Scend of the Sea

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Scend of the Sea Page 2

by Geoffery Jenkins


  'Afraid it can't be helped!"

  I went on, warmed by her challenge, and too absorbed to realize how odd it must sound to her shore ears, to describe the need to keep up the continuity of the weather watch.

  "Coming back to port really means that we lose one week's weather out of every four-on the spot, that is. We naturally take readings and observations on the way back to port and out again, but it's not quite the same.'

  'I read somewhere that during the Napoleonic wars Admiral Collingwood blockaded the French port of Brest for twenty-two months without ever once stepping on to dry land,' she said. 'You're not doing too badly for yourself - once a month!'

  She turned to the two photographs and stared hard at them, as if she had come to some decision. Her voice was subdued, warm in its sincerity.

  'Now it's my turn to be unfair. I said just now, it takes courage. A year-that's what I really meant.'

  I might have dodged into some conventional repartee, but her sincerity forbade it.

  'No one has ever described it as courage before,' I replied a little wryly, wondering what had made her choose to work for a ship's chandler. 'Screaming boredom, insufferable separation from the bright city lights, wayout type of living, hermit existence-it's been called all that, and more. But courage - no.'

  She waited. The electric drill was still and I guessed the crew was busy with the crating. Since she had begun to talk, perhaps I felt a little differently. It was their job. They could do it well enough by themselves. They didn't need the skipper to nursemaid them on every minor function connected with the ship.

  Her eyes dropped to the wind repeater, as if silently urging me to go on.

  ‘In many ways it's better to be in a ship than be stuck on one of the weather observation islands down in Antarctica,' I said. The sea is always alive, and you have something to occupy yourself with all the time. They tell me that one of the biggest problems for men on Gough is boredom off watch, during leisure time.'

  'I don't understand why there has to be a ship to observe the weather as well as the island stations.'

  The trouble is that Gough is 1400 miles from the Cape; Tristan da Cunha, still nearer South America, is 2000,' I replied. 'On the east, the opposite side of Africa, we have a weather station on Marion Island, but it's 1200 miles from land. To the south, in Antarctica itself, there's the South African base-2300 miles from home. It's no good reporting a storm front passing over Gough and expecting as a matter of course that it will strike the Cape. Between cup and lip, so to speak, a lot can happen in 1400 miles. A storm front can sheer off to the north or the south of the main land mass, or change its whole character and form what we call a secondary low . . . anyway, most of the storm systems which give the Cape its bad name start east of Gough towards the Cape - in other words, after they have passed over the island.'

  'What about weather satellites?' she asked. I had begun to find my tongue; it was strange, and a little exciting, to be talking weather outside the sterilities of synoptic readings. 'There was a radio talk about them the other day. It seems they are able to photograph the build-up of storm-cloud formations over any part of the ocean.' She flicked a quick glance at me, wondering whether her question might kill the conversation. 'All you have to do, it would appear, is to sit tight in your office safely on land and wait for a satellite photo to come in-without going to sea at all.'

  I smiled a little at her seriousness. 'You're trying to talk me out of my ship! No, weather satellites are valuable, but they're not the whole answer. From them you can see vast stretches of ocean and its weather. If I had some of the photos here I'd show you how you can actually watch the great battalions of cloud taking up storm formation as a front approaches South Africa from the south-west, from Antarctica. The storm may extend for a thousand miles. But we weathermen need a great deal more than a photograph. We want upper air temperatures, wind speeds, barometric pressures-a whole lot of technical things we lump together under the term synoptic reading. If we have these readings we can also work out, far more accurately than from a satellite photo, when and how a big storm system will strike the Cape.'

  'It seems an awful lot of effort to go to in order to tell people whether or not to go for a picnic or a swim.'

  'Fortunately, those people are at the bottom of our priority list,' I replied. 'Ships in coastal waters and aircraft are our main concern - farmers next. For them, however, I suppose we could have got by without the Walvis Bay. It's oil rigs which make this ship important. Without them, she wouldn't be here tonight.'

