by Stephen King
This thought led to an image of Eldred Jonas and Coral Thorin, naked and striving while a honky-tonk piano planked out “Red Dirt Boogie” below them, and Cordelia moaned like a dog.
She yanked the silk shirt over the stuffy’s head. Next came one of Susan’s split riding skirts. After the skirt, a pair of her slippers. And last, replacing the sombrero, one of Susan’s spring bonnets.
Presto! The stuffy-guy was now a stuffy-gal.
“And caught red-handed ye are,” she whispered. “I know. Oh yes, I know. I wasn’t born yesterday.”
She carried the stuffy from the garden to the pile of leaves on the lawn. She laid it close by the leaves, then scooped some up and pushed them into the bodice of the riding shirt, making rudimentary breasts. That done, she took a match from her pocket and struck it alight.
The wind, as if eager to cooperate, dropped. Cordelia touched the match to the dry leaves. Soon the whole pile was blazing. She picked the stuffy-gal up in her arms and stood with it in front of the fire. She didn’t hear the rattling firecrackers from town, or the wheeze of the steam-organ in Green Heart, or the mariachi band playing in the Low Market; when a burning leaf rose and swirled past her hair, threatening to set it alight, she didn’t seem to notice. Her eyes were wide and blank.
When the fire was at its height, she stepped to its edge and threw the stuffy on. Flame whumped up around it in bright orange gusts; sparks and burning leaves swirled skyward in a funnel.
“So let it be done!” Cordelia cried. The firelight on her face turned her tears to blood. “Charyou tree! Aye, just so!”
The thing in the riding clothes caught fire, its face charring, its red hands blazing, its white-cross eyes turning black. Its bonnet flared; the face began to burn.
Cordelia stood and watched, fists clenching and unclenching, heedless of the sparks that lit on her skin, heedless of the blazing leaves that swirled toward the house. Had the house caught fire, she would likely have ignored that as well.
She watched until the stuffy dressed in her niece’s clothes was nothing but ashes lying atop more ashes. Then, as slowly as a robot with rust in its works, she walked back to the house, lay down on the sofa, and slept like the dead.
13
It was three-thirty in the morning of the day before Reaping, and Stanley Ruiz thought he was finally done for the night. The last music had quit twenty minutes ago—Sheb had outlasted the mariachis by an hour or so, and now lay snoring with his face in the sawdust. Sai Thorin was upstairs, and there had been no sign of the Big Coffin Hunters; Stanley had an idea those were up to Seafront tonight. He also had an idea there was black work on offer, although he didn’t know that for sure. He looked up at the glassy, two-headed gaze of The Romp. “Nor want to, old pal,” he said. “All I want is about nine hours of sleep—tomorrow comes the real party, and they won’t leave till dawn. So—”
A shrill scream rose from somewhere behind the building. Stanley jerked backward, thumping into the bar. Beside the piano, Sheb raised his head briefly, muttered “Wuzzat?” and dropped it back with a thump.
Stanley had absolutely no urge to investigate the source of the scream, but he supposed he would, just the same. It had sounded like that sad old bitch Pettie the Trotter. “I’d like to trot your saggy old ass right out of town,” he muttered, then bent down to look under the bar. There were two stout ashwood clubs here, The Calmer and The Killer. The Calmer was smooth burled wood, guaranteed to put out the lights for two hours any time you tapped some boisterous cull’s head in the right place with it.
Stanley consulted his feelings and took the other club. It was shorter than The Calmer, wider at the top. And the business end of The Killer was studded with nails.
Stanley went down to the end of the bar, through the door, and across a dim supply-room stacked with barrels smelling of graf and whiskey. At the rear was a door giving on the back yard. Stanley approached it, took a deep breath, and unlocked it. He kept expecting Pettie to voice another head-bursting scream, but none came. There was only the sound of the wind.
Maybe you got lucky and she’s kilt, Stanley thought. He opened the door, stepping back and raising the nail-studded club at the same time.
Pettie wasn’t kilt. Dressed in a stained shift (a Pettie-skirt, one might say), the whore was standing on the path which led to the back privy, her hands clutched together above the swell of her bosom and below the drooping turkey-wattles of her neck. She was looking up at the sky.
