by A. Wendeberg
Contents
Title Page
Copyright
Other Books
Notes
❧
Prelude
Apple Trees
Brothel
The Missing Mortician
First Act
The Anatomy of the Heart
Blood, Sweat, & Bollocks
Saplings
Sleeping Draught
Strengths & Weaknesses
Second Act
Asylum
Inquest
Proposition
The Fourth Condition
A Partnership Begins
The Morning After
Final Act
Neighbourhood
The Silent Victim
Cocoon
Trials & Errors
Preview
Acknowledgements
___________________________
The office of the coroner originated in the 12th century England and was referred to as “custos placitorum coronae” - keeper of the pleas of the Crown.
___________________________
Copyright 2016 by Annelie Wendeberg
Smashwords Edition
This is a work of fiction. Names, characters, places and incidents are the product of the author’s imagination or are used fictitiously.
No part of this book may be reproduced in any form by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without the written permission of the copyright owner.
Cover and interior design by Annelie Wendeberg.
Drawing of the apple tree on the cover by: Nicholson, George; The Illustrated Dictionary of Gardening; Div. VI (London, England: L. Upcott Gill, 1884)
Books by this author:
Mickaela Capra Series:
1/2986
fog
ice
Anna Kronberg Series:
The Devil’s Grin
The Fall
The Journey
Moriarty
The Lion’s Courtship
Keeper of Pleas Series:
Keeper of Pleas
Spider Silk
Find out more at:
www.anneliewendeberg.com
Bonus material at the end of this book:
Preview of Spider Silk
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—Notes from the Author—
On the use of British English in this book:
I have avoided overuse of Victorian-era spellings and punctuation, because British readers might believe the prose to be littered with Americanisms.
While the Victorians used, for example, leaned and leant, and spilled and spilt, I had to decide for one of the two versions. And so I picked the one with a Victorian flavour (leant and spilt). Other words didn’t fare as well. The Victorian Mr. is now the dot-less and more British Mr, and all the Judges and Jurymen have been de-capitalised to modern judges and jurymen.
However, the Victorian Coroner of Eastern Middlesex is his original self, because he’s much hotter than the Coroner of East Middlesex.
So there. Now you know.
Why not become the one
Who lives with a full moon in each eye
That is always saying,
With that sweet moon
Language
What every other eye in this world
Is dying to
Hear?
Khwāja Shamsu ud-Dīn Muhammad Hāfez-e Shīrāzī
—Prelude—
in which nine bodies are found and one goes missing
—Apple Trees—
If you ignore the faint smell of death that clings to Alexander Easy no matter how well he washes or how fresh his clothes are, you will arrive at the conclusion that there is nothing special about the man. Perhaps you might think his waist is a little too thick, his breath a little too short, and his upper lip a tad too hairy. To you, he might even look and sound like a walrus, the more so when he chases the omnibus, which happens rather often.
But dare raise a mocking eyebrow and turn away now, and you’ll miss a drama of great proportions. Mr Easy’s last moments on Earth are approaching swiftly. The prelude of his death will be announced in a heartbeat by none other than a young man with a flowerpot.
❧
Alexander Easy entered the mortuary of St George-in-the-East sharply at nine o’clock in the morning of Friday, December 10, 1880. One embalmment and two hours, sixteen minutes later, a policeman rumbled through the door, sputtering ‘Bollocks!’ under his breath as a handful of soil spilt from the large clay pot in his arms.
The young man placed the pot on the floor, brushed the dirt off his lapel, and lifted his hat in greeting. ‘Mr Easy, sir. Peter Culler’s my name. I’m constable of the Metropolitan Police, Division H, and I have a…ah…delivery.’
Constable Culler wearily regarded the three bodies on the tables before him. He gulped in an attempt to keep his meagre breakfast down, and waved a hand through the stench of decomposition and Thames muck. The cold air stirred lazily, refusing to cease the assault on Culler’s nose.
‘A delivery?’ Mr Easy straightened, gently patting the knee of the distended corpse he was working on.
Constable Culler’s gaze slid from the mortician’s hands to the corpse’s grotesquely swollen testicles. Pale fluid dribbled from the blackened penis.
Culler’s face grew hot and prickly. The nape of his neck felt as though a hundred spiders were building a nest beneath his skin. He told himself to stop looking. However, the repugnant harboured a sickening fascination for many a man, no matter how much the stomach protested.
Mr Easy wiped his hands on a handkerchief and, for modesty’s sake, deftly placed it over the dead man’s privates. Then he ran a finger up along the body’s middle line, stopped at where the balloon-like abdomen met the ribcage and the skin’s colour spectrum of black, green, and purple had turned a little paler. With a click of his tongue, Alexander Easy pushed the sharp end of a long, hollow lancet through the dead flesh. A hiss issued from the lancet’s upper end, which Mr Easy swiftly lit with a match. Woompf, it said.
