How he produced it passed my comprehension, but I think he somehow mingled his own voice with the actual notes of the vibrating edge of the leaf; perhaps, too, that the strange passion shaking behind it all in the depths of the bewildered spirit poured out and reached my mind by ways unknown and incalculable.
I must have momentarily lost myself in the soft magic of it, for I remember coming back with a start to notice that the man had stopped, and that his melancholy face was turned to me with a smile of comprehension and sympathy that passed again almost before I had time to recognize it, and certainly before I had time to reply. And this time I am ready to admit that it was my own imagination, singularly stirred, that translated his smile into the words that no one else heard—“I was playing for you—because you understand.”
Favre was standing up and I saw him give the man the half loaf of coarse bread that was on the table, offering also his own partly-emptied wine-glass. “I haven’t the sou today,” he was saying, “but if you’re hungry, mon brave—” And the man, refusing the wine, took the bread with an air of dignity that precluded all suggestion of patronage or favour, and ought to have made Favre feel proud that he had offered it.
“And that for his son!” laughed the stupid Grospierre, tossing a cheese-rind to the dog, “or for his forest god!”
The music was about me like a net that still held my words and thoughts in a delicate bondage—which is my only explanation for not silencing the coarse guide in the way he deserved; but a few minutes later, when the men had gone into the inn, I crossed to the end of the garden, and there, where the perfumes of orchard and forest deliciously mingled, I came upon the man sitting on the grass beneath an apple-tree. The dog, wagging its tail, was at his feet, as he fed it with the best and largest portions of the bread. For himself, it seemed, he kept nothing but the crust, and —what I could hardly believe, had I not actually witnessed it—the cur, though clearly hungry, had to be coaxed with smiles and kind words to eat what it realized in some dear dog-fashion was needed even more by its master. A pair of outcasts they looked indeed, sharing dry bread in the back garden of the village inn; but in the soft, discerning eyes of that mangy creature there was an expression that raised it, for me at least, far beyond the ranks of common curdom; and in the eyes of the man, half-witted and pariah as he undoubtedly was, a look that set him somewhere in a lonely place where he heard the still, small voices of the world and moved with the elemental tides of life that are never outcast and that include the farthest suns.
He took the franc I offered; and, closer, I perceived that his eyes, for all their moments of fugitive brilliance, were indeed half sightless, and that perhaps he saw only well enough to know men as trees walking. In the village some said he saw better than most, that he saw in the dark, possibly even into the peopled regions beyond this world, and there were reasons—uncanny reasons—to explain the belief. I only know, at any rate, that from this first moment of our meeting he never failed to recognize me at a considerable distance, and to be aware of my whereabouts even in the woods at night; and the best explanation I ever heard, though of course unscientific, was Louis Favre’s whispered communication that “he sees with the whole surface of his skin!”
He took the franc with the same air of grandeur that he took the bread, as though he conferred a favour, yet was grateful. The beauty of that gesture has often come back to me since with a sense of wonder for the sweet nobility that I afterwards understood inspired it. At the time, however, he merely looked up at me with the remark, “C’est ponr le Dieu—merci!” He did not say “le bon Dieu,” as every one else did. And though I had meant to get into conversation with him, I found no words quickly enough, for he at once stood up and began to play again on his leaf; and while he played his thanks and gratitude, or the thanks and gratitude of his God, that shaggy mongrel dog stopped eating and sat up beside him to listen.
Both fixed their eyes upon me as the sounds of wind and birds and forest poured softly and wonderfully about my ears…so that, when it was over and I went down the quiet street to my pension, I was aware that some tiny sense of bewilderment had crept into the profounder regions of my consciousness and faintly disturbed my normal conviction that I belonged to the common world of men as of old. Some aspect of the village, especially of the human occupants in it, had secretly changed for me. Those pearly spaces of sky, where the bats flew over the red roofs, seemed more alive, more exquisite than before; the smells of the open stables where the cows stood munching, more fragrant than usual of sweet animal life that included myself delightfully, keenly; the last chatterings of the sparrows under the eaves of my own pension more intimate and personal.…
Almost as if those strands of elemental music the man played on his leaf had for the moment made me free of the life of the earth, as distinct from the life of men.…
I can only suggest this, and leave the rest to the care of the imaginative reader; for it is impossible to say along what inner byways of fancy I reached the conclusion that when the man spoke of “the God,” and not “the good God,” he intended to convey his sense of some great woodland personality—some Spirit of the Forests whom he knew and loved and worshipped, and whom, he was intuitively aware, I also knew and loved and worshipped.
During the next few weeks I came to learn more about this poor, half-witted man. In the village he was known as Perret “Comment-va,” the Man Who Plays on the Leaf; but when the people wished to be more explicit they described him as the man “without parents and without God.” The origin of “Comment-va” I never discovered, but the other titles were easily explained—he was illegitimate and outcast. The mother had been a wandering Italian girl and the father a loose living bûcheron, who was, it seems, a standing disgrace to the community. I think the villagers were not conscious of their severity; the older generation of farmers and vignerons had pity, but the younger ones and those of his own age were certainly guilty, if not of deliberate cruelty, at least of a harsh neglect and the utter withholding of sympathy. It was like the thoughtless cruelty of children, due to small unwisdom, and to that absence of charity which is based on ignorance.