“What is it?” Stanley asked, hurrying down to her. “Near scared ten years off my life, ye did.”
“The moon, Stanley!” she whispered. “Oh, look at the moon, would ye!”
He looked up, and what he saw set his heart thumping, but he tried to speak reasonably and calmly. “Come now, Pettie, it’s dust, that’s all. Be reasonable, dear, ye know how the wind’s blown these last few days, and no rain to knock down what it carries; it’s dust, that’s all.”
Yet it didn’t look like dust.
“I know what I see,” whispered Pettie.
Above them, Demon Moon grinned and winked one eye through what appeared to be a shifting scrim of blood.
CHAPTER VII
TAKING THE BALL
1
While a certain whore and certain bartender were still gaping up at the bloody moon, Kimba Rimer awoke sneezing.
Damn, a cold for Reaping, he thought. As much as I have to be out over the next two days, I’ll be lucky if it doesn’t turn into—
Something fluffed the end of his nose, and he sneezed again. Coming out of his narrow chest and dry slot of a mouth, it sounded like a small-caliber pistol-shot in the black room.
“Who’s there?” he cried.
No answer. Rimer suddenly imagined a bird, something nasty and bad-tempered, that had gotten in here in daylight and was now flying around in the dark, fluttering against his face as he slept. His skin crawled—birds, bugs, bats, he hated them all—and he fumbled so energetically for the gas-lamp on the table by his bed that he almost knocked it off onto the floor.
As he drew it toward him, that flutter came again. This time puffing at his cheek. Rimer screamed and recoiled against the pillows, clutching the lamp to his chest. He turned the switch on the side, heard the hiss of gas, then pushed the spark. The lamp lit, and in the thin circle of its radiance, he saw not a fluttering bird but Clay Reynolds sitting on the edge of the bed. In one hand Reynolds held the feather with which he had been tickling Mejis’s Chancellor. His other was hidden in his cloak, which lay in his lap.
Reynolds had disliked Rimer from their first meeting in the woods far west of town—those same woods, beyond Eyebolt Canyon, where Farson’s man Latigo now quartered the main contingent of his troops. It had been a windy night, and as he and the other Coffin Hunters entered the little glade where Rimer, accompanied by Lengyll and Croydon, were sitting by a small fire, Reynolds’s cloak swirled around him. “Sai Manto,” Rimer had said, and the other two had laughed. It had been meant as a harmless joke, but it hadn’t seemed harmless to Reynolds. In many of the lands where he had travelled, manto meant not “cloak” but “leaner” or “bender.” It was, in fact, a slang term for homosexual. That Rimer (a provincial man under his veneer of cynical sophistication) didn’t know this never crossed Reynolds’s mind. He knew when people were making small of him, and if he could make such a person pay, he did so.
For Kimba Rimer, payday had come.
“Reynolds? What are you doing? How did you get in h—”
“You got to be thinking of the wrong cowboy,” the man sitting on the bed replied. “No Reynolds here. Just Señor Manto.” He took out the hand which had been under his cloak. In it was a keenly honed cuchillo. Reynolds had purchased it in Low Market with this chore in mind. He raised it now and drove the twelve-inch blade into Rimer’s chest. It went all the way through, pinning him like a bug. A bedbug, Reynolds thought.
The lamp fell out of Rimer’s hands and rolled off the bed. It landed on the foot-runner,
but did not break. On the far wall was Kimba Rimer’s distorted, struggling shadow. The shadow of the other man bent over it like a hungry vulture.
Reynolds lifted the hand which had held the knife. He turned it so the small blue tattooed coffin between thumb and forefinger was in front of Rimer’s eyes. He wanted it to be the last thing Rimer saw on this side of the clearing.
“Let’s hear you make fun of me now,” Reynolds said. He smiled. “Come on. Let’s just hear you.”
2
Shortly before five o’clock, Mayor Thorin woke from a terrible dream. In it, a bird with pink eyes had been cruising slowly back and forth above the Barony. Wherever its shadow fell, the grass turned yellow, the leaves fell shocked from the trees, and the crops died. The shadow was turning his green and pleasant Barony into a waste land. It may be my Barony, but it’s my bird, too, he thought just before awakening, huddled into a shuddery ball on one side of his bed. My bird, I brought it here, I let it out of its cage.
