The 7th Victim
( Karen Vail - 1 )
Alan Jacobson
The Dead Eyes Killer lurks in the backyard of the famed FBI Profiling Unit. His brutal murders confound the local task force, despite the gifted profiling skills of Special Agent Karen Vail. But along with Vail’s insight and expertise comes considerable personal and professional baggage.
On leave pending a review of her assault on her abusive ex-husband, Vail must battle forces determined to bring her down, as she fights to find Dead Eyes before he murders more young women. But the seventh victim is the key to all that stirs this killer...the key that will unlock secrets perhaps too painful for Vail to bear. These are secrets that threaten to destroy her, secrets that will bring down her storied career. For Karen Vail, the truth rests at the heart of a lie. And uncovering it could get her killed...
With material meticulously researched during seven years of study with the Bureau’s vaunted profiling unit, Alan Jacobson brings refreshing realism and unprecedented accuracy to his pages.
The 7th Victim is a page-turner as only Alan Jacobson can write, with a stunning twist of an ending that will satisfy even the most discerning thriller reader.
ALSO BY ALAN JACOBSON
False Accusations
The Hunted
For my grandmother, Lily Silverman, ninety-seven at this writing and still climbing the five flights of stairs to her apartment . . . still refusing to take the elevator. Lily is an inspiration to everyone who’s ever met her, a woman who at ninety stood in front of a New York City bus and refused to move until the driver opened the door to let her in. Spunk. Wisdom. And a heart of platinum (apparently, literally). For now, we continue to celebrate your life. But when your time passes, you’ll be immortalized by those who knew you and were touched by your soul.
I love you the whole universe.
“He who fights with monsters might take care lest he thereby become a monster. And if you gaze for long into an abyss, the abyss gazes also into you.”
—Friedrich Nietzsche, Beyond Good and Evil
“A profiler puts himself into the mind of the killer to see things as the killer saw them, to understand why he immersed his entire emotional and physical being into the fetid stench of human depravity. When a profiler explores the minutia of pain and death, he’s wading knee deep in the blood and guts, and there’s only so much he can take before it begins to affect him.”
—Mark Safarik, FBI profiler and Supervisory Special Agent (Ret.)
“To know the artist, study his art.”
—John Douglas, The Anatomy of Motive
prologue
SIX YEARS AGO
QUEENS, NEW YORK
“Dispatch, this is Agent Vail. I’m in position, thirty feet from the bank’s entrance. I’ve got a visual on three well-armed men dressed in black clothing, wearing masks. ETA on backup? I’m solo here. Over.”
“Copy. Stand by.”
Stand by. Easy for you to say. My ass is flapping in the breeze outside a bank with a group of heavily armed mercenaries inside, and you tell me to stand by. Sure, I’ll just sit here and wait.
FBI Special Agent Karen Vail was crouched behind her open car door, her Glock-23 forty-caliber sidearm steadied against the window frame. No match for what looked like MAC-10s the bank robbers were toting, but what can you do? Sometimes you’re just fucked.
Radio crackle. “Agent Vail, are you there? Over.”
No, I left on vacation. Leave a message. “Still here. No movement inside, far as I can tell. View’s partially blocked by a large window sign. Bank’s offering free checking, by the way.”
Vail hadn’t been involved in an armed response since leaving the NYPD five years ago. Back then she welcomed the calls, the adrenaline rush as she raced through the streets of Manhattan to track down the scumbags who were doing their best to add some spice to an otherwise bland shift. But after the birth of her son Jonathan, Vail decided the life of a cop carried too much risk. She eventually made it to the Bureau—a career advancement that had the primary benefit of keeping her keester out of the line of fire.
Until today.
“Local SWAT is en route,” the voice droned over the two-way. “ETA six minutes.”
“A lot of shit can happen in six minutes.” Did I say that out loud?
“Repeat, Agent Vail?”
“I said, ‘A lot of sittin’ for the next six minutes.’” The last thing she needed was to have her radio transmission played back in front of everyone; she’d be ridiculed for weeks.
