Interrupting these sculptured walls were high windows and massive twelve-foot doorways; both now and then retaining the petrified wooden planks - elaborately carved and polished - of the actual shutters and doors. All metal fixtures had long ago vanished, but some of the doors remained in place and had to be forced aside as we progressed from room to room. Window frames with odd transparent panes - mostly elliptical - survived here and there, though in no considerable quantity. There were also frequent niches of great magnitude, generally empty, but once in a while containing some bizarre object carved from green soapstone which was either broken or perhaps held too inferior to warrant removal. Other apertures were undoubtedly connected with bygone mechanical facilities - heating, lighting, and the like - of a sort suggested in many of the carvings. Ceilings tended to be plain, but had sometimes been inlaid with green soapstone or other tiles, mostly fallen now. Floors were also paved with such tiles, though plain stonework predominated.
As I have said, all furniture and other movables were absent; but the sculptures gave a clear idea of the strange devices which had once filled these tomblike, echoing rooms. Above the glacial sheet the floors were generally thick with detritus, litter, and debris, but farther down this condition decreased. In some of the lower chambers and corridors there was little more than gritty dust or ancient incrustations, while occasional areas had an uncanny air of newly swept immaculateness. Of course, where rifts or collapses had occurred, the lower levels were as littered as the upper ones. A central court - as in other structures we had seen from the air - saved the inner regions from total darkness; so that we seldom had to use our electric torches in the upper rooms except when studying sculptured details. Below the ice cap, however, the twilight deepened; and in many parts of the tangled ground level there was an approach to absolute blackness.
To form even a rudimentary idea of our thoughts and feelings as we penetrated this aeon-silent maze of unhuman masonry one must correlate a hopelessly bewildering chaos of fugitive moods, memories, and impressions. The sheer appalling antiquity and lethal desolation of the place were enough to overwhelm almost any sensitive person, but added to these elements were the recent unexplained horror at the camp, and the revelations all too soon effected by the terrible mural sculptures around us. The moment we came upon a perfect section of carving, where no ambiguity of interpretation could exist, it took only a brief study to give us the hideous truth - a truth which it would be naive to claim Danforth and I had not independently suspected before, though we had carefully refrained from even hinting it to each other. There could now be no further merciful doubt about the nature of the beings which had built and inhabited this monstrous dead city millions of years ago, when man’s ancestors were primitive archaic mammals, and vast dinosaurs roamed the tropical steppes of Europe and Asia.
We had previously clung to a desperate alternative and insisted - each to himself - that the omnipresence of the five-pointed motif meant only some cultural or religious exaltation of the Archaean natural object which had so patently embodied the quality of five-pointedness as the decorative motifs of Minoan Crete exalted the sacred bull, those of Egypt the scarabaeus, those of Rome the wolf and the eagle, and those of various savage tribes some chosen totem animal. But this lone refuge was now stripped from us, and we were forced to face definitely the reason-shaking realisation which the reader of these pages has doubtless long ago anticipated. I can scarcely bear to write it down in black and white even now, but perhaps that will not be necessary.
The things once rearing and dwelling in this frightful masonry in the age of dinosaurs were not indeed dinosaurs, but far worse. Mere dinosaurs were new and almost brainless objects - but the builders of the city were wise and old, and had left certain traces in rocks even then laid down well nigh a thousand million years - rocks laid down before the true life of earth had advanced beyond plastic groups of cells - rocks laid down before the true life of earth had existed at all. They were the makers and enslavers of that life, and above all doubt the originals of the fiendish elder myths which things like the Pnakotic Manuscripts and the Necronomicon affrightedly hint about. They were the great ‘Old Ones’ that had filtered down from the stars when earth was young - the beings whose substance an alien evolution had shaped, and whose powers were such as this planet had never bred. And to think that only the day before Danforth and I had actually looked upon fragments of their millennially fossilised substance - and that poor Lake and his party had seen their complete outlines—
It is of course impossible for me to relate in proper order the stages by which we picked up what we know of that monstrous chapter of prehuman life. After the first shock of the certain revelation we had to pause a while to recuperate, and it was fully three o’clock before we got started on our actual tour of systematic research. The sculptures in the building we entered were of relatively late date - perhaps two million years ago - as checked up by geological, biological, and astronomical features - and embodied an art which would be called decadent in comparison with that of specimens we found in older buildings after crossing bridges under the glacial sheet. One edifice hewn from the solid rock seemed to go back forty or possibly even fifty million years - to the lower Eocene or upper Cretaceous - and contained bas-reliefs of an artistry surpassing anything else, with one tremendous exception, that we encountered. That was, we have since agreed, the oldest domestic structure we traversed.
Were it not for the support of those flashlights soon to be made public, I would refrain from telling what I found and inferred, lest I be confined as a madman. Of course, the infinitely early parts of the patchwork tale - representing the preterrestrial life of the star-headed beings on other planets, in other galaxies, and in other universes - can readily be interpreted as the fantastic mythology of those beings themselves; yet such parts sometimes involved designs and diagrams so uncannily close to the latest findings of mathematics and astrophysics that I scarcely know what to think. Let others judge when they see the photographs I shall publish.
