“I never meant — ”
“My love — my little love — ” he cried, in anguish of spirit, holding her in his arms.
THE THIMBLE
SHE had not seen her husband for ten months, not since her fortnight’s honeymoon with him, and his departure for France. Then, in those excited days of the early war, he was her comrade, her counterpart in a sort of Bacchic revel before death. Now all that was shut off from her mind, as by a great rent in her life.
Since then, since the honeymoon, she had lived and died and come to life again. There had been his departure to the front. She had loved him then.
‘If you want to love your husband,’ she had said to her friends, with splendid recklessness, ‘you should see him in khaki.’ And she had really loved him, he was so handsome in uniform, well-built, yet with a sort of reserve and remoteness that suited the neutral khaki perfectly.
Before, as a barrister with nothing to do, he had been slack and unconvincing, a sort of hanger-on, and she had never come to the point of marrying him. For one thing they neither of them had enough money.
Then came the great shock of the war, his coming to her in a new light, as lieutenant in the artillery. And she had been carried away by his perfect calm manliness and significance, now he was a soldier. He seemed to have gained a fascinating importance that made her seem quite unimportant. It was she who was insignificant and subservient, he who was dignified, with a sort of indifferent lordliness.
So she had married him, all considerations flung to the wind, and had known the bewildering experience of their fortnight’s honeymoon, before he left her for the front.
And she had never got over the bewilderment. She had, since then, never thought at all, she seemed to have rushed on in a storm of activity and sensation. There was a home to make, and no money to make it with: none to speak of. So, with the swift, business-like aptitude of a startled woman, she had found a small flat in Mayfair, had attended sales and bought suitable furniture, had made the place complete and perfect. She was satisfied. It was small and insignificant, but it was a complete unity.
Then she had had a certain amount of war-work to do, and she had kept up all her social activities. She had not had a moment which was not urgently occupied.
All the while came his letters from France, and she was writing her replies. They both sent a good deal of news to each other, they both expressed their mutual passion.
Then suddenly, amid all this activity, she fell ill with pneumonia and everything lapsed into delirium. And whilst she was ill, he was wounded, his jaw smashed and his face cut up by the bursting of a shell. So they were both laid by.
Now, they were both better, and she was waiting to see him. Since she had been ill, while she had lain or sat in her room in the castle in Scotland, she had thought, thought very much. For she was a woman who was always trying to grasp the whole of her context, always trying to make a complete thing of her own life.
Her illness lay between her and her previous life like a dark night, like a great separation. She looked back, she remembered all she had done, and she was bewildered, she had no key to the puzzle. Suddenly she realized that she knew nothing of this man she had married, he knew nothing of her. What she had of him, vividly, was the visual image. She could see him, the whole of him, in her mind’s eye. She could remember him with peculiar distinctness, as if the whole of his body were lit up by an intense light, and the image fixed on her mind.
But he was an impression, only a vivid impression. What her own impression was, she knew most vividly. But what he was himself: the very thought startled her, it was like looking into a perilous darkness. All that she knew of him was her own affair, purely personal to her, a subjective impression. But there must be a man, another being, somewhere in the darkness which she had never broached.
The thought frightened her exceedingly, and her soul, weak from illness, seemed to weep. Here was a new peril, a new terror. And she seemed to have no hope.
She could scarcely bear to think of him as she knew him. She could scarcely bear to conjure up that vivid image of him which remained from the days of her honeymoon. It was something false, it was something which had only to do with herself. The man himself was something quite other, something in the dark, something she dreaded, whose coming she dreaded, as if it were a mitigation of her own being, something set over against her, something that would annul her own image of herself.
Nervously she twisted her long white fingers. She was a beautiful woman, tall and loose and rather thin, with swinging limbs, one for whom the modern fashions were perfect. Her skin was pure and clear, like a Christmas rose, her hair was fair and heavy. She had large, slow, unswerving eyes, that sometimes looked blue and open with a childish candour, sometimes greenish and intent with thought, sometimes hard, sea-like, cruel, sometimes grey and pathetic.
Now she sat in her own room, in the flat in Mayfair, and he was coming to see her. She was well again: just well enough to see him. But she was tired as she sat in the chair whilst her maid arranged her heavy, fair hair.
She knew she was a beauty, she knew it was expected of her that she should create an impression of modern beauty. And it pleased her, it made her soul rather hard and proud: but also, at the bottom, it bored her. Still, she would have her hair built high, in the fashionable mode, she would have it modelled to the whole form of her head, her figure. She lifted her eyes to look. They were slow, greenish, and cold like the sea at this moment, because she was so perplexed, so heavy with trying, all alone, always quite coldly alone, to understand, to understand and to adjust herself. It never occurred to her to expect anything of the other person: she was utterly self-responsible.
‘No,’ she said to her maid, in her slow, laconic, plangent voice, ‘don’t let it swell out over the ears, lift it straight up, then twist it under — like that — so it goes clean from the side of the face. Do you see?’
‘Yes, my lady.’
And the maid went on with the hair-dressing, and she with her slow, cold musing.
