And then let’s play together to co-create a more conscious society. Bring your demon’s gem or don’t come at all.
Don’t hate the will to power of others—love it, balance it, and play with it. Again: love the game and love its players. Allow for others to relate to you in the same manner. Let us build that transpersonal trust, cultivate that transpersonal integrity. That is the metamodern perspective; the one that has solidarity with all perspectives.
Excursion: Obedience as Laughter
Before we go on to examining New Age Spirituality, I would like to make a brief excursion into understanding the obedience that can feed fascism in today’s world. My claim is that the next murderous regime will be less based around agitation, fear-mongering and fiery speeches. It will come, there is good reason to suspect, from the source we least expect: comedy.
In the echoing laughter of the crowd, transmitted over long distances of networked broadcasting, we will find the next genocide. Unwanted populations violently exterminated, and the crowd laughing, laughing.
In today’s media-saturated society, jesters are indeed becoming kings. This is an aspect inherent to the postmodern condition, where the global village is imprinted upon us through a deluge of images from near and far, from across time and space—always told with someone’s perspective, someone’s story, someone’s spin. The jesters, the tricksters, are the ones most proficient at catching people’s attention, and then quickly shifting between frames of understanding, between contexts.
That’s how comedy works: some frame or circumstance is suddenly shifted in communication, and—whack!—things get funny. The simplest example is a pun or play-on-words: “Did you hear about the guy whose whole left side was cut off? He’s all right now.” The linguistics shift the meaning for us, creating a double meaning that catapults us, in this case, from the reassuring to the gruesome. A frame is shifted.
Add a refined sense of pacing, timing, rhythm—and nobody can stop the laughter from breaking out as clear water from a fountainhead.
Postmodern culture, the culture of perspective and surface, is a lot about mastering such framings of situations. One person can be framed as a hero, a president, a crook, a buffoon. Those who can most skillfully craft frames and shift between them with sleights-of-hand, in and across many different media are also likely to become the most powerful.
The late-night shows, the television hosts, the comedians—their power is growing. Jesters are becoming kings. The youth are getting their news filtered through comedy and entertainment. The jesters grab the attention of everyone, shaping and directing it—making us laugh together.
A large crowd laughing, united under one will. Oh, that’s so funny. That’s so edgy. They’re so smart, so admirable. Comedy is so liberating.
And then there is a subtle slide… If we all laughed along, then that must mean we all at least somewhat agreed, that what was said was at least partly true. And whoever was laughed at must have been, at least in part, at fault. We slide into assuming that the power to make us laugh is also the power to tell us the truth—or to suspend another truth, another story, another felt experience.
When we laugh we don’t only break taboos, relieve tensions and forge bonds. The laughter of the crowd also disciplines people into silence, and obedience—if anyone gets mad and says it isn’t funny, they just appear to be poor sportsmen with sticks up their asses. It stratifies us: the joker on top and the butt of the joke at the bottom. It unifies us, yes, but into “us and them”, with a rather clear who’s who.
Can you see it? The laughter of the crowd is a source of massive hidden obedience and submission to one will. Can you think of any other moments when you can get hundreds, thousands, millions of people to suspend normal morality and to fall in line around the same point? Is there any better way to effectively steer a crowd?
The fascists of a hundred years ago hijacked the techniques of traveling socialist agitators. These knew how to display a sincere criticism of society, of how to fire up a crowd, how to point out glaring injustices. The fascists caught on. Yet in today’ world, where educated and comfortable populations are suspicious of such fiery speeches, of fanaticism and lack of irony, the corresponding effect is achieved through jokes. Do you imagine that the fascists today might be paying attention and catching on?
It’s already happening. If you take a look at online movements of the far Right, such as the Alt-Right and the “meta-right”, these are packed with transgressive jokes and irony—often to the level of extreme absurdity so that it’s no longer distinguishable what is a joke, what is “post-truth” and what is sincere and what is not. The far Right jokes more than anyone else. They joke and joke and make memes until reality itself becomes transmogorified into a dream state where nothing is real and nothing needs to be taken seriously. If we have already joked a million times about being nazis and killing Jews, and waging war, and about a conspiracy that undermines our civilization, and about our own megalomania… then when the images of real crimes crop up, we keep joking, keep laughing. “Relax, it’s just a joke. Don’t you get it, huh? All the smart people do. You’re one of the smart people, aren’t you? You’re not one of those with a stick up your ass who can’t even take watching children and animals being slit up alive—are you? I’m one of the crazy ones, the ones who know the subtle art of not giving a fuck. To me, there is nothing you can’t laugh about. Only people who are against freedom would like to set taboos for what you may or may not joke and laugh about.”
During the Second World War, Charlie Chaplin famously made a parody of Hitler in his 1940 film, The Great Dictator . Chaplin used comedy to demask and demystify the power and allure of dictatorship and totalitarianism. And of course, this postmodern move, one of irony and parody, proved to be the hallmark of a superior society; one that ultimately beat the complete lack of self-distance that marked the fascists. When one side screams and rages on, and the other changes the frame and makes us all laugh—of course the latter is going to win. Of course the latter is going to be allied with a superior information processing system, which ultimately wins the war.
