by Various
“Right.” You have got to be kidding, I think, clinging to the grab bar for dear life as Greg shoves the Landy into gear and we bounce across ruts and into the road. “Do you have any idea of the layout of Edgebaston Farm? Because I don’t!”
“It’s jolly simple, Mr. Howard sir.” (Oh great, now he’s reverting to grizzled-veteran-sergeant-briefing-the-young-lieutenant mode.) “Edgebaston Farm covers two hundred acres on a hillside overlooking Howling, but the farm itself—the stables and outhouses—are in the shape of an octangle surrounding the farmhouse, which is a long triangle two stories high. The left point of the triangle, the kitchen, intersects the cowsheds which lie parallel to the barn, which is your target. They’re all built from rough-hewn stone and thatched: no new-fangled solar panels here. It started out as a shed where Edward the Sixth housed his swineherds…”
“Yes, Greg, but what do I do if there’s a fucking unicorn in the barn?”
“You run away very quickly, Bob. Or you die.” He glances at me pityingly in the rearview mirror. (The Landy is sufficiently spartan that the reflector is an after-market bolt-on, with that imported American warning: objects in mirror are closer than they appear.) “Isn’t that part of your job description? Screaming and running away?”
I am extremely dubious about my ability to outrun an equoid. “Uh-huh. The only kind of running I generally do is batch jobs on a mainframe.” I clutch my briefcase protectively. “What we really need is a pretext to see what they’re keeping in the stables, one that won’t get us killed if you’re right about what’s lurking in the background.” I pause for a moment. “They’re a livery stable, aren’t they? Do they do riding lessons?”
Greg nearly drives off the road. “Of course they do!” His beard emits an erratic hissing noise like a pressure cooker that’s gearing up for a stove-top meltdown. After a moment I recognize it as something not unlike laughter. Eventually the snickering stops. “And if they’re harboring equoids they won’t be able to offer you a horse. But won’t that take too long?”
“It had better not.” I take a deep breath. “Okay, Greg. Here’s our story: you’re checking the dogs, and I’m your nephew from London. I’m working in Hastings for a month and while I’m there I want to learn to ride…”
* * *
How to describe the smell, the foulness, the louring portents of ominous doom that sent shivers of fear crawling up & down my spine? At the remove of a third of a century, that scene still retains the power to strike terror into my craven heart. I am no adventurer or chevalier; I am an aesthete & man of letters, ill-suited to the execution of such deeds. And though at fourteen I was in the flush of youth, and fancied myself as prepared for deeds of manly heroism as any other lad, I yet held a shadowy apprehension of that future self whom I was fated to become. I, Howard Phillips Lovecraft Esq., a man of contemplative & refined sensibilities born into a decadent latter age of feral brutes menaced by the unspeakable stormclouds of Bolshevism & Jew-Fascist Negro Barbarism sweeping the old countries of Europe, fear that I am nothing more than a commentator, doomed to write the epitaph to Western civilization that will, engraved upon its stony headstone, inform the scholars of a future age—should any eventually emerge from the imminent darkness—of the cause of its fate.
People like my Hetty. People who with the best will in the world would take in & nurture at their rosy breasts the suckling horror that in my fictions I have named Shub-Niggurath, the spawning goat of a thousand young, a shuddering pile of protoplasmic horror that mindlessly copulates with itself and, spurting, squirting, licking its own engorged & swollen membrum & vulvae, inseminates with sucker-adorned tentacles (each cup enfolding the horror of a barbed, venomous hook with which to tear the flesh to which it adhered) the inflamed orifices & lubricious, pulsing cysts from which the abnormal spawn gushes in ropy streams of hideous liquor—
Ia! How to describe the foul smell, the vile purulent exudate of eldritch emulsion bearing gelatinous bubbles of toadspawn from its body, did toadspawn only contain minuscule conical snail-bodies & horse-like bodies—not sea-horses yet, for no sea-horse has legs, but bodies of the size of sea-horses—Ia! The language of the English lacks a sufficiency of obscenity to encompass the monstrous presence of Hetty’s “mummy-horse.” It looked at me with liquid brown eyes as deep as any mare’s, long-lashed & contemplative: some of them embedded within it, others extruded atop stalks like those of a vile unclean slug. It had mouths, too, and other organs, some of them equine, others bizarrely, inappropriately human. I am reduced to the muttered imprecations of the subhuman & deranged; unmanned & maddened by the apprehension of the limits of sanity imposed by witnessing the ghastly immanence of an Elder Thing come to spawn in a family stable in Providence.