They could not in the least understand this crazy, picturesque being who wandered day and night in the forests and spoke openly, though never quite intelligibly, of worshipping another God than their own anthropomorphic deity. People looked askance at him because he was queer; a few feared him; one or two I found later—all women—felt vaguely that there was something in him rather wonderful, they hardly knew what, that lifted him beyond the reach of village taunts and sneers. But from all he was remote, alien, solitary—an outcast and a pariah.
It so happened that I was very busy at the time, seeking the seclusion of the place for my work, and rarely going out until the day was failing; and so it was, I suppose, that my sight of the man was always associated with a gentle dusk, long shadows and slanting rays of sunlight. Every time I saw that thin, straight, yet broken figure, every time the music of the leaf reached me, there came too, the inexplicable thrill of secret wonder and delight that had first accompanied his presence, and with it the subtle suggestion of a haunted woodland life, beautiful with new values.
To this day I see that sad, dark face moving about the street, touched with melancholy, yet with the singular light of an inner glory that sometimes lit flames in the poor eyes. Perhaps—the fancy entered my thoughts sometimes when I passed him—those who are half out of their minds, as the saying goes, are at the same time half in another region whose penetrating loveliness has so bewildered and amazed them that they no longer can play their dull part in our commonplace world; and certainly for me this man’s presence never failed to convey an awareness of some hidden and secret beauty that he knew apart from the ordinary haunts and pursuits of men.
Often I followed him up into the woods—in spite of the menacing growls of the dog, who invariably showed his teeth lest I should approach too close—with a great longing to know what he did there and how he spent his tim
e wandering in the great forests, sometimes, I was assured, staying out entire nights or remaining away for days together. For in these Jura forests that cover the mountains from Neuchâtel to Yverdon, and stretch thickly up to the very frontiers of France, you may walk for days without finding a farm or meeting more than an occasional bûcheron.
And at length, after weeks of failure, and by some process of sympathy he apparently communicated in turn to the dog, it came about that I was—accepted. I was allowed to follow at a distance, to listen and, if I could, to watch.
I make use of the conditional, because once in the forest this man had the power of concealing himself in the same way that certain animals and insects conceal themselves by choosing places instinctively where the colour of their surroundings merge into their outlines and obliterate them.
So long as he moved all was well; but the moment he stopped and a chance dell or cluster of trees intervened I lost sight of him, and more than once passed within a foot of his presence without knowing it, though the dog was plainly there at his feet. And the instant I turned at the sound of the leaf, there he was, leaning against some dark tree-stem, part of a shadow perhaps, growing like a forest-thing out of the thick moss that hid his feet, or merging with extraordinary intimacy into the fronds of some drooping pine bough! Moreover, this concealment was never intentional, it seems, but instinctive. The life to which he belonged took him close to its heart, draping about the starved and wasted shoulders the cloak of kindly sympathy which the world of men denied him.
And, while I took my place some little way off upon a fallen stem, and the dog sat looking up into his face with its eyes of yearning and affection, Perret “Comment-va” would take a leaf from the nearest ivy, raise it between tightly pressed palms to his lips and begin that magic sound that seemed to rise out of the forest-voices themselves rather than to be a thing apart.
It was a late evening towards the end of May when I first secured this privilege at close quarters, and the memory of it lives in me still with the fragrance and wonder of some incredible dream.
The forest just there was scented with wild lilies of the valley which carpeted the more open spaces with their white bells and big, green leaves; patches of violets and pale anemone twinkled down the mossy stairways of every glade; and through slim openings among the pine-stems I saw the shadowed blues of the lake beyond and the far line of the high Alps, soft and cloud-like in the sky. Already the woods were drawing the dusk out of the earth to cloak themselves for sleep, and in the east a rising moon stared close over the ground between the big trees, dropping trails of faint and yellowish silver along the moss. Distant cow-bells, and an occasional murmur of village voices, reached the ear. But a deep hush lay over all that mighty slope of mountain forest, and even the footsteps of ourselves and the dog had come to rest.
Then, as sounds heard in a dream, a breeze stirred the topmost branches of the pines, filtering down to us as from the wings of birds. It brought new odours of sky and sun-kissed branches with it. A moment later it lost itself in the darkening aisles of forest beyond; and out of the stillness that followed, I heard the strange music of the leaf rising about us with its extraordinary power of suggestion.
And, turning to see the face of the player more closely, I saw that it had marvellously changed, had become young, unlined, soft with joy. The spirit of the immense woods possessed him, and he was at peace.…
While he played, too, he swayed a little to and fro, just as a slender sapin sways in wind, and a revelation came to me of that strange beauty of combined sound and movement—trees bending while they sing, branches trembling and a-whisper, children that laugh while they dance. And, oh, the crying, plaintive notes of that leaf, and the profound sense of elemental primitive sound that they woke in the penetralia of the imagination, subtly linking simplicity to grandeur! Terribly yet sweetly penetrating, how they searched the heart through, and troubled the very sources of life! Often and often since have I wondered what it was in that singular music that made me know the distant Alps listened in their skyspaces, and that the purple slopes of Boudry and Mont Racine bore it along the spires of their woods as though giant harp strings stretched to the far summits of Chasseral and the arid wastes of Tête de Rang.