She was getting dressed now to see her bridegroom. The phrase, with its association in all the romances of the world, made her snigger involuntarily to herself. She was still like a schoolgirl, always seeing herself in her part. She got curious satisfaction from it, too. But also she was always humorously ironical when she found herself in these romantic situations. If brigands and robbers had carried her off, she would have played up to the event perfectly. In life, however, there was always a certain painful, laborious heaviness, a weight of self-responsibility. The event never carried her along, a helpless protagonist. She was always responsible, in whatever situation.
Now, this morning, her husband was coming to see her, and she was dressing to receive him. She felt heavy and inert as stone, yet inwardly trembling convulsively. The known man, he did not affect her. Heavy and inert in her soul, yet amused, she would play her part in his reception. But the unknown man, what was he? Her dark, unknown soul trembled apprehensively.
At any rate he would be different. She shuddered. The vision she had of him, of the good-looking, clean, slightly tanned, attractive man, ordinary and yet with odd streaks of understanding that made her ponder, this she must put away. They said his face was rather horribly cut up. She shivered. How she hated it, coldly hated and loathed it, the thought of disfigurement. Her fingers trembled, she rose to go downstairs. If he came he must not come into her bedroom.
So, in her fashionable but inexpensive black silk dress, wearing her jewels, her string of opals, her big, ruby brooch, she went downstairs. She knew how to walk, how to hold her body according to the mode. She did it almost instinctively, so deep was her consciousness of the impression her own appearance must create.
Entering the small drawing-room she lifted her eyes slowly and looked at herself: a tall, loose woman in black, with fair hair raised up, and with slow, greenish, cold eyes looking into the mirror. She turned away with a cold, pungent sort of satisfaction. She was aware also of
the traces of weariness and illness and age, in her face. She was twenty-seven years old.
So she sat on the little sofa by the fire. The room she had made was satisfactory to her, with its neutral, brown-grey walls, its deep brown, plain, velvety carpet, and the old furniture done in worn rose brocade, which she had bought from Countess Ambersyth’s sale. She looked at her own large feet, upon the rose-red Persian rug.
Then nervously, yet quite calm, almost static, she sat still to wait. It was one of the moments of deepest suffering and suspense which she had ever known. She did not want to think of his disfigurement, she did not want to have any preconception of it. Let it come upon her. And the man, the unknown strange man who was coming now to take up his position over against her soul, her soul so naked and exposed from illness, the man to whose access her soul was to be delivered up! She could not bear it. Her face set pale, she began to lose her consciousness.
Then something whispered in her:
‘If I am like this, I shall be quite impervious to him, quite oblivious of anything but the surface of him.’ And an anxious sort of hope sent her hands down onto the sofa at her side, pressed upon the worn brocade, spread fiat. And she remained in suspense.
But could she bear it, could she bear it? She was weak and ill in a sort of after-death. Now what was this that she must confront, this other being? Her hands began to move slowly backwards and forwards on the sofa bed, slowly, as if the friction of the silk gave her some ease.
She was unaware of what she was doing. She was always so calm, so self-contained, so static; she was much too stoically well-bred to allow these outward nervous agitations. But now she sat still in suspense in the silent drawing-room, where the fire flickered over the dark brown carpet and over the pale rose furniture and over the pale face and the black dress and the white, sliding hands of the woman, and her hands slid backwards and forwards, backwards and forwards like a pleading, a hope, a tension of madness.
Her right hand came to the end of the sofa and pressed a little into the crack, the meeting between the arm and the sofa bed. Her long white fingers pressed into the fissure, pressed and entered rhythmically, pressed and pressed further and further into the tight depths of the fissure, between the silken, firm upholstery of the old sofa, whilst her mind was in a trance of suspense, and the firelight flickered on the yellow chrysanthemums that stood in a jar in the window.
The working, slow, intent fingers pressed deeper and deeper in the fissure of the sofa, pressed and worked their way intently, to the bottom. It was the bottom. They were there, they made sure. Making sure, they worked all along, very gradually, along the tight depth of the fissure.
Then they touched a little extraneous object, and a consciousness awoke in the woman’s mind. Was it something? She touched again. It was something hard and rough. The fingers began to ply upon it. How firmly it was embedded in the depths of the sofa-crack. It had a thin rim, like a ring, but it was not a ring. The fingers worked more insistently. What was this little hard object?
The fingers pressed determinedly, they moved the little object. They began to work it up to the light. It was coming, there was success. The woman’s heart relaxed from its tension, now her aim was being achieved. Her long, strong, white fingers brought out the little find.
It was a thimble set with brilliants; it was an old, rather heavy thimble of tarnished gold, set round the base with little diamonds or rubies. Perhaps it was not gold, perhaps they were only paste.
She put it on her sewing finger. The brilliants sparkled in the firelight. She was pleased. It was a vulgar thing, a gold thimble with ordinary pin-head dents, and a belt of jewels around the base. It was large too, big enough for her. It must have been some woman’s embroidery thimble, some bygone woman’s, perhaps some Lady Ambersyth’s. At any rate, it belonged to the days when women did stitching as a usual thing. But it was heavy, it would make one’s hand ache.
