by Guran, Paula
“Got that right,” he laughed and winked at me from the rearview mirror. “But I was thinking more in terms of the immediate here and now.”
So I recited the address I’d been given over the phone, 435 Riverside.
“That’s the Colosseum,” he said.
“It is if you say so,” I replied. “Just get me there.”
The driver nodded and pulled away from the curb. As he navigated the slick, wet streets, I sat listening to the rain against the Chevy’s hardtop and the music coming from the Motorola. In particular, I can remember hearing the Dorsey Brothers, “Chasing Shadows.” I suppose you’d call that a harbinger, if you go in for that sort of thing. Me, I do my best not to. In this business, you start jumping at everything that might be an omen or a portent, you end up doing nothing else. Ironically, rubbing shoulders with the supernatural has made me a great believer in coincidence.
Anyway, the driver drove, the radio played, and I sat staring at the red lacquered box I’d stolen from a dead man’s locked desk drawer. I thought it might be mahogany, but it was impossible to be sure, what with all that cinnabar-tinted varnish. I know enough about Chinese mythology that I recognized the strange creature carved into the top—a qilin, a stout, antlered beast with cloven hooves, the scales of a dragon, and a long leonine tail. Much of its body was wreathed in flame, and its gaping jaws revealed teeth like daggers. For the Chinese, the qilin is a harbinger of good fortune, though it certainly hadn’t worked out that way for Jimmy Fong. The box was heavier than it looked, most likely because of whatever was stashed inside. There was no latch, and as I examined it more closely, I realized there was no sign whatsoever of hinges or even a seam to indicate it actually had a lid.
“Unless I got it backwards,” the driver said, “Miss Andrews didn’t say nothing about trying to open that box, now did she?”
I looked up, startled, feeling like the proverbial kid caught with her hand in the cookie jar. He glanced at me in the mirror, then his eyes drifted back to the road.
“She didn’t say one way or the other,” I told him.
“Then how about we err on the side of caution?”
“So you didn’t know where you’re taking me, but you know I shouldn’t open this box? How’s that work?”
“Ain’t the world just full of mysteries,” he said.
For a minute or so, I silently watched the headlights of the oncoming traffic and the metronomic sweep of the windshield wipers. Then I asked the driver how long he’d worked for Ellen Andrews.
“Not very,” he said. “Never laid eyes on the lady before this afternoon. Why you want to know?”
“No particular reason,” I said, looking back down at the box and the qilin etched in the wood. I decided I was better off not asking any more questions, better off getting this over and done with, and never mind what did and didn’t quite add up. “Just trying to make conversation; that’s all.”
Which got him to talking about the Chicago stockyards and Cleveland and how it was he’d eventually wound up in New York City. He never told me his name, and I didn’t ask. The trip uptown seemed to take forever, and the longer I sat with that box in my lap, the heavier it felt. I finally moved it, putting it down on the seat beside me. By the time we reached our destination, the rain had stopped and the setting sun was showing through the clouds, glittering off the dripping trees in Riverside Park and the waters of the wide gray Hudson. He pulled over, and I reached for my wallet.
“No, ma’am,” he said, shaking his head. “Miss Andrews, she’s already seen to your fare.”
“Then I hope you won’t mind if I see to your tip,” I said, and I gave him five dollars. He thanked me, and I took the wooden box and stepped out onto the wet sidewalk.
“She’s up on the eleventh,” he told me, nodding toward the apartments. Then he drove off, and I turned to face the imposing brick-and-limestone façade of the building the driver had called the Colosseum. I rarely find myself any farther north than the Upper West Side, so this was pretty much terra incognita for me.
The doorman gave me directions, after giving me and Fong’s box the hairy eyeball, and I quickly made my way to the elevators, hurrying through that ritzy marble sepulcher passing itself off as a lobby. When the operator asked which floor I needed, I told him the eleventh, and he shook his head and muttered something under his breath. I almost asked him to speak up, but thought better of it. Didn’t I already have plenty enough on my mind without entertaining the opinions of elevator boys? Sure, I did. I had a murdered Chinaman, a mysterious box, and this pushy little sorceress calling herself Ellen Andrews. I also had an especially disagreeable feeling about this job, and the sooner it was settled, the better. I kept my eyes on the brass needle as it haltingly swung from left to right, counting off the floors, and when the doors parted, she was there waiting for me. She slipped the boy a sawbuck, and he stuffed it into his jacket pocket and left us alone.