The stink, if at all possible, grew stronger. Constable Culler felt his stomach heave. He blinked. Everything below his chin seemed strangely disconnected from his brain.
Mr Easy, hearing his visitor’s faint gurgle, looked up. Rather puzzled by the constable’s chalky face and wide-open eyes, he arrived at the conclusion that an explanation might be called for.
‘That’s only gas. It’s surprising, given the low temperatures, isn’t it? As if the guts had a wee furnace inside that keeps them warm enough to produce gas. Now, there’s no need to sway like a pendulum, young man. You’ve seen a floater before, haven’t you?’
At that, Peter Culler’s legs did what needed doing: they propelled him backward through the antechamber and, finally, the doorway. He doubled over and the porridge he’d had a few hours earlier neatly hit the frozen ground. The roar of nausea in Culler’s ears rendered him deaf to the mortician’s cry: ‘But my dear man, this is a trifle! You should see them in the summer heat. Sometimes, they burst before we can prick them.’
With his hands pressed to his lower back, Culler gulped the comparatively fresh air, and, after having had enough of it, lit a cigarette and leant back against the mortuary’s icy brick wall.
The December wind combed his hair in dank smells from the docks. He recalled his hat then, which still sat on the one unoccupied table inside the mortuary. He sucked at his smoke with abandon, and chased away any theories as to what might have been on that table before his hat had touched it. Or which smell and consistency it might have had. The door behind him opened without the faintest creak; it was as new as
the mortuary it hinged to.
Alexander Easy stepped out onto the walkway. The oak above him sprinkled flecks of molten snow onto his shoulders.
‘So?’ Easy demanded.
Constable Culler flicked his cigarette toward the mule cart that stood nearby, and cleared his throat. ‘Inspector Walken and Coroner Sévère sent me. They need these ex…examined.’
The mule snorted, shook its head, and aimed a kick at the shafts but missed by an inch. The cart wheels creaked on the cobblestones and crows in the oak tree cocked their heads, perhaps expecting bits of food or, at the very least, entertainment.
‘Coroner Sévère. Hum.’ Easy scratched the folds of his chin.
‘Sounds French, doesn’t it? Thought so myself before the inspector told me all about the man. British gentleman through and through. Well-bred, he said. His name is a bit unfortunate, though. “Gavriel”, his mother named him. Jewish, I think she was. His father, I heard the inspector say the other day, was a—’
Easy interrupted. ‘Will there be an inquest? Here?’
Culler nodded and spat on the ground.
Easy wondered how a jury could possibly fit into his small viewing room, whether he should call for the charwoman to sweep the floors and polish the windows, and if the gentlemen would require a brazier.
The two men approached the cart, the one in uniform with some hesitation, and the one in death-stink with some puzzlement. Six large clay pots stood on the vehicle, a scrawny sapling sticking out of each of them.
‘Flowerpots?’ Mr Easy asked, and twirled his mighty moustache.
‘Erhm…’ Peter Culler missed his hat — specifically, the well-fingered rim. Without it, his hands felt out of place. ‘The coroner says it’s sus…susspishuss. Suspicus. Somewhat.’
‘Suspicious flowerpots?’
The constable tried to hide his reddened cheeks in the upturned collar of his coat, and Mr Easy tried to hide his impatience by squeezing his eyes shut for a moment.
When the policeman pointed at a pot that was in obvious disarray — a crack running up its side, the sapling lopsided, soil spilt — Mr Easy noticed a pale something sticking out of it.
‘Could that be…a bone?’
‘Yes, from a baby. The housekeeper found a skull as she dug in the…’ he flapped his hand at the cracked pot. ‘Then she called for us. Inspector Walken and the coroner questioned her. She said all these were purchased at Covent Garden. The coroner is sending a surgeon to ex…examine the…uh…pots. Today.’
‘Where is the skull?’
‘What skull?’
‘The skull you just mentioned! The one the housekeeper found. Whichever housekeeper that is.’
‘Oh,’ said Culler, and eyed the inside of the cart. ‘Must have lost it on the way.’ He shrugged and sucked air through his teeth. His fingers plucked at the seam of his second-hand coat. He wanted to be done with this already. Dirty business, that’s what it was.
‘Well, my dear man, get on with it and bring in the pots, will you.’ Mr Easy huffed and gave the constable a hearty clap between the shoulder blades.
❧
Coroner Gavriel Sévère stood on the small balcony, tapping his cane against his left boot. He barely registered the street below him, the bustle of pedestrians, shopkeepers and shoplifters, of cabs and omnibuses. In his mind, he arranged observations, evidence, and witness statements like bits of shattered porcelain. The little information he’d gained today and the empty spaces — all the missing pieces — drew his attention and shut off the world around him.
His olfactory sense alone tied him to reality, reminding him that he was not in his office, but out in the open. Whitechapel Road was peculiar in its spectrum of odours, for it lacked the suffocating pungency of fermenting mule manure, of human excrement and refuse. Instead, Sévère smelled coal fires, burnt butter, sizzling mutton and pork, fresh bread, and perfume. An occasional scent of warm horse droppings before they were whisked away. And there! A whiff of Belgian pastries.