  'Oil rigs?'

  'The weather ship's main function is to supply accurate information for the big floating rigs drilling for oil on the continental shelf off the southern Cape coast. Our forecasts are of prime importance to them-there's a great deal of money involved in missing just one day's drilling, or having expensive equipment smashed because the oil-men didn't know what sort of seas to expect. When this little Walvis Bay starts to cavort in a southwesterly swell 600 or 700 miles out on the high seas, it's a fairly good bet that three or four days later the huge drilling platforms on the coast will likewise cavort. In fact, it was oil, which really clinched the whole weather ship project. Without finance from the backers of the oil rigs, none of the other bodies concerned could have afforded a ship like this with her special expensive equipment. When you arrived, I was dismantling some of it to make sure it wouldn't get damaged on the passage to Durban. It's a great responsibility, all this special apparatus, and it's a major part of my job to see it doesn't get smashed at sea. I sail Walvis Bay on a very light rein in the Southern Ocean, with one eye all the time on my equipment.' 'And this is your whole life?'

  'I'm used to it,' I answered. Then it slipped out. Why should I have told her? I didn't need a confessional, but those steady, provocative eyes were on me.

  'Single-handed yacht racing is a loner's game,' I said a little self-consciously. 'I graduated in that school. Whalers first. To the Antarctic-but that was more a bit of schoolboy fun than serious sea-going.'

  She asked no questions. She simply waited, in that quiet, serious way of hers.

  So I added. 'I raced Touleier in the Cape en Buenos Aires race. It was a sort of curtain-raiser to the big Rio race this year.'

  'And won - I know.’ she answered. 'The whole world heard about Touleier's exploits - they even learned to pronounce her name.' She ran it round her tongue, as if it gave her pleasure to do so. 'Tow-layer.' She ran her finger round the dial of the wind gauge repeater, as if vicariously sampling those great gales which had swept me across the empty ocean between the two great continents of the south. 'You call it a curtain-raiser, the papers called it sorting the men from the boys.'

  I remembered a field of ice as I neared the winning post, the gale blowing the spicules of ice so that they scored the face of the compass.

  'If you can stand forty-four days alone in a yacht at sea, it's easy to take twenty-one days each month in a ship like Walvis Bay, which is thirty times her size, surrounded by men, in touch with the land every three hours by radio, discussing all the time things like pressures, wave heights, wind direction and force, plotting . . .'

  'Mr Hoskins didn't tell me it was the skipper of Touleier I was bringing a chart to tonight.'

  'He was my backroom boy for the race. That was the first time he fathered my needs for a special outfit; Walvis Bay is also special. You get used to this sort of life. It has its compensations. Who do you know gets one week's holiday every four? That's what happens to my crew. Three weeks at sea, one in port. It's also got its rather imponderable academic rewards. No one has ever yet sat in continuous watch over the weather in the Southern Ocean where I'm stationed. Already some extremely interesting new developments have come to light which we could not have known without on-the-spot observations.'

  She did not reply, but took three steps across the cabin, as if pacing it for size. From the inward-angled bookshelf -designed to prevent my books falling out in a seaway-she picked out a blue-cover
ed one.

  ‘I suppose a hermit finds compensations in his cell,’ she murmured, as if to herself. 'Compensations!' She turned to me and quoted the title. ‘ "The Antarctic Pilot, comprising the coasts of Antarctica and all the islands south of the usual route of vessels."' She did not look up from the print, but put it back among half a dozen others of the same ilk, reciting their titles volume by volume.

  The irritation which I had felt earlier from the pressures of getting the weather ship to sea returned, and I was on the point of asking her whether she expected me to spend my leisure hours at sea listening to mushy radio programmes or gazing at pin-ups. But her action stopped my comment. The bookshelf had been only a ploy, a kind of vestibule, as it were, to her true purpose.

  She went quickly to the big framed photograph of a ship on the bulkhead, turned, and faced me.