“Unit Five approaching, Queens Boulevard and Forty-eighth.” Mike Hartman’s voice sounded unusually confident over the radio. Vail was surprised Mike and his new partner were responding to this call. She’d worked with Mike for six months and found him decent enough, but a marginal agent in terms of execution. At the moment, she’d take marginal execution . . . the more firepower the good guys had, the more likely the gunmen inside the bank would be intimidated, and the greater the odds of resolving this in the Bureau’s favor. Translation: she’d come out of this in one piece and the slimeballs would be wearing silver bracelets . . . tightened that one extra notch—just enough to make them wince when she ratcheted them down around their wrist bones, for all the trouble they caused her.
Dispatch replied: “Roger, Unit Five.”
Mike’s unit was a block away and would be here in seconds.
With her eyes focused on the bank’s windows, she heard Mike Hartman’s Bureau car screech to a stop to her left, about thirty feet from the front door. But as her head swung toward the BuCar to make eye contact with Mike, she heard the clank of metal on metal and she pivoted back toward the bank—
—where she saw the three armed men in black sweats blowing through the front door, large submachine guns tucked beneath their arms, and damned if she didn’t think she’d called it right, they were carrying MAC10s. But in the next split second, as she ducked down and as glass shattered and rained all over her back, she saw, out of the corner of her eye, Mike Hartman lying on the ground, face up, his right arm tracing the pavement as if searching for something. A glimpse of his face showed raw pain and she knew instantly that he’d not lost anything but rather gained something—a few rounds of lead in his body. Still, Mike fared better than his partner, whose head hung limp, slumped back over the seat.
The bank robbers, machine guns and all, were arrayed in a triangle but not going anywhere, strategically positioned behind a mailbox and a row of metal newspaper dispensers, a pretty damn good bit of cover and a huge stroke of luck for them. But they’d just killed a cop—why weren’t they getting the hell out of Dodge?
Lying on the ground, with a bird’s-eye view of the pavement and Mike’s writhing body, Vail spied the cockeyed tires and sky blue rims of another vehicle, to the left of Mike’s BuCar. A local NYPD cruiser responding to the call. And where the hell was SWAT? Oh, yeah, six lonnnng minutes away. What did that make it, another four before they showed up? I told them a lot of shit can happen in six minutes.
Rounds continued popping all around her. Vail tried to stand—probably not the smartest thing to do while projectiles were zipping through the air at 950 feet per second, but she needed to do something.
As she rose, a couple of thumps struck her in the left thigh. The deep burn of a gunshot wound was instantly upon her, and a wide bloody circle spread through the nylon fibers of the stretch fabric of her tan pants. She didn’t have time for pain, not now. She grabbed the back of her leg and felt two tears in the fabric, indicating the rounds had gone right through. Assuming they didn’t hit a major artery, she’d be okay for a bit. But shit, right time or not, it sure hurt like hell.
She slithered to her left to gain a better view of w
hat was happening in front of the bank—just as two of the slimebags dropped to the pavement . . . hit by the cops’ fire, no doubt. But the remaining asshole kept blowing rounds from his submachine gun, holding it like fucking Rambo, shooting from his waist and leaning back, hot brass jackets leaping from the weapon like they were angry at being expelled for something as mundane as murder.
The final cop went down—she could see him fall from her ground-level vantage point—and the perp stopped firing. The silence was numbing in its suddenness.
Vail watched as the man bent over and lifted the large canvas bag from his dead comrade’s hand and turned to hightail it down the street.
Well, this wasn’t good. Mike and his partner down, a couple cops dead, and the shithead was about to make it away with the cash. Not on my watch.
Vail rolled left, got prone against the ground and brought her Glock to the front of her body. This would be an insane shot—below the cars and above the curb—but what did she have to lose? With all the shooting, there were no innocents around. She squeezed off several rounds, the weapon bucking violently in her weak grip. And gosh darn it, if the fucker didn’t stumble, then limp—he was hit. Vail grabbed the edge of Mike’s car door and pulled herself up as best she could, her thigh burning like a red-hot poker, her muscles quivering as she groaned and pushed with her right leg to get herself upright.