Naturally, no one set of carvings which we encountered told more than a fraction of any connected story, nor did we even begin to come upon the various stages of that story in their proper order. Some of the vast rooms were independent units so far as their designs were concerned, whilst in other cases a continuous chronicle would be carried through a series of rooms and corridors. The best of the maps and diagrams were on the walls of a frightful abyss below even the ancient ground level - a cavern perhaps two hundred feet square and sixty feet high, which had almost undoubtedly been an educational centre of some sort. There were many provoking repetitions of the same material in different rooms and buildings, since certain chapters of experience, and certain summaries or phases of racial history, had evidently been favourites with different decorators or dwellers. Sometimes, though, variant versons of the same theme proved useful in settling debatable points and filling up gaps.
I still wonder that we deduced so much in the short time at our disposal. Of course, we even now have only the barest outline - and much of that was obtained later on from a study of the photographs and sketches we made. It may be the effect of this later study - the revived memories and vague impressions acting in conjunction with his general sensitiveness and with that final supposed horror-glimpse whose essence he will not reveal even to me - which has been the immediate source of Danforth’s present breakdown. But it had to be; for we could not issue our warning intelligently without the fullest possible information, and the issuance of that warning is a prime necessity. Certain lingering influences in that unknown antarctic world of disordered time and alien natural law make it imperative that further exploration be discouraged.
7
The full story, so far as deciphered, will eventually appear in an official bulletin of Miskatonic University. Here I shall sketch only the salient highlights in a formless, rambling way. Myth or otherwise, the sculptures told of the coming of those star-headed things to the nascent, lifeless earth out
of cosmic space - their coming, and the coming of many other alien entities such as at certain times embark upon spatial pioneering. They seemed able to traverse the interstellar ether on their vast membranous wings - thus oddly confirming some curious hill folklore long ago told me by an antiquarian colleague. They had lived under the sea a good deal, building fantastic cities and fighting terrific battles with nameless adversaries by means of intricate devices employing unknown principles of energy. Evidently their scientific and mechanical knowledge far surpassed man’s today, though they made use of its more widespread and elaborate forms only when obliged to. Some of the sculptures suggested that they had passed through a stage of mechanised life on other planets, but had receded upon finding its effects emotionally unsatisfying. Their preternatural toughness of organisation and simplicity of natural wants made them peculiarly able to live on a high plane without the more specialised fruits of artificial manufacture, and even without garments, except for occasional protection against the elements.
It was under the sea, at first for food and later for other purposes, that they first created earth life - using available substances according to long-known methods. The more elaborate experiments came after the annihilation of various cosmic enemies. They had done the same thing on other planets, having manufactured not only necessary foods, but certain multicellular protoplasmic masses capable of moulding their tissues into all sorts of temporary organs under hypnotic influence and thereby forming ideal slaves to perform the heavy work of the community. These viscous masses were without doubt what Abdul Alhazred whispered about as the ‘Shoggoths’ in his frightful Necronomicon, though even that mad Arab had not hinted that any existed on earth except in the dreams of those who had chewed a certain alkaloidal herb. When the star-headed Old Ones on this planet had synthesised their simple food forms and bred a good supply of Shoggoths, they allowed other cell groups to develop into other forms of animal and vegetable life for sundry purposes, extirpating any whose presence became troublesome.
With the aid of the Shoggoths, whose expansions could be made to lift prodigious weights, the small, low cities under the sea grew to vast and imposing labyrinths of stone not unlike those which later rose on land. Indeed, the highly adaptable Old Ones had lived much on land in other parts of the universe, and probably retained many traditions of land construction. As we studied the architecture of all these sculptured palaeogean cities, including that whose aeon-dead corridors we were even then traversing, we were impressed by a curious coincidence which we have not yet tried to explain, even to ourselves. The tops of the buildings, which in the actual city around us had, of course, been weathered into shapeless ruins ages ago, were clearly displayed in the bas-reliefs, and showed vast clusters of needle-like spires, delicate finials on certain cone and pyramid apexes, and tiers of thin, horizontal scalloped disks capping cylindrical shafts. This was exactly what we had seen in that monstrous and portentous mirage, cast by a dead city whence such sky-line features had been absent for thousands and tens of thousands of years, which loomed on our ignorant eyes across the unfathomed mountains of madness as we first approached poor Lake’s ill-fated camp.
Of the life of the Old Ones, both under the sea and after part of them migrated to land, volumes could be written. Those in shallow water had continued the fullest use of the eyes at the ends of their five main head tentacles, and had practiced the arts of sculpture and of writing in quite the usual way - the writing accomplished with a stylus on waterproof waxen surfaces. Those lower down in the ocean depths, though they used a curious phosphorescent organism to furnish light, pieced out their vision with obscure special senses operating through the prismatic cilia on their heads - senses which rendered all the Old Ones partly independent of light in emergencies. Their forms of sculpture and writing had changed curiously during the descent, embodying certain apparently chemical coating processes - probably to secure phosphorescence - which the bas-reliefs could not make clear to us. The beings moved in the sea partly by swimming - using the lateral crinoid arms - and partly by wriggling with the lower tier of tentacles containing the pseudofeet. Occasionally they accomplished long swoops with the auxiliary use of two or more sets of their fanlike folding wings. On land they locally used the pseudofeet, but now and then flew to great heights or over long distances with their wings. The many slender tentacles into which the crinoid arms branched were infinitely delicate, flexible, strong, and accurate in muscular-nervous coordination - ensuring the utmost skill and dexterity in all artistic and other manual operations.
