PENGUIN BOOKS
THE COLLECTED STORIES
William Trevor was born in Mitchelstown, County Cork, in 1928, and spent his childhood in provincial Ireland. He attended a number of Irish schools and later Trinity College, Dublin. He is a member of the Irish Academy of Letters.
Among his books are Two Lives (1991; comprising the novellas Reading Turgenev, shortlisted for the Booker Prize, and My House in Umbria), which was named by The New York Times as one of the ten best books of the year; The Collected Stories (1992), chosen by The New York Times as one of the best books of the year; the bestselling Felicia’s Journey (1994), which won the Whitbread Book of the Year Award and the Sunday Express Prize; After Rain (1996), chosen as one of the Eight Best Books of the Year by the editors of The New York Times Book Review; Death in Summer (1998), which was nominated for the Los Angeles Times Book Prize; and most recently, The Hill Bachelors (2000).
Many of William Trevor’s stories have appeared in The New Yorker and other magazines. He has also written plays for the stage, and for radio and television. In 1977, Trevor was named honorary Commander of the British Empire in recognition of his services to literature. In 1996, he was the recipient of a Lannan Literary Award for Fiction.
William Trevor lives in Devon, England.
THE COLLECTED STORIES
WILLIAM TREVOR
PENGUIN BOOKS
PENGUIN BOOKS
Published by the Penguin Group
Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, U.S.A.
Penguin Books Ltd, 80 Strand, London WC2R 0RL, England
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Penguin Books (N.Z.) Ltd, Cnr Rosedale and Airborne Roads, Albany, Auckland, New Zealand
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Rosebank, Johannesburg 2196, South Africa
Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England
First published in Great Britain by Penguin Books Ltd 1992
First published in the United States of America
by Viking Penguin, a division of Penguin Books USA Inc., 1992
Published in Penguin Books (U.S.A.) 1993
17 19 20 18
Copyright © William Trevor, 1992
All rights reserved
PUBLISHER’S NOTE
These are works of fiction. Names, characters, places, and incidents either are
the product of the author’s imagination or are used fictitiously, and any resemblance
to actual persons, living or dead, events, or locales is entirely coincidental.
Most of the stories in this collection appeared in the following books by Mr. Trevor, all of which were published by Viking Penguin: The Day We Got Drunk on Cake and Other Stories, copyright © William Trevor, 1967; The Ballroom of Romance and Other Stories, copyright © William Trevor, 1972; Angels at the Ritz and Other Stories, copyright © William Trevor, 1975; Lovers of Their Time and Other Stories, copyright © William Trevor, 1978; Beyond the Pale and Other Stories, copyright © William Trevor, 1981; The News from Ireland and Other Stories copyright © William Trevor, 1986; and Family Sins and Other Stories, copyright © William Trevor, 1990.
The Day We Got Drunk on Cake, The Ballroom of Romance, Angels at the Ritz, Lovers of Their Time, and Beyond the Pale were first collected under the title The Stories of William Trevor in Penguin Books, 1983.
Page 1263 constitutes an extension of this copyright page.
(CIP data available)
ISBN 0-670-84129-3 (hc.)
ISBN 0 14 02.3245 1 (pbk.)
Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.
ISBN: 978-0-14-192570-7
Contents
A Meeting in Middle Age
Access to the Children
The General’s Day
Memories of Youghal
The Table
A School Story
The Penthouse Apartment
In at the Birth
The Introspections of J.P. Powers
The Day We Got Drunk on Cake
Miss Smith
The Hotel of the Idle Moon
Nice Day at School
The Original Sins of Edward Tripp
The Forty-seventh Saturday
The Ballroom of Romance
A Happy Family
The Grass Widows
The Mark-2 Wife
An Evening with John Joe Dempsey
Kinkies
Going Home
A Choice of Butchers
O Fat White Woman
Raymond Bamber and Mrs Fitch
The Distant Past
In Isfahan
Angels at the Ritz
The Death of Peggy Meehan
Mrs Silly
A Complicated Nature
Teresa’s Wedding
Office Romances
Mr McNamara
Afternoon Dancing
Last Wishes
Mrs Acland’s Ghosts
Another Christmas
Broken Homes
Matilda’s England
1. The Tennis Court
2. The Summer-house
3. The Drawing-room
Torridge
Death in Jerusalem
Lovers of Their Time
The Raising of Elvira Tremlett
Flights of Fancy
Attracta
A Dream of Butterflies
The Bedroom Eyes of Mrs Vansittart
Downstairs at Fitzgerald’s
Mulvihill’s Memorial
Beyond the Pale
The Blue Dress
The Teddy-bears’ Picnic
The Time of Year
Being Stolen From
Mr Tennyson
Autumn Sunshine
Sunday Drinks
The Paradise Lounge
Mags
The News from Ireland
On the Zattere
The Wedding in the Garden
Lunch in Winter
The Property of Colette Nervi
Running Away
Cocktails at Doney’s
Her Mother’s Daughter
Bodily Secrets
Two More Gallants
The Smoke Trees of San Pietro
Virgins
Music
Events at Drimaghleen
Family Sins
A Trinity
The Third Party
Honeymoon in Tramore
The Printmaker
In Love with Ariadne
A Husband’s Return
Coffee with Oliver
August Saturday
Children of the Headmaster
Kathleen’s Field
Acknowledgements
A Meeting in Middle Age
‘I am Mrs da Tanka,’ said Mrs da Tanka. ‘Are you Mr Mileson?’