Hanging onto the sideview mirror with her left hand, she took aim at the limping gunman and screamed, “Federal Agent. Freeze!”
Did that ever work? Nah. Usually not. But this guy wasn’t too smart, because he turned toward her, his submachine gun still in his grasp, and that was all she needed.
Vail fired again and took him out cold, flattened him against the pavement. And then let go of her hold on the mirror and joined him in a heap on the asphalt as she heard the uneven scream of sirens approaching.
She craned her neck back a smidgen and caught Mike Hartman’s pale gaze. He managed a slight smile before his eyes wavered closed.
The next morning, after her release from the hospital, she put in for a transfer.
one
PRESENT DAY
FAIRFAX COUNTY, VIRGINIA
Wisps of vapor hung in the frigid night air like frightened ghosts. He shooed away the apparitions, then checked his watch as he huffed down the dark residential street. He’d chosen this house, this victim, for a reason.
Within a few hours, pale-faced neighbors would be staring into news cameras, microphones shoved in their faces for commentary and insight. Tell us about her. Stir our emotions, make us cry. Make our hearts bleed. Make our hearts bleed just like the victim bled.
His right hand was toasty warm, curled around the leather FBI credentials case inside his coat pocket. But his suit pants were too thin to fight off the biting cold that nipped at his legs. He shivered and quickened his pace. In a moment, he’d be indoors, comfortably at home with his work.
At home with his victim. Flowing brunet hair and clear skin. Long legs and a turned up cute-as-a-button nose. But buried beneath the allure, the evil was there—he’d seen it in her eyes. The eyes were always the key.
Strong fingers palpated his fake moustache to ensure it was properly placed. He repositioned the small pipe holstered to the inside of his coat, then placed the loose-leaf binder beneath his left arm before stepping up to the front door. He’d been here a number of times over the past few days, inspecting the area. Watching the comings and goings of the neighbors. Measuring the arcs thrown by the streetlights. Gauging the visibility of the front door to passersby. Now it was a matter of flawless execution. Execution! Indeed.
He pressed the doorbell and brightened his face for the peephole. Rule number one: look pleasant and nonthreatening. Just a friendly FBI agent out to ask a few questions to keep the neighborhood safe.
An eye swallowed the small lens. “Who is it?”
Sweet voice. How deceiving these women-slut-whores can be.
“FBI, ma’am. Agent Cox.” He had to keep himself from smiling at the irony of the name he’d chosen. Like everything he did, there was a reason. Everything for a reason and a reason for everything.
He unfurled the credentials case the way agents are taught to do, then leaned back a bit, helping her take in the whole package. A clean-cut FBI agent in a wool overcoat and suit. How easy could it be?
A second’s hesitation, then the door opened. The woman wore an oversize sweatshirt and a pair of threadbare jeans. She held a spatula in her right hand, a dishrag in the left. Cooking a late dinner. Her last supper, he cackled silently.
“Ms. Hoffman, we’ve had some reports of a rapist in your area. His attacks are escalating. We were wondering if you could help us.”
“A rapist?” pretty little Melanie Hoffman asked. “I haven’t heard anything about it.”
“We haven’t released it to the press, ma’am. We work differently than the police. We believe it’s best to keep it quiet, so we don’t tip him off that we’re on to him.” He shifted his feet and blew on his right hand as he hugged the binder close to his chest with his left. It’s cold, he was telling her. Invite me inside.
“How can I help?”
“I have a book of mug shots here. All I need you to do is look over the photos and let me know if you’ve seen any of these people in the neighborhood the past two months. Shouldn’t take more than a few minutes.”
Her eyes bounced from the binder to his face, on which she seemed to linger for just a bit longer than he would have liked. He decided to press ahead. He had a knack for creating a window of opportunity, and the window was now open. He had to move, and move fast.