His mouth began to water and his expression changed ever so lightly. An observant stranger may, or may not, have noticed that the man’s face had brightened a fraction. A friend would have been able to corroborate this observation, but Sévère had no friends. He felt no need for company.
With a small nod, the coroner set the tip of his cane onto the balcony tiles, and drew a line through the black marks: one semi-circle of potting soil freshly sprinkled onto the floor, and seven dark rings from the water that had seeped through seven flowerpots during the previous months. A chaos of footprints trailed muck into the apartment, much to the chagrin of the housekeeper and her maid. Sévère looked up and breathed a cloud into the chill air. The evidence slowly dissolved with the slush.
The housekeeper saw him to the door, her hands clasped below the mass of her sagging bosom, the potting soil still blackening her fingernails.
‘The inquest will be held at Vestry Hall at eleven o’clock tomorrow,’ he said when he took his leave.
‘Cable Street?’ the housekeeper asked, her voice warbling.
‘The very one.’ He tipped his hat and strolled out of the house, turned right and melted into nonexistence.
Coroner Sévère was a man of average height and average looks. He was neither noticeably handsome nor particularly ugly. His face bore no marks — no scars that told of disease or battle, no moustache that indicated his social standing. Most people forgot his appearance the moment he walked away from them. Except, of course, when he wanted them to remember. His jury, and his suspects in particular, never forgot the man, no matter how much they wanted to. Strangely, what they recalled most clearly was not his slight limp — the one feature that could have made him stand out had he allowed it. It was his eyes they remembered. The majority of the murderers he’d sent to gaol would have sworn his irises were yellow, like the Devil’s, had one ever bothered to ask them.
It was all nonsense, of course.
Sévère considered these silly sentiments useful. Emotions in general aided his work, as long as they happened inside other people. To him, witnesses and perpetrators were an open book. Turning other people’s pages brought him amusement; he might have even called it happiness, if he’d ever had the need to attain this particular state.
Whenever necessary, he let his suspects know what he thought of their mental capacities. He revealed the tricks they tried to play, tore apart the weave and weft of their fabricated alibis. Sévère was a master lie detector. He stood above the world and he liked it up there. His position as Coroner of Eastern Middlesex allowed him to lead a comfortable life. He kept an appropriate number of servants, owned a modern, well-appointed house, purchased only newly-tailored clothing of quality silk and wool, and visited London’s best bawdy houses at least once a week.
Sévère considered himself a made man with very few problems. However, the few problems he did have frequently drove him close to crossing the line between legal and illegal. He wondered, briefly, if that would happen this time — the crossing of the line, that is. After a mere three hours of investigation, this case certainly showed potential.
Sévère shook off the thought, entered the pastry shop, and left it a moment later with a small paper bag in his right hand. He walked along Whitechapel Road and turned into Leman Street. Without sparing Division H Headquarters a single glance, he extracted a pastry from the bag, finished it in three bites, and pulled out pastry number two.
He turned left onto Cable Street, stretched his shoulders, and tossed away the bag. He slipped his right hand into his coat pocket, and modulated his limp so that the weakness of his left leg was barely noticeable. To the uninitiated, he appeared like any other gentleman on a walk. Easy to overlook.
His eyes scanned the street, the murky corners and doorways. Slum dwellers who didn’t know his face or couldn’t remember it, believed him to be a plainclothes detective with a pistol in his coat pocket. Surely, he was looking for someone.
Sévère moved through the worst
section of Cable Street without anyone bothering him. Not even the greenest of pickpockets dared approach. Half of the men who littered the pavement melted away the moment they set eyes on him, only to reappear once he’d reached the corner of Denmark Street. Better safe than sorry.
A moment later, Sévère turned into the churchyard of St George-in-the-East. The thin layer of melting snow told him that both flowerpots and surgeon had arrived in time: tracks and hoof prints of the police’s mule cart and those of a hansom cab showed in the dirty-white mush. Sévère followed the crumbs of black potting soil from Cable Street to the red brick building of the mortuary.
‘Hello, Mr Easy,’ he called from the antechamber, kicking the slush off his boots. ‘Thank you for coming, Dr Baxter.’
The coroner kept his coat, scarf, and gloves on, for the brick walls seemed to suck all the warmth from his body. It was worse than the breeze outside.
‘Coroner.’ The doctor held out his hand, noticed the dirt covering it, and dropped it. ‘Ahem,’ he said and turned back to the evidence. ‘Nine bodies. All carried to term, I should think.’
Eight miniature skulls were lined up on the table. Some were gaping at their crowns like petals of a wilting tulip, others looked more like an eggshell smashed into symmetrical pieces. The tiny jaws were toothless. Below each skull, small bones were arranged in patterns resembling flat, incomplete skeletons. The ninth skeleton was headless.