There would be no more sleep for him this night, and Thorin knew it. He poured himself a glass of water, drank it, then walked into his study, absently picking his nightgown from the cleft of his bony old ass as he went. The puff on the end of his nightcap bobbed between his shoulderblades; his knees cracked at every step.
As for the guilty feelings expressed by the dream . . . well, what was done was done. Jonas and his friends would have what they’d come for (and paid so handsomely for) in another day; a day after that, they’d be gone. Fly away, bird with the pink eyes and pestilent shadow; fly away to wherever you came from and take the Big Coffin Boys with you. He had an idea that by Year’s End he’d be too busy dipping his wick to think much about such things. Or to dream such dreams.
Besides, dreams without visible sign were just dreams, not omens.
The visible sign might have been the boots beneath the study drapes—just the scuffed tips of them showing—but Thorin never looked in that direction. His eyes were fixed on the bottle beside his favorite chair. Drinking claret at five in the morning was no sort of habit to get into, but this once wouldn’t hurt. He’d had a terrible dream, for gods’ sake, and after all—
“Tomorrow’s Reaping,” he said, sitting in the wing-chair on the edge of the hearth. “I guess a man can jump a fence or two, come Reap.”
He poured himself a drink, the last he’d ever take in this world, and coughed as the fire hit his belly and then climbed back up his throat, warming it. Better, aye, much. No giant birds now, no plaguey shadows. He stretched out his arms, laced his long and bony fingers together, and cracked them viciously.
“I hate it when you do that, you scrawny git,” spoke a voice directly into Thorin’s left ear.
Thorin jumped. His heart took its own tremendous leap in his chest. The empty glass flew from his hand, and there was no foot-runner to cushion its landing. It smashed on the hearth.
Before Thorin could scream, Roy Depape brushed off the mayoral nightcap, seized the gauzy remains of the mayoral mane, and yanked the mayoral head back. The knife Depape held in his other hand was much humbler than the one Reynolds had used, but it cut the old man’s throat efficiently enough. Blood sprayed scarlet in the dim room. Depape let go of Thorin’s hair, went back to the drapes he had been hiding behind, and picked something up off the floor. It was Cuthbert’s lookout. Depape brought it back to the chair and put it in the dying Mayor’s lap.
“Bird . . .” Thorin gargled through a mouthful of blood. “Bird!”
“Yar, old fella, and trig o’ you to notice at a time like this, I will say.” Depape pulled Thorin’s head back again and took the old man’s eyes out with two quick flips of his knife. One went into the dead fireplace; the other hit the wall and slid down behind the fire-tools. Thorin’s right foot trembled briefly and was still.
One more job to do.
Depape looked around, saw Thorin’s nightcap, and decided the ball on the end would serve. He picked it up, dipped it in the puddle of blood in the Mayor’s lap, and drew the Good Man’s sigul—
—on the wall.
“There,” he murmured, standing back. “If that don’t finish em, nothing on earth will.”
True enough. The only question left unanswered was whether or not Roland’s ka-tet could be taken alive.
3
Jonas had told Fran Lengyll exactly where to place his men, two inside the stable and six more out, three of these latter gents hidden behind rusty old implements, two hidden in the burnt-out remains of the home place, one—Dave Hollis—crouched on top of the stable itself, spying over the roofpeak. Lengyll was glad to see that the men in the posse took their job seriously. They were only boys, it was true, but boys who had on one occasion come off ahead of the Big Coffin Hunters.
Sheriff Avery gave a fair impression of being in charge of things until they got within a good shout of the Bar K. Then Lengyll, machine-gun slung over one shoulder (and as straight-backed in the saddle as he had been at twenty), took command. Avery, who looked nervous and sounded out of breath, seemed relieved rather than offended.
“I’ll tell ye where to go as was told to me, for it’s a good plan, and I’ve no quarrel with it,” Lengyll had told his posse. In the dark, their faces were little more than dim blurs. “Only one thing I’ll say to ye on my own hook. We don’t need em alive, but it’s best we have em so—it’s the Barony we want to put paid to em, the common folk, and so put paid to this whole business, as well. Shut the door on it, if ye will. So I say this: if there’s cause to shoot, shoot. But I’ll flay the skin off the face of any man who shoots without cause. Do ye understand?”