But now, nearing a century after the first emergence of fascism, the forces that want violence and bloodshed have learned a thing or two. This time, they won’t try to be Hitler—they’ll try to be Charlie Chaplin. The next dictator, the one who seduces crowds and leads the masses into transgressing common decency and morality, supporting nihilism in its destructive form and an abandonment of all empathy—will be a comedian. Today, only comedians can claim the absolute and amoral obedience of the crowd. Guess who also likes absolute and amoral obedience of the crowd? The totalitarian dictator. [147]
Michael Billig, a professor of social science, published a book in 2005 titled Laughter and Ridicule: Toward a Social Critique of Humour . Boringly written as it is, this book seems almost prophetic: Billig was amongst the first to see that with laughter comes ridicule, and thus comes a reaffirmation of power relations; sometimes liberating, but all too often disciplining and oppressive. Laughter often says: Shut the fuck up and obey.
Today’s inquisition, today’s Thought Police, thrives on the power of laughter. The most (pathologically) power hungry amongst us will become masters of mean and crafty jokes. And they will get away with it. And they will rule. And you will obey them with the rest of the mob.
What, then, beats laugher and ridicule? We may turn again to the early writings of Nietzsche. In his 1872 work, The Birth of Tragedy , he argues that tragedy is a higher and more refined art form than the “Apollonian” search for perfection in sculpture and “Dionysian” rapture and self-expression in the moment-to-moment flows of music. And indeed, in literature and theatre, comedy has never been able to become as highly esteemed as tragedy.
Tragedy is thus an expression of a higher synthesis; it resonates with more profound and vulnerable layers of the human soul. And tragedy is best expressed t
hrough poetry in its many different forms, poetry in a wide sense, what is sometimes called “poetics”.
In the times to come, then, dictatorship and oppression, sadistic power and masochistic submission, will come disguised in the form of comedy and laughter.
Resistance and emancipation, kindness and freedom, will come from that which brings a tear to our eye—from a subtle sense of tragedy, expressed in different media, by poets of different shapes and sizes.
In these times, building upon the experiences of the last century, we have accustomed ourselves to thinking of the trickster as the hero. That used to be a good rule-of-thumb, and it still can be, in some cases. But this intuition will be increasingly treacherous in the times ahead.
We are beginning to see the unfolding of a subtle battle-performed-as-play for the global human soul—the nearest thing to what might be called a cosmic struggle between good and evil: the evil comedian, who speaks to the masses but secretly despises them as a herd that follows the crude mechanics of humor understood only by a select elite, against the good poet, who sings to the few, but is in love with the many and their creative spark of collective intelligence . This is the struggle-reborn-as-play, stirring at midnight in the garden of good and evil.
David Foster Wallace, the early metamodernist novelist and cultural commentator who died by suicide in 2008, aged 46, author of the dense, thick and magisterial novel with the prophetic title Infinite Jest (1996), once said in 1990 “that the next real literary rebels in America would be artists with little interest in trying to shock or upset their peers but who were, rather, willing to become so credulous of everything in the world that their peers would laugh at them”. [148] That’s what takes greater courage, and that’s where liberation is to be found—in a new sincerity.
The dictator-comedian, the jester-king, steers the laughter, pacing it with perfect timing as a director would an orchestra—often saying things that would have been completely unacceptable had they been voiced by an ordinary person. Remember Carl Schmitt’s definition of the sovereign as “he who decides on the exception”? To a growing extent this seems to apply to the comedian: the elevated position of being excepted from the morality applying to everyone else. The consumtariat—the underclass of the informational and attentionalist digital economy, perpetually starved for authentic meaning, participation, community and recognition—always stuck in the role of onlookers, always consumers, always spectators; they laugh along greedily, hiding in the crowd, cheering. The consumtariat are offered a false sense of participation and superiority: Chuckling along, they momentarily feel that they are part of what happens, and on the winning side, too. Indeed, laughter is the new heiling.
But the transmogorified dream-world of boundary-less jokes is not a productive outlet for the human soul. If, in the 20th century the biggest joke was The Great Dictator; today’s biggest tragedy is The Great Spectator. The Great Dictator was an easier foe, because The Great Spectator turns out to be yourself.
The Great Spectator will mindlessly laugh along, from his own sense of inferiority, envy and Sklavenmoral —while the poet acts and is laughed at. What about you, will you laugh your way to obedience and meaningless murder, or will you side with the laughed-at? Will you sing with the informed naivety of the metamodern heart—one that can resist the cruel laughter of a crowd reduced to groveling slaves?
Glimmers of New Age Spirituality
I’d wish things would get less demonic around this time and that I could point to a cuter and happier ending when we get to New Age spirituality. But alas, as the human (or post-human) condition progresses, it only gets more wondrous, complex, perilous and terrifying, all at once. As Leon Trotsky is quoted in Appendix A, “The forms of life will become dynamically dramatic […] And above this ridge new peaks will rise.” He just forgot to mention the new opening abyss between us and the peaks. Higher emancipation, incidentally, is found on the very edge of doom.