Imagine, if you will, a huge pile of gelatinous protoplasm ten feet in diameter & six feet high! It bears the charnel stink of the abattoir about it, a miasma composed of the concentrated fear & faecal vileness of every animal it has consumed to reach its present size. Their bones & skulls lie all around, & it is evident from a swift perusal of the scene that though it started on its equine stable-mates, the “mummy-horse,” gracile & pallid, with the calcified body of a spiral coned snail fused to the bone between its eyes, has absorbed its own legs, & head, & indeed every portion of its anatomy not dedicated to its adult functions of eating & spawning. There are human bones scattered around the festering midden in which it nests, for its virginal bellwether has with girlish laughter & coy blandishments tempted first the human members of the household & then every adult she can reach to enter the den of the monster. It is the way of this horror that when she finally ceases to provide it with a banquet of men & women, boys, girls, & babies, it will take her for its final repast, & subsequently it too will succumb, for its cannibal kind feed their spawn not with milk but with their own suppurating, foul flesh.
I know not from which hadean pit of horrors the spawn of the unicorn hail, but through subsequent years of research I have learned this much: that the cone-snails are the male offspring & the “horses” are female, and they tear & bite & eat anything that approaches them except a member of the distaff sex. They mate not by insemination but by fusion, the male adhering to the forehead of the female. Their circulatory systems fuse & the male is presently absorbed, leaving behind a spiral-fluted horn containing only the reproductive gonads, which presently discharge via the shared venous circulation. Once mated, the tiny “unicorns” tear into the maternal corpus, bloating their stomachs & growing rapidly; they squabble over the remains & spear one another & cannibalize their weaker siblings, until in the end the survivors—barely two or three in each litter of thousands—leave their charnel nursery behind & set out in search of a new virgin hostess who will take them in & groom & feed them. And so the wheel of death rolls ever on …
* * *
There is cold comfort to be drawn from the sure and certain knowledge that the correct way to deal with the problem you’re facing in your job involves napalm, if you find yourself confronting a dragon and you aren’t even carrying a cigarette lighter.
(Thumps self upside the head: Dammit, HPL’s style is infectious! Let me try again …)
With Greg driving me—if not mad, then at least in the direction of a neck brace—I barely notice either the time or the road layout as we hurtle towards Edgebaston Farm. We arrive all too soon at a desolate drystone wall overlooking a blasted heath, judder across a cattle grid set between the whitewashed gate posts, and embark on a hair-raising hillside descent along a poorly-maintained driveway that ends in a yard surrounded by mostly-windowless outbuildings that look like the mediaeval predecessors of World War II bunkers. It is not remotely like any of my preconceptions of what livery stables should look like—but then, what do I know?
Greg pulls up sharply and parks between a Subaru Forester covered in mud to the door sills and a white BMW. I do a double-take when I spot the concealed light-bar of an unmarked Police car on the BMW’s rear parcel shelf. I remember what Greg said about
the Edgebastons supplying the local cops with horses for their mounted police. Back home in London they’re more interested in flying squirrels—Twin Squirrel helicopters, that is—but I guess here in Ruralshire they still believe in a cavalry charge with drawn batons and added eau de pepper spray. Or maybe the Chief Constable rides with the local Hunt. Either way, though, it’s a warning to me to be careful what I say. In theory my warrant card is supposed to compel and command the full cooperation of any of HMG’s servants. In practice, however, it’s best to beware of local entanglements …
Greg marches up to the farmhouse door and is about to whack it with the knurled knob-end of his ash walking stick when it opens abruptly. The matronly lady holding the door handle stares at him, then suddenly smiles. “Greg!” she cries, not noticing me. I take stock: she’s fortyish, about one-sixty high and perhaps seventy kilos, and wears jeans tucked into green wellies with a check shirt and a quilted body-warmer, as if she’s just stepped in from the stables. Curly black hair, piercing blue eyes, and the kind of vaguely familiar facial bone structure that makes me wonder how many generations back it diverged from the royal family. “How remarkable! We were just talking about you. Who’s this, are you taking on work-experience trainees?”
I emulate lockjaw in her general direction, it being less likely to give offense than my instinctive first response.
“Georgina,” says Greg, “allow me to introduce my colleague—”
“Bob,” I interrupt. Georgina darts forward, grabs my hand, and pumps it up and down while peering at my face as if she’s wondering why water isn’t gushing from my mouth. “From London.” It’s best to keep introductions like this as vague as possible.
“Bob,” she echoes. To Greg: “Won’t you come in? Inspector Dudley is here. We were discussing retirement planning for the mounted unit’s horses.”
“Jack Dudley’s here, is he?” Greg mutters under his breath. “Capital! Come on, young feller me lad.” And with that, he follows Georgina Edgebaston as she retreats into the cavernous farm kitchen. “And how is your mother, Georgie?” Greg booms.
“Oh, much the same—”
“—And where’s young Lady Octavia?” Greg adds.
“Oh, she’s back at school this week. Jolly hockey sticks and algebra, that kind of thing. Won’t be back until half-term.” The lady of the manse calls across the kitchen: “Inspector! We have visitors, I hope you don’t mind?”
“Oh, not at all.” A big guy with the build and nose of a sometime rugby player rises from the far end of the table, where he’s been nursing a chipped mug. He’s not in uniform, but there’s something odd about his clothing that takes me a moment to recognize: boots and tight trousers with oddly placed seams, that’s what it is. He’s kitted out for riding, minus the hard hat. He nods at Greg, then scans me with the professional eyeball of one who spent years carrying a notepad. “Who’s this?”