No response. It seemed they did.
“All right,” Lengyll had said. His face was stony. “I’ll give ye a minute to make sure your gear’s muffled, and then on we go. Not another word from here on out.”
4
Roland, Cuthbert, and Alain came out of the bunkhouse at quarter past six that morning, and stood a-row on the porch. Alain was finishing his coffee. Cuthbert was yawning and stretching. Roland was buttoning his shirt and looking southwest, toward the Bad Grass. He was thinking not of ambushes but of Susan. Her tears. Greedy old ka, how I hate it, she had said.
His instincts did not awake; Alain’s touch, which had sensed Jonas on the day Jonas had killed the pigeons, did not so much as quiver. As for Cuthbert—
“One more day of quiet!” that worthy exclaimed to the dawning sky. “One more day of grace! One more day of silence, broken only by the lover’s sigh and the tattoo of horses’ hoofs!”
“One more day of your bullshit,” Alain said. “Come on.”
They set off across the dooryard, sensing the eight pairs of eyes on them not at all. They walked into the stable past the two men flanking the door, one hidden behind an ancient harrow, the other tucked behind an untidy stack of hay, both with guns drawn.
Only Rusher sensed something was wrong. He stamped his feet, rolled his eyes, and, as Roland backed him out of his stall, tried to rear.
“Hey, boy,” he said, and looked around. “Spiders, I reckon. He hates them.”
Outside, Lengyll stood up and waved both hands forward. Men moved silently toward the front of the stable. On the roof, Dave Hollis stood with his gun drawn. His monocle was tucked away in his vest pocket, so it should blink no badly timed reflection.
Cuthbert led his mount out of the stable. Alain followed. Roland came last, short-leading the nervous, prancy gelding.
“Look,” Cuthbert said cheerily, still unaware of the men standing directly behind him and his friends. He was pointing north. “A cloud in the shape of a bear! Good luck for—”
“Don’t move, cullies,” Fran Lengyll called. “Don’t so much as shuffle yer god-pounding feet.”
Alain did begin to turn—in startlement more than anything else—and there was a ripple of small clicking sounds, like many dry twigs all snapping at once. The sound of cocking pistols and musketoons.
“No, Al!” Roland said. “Don’t move! Don’t!” In h
is throat despair rose like poison, and tears of rage stung at the corners of his eyes . . . yet he stood quiet. Cuthbert and Alain must stand quiet, too. If they moved, they’d be killed. “Don’t move!” he called again. “Either of you!”
“Wise, cully.” Lengyll’s voice was closer now, and accompanied by several pairs of footfalls. “Put yer hands behind ye.”
Two shadows flanked Roland, long in the first light. Judging by the bulk of the one on his left, he guessed it was being thrown by Sheriff Avery. He probably wouldn’t be offering them any white tea this day. Lengyll would belong to the other shadow.
“Hurry up, Dearborn, or whatever yer name may be. Get em behind ye. Small of yer back. There’s guns pointed at your pards, and if we end up taking in only two of yer instead of three, life’ll go on.”
Not taking any chances with us, Roland thought, and felt a moment of perverse pride. With it came a taste of something that was almost amusement. Bitter, though; that taste continued very bitter.
“Roland!” It was Cuthbert, and there was agony in his voice. “Roland, don’t!”
But there was no choice. Roland put his hands behind his back. Rusher uttered a small, reproving whinny—as if to say all this was highly improper—and trotted away to stand beside the bunkhouse porch.
“You’re going to feel metal on your wrists,” Lengyll said.
“Esposas.”
Two cold circles slipped over Roland’s hands. There was a click and suddenly the arcs of the handcuffs were tight against his wrists.
“All right,” said another voice. “Now you, son.”
“Be damned if I will!” Cuthbert’s voice wavered on the edge of hysteria.
There was a thud and a muffled cry of pain. Roland turned around and saw Alain down on one knee, the heel of his left hand pressed against his forehead. Blood ran down his face.