For many readers, no doubt, “New Age” seems to be the odd one out in a chapter about the totalitarian ideologies of the 20th century. Communism, fascism, and… New Age? These phenomena aren’t usually discussed in the same context. And yet, there is a clear and fundamental pattern connecting the three; even a logical, historical progression (as well as more interconnecting ties and overlaps than we could name or hope to trace).
The three ideologies appeared and gained prominence in sequence as modern society progressed, each of them related to holistic visions, and each of them led to totalitarian, abusive and collapsed societies. Communism relates to a profound social equality and union between humans, to the abolition of the “shame-regime” as discussed in chapter 5 (since no one would have lower status in the communist utopia). Fascism builds upon the communist radical unity and the rise of certain strong wills and great figures in that unified society and a conscious refinement of humanity, corresponding to the abolition of the Sklavenmoral -regime. And the New Age movements aimed at creating a reign of universal love flowing from a genuinely unified and deeply emancipated humanity, unifying us not only with one another, but with the cosmos at large, with all life, and with our highest inner potentials—in Hanzi language, with our “highest subjective states” and “greatest inner depths”. Like communism, New Age spirituality is utopian and egalitarian, like fascism it emphasizes the distinctions between the genders as well as the value of authenticity and fullness of commitment and of total submission of the ego and dissolution into a complete unity. This corresponds to the “higher reaches of freedom” pertaining to the later stages of human development, to the deepest reaches of our imaginations and the most universalistic and holistic visions of society and humanity.
Because of its developmental qualities, reaching higher and deeper than communism and fascism, New Age holds the potential for a more hellish, oppressive and suffocating totalitarianism than anything hitherto seen in communist and fascist societies. Luckily for us, no utopian New Age movements really gained power in the 20th century—their social sustainability was simply too low to grow beyond small communities and inward-looking cults. The exception may be Scientology, which turned itself into a self-sustaining market mechanism using psychological coercion to get people to aggressively pool money into real estate around the world, which in turn boasts the identities of members (“look at my big temple”) who then gain incentives to uphold the structure.
The close connection between fascism and say Adi Da’s cult, or that of Osho, or Scientology, may be difficult to spot on a surface level. After all, fascists are tough and manly, and New Agers soft and spiritual. But many scholars have shown that fascism—new and old—is full to the brim with esoteric and spiritual underpinnings. Karla Poewe, Pankaj Mishra and Göran Dahl are worth mentioning in this context.
Viewed with the goggles of my own theory, this is the developmental imbalance of “the magic residual” at work, as explained in Book One; i.e. people who have greater depth and/or state than complexity and/or code tend to seek wholeness and be drawn to the non-rational in the search of the transrational. In other words, you have a pervasive sense there is something more to the world and to reality than we can normally describe and grasp with our conscious conceptual minds, and that the direct experience of reality always points towards something larger than any specific structure of thought, but that something requires that we jump off a cliff into the unknown, that we stop thinking and allow ourselves to “fully be”.
This impulse, while true, opens the door inside of us for a holistic vision that would unite all of society with primary, archetypal and spiritual forces: Martin Heidegger initially supported the Nazis and Carl Jung had early writings which spoke of collective Aryan and Jewish psyches, and countless other “deep stuff” thinkers have fallen into similar traps. There is a very close connection between fascism and the New Age, most recently revealed perha
ps by the harrowing example of Andrew Cohen’s cult.
Why then would I claim that New Age has the potential to be even more hellish than Gulag or Holocaust? Think about it: These relations involve your innermost ontological belief structures. They can make you believe that if you don’t follow suit, if you even think the wrong thought, you will be punished for a literal eternity of unbearable suffering. And they can make you believe that in full and earnest. That’s much, much more radical than making you think you’re a bad comrade or not a part of the master race. And they can make you believe that the fate of the entire cosmos, literally speaking , depends on your work with this and that inner purification, enlightenment, etc. And they can make you believe this or that person is literally God speaking and that nothing else has any relevance compared to what they may be saying. And they can make you intimately feel that with every cell of your body and soul. It’s the Michelin Star Club of totalitarianism. It’s totalitarianism magna cum laude , extra everything; ketchup and mustard. Because it reaches into the depths of your soul and controls parts of you neither Stalin nor Hitler could reach. In theory, then, what crimes could that sort of power make you commit? And if you were invested in it, what would you be prepared to do to defend it from perceived attackers?
If you consider the stories told by some escapees of North Korea, you notice this pattern. This is a nominally communist country, which all but in name has transitioned to a caste-like hyper-militarized fascist society, and where you increasingly see the use of supernatural narratives to legitimize political power. Miracles are associated with the Supreme Leader, and it can take years for a young woman who escaped to get rid of the belief that he is reading her mind. That, if anything, is worse that Orwell’s 1984. And it’s pretty close to what has been reported by ex-Scientologists. If Scientology would have managed to take over society as a whole, you might have seen similar patterns emerging in other countries or at a larger scale.
Nordic Ideology Page 53