“So nice to see you again, Nat,” she said, but she was looking at the lacquered box, not me. “Would you like to come in and have a drink? Auntie H. says you have a weakness for rye whiskey.”
“Well, she’s right about that. But just now, I’d be more fond of an explanation.”
“How odd,” she said, glancing up at me, still smiling. “Auntie said one thing she liked about you was how you didn’t ask a lot of questions. Said you were real good at minding your own business.”
“Sometimes I make exceptions.”
“Let me get you that drink,” she said, and I followed her the short distance from the elevator to the door of her apartment. Turns out, she had the whole floor to herself, each level of the Colosseum being a single apartment. Pretty ritzy accommodations, I thought, for someone who was mostly from out of town. But then, I’ve spent the last few years living in that one-bedroom cracker box above the Yellow Dragon—hot and cold running cockroaches and so forth. She locked the door behind us, then led me through the foyer to a parlor. The whole place was done up gaudy period French, Louis Quinze and the like, all floral brocade and orientalia. The walls were decorated with damask hangings, mostly of ample-bosomed women reclining in pastoral scenes, dogs and sheep and what have you lying at their feet. Ellen told me to have a seat, so I parked myself on a récamier near a window.
“Harpootlian spring for this place?” I asked.
“No,” she replied. “It belonged to my mother.”
“So, you come from money.”
“Did I mention how you ask an awful lot of questions?”
“You might have,” I said, and she inquired as to whether I liked my whiskey neat or on the rocks. I told her neat, and set the red box down on the sofa next to me.
“If you’re not too thirsty, would you mind if I take a peek at that first,” she said, pointing at the box.
“Be my guest,” I said, and Ellen smiled again. She picked up the red lacquered box, then sat next to me. She cradled it in her lap, and there was this goofy expression on her face, a mix of awe, dread, and eager expectation.
“Must be something extra damn special,” I said, and she laughed. It was a nervous kind of a laugh.
I’ve already mentioned how I couldn’t discern any evidence the box had a lid, and I supposed there was some secret to getting it open, a gentle squeeze or nudge in just the right spot. Turns out, all it needed was someone to say the magic words.
“Pain had no sting, and pleasure’s wreath no flower,” she said, speaking slowly and all but whispering the words. There was a sharp click and the top of the box suddenly slid back with enough force that it tumbled over her knees and fell to the carpet.
“Keats,” I said.
“Keats,” she echoed, but added nothing more. She was too busy gazing at what lay inside the box, nestled in a bed of velvet the color of poppies. She started to touch it, then hesitated, her fingertips hovering an inch or so above the object.
“You’re fucking kidding me,” I said, once I saw what was inside.
“Don’t go jumping to conclusion
s, Nat.”
“It’s a dildo,” I said, probably sounding as incredulous as I felt. “Exactly which conclusions am I not supposed to jump to? Sure, I enjoy a good rub-off as much as the next girl, but . . . you’re telling me Harpootlian killed Fong over a dildo?”
“I never said Auntie H. killed Fong.”
“Then I suppose he stuck that knife there himself.”
And that’s when she told me to shut the hell up for five minutes, if I knew how. She reached into the box and lifted out the phallus, handling it as gingerly as somebody might handle a stick of dynamite. But whatever made the thing special, it wasn’t anything I could see.
“Le godemiché maudit,” she murmured, her voice so filled with reverence you’d have thought she was holding the devil’s own wang. Near as I could tell, it was cast from some sort of hard black ceramic. It glistened faintly in the light getting in through the drapes. “I’ll tell you about it,” she said, “if you really want to know. I don’t see the harm.”
“Just so long as you get to the part where it makes sense that Harpootlian bumped the Chinaman for this dingus of yours, then sure.”
She took her eyes off the thing long enough to scowl at me. “Auntie H. didn’t kill Fong. One of Szabó’s goons did that, then panicked and ran before he figured out where the box was hidden.”
