The Darkness Rolling

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by Win Blevins


  “They all want to know what I’m going to decide.” He knew I meant our three women. “Go to work on the railroad or stay here and do … whatever. Sleep in Pullman cars all the time or be with my family. Stay in Santa Fe and find work or go home and reopen the trading post.”

  Every day the post was closed was another day local people took their trade to Goulding’s, we all knew that. In a couple of months we’d lose most of our business. But we thought we could get it back. Goulding’s looked to sell to white people. We aimed at red people. Mom was right—there was enough family to work it out one way or the other.

  Besides, I couldn’t imagine selling Grandpa’s life’s work to Harry and Mike, as much as I loved them. Or worse, selling the trading post to a stranger.

  The way things were going right in front of me, I wouldn’t have to imagine getting beat at chess again—it was about to happen.

  “I definitely need something to do. A real, paying job,” I said. “But working for the railroad? Do I want to leave my family again? Still, shoving furniture around the house, hanging curtains, patching stucco, painting walls—that’s no way to live.”

  Silence. “Eating on white tablecloths is,” I said. Then I took thought. “Of course, we do that here.”

  Santa Fe, the house, my family—yes, I loved it.

  “What should I do, Grandpa?”

  He gave me his big grin, and while I made what I hoped was a surprise move with my knight, he wrote on his chalkboard, LISTEN SONG HEART.

  I said, “But which song?”

  He shrugged and took my queen. His grin was starting to look less weird.

  I picked the Underwood up from a side table and set it in front of him. Now it was my turn to grin. “Get to it. No excuses.”

  * * *

  At dinner that evening Iris volunteered to drive me to Lamy the next morning.

  I said, “Sure.”

  That night I went to bed early. I didn’t sleep. I tried to think, but nothing added up. I did a lot of fretting.

  The next morning I put on dress whites. It struck me that I should wear a suit and tie—the railroad would surely require that—but I didn’t own such clothes.

  As soon as she started the truck, Iris said, “What are you going to decide?”

  “I don’t know.”

  Pause. “Do you have to be so chintzy with your words?”

  “Grandpa said to listen to the song in my heart. But what I’m hearing is more like the banging of pots and pans.”

  We drove in silence. She parked at the depot and looked at me with an expression I couldn’t read. Iris said, “I’ll be right here.” She gave me a little wave, got out, opened a big pad, and starting sketching.

  * * *

  Mr. Leland Chapman wore not only a suit and tie but a vest. His tailored English clothes made him look entirely too elegant for the station master’s office.

  He introduced himself. “Cigar?” he said, extending one.

  I had no doubt it was Cuba’s finest, but I said no.

  From there he was direct. He spoke like the job was a done deal.

  “You are well recommended. Also, you speak three languages common in the Southwest. We have no one else who can do that.” He ahemmed. “So I am able to offer three kinds of positions. Two are riding trains.”

  “I’ve always wanted to ride the Super Chief.”

  “That is protecting the well-to-do passengers against those who would prey on them. It’s a good job.

  “The other riding job is on our regular trains. There you protect the passengers, protect the freight, and keep hoboes off. A lot of work, and sometimes rough. Good for a man who likes to be active.”

  Since it sounded to me like Jack and Hughes had nailed the top railroad deal down, I went for it. “Tell me more about the Super Chief.”

  “It’s specialized. We need men to ride all the way from Chicago to Los Angeles and back. That’s forty-one hours straight on duty, a night at a hotel in L.A., one we have an arrangement with. Then, another day and a half back to Chicago. Two weeks of work in three and a half days.”

  Wow. “A guy does this every week?”

  “No. Since the round-trip is two weeks of work, we give eight days off.”

  That sounded good.

  “What’s the pay?”

  “Three hundred a week, and all Santa Fe employees get passes, and their immediate family also gets passes, to ride the railroad at any time and wherever it goes.”

  Twelve hundred a month. Eight days off at a time. Free trips when I wanted. Unbelievable.

  Now I was going to use that silly word. “What if the dick lives in Santa Fe?” I’d worked it out that, starting from Chicago, Santa Fe was about 60 percent of the distance to LA.

  “Easier if he lives in Chicago, but one guy does it from Amarillo, which is right at halfway. He just starts by riding overnight, in a berth we provide, to Chicago. Then he works the eighty-hour shift and sleeps his way back home. Same number of hours working, plus sixteen on the train unpaid, off duty, and sleeping. Then the days off and start the routine over.”

  “Pretty good money.”

  “Seaman Goldman, we only hire la crème de la crème.”

  Flattery or intimidation in that?

  I thought for maybe too long. Finally I said, “Tell me about the other job, not riding the trains.”