The man nodded, and they walked together the length of the platform, seeking a compartment that might offer them a welcome, or failing that, and they knew the more likely, simple privacy. They carried each a small suitcase, Mrs da Tanka’s of white leather or some material manufactured to resemble it, Mr Mileson’s battered and black. They did not speak as
they marched purposefully: they were strangers one to another, and in the noise and the bustle, examining the lighted windows of the carriages, there was little that might constructively be said.
‘A ninety-nine years’ lease,’ Mr Mileson’s father had said, ‘taken out in 1862 by my grandfather, whom of course you never knew. Expiring in your lifetime, I fear. Yet you will by then be in a sound position to accept the misfortune. To renew what has come to an end; to keep the property in the family.’ The property was an expression that glorified. The house was small and useful, one of a row, one of a kind easily found; hut the lease when the time came was not renewable – which released Mr Mileson of a problem. Bachelor, childless, the end of the line, what use was a house to him for a further ninety-nine years?
Mrs da Tanka, sitting opposite him, drew a magazine from an assortment she carried. Then, checking herself, said: ‘We could talk. Or do you prefer to conduct the business in silence?’ She was a woman who filled, but did not overflow from, a fair-sized, elegant, quite expensive tweed suit. Her hair, which was grey, did not appear so; it was tightly held to her head, a reddish-gold colour. Born into another class she would have been a chirpy woman; she guarded against her chirpiness, she disliked the quality in her. There was often laughter in her eyes, and as often as she felt it there she killed it by the severity of her manner.
‘You must not feel embarrassment,’ Mrs da Tanka said. ‘We are beyond the age of giving in to awkwardness in a situation. You surely agree?’
Mr Mileson did not know. He did not know how or what he should feel. Analysing his feelings he could come to no conclusion. He supposed he was excited but it was more difficult than it seemed to track down the emotions. He was unable, therefore, to answer Mrs da Tanka. So he just smiled.
Mrs da Tanka, who had once been Mrs Horace Spire and was not likely to forget it, considered those days. It was a logical thing for her to do, for they were days that had come to an end as these present days were coming to an end. Termination was on her mind: to escape from Mrs da Tanka into Mrs Spire was a way of softening the worry that was with her now, and a way of seeing it in proportion to a lifetime.
‘If that is what you want,’ Horace had said, ‘then by all means have it. Who shall do the dirty work – you or I?’ This was his reply to her request for a divorce. In fact, at the time of speaking, the dirty work as he called it was already done: by both of them.
‘It is a shock for me,’ Horace had continued. ‘I thought we could jangle along for many a day. Are you seriously involved elsewhere?’
In fact she was not, but finding herself involved at all reflected the inadequacy of her married life and revealed a vacuum that once had been love.
‘We are better apart,’ she had said. ‘It is bad to get used to the habit of being together. We must take our chances while we may, while there is still time.’
In the railway carriage she recalled the conversation with vividness, especially that last sentence, most especially the last five words of it. The chance she had taken was da Tanka, eight years ago. ‘My God,’ she said aloud, ‘what a pompous bastard he turned out to be.’
Mr Mileson had a couple of those weekly publications for which there is no accurate term in the language: a touch of a single colour on the front – floppy, half-intellectual things, somewhere between a journal and a magazine. While she had her honest mags. Harper’s. Vogue. Shiny and smart and rather silly. Or so thought Mr Mileson. He had opened them at dentists’ and doctors’, leafed his way through the ridiculous advertisements and aptly titled model girls, unreal girls in unreal poses, devoid it seemed of sex, and half the time of life. So that was the kind of woman she was.
‘Who?’ said Mr Mileson.
‘Oh, who else, good heavens! Da Tanka I mean.’
Eight years of da Tanka’s broad back, so fat it might have been padded beneath the skin. He had often presented it to her.
‘I shall be telling you about da Tanka,’ she said. ‘There are interesting facets to the man; though God knows, he is scarcely interesting in himself.’
It was a worry, in any case, owning a house. Seeing to the roof; noticing the paint cracking on the outside, and thinking about damp in mysterious places. Better off he was, in the room in Swiss Cottage; cosier in winter. They’d pulled down the old house by now, with all the others in the road. Flats were there instead: bulking up to the sky, with a million or so windows. All the gardens were gone, all the gnomes and the Snow White dwarfs, all the winter bulbs and the little paths of crazy paving; the bird-baths and bird-boxes and bird-tables; the miniature sandpits, and the metal edging, ornate, for flower-beds.
‘We must move with the times,’ said Mrs da Tanka, and he realized that he had been speaking to her; or speaking aloud and projecting the remarks in her direction since she was there.
