
“Yes, Herr Baron,” replied Emilie, neutral.
The Baron’s wounded hand shook rapidly in exasperation. The lieutenant drew himself up still more stiffly. He was right.
“And do you know anything of the fellow?” asked the Baron, looking at her with his blazing, greyish-golden eyes. The girl looked back at him steadily, dumb, but her whole soul naked before him. For two seconds he looked at her in silence. Then in silence, ashamed and furious, he turned away.
“Go up!” he said, with his fierce, peremptory command, to the young officer.
The lieutenant gave his order, in military cold confidence, to the soldiers. They all tramped across the hall. Emilie stood motionless, her life suspended.
The Baron marched swiftly upstairs and down the corridor, the lieutenant and the common soldiers followed. The Baron flung open the door of Emilie’s room and looked at Bachmann, who stood watching, standing in shirt and trousers beside the bed, fronting the door. He was perfectly still. His eyes met the furious, blazing look of the Baron. The latter shook his wounded hand, and then went still. He looked into the eyes of the soldier, steadily. He saw the same naked soul exposed, as if he looked really into the man. And the man was helpless, the more helpless for his singular nakedness.
“Ha!” he exclaimed impatiently, turning to the approaching lieutenant.
The latter appeared in the doorway. Quickly his eyes travelled over the bare-footed youth. He recognized him as his object. He gave the brief command to dress.
Bachmann turned round for his clothes. He was very still, silent in himself. He was in an abstract, motionless world. That the two gentlemen and the two soldiers stood watching him, he scarcely realized. They could not see him.
Soon he was ready. He stood at attention. But only the shell of his body was at attention. A curious silence, a blankness, like something eternal, possessed him. He remained true to himself.
The lieutenant gave the order to march. The little procession went down the stairs with careful, respectful tread, and passed through the hall to the kitchen. There Emilie stood with her face uplifted, motionless and expressionless. Bachmann did not look at her. They knew each other. They were themselves. Then the little file of men passed out into the courtyard.
The Baron stood in the doorway watching the four figures in uniform pass through the chequered shadow under the lime trees. Bachmann was walking neutralized, as if he were not there. The lieutenant went brittle and long, the two soldiers lumbered beside. They passed out into the sunny morning, growing smaller, going towards the barracks.
The Baron turned into the kitchen. Emilie was cutting bread.
“So he stayed the night here?” he said.
The girl looke
d at him, scarcely seeing. She was too much herself. The Baron saw the dark, naked soul of her body in her unseeing eyes.
“What were you going to do?” he asked.
“He was going to America,” she replied, in a still voice.
“Pah! You should have sent him straight back,” fired the Baron.
Emilie stood at his bidding, untouched.
“He’s done for now,” he said.
But he could not bear the dark, deep nakedness of her eyes, that scarcely changed under this suffering.
“Nothing but a fool,” he repeated, going away in agitation, and preparing himself for what he could do.
THE SHADOW IN THE ROSE GARDEN
A rather small young man sat by the window of a pretty seaside cottage trying to persuade himself that he was reading the newspaper. It was about half-past eight in the morning. Outside, the glory roses hung in the morning sunshine like little bowls of fire tipped up. The young man looked at the table, then at the clock, then at his own big silver watch. An expression of stiff endurance came on to his face. Then he rose and reflected on the oil-paintings that hung on the walls of the room, giving careful but hostile attention to “The Stag at Bay”. He tried the lid of the piano, and found it locked. He caught sight of his own face in a little mirror, pulled his brown moustache, and an alert interest sprang into his eyes. He was not ill-favoured. He twisted his moustache. His figure was rather small, but alert and vigorous. As he turned from the mirror a look of self-commiseration mingled with his appreciation of his own physiognomy.
In a state of self-suppression, he went through into the garden. His jacket, however, did not look dejected. It was new, and had a smart and self-confident air, sitting upon a confident body. He contemplated the Tree of Heaven that flourished by the lawn, then sauntered on to the next plant. There was more promise in a crooked apple tree covered with brown-red fruit. Glancing round, he broke off an apple and, with his back to the house, took a clean, sharp bite. To his surprise the fruit was sweet. He took another. Then again he turned to survey the bedroom windows overlooking the garden. He started, seeing a woman’s figure; but it was only his wife. She was gazing across to the sea, apparently ignorant of him.
Complete Works of D.H. Lawrence (Illustrated) Page 611