  Chapman grimaced. “It’s straight PI work, whenever we need it. We have, say, a robbery—God forbid, an assault or a killing. We fly you by private plane to the scene, you go wherever the investigation leads, find the perpetrators, recover the property, and turn the criminals over to the police. We fly you home. You must be available whenever we need you. We pay a retainer of three hundred dollars per month. When you’re working, we pay a hundred a day plus expenses. Guarantee of a minimum of five days of work a month.”

  So eight hundred a month, at least, unpredictable hours, but probably more time off. “With a pass to ride the railroad?”

  “Yes. I must say, this is a job for a man with a taste for adventure. Imagine every crime in the Four Corners that can touch on the railroad.”

  Long breath in, long breath out. “It’s a lot to think about. I’ll call you.”

  He blinked at me, maybe surprised. Then he stood and offered his hand. I shook it firmly, white-man style. Do as the Romans do.

  “Let me know by the end of business on Friday.”

  Twenty-eight

  “So what did he say?”

  Iris put it in gear and hit the gas pedal hard.

  I told her, in detail, every nook and cranny. The further I went, the more interested, and interesting, her questions became. We were coming into Santa Fe when she got to the big question.

  “What in the world are you going to decide?”

  I hesitated, made one sound, and hesitated again. “I’ve always wanted to ride the Super Chief. I guess that settles it.” Funny, but I didn’t sound sure, even to myself.

  “About fifteen days at home a month?”

  “And twelve hundred bucks.”

  “Pretty terrific,” she said, “and what would you do with that time off? Would you spend it in Santa Fe or Oljato or…?”

  She pulled into a parking spot on the plaza. My head turned toward the facade of La Fonda, said to be the finest hotel in New Mexico.

  She looked at me oddly. “Yazzie, I want to take you to La Fonda for lunch. My congratulations on the new job.”

  I looked at her. Simply looked. You know what your heart’s song is, dummy.

  I reached out and put my hand on hers. “What will I do…?” I said. “I think I’ll read, spruce up the family house, and spend lots of time getting to know you better.”

  What on earth had I just said?

  I felt her hand jump a little.

  I squeezed it to show that I’d meant every word.

  She studied my face.

  “Are you kidding? You’re talking crazy.”

  “Iris, what can I say? It kind of snu
ck up on me. Now’s the time, and it just came out. I don’t know if I should apologize.”

  “Jeez, you are so romantic. I can hardly contain myself.”

  She looked out the window, back at me, back to the people on the street. Probably thinking up another wise-ass remark. I hoped so.

  Out with it, open my heart. “Iris Goldman,” I said, “will you let me court you?”

  Time to listen and watch, not just to hear her words, but to watch her body speak.

  Finally, she said, “We could start over lunch.”

  I nodded yes and we walked inside, surrounded by swirling, dancing murals.

  A white-coated waiter seated us and brought us menus.

  “How would we work this? Wait,” she said, “courting means finding out whether we want to get married, right?”

  The word stuck in my throat like a hot hard-boiled egg in its shell.

  “Yes.”

  “I’m glad to date you and have a good time,” Iris said, “but where would we live that would be close enough to see each other?”

  “After Grandpa’s done with rehab, we can live here in the family house, go to Monument Valley, or go back and forth. Whatever you want.”

  Iris looked at me for a long time. “There is an awful lot of the ‘we’ word in this conversation.” She smiled. “Don’t take ‘we’ for granted, Yazzie Goldman.” And then she played footsie with me. She gave me coy glances. She downed a margarita. She glowed.

  Finally, she leaned over and kissed me lightly, but with a lover’s touch.

  “You’d be gone a lot.”

  She looked at me under shelved eyebrows like there was a challenge coming.

  “I guess.”

  “So, are you willing to hear a better idea? Or note one?”

  A beat passed. “Yes.”

  “Yazzie, you’re being silly. You’re passing up the best job. What if you took the off-and-on PI work? Some months you might be gone ten days, some none. And guess what? Any time, any time in between, we could ride the Super Chief all we wanted. We could go everywhere and see everything. And while we were living the high life, you wouldn’t be working.”

  She grinned at me, showing the impish front tooth. “How about this for a first date? We ride the Chief to Chicago and spend a few days there. I’ve always wanted to see the Art Institute. They have a fabulous collection of impressionist paintings. I’m dying to see them, sketch them, understand.”

  After there had been about a hundred years of silence between us, I said, “A first date in a single sleeping compartment?”

  “Oh, I think there’s enough space, don’t you?” She wiggled her whole body.

  She was proposing a pretty big form of courting. I had no idea why, Iris being Iris, that surprised me.

  “Let’s face it,” she said, “we do have a certain charge between us, and we can have everything we want, the whole shebang. Why not jump?”

  I wanted right then to say, “Iris, will you marry me?” I choked back the words.

  “Are you saying yes?”

  I managed to stammer, “Yes.”