His mother had made the rockery. Aubrietia and sarsaparilla and pinks and Christmas roses. Her brother, his uncle Edward, bearded and queer, brought seaside stones in his motor-car. His father had shrugged his distaste for the project, as indeed for all projects of this nature, seeing the removal of stones from the seashore as being in some way disgraceful, even dishonest. Behind the rockery there were loganberries: thick, coarse, inedible fruit, never fully ripe. But nobody, certainly not Mr Mileson, had had the heart to pull away the bushes.
‘Weeks would pass,’ said Mrs da Tanka, ‘without the exchange of a single significant sentence. We lived in the same house, ate the same meals, drove out in the same car, and all he would ever say was: “It is time the central heating was on.” Or: “These windscreen-wipers aren’t working.’ ”
Mr Mileson didn’t know whether she was talking about Mr da Tanka or Mr Spire. They seemed like the same man to him: shadowy, silent fellows who over the years had shared this woman with the well-tended hands.
‘He will be wearing city clothes,’ her friend had said, ‘grey or nondescript. He is like anyone else except for his hat, which is big and black and eccentric’ An odd thing about him, the hat: like a wild oat almost.
There he had been, by the tobacco kiosk, punctual and expectant; gaunt of face, thin, fiftyish; with the old-fashioned hat and the weekly papers that somehow matched it, but did not match him.
‘Now would you blame me, Mr Mileson? Would you blame me for seeking freedom from such a man?’
The hat lay now on the luggage-rack with his carefully folded overcoat. A lot of his head was bald, whitish and tender like good dripping. His eyes were sad, like those of a retriever puppy she had known in her childhood. Men are often like dogs, she thought; women more akin to cats. The train moved smoothly, with rhythm, through the night. She thought of da Tanka and Horace Spire, wondering where Spire was now. Opposite her, he thought about the ninety-nine-year lease and the two plates, one from last night’s supper, the other from breakfast, that he had left unwashed in the room at Swiss Cottage.
‘This seems your kind of place,’ Mr Mileson said, surveying the hotel from its ornate hall.
‘Gin and lemon, gin and lemon,’ said Mrs da Tanka, matching the words with action: striding to the bar.
Mr Mileson had rum, feeling it a more suitable drink, though he could not think why. ‘My father drank rum with milk in it. An odd concoction.’
‘Frightful, it sounds. Da Tanka is a whisky man. My previous liked stout. Well, well, so here we are.’
Mr Mileson looked at her. ‘Dinner is next on the agenda.’
But Mrs da Tanka was not to be moved. They sat while she drank many measures of the drink; and when they rose to demand dinner they discovered that the restaurant was closed and were ushered to a grill-room.
‘You organized that badly, Mr Mileson.’
‘I organized nothing. I know the rules of these places. I repeated them to you. You gave me no chance to organize.’
‘A chop and an egg or something. Da Tanka at least could have got us soup.’
In 1931 Mr Mileson had committed fornication with the maid in his parents’ house. It was t
he only occasion, and he was glad that adultery was not expected of him with Mrs da Tanka. In it she would be more experienced than he, and he did not relish the implication. The grill-room was lush and vulgar. ‘This seems your kind of place,’ Mr Mileson repeated rudely.
‘At least it is warm. And the lights don’t glare. Why not order some wine?’
Her husband must remain innocent. He was a person of importance, in the public eye. Mr Mileson’s friend had repeated it, the friend who knew Mrs da Tanka’s solicitor. All expenses paid, the friend had said, and a little fee as well. Nowadays Mr Mileson could do with little fees. And though at the time he had rejected the suggestion downright, he had later seen that friend – acquaintance really – in the pub he went to at half past twelve on Sundays, and had agreed to take part in the drama. It wasn’t just the little fee; there was something rather like prestige in the thing; his name as co-respondent – now there was something you’d never have guessed! The hotel bill to find its way to Mrs da Tanka’s husband, who would pass it to his solicitor. Breakfast in bed, and remember the face of the maid who brought it. Pass the time of day with her, and make sure she remembered yours. Oh very nice, the man in the pub said, very nice Mrs da Tanka was – or so he was led to believe. He batted his eyes at Mr Mileson; but Mr Mileson said it didn’t matter, surely, about Mrs da Tanka’s niceness. He knew his duties: there was nothing personal about them. He’d do it himself, the man in the pub explained, only he’d never be able to keep his hands off an attractive middle-aged woman. That was the trouble about finding someone for the job.
‘I’ve had a hard life,’ Mrs da Tanka confided. ‘Tonight I need your sympathy, Mr Mileson. Tell me I have your sympathy.’ Her face and neck had reddened: chirpiness was breaking through.
In the house, in a cupboard beneath the stairs, he had kept his gardening boots. Big, heavy army boots, once his father’s. He had worn them at weekends, poking about in the garden.
‘The lease came to an end two years ago,’ he told Mrs da Tanka. ‘There I was with all that stuff, all my gardening tools, and the furniture and bric-à-brac of three generations to dispose of. I can tell you it wasn’t easy to know what to throw away.’
The Collected Stories Page 1