(Now, as for Madam Magdalena Szabó, the biggest boil on Auntie H.’s fanny, we’ll get back to her by and by.)
“Ellen, how can you possibly fucking know that? Better yet, how could you’ve known Szabó’s man would have given up and cleared out by the time I arrived?”
“Why did you answer that phone, Nat?” she asked, and that shut me up, good and proper. “As for our prize here,” she continued, “it’s a long story, a long story with a lot of missing pieces. The dingus, as you put it, is usually called le godemiché maudit. Which doesn’t necessarily mean it’s actually cursed, mind you. Not literally. You do speak French, I assume?”
“Yeah,” I told her. “I do speak French.”
“That’s ducky, Nat. Now, here’s about as much as anyone could tell you. Though, frankly, I’d have thought a scholarly type like yourself would know all about it.”
“Never said I was a scholar,” I interrupted.
“But you went to college. Radcliffe, class of 1923, right? Graduated with honors.”
“Lots of people go to college. Doesn’t necessarily make them scholars. I just sell books.”
“My mistake,” she said, carefully returning the black dildo to its velvet case. “It won’t happen again.” Then she told me her tale, and I sat there on the récamier and listened to what she had to say. Yeah, it was long. There were certainly a whole lot of missing pieces. And as a wise man once said, this might not be schoolbook history, not Mr. Wells’s history, but, near as I’ve been able to discover since that evening at her apartment, it’s history, nevertheless. She asked me whether or not I’d ever heard of a fourteenth-century Persian alchemist named al-Jaldaki, Izz al-Din Aydamir al-Jaldaki, and I had, of course.
“He’s sort of a hobby of mine,” she said. “Came across his grimoire a few years back. Anyway, he’s not where it begins, but that’s where the written record starts. While studying in Anatolia, al-Jaldaki heard tales of a fabulous artifact that had been crafted from the horn of a unicorn at the behest of King Solomon.”
“From a unicorn,” I cut in. “So we believe in those now, do we?”
“Why not, Nat? I think it’s safe to assume you’ve seen some peculiar shit in your time, that you’ve pierced the veil, so to speak. Surely a unicorn must be small potatoes for a worldly woman like yourself.”
“So you’d think,” I said.
“Anyhow,” she went on, “the ivory horn was carved into the shape of a penis by the king’s most skilled artisans. Supposedly, the result was so revered it was even placed in Solomon’s temple, alongside the Ark of the Covenant and a slew of other sacred Hebrew relics. Records al-Jaldaki found in a mosque in the Taurus Mountains indicated that the horn had been removed from Solomon’s temple when it was sacked in 587 BC by the Babylonians, and that eventually it had gone to Medina. But it was taken from Medina during or shortly after the siege of 627, when the Meccans invaded. And it’s at this point that the horn is believed to have been given its ebony coating of porcelain enamel, possibly in an attempt to disguise it.”
“Or,” I said, “because someone in Medina preferred swarthy cock. You mind if I smoke?” I asked her, and she shook her head and pointed at an ashtray.
“A Medinan rabbi of the Banu Nadir tribe was entrusted with the horn’s safety. He escaped, making his way west across the desert to Yanbu’ al Bahr, then north along the al-Hejaz all the way to Jerusalem. But two years later, when the Sassanid army lost control of the city to the Byzantine emperor Heraclius, the horn was taken to a monastery in Malta, where it remained for centuries.”
“That’s quite a saga for a dildo. But you still haven’t answered my question. What makes it so special? What the hell’s it do?”
“Maybe you’ve heard enough,” she said, and this whole time she hadn’t taken her eyes off the thing in the box.
“Yeah, and maybe I haven’t,” I told her, tapping ash from my Pall Mall into the ashtray. “So, al-Jaldaki goes to Malta and finds the big black dingus.”
She scowled again. No, it was more than a scowl; she glowered, and she looked away from the box just long enough to glower at me. “Yes,” Ellen Andrews said. “At least, that’s what he wrote. Al-Jaldaki found it buried in the ruins of a monastery in Malta, and then carried the horn with him to Cairo. It seems to have been in his possession until his death in 1342. After that it disappeared, and there’s no word of it again until 1891.”