The toughness of the things was almost incredible. Even the terrific pressure of the deepest sea bottoms appeared powerless to harm them. Very few seemed to die at all except by violence, and their burial places were very limited. The fact that they covered their vertically inhumed dead with five-pointed inscribed mounds set up thoughts in Danforth and me which made a fresh pause and recuperation necessary after the sculptures revealed it. The beings multiplied by means of spores - like vegetable pteridophytes, as Lake had suspected - but, owing to their prodigious toughness and longevity, and consequent lack of replacement needs, they did not encourage the large-scale development of new prothallia except when they had new regions to colonise. The young matured swiftly, and received an education evidently beyond any standard we can imagine. The prevailing intellectual and aesthetic life was highly evolved, and produced a tenaciously enduring set of customs and institutions which I shall describe more fully in my coming monograph. These varied slightly according to sea or land residence, but had the same foundations and essentials.
Though able, like vegetables, to derive nourishment from inorganic substances, they vastly preferred organic and especially animal food. They ate uncooked marine life under the sea, but cooked their viands on land. They hunted game and raised meat herds - slaughtering with sharp weapons whose odd marks on certain fossil bones our expedition had noted. They resisted all ordinary temperatures marvellously, and in their natural state could live in water down to freezing. When the great chill of the Pleistocene drew on, however - nearly a million years ago - the land dwellers had to resort to special measures, including artificial heating - until at last the deadly cold appears to have driven them back into the sea. For their prehistoric flights through cosmic space, legend said, they absorbed certain chemicals and became almost independent of eating, breathing, or heat conditions - but by the time of the great cold they had lost track of the method. In any case they could not have prolonged the artificial state indefinitely without harm.
Being nonpairing and semivegetable in structure, the Old Ones had no biological basis for the family phase of mammal life, but seemed to organise large households on the principles of comfortable space-utility and - as we deduced from the pictured occupations and diversions of co-dwellers - congenial mental association. In furnishing their homes they kept everything in the center of the huge rooms, leaving all the wall spaces free for decorative treatment. Lighting, in the case of the land inhabitants, was accomplished by a device probably electro-chemical in nature. Both on land and under water they used curious tables, chairs and couches like cylindrical frames - for they rested and slept upright with folded-down tentacles - and racks for the hinged sets of dotted surfaces forming their books.
Government was evidently complex and probably socialistic, though no certainties in this regard could be deduced from the sculptures we saw. There was extensive commerce, both local and between different cities - certain small, flat counters, five-pointed and inscribed, serving as money. Probably the smaller of the various greenish soapstones found by our expedition were pieces of such currency. Though the culture was mainly urban, some agriculture and much stock raising existed. Mining and a limited amount of manufacturing were also practiced. Travel was very frequent, but permanent migration seemed relatively rare except for the vast colonising movements by which the race expanded. For personal locomotion no external aid was used, since in land, air, and water movement alike the Old Ones seemed
to possess excessively vast capacities for speed. Loads, however, were drawn by beasts of burden - Shoggoths under the sea, and a curious variety of primitive vertebrates in the later years of land existence.
These vertebrates, as well as an infinity of other life forms - animal and vegetable, marine, terrestrial, and aerial - were the products of unguided evolution acting on life cells made by the Old Ones, but escaping beyond their radius of attention. They had been suffered to develop unchecked because they had not come in conflict with the dominant beings. Bothersome forms, of course, were mechanically exterminated. It interested us to see in some of the very last and most decadent sculptures a shambling, primitive mammal, used sometimes for food and sometimes as an amusing buffoon by the land dwellers, whose vaguely simian and human foreshadowings were unmistakable. In the building of land cities the huge stone blocks of the high towers were generally lifted by vast-winged pterodactyls of a species heretofore unknown to paleontology.
The persistence with which the Old Ones survived various geologic changes and convulsions of the earth’s crust was little short of miraculous. Though few or none of their first cities seem to have remained beyond the Archaean Age, there was no interruption in their civilisation or in the transmission of their records. Their original place of advent to the planet was the Antarctic Ocean, and it is likely that they came not long after the matter forming the moon was wrenched from the neighbouring South Pacific. According to one of the sculptured maps the whole globe was then under water, with stone cities scattered farther and farther from the antarctic as aeons passed. Another map shows a vast bulk of dry land around the south pole, where it is evident that some of the beings made experimental settlements, though their main centres were transferred to the nearest sea bottom. Later maps, which display the land mass as cracking and drifting, and sending certain detached parts northward, uphold in a striking way the theories of continental drift lately advanced by Taylor, Wegener, and Joly.
Necronomicon Page 71