  My eyes, she told me afterwards, went blank like iceblink in the sky when the great bergs haze a blue Southern Ocean sky with their dead reflection.

  She waited, but this time I did not respond. She stared at me and I at her. I should have let her go then.

  She had taken another inexorable step.

  She had stepped under the photograph of the Waratah.

  She frowned and dropped her eyes from their long penetrating assessment of mine.

  'I have been very, very presumptuous,' she said softly. The slight shake of the head was more a plea in extenuation than in defence. She rapped the glass face of the wind gauge with a finger. This time it was not to share, but to probe, its secret. 'One cannot see an altar and not be awed, even if the altar of someone's life is . . .' It was half a question, half an assertion '. . . the wind?'

  I remained silent. She turned and stared at the photograph of the Waratah. I heard the clump and thump of the crew on the deck above, and somewhere a gull screamed in rage. The points of her hair in her neck, short like a boy's, curled where they touched the polo collar of her jersey.

  She ran her left fingers round the heavy frame of the photograph, speaking more softly still, addressing it almost, not me.

  'Can it really mean so much-simply this photograph of an old high-funnelled liner with a signature in each corner?'

  I seemed to hear myself reply; I kept my voice level. 'You can't read the name-photographers weren't that good in 1909. If you could, you'd see that it was - Waratah.'

  Only on rare other occasions in my knowledge of her did she give that quick jerky sigh, half intake of breath, half a smothered exclamation. Still she did not turn from the ship.

  'Waratah’

  The sound of the name spoken by someone else was unreal to me; I had lived with it, buried, for so long; now it seemed to stir in its grave-clothes at her startled exclamation.

  'I suppose more has been written about her fate and more speculations let fly than about any other ship which ever sailed the Seven Seas,' I ventured.

  She replied hesitatingly, but her concentration was on my reaction, not on her own words. 'There was some appalling tragedy connected with her-I don't know the details-'

  She told me later that I spoke mechanically: the words seemed to have been learned by heart.

  "The Waratah was one of the finest ships of her day-before the First World War. She was big for those days, too - 10,000 tons. She was brand new, on her second voyage only. She sailed from Durban bound for Cape Town one winter's night in 1909 with 211 people on board. Next day, nearly a couple of hundred miles to the south, off the coast of Pondoland, she was spoken to by another steamer. Waratah exchanged signals; there was no hint of trouble. Then, a few hours later near East London, she disappeared. Vanished. She was never seen or heard of again, and no wreckage or bodies were ever found, not so much as a matchbox. Just like that. In broad daylight. In sight of the coast. Ships behind and ahead of her. It remains one of the greatest mysteries of the sea.'

  I wanted to hide my tenseness from those clear eyes. So I gestured. 'Read the signatures on the photograph.' She read, ' "J. E. Ilbery, Master."' 'Go on.'

  ' "Douglas Fairlie, First Officer." ‘

  Someone tapped on the cabin door, but we ignored it.

  'There's no need to go on, is there?' she said.

  I shook my head.

  ‘I repeat, I was very presumptuous,' she went on. 'I had no idea I was treading into a place of such grief.'

  She looked startled at my unnatural laugh.

  'Douglas Fairlie was my grandfather. I never even saw him, nor did my father, for that matter. Douglas Fairlie was lost in the Waratah over sixty years ago.'

  The line of her lips was puzzled. 'But you - it's sixty years -is it grief, still?'

  I said brusquely, 'Look at the other photograph.'

  'It's an airliner - South African Airways.'

  The cabin seemed hot, and I slipped off my oilskin. I did not join her at the photographs.

  I'm sorry, I forgot the signature's on the back. I'll tell you what it says: "Ian, what do you think of my flying Gemsbok’ Love from Dad." Do you follow?'

  She said slowly, 'The South African Airways airliner Gemsbok crashed while coming into land at East London. All on board were killed.'