“Ma’am, I don’t mean to be impolite, but I’ve still got a number of other houses to visit tonight, and it’s getting kind of late.” He shrugged a shoulder. “And the longer it takes to find this guy, the more women he’s going to attack.”
Melanie Hoffman lowered her spatula and stepped aside. “Of course. I’m sorry. Please, come in.”
HE SNAPPED HIS SHEARS CLOSED and lopped off a lock of brunet hair. He leaned back, admired his work, then grabbed Melanie Hoffman’s limp head by her remaining hair and clipped off another handful. Then another. And another.
Snip. Snip. Snip.
The sweet scent of blood was everywhere. He sucked it in and shivered. It was an intense feeling, a sudden euphoric rush.
When he finished with her hair, he moved on to her fingernails. Down to the quick, and beyond. Blood oozed a bit, and he licked it, like a lover slowly lapping off the chocolate from his companion’s fingers. He repositioned Melanie’s hand, got it just the way he wanted it, then brought the shears up again.
Clip. Clip. Clip.
Blood oozed again, and he drank some more.
An hour must’ve passed, the need to make things right driving him to perfection. He’d always been like that, for as long as he could remember. Besides, he was in no rush to go back out to the cold. He snatched a sesame seed bun from Melanie Hoffman’s kitchen counter and slapped on some cream cheese, peanut butter, and ketchup from her fridge. He squirted on a generous helping—the symbolic affection for the red stuff wasn’t lost on him—and he took a large bite, careful not to leave any crumbs, saliva, or other identifiable markings behind.
A soft, tan leather couch that still smelled new sat in the living room. He sunk down into it and flipped on the television, surfed the channels for a bit and found wrestling. Such senseless violence. How could they allow this junk on TV?
He left the tube on and sauntered through the rest of the house, munching on the sandwich and admiring the pictures hanging on the wall. He liked Melanie’s taste in artwork. It had a looseness to it, abstract yet somehow structured. Organized, but with a randomness inherent in creative expression. He stood in front of one of the paintings and noticed her signature in the corner. She had created these herself. He clucked his tongue against his palate. Tsk, tsk, tsk. Too bad. He wondered what other works of beauty she might have created had she not been
so damned evil.
He stood in the bedroom doorway admiring his work. He finished off the sandwich, then crossed his arms and tilted his head from side to side, finding the right perspective, sizing up the room. Taking in the whole view. Yes, it was a masterpiece. As good as anything Melanie had painted. The most complex work he’d ever created.
He moved to Melanie’s side and looked down at her eyes, frozen open, staring at the ceiling. No, at him. They were looking at him.
The evil had to be purged. Had to be. Had to.
He lifted the serrated knife and felt its weight—its power—in his hand. Melanie Hoffman had paid dearly, for sure. Just payback for an unjust crime.
It was, it was, it was.
Like a master painter inscribing his name at the bottom of a canvas, he brought back the knife and drove it through Melanie Hoffman’s left eye socket.
She must not see.
She must not.
She must.
two
What is it with me and banks?
Supervisory Special Agent Karen Vail’s weapon was aimed at the loser, who just stood there, his .38 Special pointing right at her. Sweat pimpled his greasy forehead, matting dirty black hair to his skin. His hands were shaking, his eyes were bugged out like golf balls, and his breathing was rapid.
“Don’t move or I’ll blow your goddamn head off!” Vail yelled it a bit louder than she’d intended, but the adrenaline was pumping. She wanted the message to get through the perp’s thick skull that she meant business. The frightened patrons of Virginia Commonwealth Savings Bank got the message. Those who were still standing hit the ground with a thud.
“Drop the fucking gun,” the man screamed back. “Drop it now!”
Vail smirked. That’s exactly what I was going to say to him. As he shuffled his feet and held the hostage in the crook of his left arm, Vail flashed on Alvin, a skel she’d busted sixteen years ago while a member of the NYPD. It wasn’t Alvin—he was doing time at Riker’s Island—but, nonetheless, she thought he could be the guy’s twin.
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