  “Yes to me, or yes to the other job?”

  “Yes to both. Let’s jump, and let’s do it in a big way.”

  She nodded her head, slim smile. I thought she figured this was exactly the way it would turn out, and I sure wasn’t about to argue.

  “Okay,” Iris said, “I have two conditions. That you start work as soon as possible so we can see if we like the arrangement. And that you take me upstairs right now.”

  I looked around at the white tablecloths and uniformed waiters. “You wanted lunch.”

  “Did you ever hear of room service?” she said, nodding toward the elegant, curving staircase that led upstairs.

  I took her hand. She let me have a little kiss and pushed me back gently.

  She said, “And we can stay for breakfast if you want.”

  * * *

  On the day of the summer solstice, a time of coming to maturity, I sat in a forked-stick hogan with Grandpa, Mom, and Frieda. Slowly, ceremonially, Bitsui and his family joined us. He was the staff bearer, the chief singer of the Enemy Way ceremony I needed and needed and needed. Outside the hogan sat Iris, dressed in shawls, robes, fabrics, and buckskin, my unofficial mate playing her role. We began singing the words of the ancient song:

  “Sa’ah naagh’éi, Bik’eh hózhó…”

  When we finished the songs and prayers, I stepped out of the hogan so that the round dancing could begin and the ceremony would come to its climax. I walked in the steps of hózhó. Many gifts would be given, and we would offer a lavish feast.

  After a month and a half of trying the arrangement out, as Iris put it, a clerk of Santa Fe County gave state sanction to the union of Yazzie and Iris Goldman. This mattered much less to us than the afternoon several days later when another medicine singer came to our family house in Santa Fe and united us in a house-blessing ceremony, followed by another feast.

  Iris and I had reserved a berth to ride the Super Chief to Chicago for our honeymoon. I was fine with watching her go crazy over the Impressionists. I loved the times when we looked at each other, and held each other. No details here, except one—it was the true high life, and it was a damn sight more fun than anything that had ever happened on a movie set.

  About the Authors

  Win Blevins is the author of Charbonneau, Rock Child, RavenShadow, Give Your Heart to the Hawks, Stone Song, his prize-winning novel about the life of Crazy Horse, and many others. He received the 2015 Owen Wister Award for Lifetime Contributions to Western Literature and has been inducted into the Western Writers Hall of Fame. You can sign up for email updates here.

  Meredith Blevins has been a creative-arts therapist and an award-winning travel writer, and has published five books, including The Hummingbird Wizard. You can sign up for email updates here.

  The Blevinses live together in Utah.

  Tom Doherty Associates Books

  by Win Blevins and Meredith Blevins

  Moonlight Water

  Tom Doherty Associates Books

  by Win Blevins

  Stone Song

  The Rock Child

  RavenShadow

  So Wild a Dream

  Beauty for Ashes

  Dancing with the Golden Bear

  Heaven Is a Long Way Off

  A Long and Winding Road

  Dreams Beneath Your Feet

  Give Your Heart to the Hawks

  Tom Doherty Associates Books

  by Meredith Blevins

  The Hummingbird Wizard

  The Vanished Priestess

  The Red Hot Empress

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  Contents

  Title Page

  Copyright Notice

  Dedication

  Acknowledgments

  The First Holy Wind

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Chapter 14

  Chapter 15

  Chapter 16

  Chapter 17

  Chapter 18

  Chapter 19

  Chapter 20

  Chapter 21

  Chapter 22

  Chapter 23

  Chapter 24

  Chapter 25

  Chapter 26

  Chapter 27

  C
hapter 28

  About the Authors

  Tom Doherty Associates Books by Win Blevins and Meredith Blevins

  Copyright

  This is a work of fiction. All of the characters, organizations, and events portrayed in this novel are either products of the authors’ imaginations or are used fictitiously.

  THE DARKNESS ROLLING

  Copyright © 2015 by Win Blevins and Meredith Blevins

  All rights reserved.

  Cover designed by Daniel Cullen

  Photograph of eyes © Alexandra Kovac/Shutterstock; photograph of mountain © Susan Schmitz/Shutterstock

  A Forge Book

  Published by Tom Doherty Associates, LLC

  175 Fifth Avenue

  New York, NY 10010

  www.tor-forge.com

  Forge® is a registered trademark of Tom Doherty Associates, LLC.

  eBooks may be purchased for business or promotional use. For information on bulk purchases, please contact Macmillan Corporate and Premium Sales Department by writing to [email protected].

  The Library of Congress Cataloging-in-Publication Data is available upon request.

  ISBN 978-0-7653-7860-6 (hardcover)

  ISBN 978-1-4668-6295-1 (e-book)

  e-ISBN 9781466862951

  First Edition: June 2015

 

 

 


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