  'The pilot was Captain Bruce Fairlie,' I added. 'No bodies or wreckage were ever found.'

  She looked from one photograph to the other and said very deliberately, Those are Waratah words.'

  'The Waratah vanished near East London without trace,' I said. 'The Gemsbok vanished without trace near East London.

  Bruce Fairlie commanded the Gemsbok. Douglas Fairlie was first officer of the Waratah.,

  The papers were full of it - the Gemsbok was the worst air crash until then in South Africa.'

  'It's four years ago now.'

  'Wasn't there something about the pilot dying at the controls . . . ? I'm sorry, I mean your father . . .'

  I heard myself talking in that flat, official jargon again. To hide - what?

  The court of inquiry found that the possibility of my father having died of a heart attack at the controls as the Viscount came in to land could not be ruled out . . .'

  She gave a slightly perceptible, impatient toss of her short hair and frowned. She had lost me for the moment; it warmed me to be wanted back.

  So I said, 'What I am trying to say is that my father and my grandfather died at roughly the same place, at an interval of over sixty years, one in a fine ship and the other in a fine plane.'

  She added, 'And from neither were any bodies or wreckage ever found. Yet the son-the grandson-is at sea, on as hazardous a job as is possible in these days of push-button safety.'

  'I told you, it suits me.'

  'Did he - your father, the pilot-approve of your single-handed ocean racing?'

  'Touleier came after the Gemsbok crash. The sea comes first with the Fairlies. In my father that love mutated into flying. He acknowledged that it was so. My brother too.'

  'Your brother, too?'

  ‘I have a younger brother who is a South African Air Force pilot - Buccaneer sea-jets. They say that if you can handle a yacht, it gives you a feeling to handle a plane. Perhaps there's really not much between us either way.'

  I thought then she was breaking off at a tangent, tactfully trying to end the overcharged conversation. 'You've told me about the Waratah and the Gemsbok, but can I ask you a question about yourself?'

  'There's nothing much beyond what you already know.’

  'Why do you live with a wind gauge repeater in your cabin?'

  From anyone else it would have been prying impertinence. She was too deep for that.

  'It's part of my job-an important part-to know the direction of the wind.’ 'Day and night? Where you sleep? Where you relax?’ I replied, 'You see, the big fronts which come up from Antarctica and affect the weather round the Cape and the oil rigs I told you about are from the south-west . . .'

  Suddenly I wanted to sail, to be at sea. Later, she was to tell me that my voice changed and the ice-blink blankness was back in my eyes. But she had the key she wanted
- southwest!

  She waited only a little, not pressing a reply, and said she must go when I paused on the word. Her voice was restrained; she did not look again at the two photographs.

  I moved from the doorway and in doing so brushed off my oilskin from the chart where I had shed it. Her chart lay still unopened on the wind gauge repeater. She stared at the one the oilskin had laid bare.

  'You have my chart already! ‘

  It was impossible to explain to her, then.

  'Yes, I have one chart of the Pondoland coast. But I wanted another.’

  She frowned a little as she bent to read the superscription on mine. I noticed that her lips moved more towards their right-hand corner than the left. ' "East London to Bashee River, S.A. surveying ship Africana, 1934/35." It's marked full of lines and arrows which I don't understand.'

  I was tired. I nearly said, I don't understand them either, but instead I covered up. "There are too many lines and markings on this chart of mine. I wanted a clean one for Walvis Bay's trip. That's why I asked Mr Hoskins for a new one.'

  'I think he might be a little hurt if he knew you'd had one all along,' she said.

  'He's never been in my cabin.'

  'So he hasn't seen the Waratah?’

  ‘I think we should let it go at that, don't you?'

  She went.

  I did not leave the cabin. I did not know her name.

  CHAPTER TWO

  'Green Point light bears zero-six-three.' 'Distance?'

  'One and a quarter miles, sir.'

  'Ground haze or fog?'

  'Not tonight, sir. Clear as a whistle.'

  'Steady as she goes, then.'

 

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