She began to rub the gold with her handkerchief. There was an engraved monogram, an Earl’s, and then Z, Z, and a date, 15 Oct., 1801. She was very pleased, trembling with the thought of the old romance. What did Z. stand for? She thought of her acquaintances, and could only think of Zouche. But he was not an Earl. Who would give the gift of a gold thimble set with jewels, in the year 1801? Perhaps it was a man come home from the wars: there were wars then.
The maid noiselessly opened the door and saw her mistress sitting in the soft light of the winter day, polishing something with her handkerchief.
‘Mr Hepburn has come, my lady.’
‘Has he!’ answered the laconic, slightly wounded voice of the woman.
She collected herself and rose. Her husband was coming through the doorway, past the maid. He came without hat or coat or gloves, like an inmate of the house. He was an inmate of the house.
‘How do you do?’ she said, with stoic, plangent helplessness. And she held out her hand.
‘How are you?’ he replied, rather mumbling, with a sort of muffled voice.
‘All right now, thanks,’ and she sat down again, her heart beating violently. She had not yet looked at his face. The muffled voice terrified her so much. It mumbled rather mouthlessly.
Abstractedly, she put the thimble on her middle finger, and continued to rub it with her handkerchief. The man sat in silence opposite, in an armchair. She was aware of his khaki trousers and his brown shoes. But she was intent on burnishing the thimble.
Her mind was in a trance, but as if she were on the point of waking, for the first time in her life, waking up.
‘What are you doing? What have you got?’ asked the mumbling, muffled voice. A pang went through her. She looked up at the mouth that produced the sound. It was broken in, the bottom teeth all gone, the side of the chin battered small, while a deep seam, a deep, horrible groove ran right into the middle of the cheek. But the mouth was the worst, sunk in at the bottom, with half the lip cut away.
‘It is treasure-trove,’ answered the plangent, cold-sounding voice. And she held out the thimble.
He reached to take it. His hand was white, and it trembled. His nerves were broken. He took the thimble between his fingers.
She sat obsessed, as if his disfigurement were photographed upon her mind, as if she were some sensitive medium to which the thing had been transferred. There it was, her whole consciousness was photographed into an image of his disfigurement, the dreadful sunken mouth that was not a mouth, which mumbled in talking to her, in a disfigurement of speech.
It was all accident, accident had taken possession of her very being. All she was, was purely accidental. It was like a sleep, a thin, taut, overfilming sleep in which the wakefulness struggles like a thing as yet unborn. She was sick in the thin, transparent membrane of her sleep, her overlying dream-consciousness, something actual but too unreal.
‘How treasure-trove?’ he mumbled. She could not understand.
She felt his moment’s hesitation before he tried again, and a hot pain pierced through her, the pain of his maimed, crippled effort.
‘Treasure-trove, you said,’ he repeated, with a sickening struggle to speak distinctly.
Her mind hovered, then grasped, then caught the threads of the conversation.
‘I found it,’ she said. Her voice was clear and vibrating as bronze, but cold. ‘I found it just before you came in.’
There was a silence. She was aware of the purely accidental condition of her whole being. She was framed and constructed of accident, accidental association. It was like being made up of dream-stuff, without sequence or adherence to any plan or purpose. Yet within the imprisoning film of the dream was herself, struggling unborn, struggling to come to life.
It was difficult to break the inert silence that had succeeded between them. She was afraid it would go on for ever. With a strange, convulsive struggle, she broke into communication with him.
‘I found it here, in the sofa,’ she said, and she lifted her eyes for the first time to him.
His forehead was white, and h
is hair brushed smooth, like a sick man’s. And his eyes were like the eyes of a child that has been ill, blue and abstract, as if they only listened from a long way off, and did not see any more. So far-off he looked, like a child that belongs almost more to death than to life. And her soul divined that he was waiting vaguely where the dark and the light divide, whether he should come in to life, or hesitate, and pass back.
She lowered her eyelids, and for a second she sat erect like a mask, with closed eyes, while a spasm of pure unconsciousness passed over her. It departed again, and she opened her eyes. She was awake.
She looked at him. His eyes were still abstract and without answer, changing only to the dream-psychology of his being. She contracted as if she were cold and afraid. They lit up now with a superficial over-flicker of interest.
‘Did you really? Why, how did it come there?’
It was the same voice, the same stupid interest in accidental things, the same man as before. Only the enunciation of the words was all mumbled and muffled, as if the speech itself were disintegrating.
Her heart shrank, to close again like an over-sensitive newborn thing, that is not yet strong enough in its own being. Yet once more she lifted her eyes, and looked at him.
He was flickering with his old, easily roused, spurious interest in the accidents of life. The film of separateness seemed to be coming over her. Yet his white forehead was somewhat deathly, with its smoothly brushed hair. He was like one dead. He was within the realm of death. His over-flicker of interest was only extraneous.
‘I suppose it had got pushed down by accident,’ she said, answering from her mechanical mind.
But her eyes were watching him who was dead, who was there like Lazarus before her, as yet unrisen.
‘How did it happen?’ she said, and her voice was changed, penetrating with sadness and approach. He knew what she meant.
Complete Works of D.H. Lawrence (Illustrated) Page 616