In the music this outcast played upon the leaf there was something of a wild, mad beauty that plunged like a knife to the home of tears, and at the same time sang out beyond them—something coldly elemental, close to the naked heart of life. The truth, doubtless, was that his strains, making articulate the sounds of Nature, touched deep, primitive yearnings that for many are buried beyond recall. And between the airs, even between the bars, there fell deep weeping silences when the sounds merged themselves into the sigh of wind or the murmur of falling water, just as the strange player merged his body into the form and colour of the trees about him.
And when at last he ceased, I went close to him, hardly knowing what it was I wanted so much to ask or say. He straightened up at my approach. The melancholy dropped its veil upon his face instantly.
“But that was beautiful—unearthly!” I faltered. “You never have played like that in the village—”
And for a second his eyes lit up as he pointed to the dark spaces of forest behind us: “In there,” he said softly, “there is light!”
“You hear true music in these woods,” I ventured, hoping to draw him out; “this music you play—this exquisite singing of winds and trees?”
He looked at me with a puzzled expression and I knew, of course, that I had blundered with my banal words. Then, before I could explain or alter, there floated to us through the trees a sound of church bells from villages far away; and instantly, as he heard, his face grew dark, as though he understood in some vague fashion that it was a symbol of the faith of those parents who had wronged him, and of the people who continually made him suffer. Something of this, I feel sure, passed through his tortured mind, for he looked menacingly about him, and the dog, who caught the shadow of all his moods, began to growl angrily.
“My music,” he said, with a sudden abruptness that was almost fierce, “is for my God.”
“Your God of the Forests?” I said, with a real sympathy that I believe reached him.
“Pour sûr! Pour sûr! I play it all over the world”—he looked about him down the slopes of villages and vineyards—“and for those who understand—those who belong—to come.” He was, I felt sure, going to say more, perhaps to unbosom himself to me a little; and I might have learned something of the ritual this self-appointed priest of Pan followed in his forest temples—when, the sound of the bells swelled suddenly on the wind, and he turned with an angry gesture and made to go. Their insolence, penetrating even to the privacy of his secret woods, was too much for him.
“And you find many?” I asked.
Perret “Comment-va” shrugged his shoulders and smiled pityingly.
“Moi. Puis le chien—puis maintenant—vous!”
He was gone the same minute, as if the branches stretched out dark arms to draw him away among them,…and on my way back to the village, by the growing light of the moon, I heard far away in that deep world of a million trees the echoes of a weird, sweet music, as this unwitting votary of Pan piped and fluted to his mighty God upon an ivy leaf.
And the last thing I actually saw was the mongrel cur turning back from the edge of the forest to look at me for a moment of hesitation. He thought it was time now that I should join the little band of worshippers and follow them to the haunted spots of worship.
“Moi—puis le chien—puis maintenant—vous!”
From that moment of speech a kind of unexpressed intimacy between us came into being, and whenever we passed one another in the street he would give me a swift, happy look, and jerk his head significantly towards the forests. The feeling that, perhaps, in his curious lonely existence I counted for something important made me very careful with him. From time to time I gave him a few francs, and regularly twice a week when I knew he was away, I
used to steal unobserved to his hut on the edge of the forest and put parcels of food inside the door—salamé, cheese, bread; and on one or two occasions when I had been extravagant with my own tea, pieces of plumcake—what the Colombier baker called plumecak’!
He never acknowledged these little gifts, and I sometimes wondered to what use he put them, for though the dog remained well favoured, so far as any cur can be so, he himself seemed to waste away more rapidly than ever. I found, too, that he did receive help from the village—official help—but that after the night when he was caught on the church steps with an oil can, kindling-wood and a box of matches, this help was reduced by half, and the threat made to discontinue it altogether. Yet I feel sure there was no inherent maliciousness in the Man who Played upon the Leaf, and that his hatred of an “alien” faith was akin to the mistaken zeal that in other days could send poor sinners to the stake for the ultimate safety of their souls.
Two things, moreover, helped to foster the tender belief I had in his innate goodness: first, that all the children of the village loved him and were unafraid, to the point of playing with him and pulling him about as though he were a big dog; and, secondly, that his devotion for the mongrel hound, his equal and fellowworshipper, went to the length of genuine self-sacrifice. I could never forget how he fed it with the best of the bread, when his own face was pinched and drawn with hunger; and on other occasions I saw many similar proofs of his unselfish affection. His love for that mongrel, never uttered, in my presence at least, perhaps unrecognized as love even by himself, must surely have risen in some form of music or incense to sweeten the very halls of heaven.
The Second Algernon Blackwood Megapack: 28 Classic Tales of the Supernatural Page 15