I did the math in my head. “Five hundred and forty-nine years,” I said. “So it must have gone to a good home. Must have lucked out and found itself a long-lived and appreciative keeper.”
“The Freemasons might have had it,” she went on, ignoring or oblivious to my sarcasm. “Maybe the Vatican. Doesn’t make much difference.”
“Okay. So what happened in 1891?”
“A party in Paris, in an old house not far from the Cimetière du Montparnasse. Not so much a party, really, as an out-and-out orgy, the way the story goes. This was back before Montparnasse became so fashionable with painters and poets and expatriate Americans. Verlaine was there, though. At the orgy, I mean. It’s not clear what happened precisely, but three women died, and afterward there were rumors of black magic and ritual sacrifice, and tales surfaced of a cult that worshiped some sort of demonic objet d’art that had made its way to France from Egypt. There was an official investigation, naturally, but someone saw to it that la préfecture de police came up with zilch.”
“Naturally,” I said. I glanced at the window. It was getting dark, and I wondered if my ride back to the Bowery had been arranged. “So, where’s Black Beauty here been for the past forty-four years?”
Ellen leaned forward, reaching for the lid to the red lacquered box. When she set it back in place, covering that brazen scrap of antiquity, I heard the click again as the lid melded seamlessly with the rest of the box. Now there was only the etching of the qilin, and I remembered that the beast had sometimes been referred to as the “Chinese unicorn.” It seemed odd I’d not thought of that before.
“I think we’ve probably had enough of a history lesson for now,” she said, and I didn’t disagree. Truth be told, the whole subject was beginning to bore me. It hardly mattered whether or not I believed in unicorns or enchanted dildos. I’d done my job, so there’d be no complaints from Harpootlian. I admit I felt kind of shitty about poor old Fong, who wasn’t such a bad sort. But when you’re an errand girl for the wicked folk, that shit comes with the territory. People get killed, and worse.
“It’s getting late,” I said, crushing out my cigarette in the ashtray. “I should dangle.”
“Wait. Please. I promised you a drink, Nat. Don’t want you telling Auntie H
. I was a bad hostess, now do I?” And Ellen Andrews stood up, the red box tucked snugly beneath her left arm.
“No worries, kiddo,” I assured her. “If she ever asks, which I doubt, I’ll say you were a regular Emily Post.”
“I insist,” she replied. “I really, truly do,” and before I could say another word, she turned and rushed out of the parlor, leaving me alone with all that furniture and the buxom giantesses watching me from the walls. I wondered if there were any servants, or a live-in beau, or if possibly she had the place all to herself, that huge apartment overlooking the river. I pushed the drapes aside and stared out at twilight gathering in the park across the street. Then she was back (minus the red box) with a silver serving tray, two glasses, and a virgin bottle of Sazerac rye.
“Maybe just one,” I said, and she smiled. I went back to watching Riverside Park while she poured the whiskey. No harm in a shot or two. It’s not like I had some place to be, and there were still a couple of unanswered questions bugging me. Such as why Harpootlian had broken her promise, the one that was supposed to prevent her underlings from practicing their hocus-pocus on me. That is, assuming Ellen Andrews had even bothered to ask permission. Regardless, she didn’t need magic or a spell book for her next dirty trick. The Mickey Finn she slipped me did the job just fine.
So, I came to, four, perhaps five hours later—sometime before midnight. By then, as I’d soon learn, the shit had already hit the fan. I woke up sick as a dog and my head pounding like there was an ape with a kettledrum loose inside my skull. I opened my eyes, but it wasn’t Ellen Andrews’s Baroque clutter and chintz that greeted me, and I immediately shut them again. I smelled the hookahs and the smoldering bukhoor, the opium smoke and sandarac and, somewhere underneath it all, that pervasive brimstone stink that no amount of incense can mask. Besides, I’d seen the spiny ginger-skinned thing crouching not far from me, the eunuch, and I knew I was somewhere in the rat’s-maze labyrinth of Harpootlian’s bordello. I started to sit up, but then my stomach lurched and I thought better of it. At least there were soft cushions beneath me, and the silk was cool against my feverish skin.