“Bob Howard.” I smile vacuously and try not to show any sign of recognizing what he is. There’s another guy at the far end of the kitchen, bent over a pile of dishes beside the sink. I get an indistinct impression of long, lank hair, a beard, and a miasma of depression hanging over him. “Greg’s showing me around today. It’s all a bit different, I must say!”
“Bob’s a city boy,” Greg explains, as if apologizing in advance for my cognitive impairment. “He’s working in town for a month, so I thought I’d show him round. He’s my sister’s eldest. Does something funny with computers.”
That’s getting uncomfortably close to the truth, so I decide to embellish the cake before Greg puts his foot in it: “I’m in web design,” I say artlessly. “Is that your car outside?” I ask Dudley.
The inspector eyeballs me again. “Company wheels,” he says. To Georgina, he adds, “Well, I really should be going. Meanwhile, if you can think of anyone who has room to take in our retirees I’d be very grateful. It’s a problem nobody mentioned in the original scope briefing—”
“A problem?” Greg asks brightly.
“Jack’s looking for a new retirement farm for the Section’s old mounts,” Georgina explains. “We used to take them in here, but that’s no longer possible.”
“Old mounts?” I ask.
My obvious puzzlement gives them a clear target for a patronizing display of insider knowledge. “Police horses don’t come cheap,” Greg explains. “You can’t put any old nag up against a bunch of rioters.” (The inspector nods approvingly, as if Bexhill-upon-Sea might at any time to supply a riot whose average age is a day under seventy! Horses v. wheelchairs …) “They have to use larger breeds, and they have special training. And they don’t stay in service forever—in at six, retired by sixteen. But that’s relatively young to retire a horse, so the number of stables who can handle an ex-police mount is relatively small.”
“We used to take them in until suitable new owners could be found,” Georgina explains, “but that’s out of the question now—we’re at full occupancy. So I was just explaining to the inspector that while I can help him find a fallback, I can’t take Rose and Oak when they reach retirement next month.” She smiles politely. “Would you care for a cup of tea?”
“Don’t mind if I do!” Greg chortles. I nod vigorously, and refrain from paying obvious attention as the inspector makes his apologies and slithers out of the kitchen. I’m a good boy; I pretend I don’t even notice him eyeballing the back of my neck thoughtfully from the doorway. Ten to one he’ll be asking questions about me over Airwave before he gets back to the local nick. Let him: he won’t learn anything.
“So why can’t you take the police horses?” I ask as disingenuously as possible, while Georgina fusses over kettle and teapot. “Are you full or something?”
Greg spots my line of enquiry and provides distracting cover: “Yes, Georgina, what’s changed?” he asks.
She sighs noisily. “We’re out of room,” she says. “Leastwise until we can empty the old woodshed out and get it ready to take livestock instead.” She turns to the guy at the sink: “Adam, would you mind taking your clettering outside, there’s a good lad? Mr. Scullery and I need a word in private.”
Mr. Miasma rises and, wordlessly but with misshapen stick in hand, heads for the door. “I came to check the hounds’ vaccination log book was up to date,” Greg begins, “but if there’s something else you’d like me to take a look at—”
“Well, actually there is,” says Georgina. “it’s about the stables.” She’s wringing her hands unconsciously, which immediately attracts my attention. “And those damned land snails! They’re getting everywhere and I really can’t be doing with them. Ghastly things! But it’s mostly the new police mares. Jack convinced me to take them in for early training and breaking to saddle, but they’ve been an utter headache so far. “
“New mares,” echoes Greg. I’m all agog, but as long as Greg is doing the digging I see no reason to interrupt. “What new mares would these be?”
Georgina sighs noisily again as she picks up the kettle and fills the teapot. “Sussex Police Authority’s Mounted Police Unit, operating out of the stables in St. Leonards, is in the throes of phasing out all their medium-weight mounts and replacing them with what they call Enhanced-Mobility Operational Capability Upgrade Mounts, or EMOCUM—god-awful genetically engineered monstrosities, if you ask me, but what do I know about how the police work out their operational requirements?” She puts the kettle down, then dips a spoon in the teapot and gives it a vigorous stir. “So it’s goodbye to Ash and Blossom and Buttercup, and hello to EMOCUM Units One and Two, and if it looks like a horse and acts like a horse—most of the time—then it’s a horse, so it needs stabling and currying and worming and training, stands to reason; but if you’ll pardon my French, this is bullshit. Unit Two tried to eat Arsenic, so I have to move him out of the stable—”
“What? When was that? Why didn’t you call me?” demands Greg. His beard is quivering with indignation.
Georgina rolls her eyes, then opens a cabinet and hauls out a double
handful of chipped ceramic mugs. “You were attending to a breech delivery, one of old Godmanchester’s Frisians as I recall. Melissa sent Babs instead and she patched him up—”
“Why would you leave arsenic lying around in a stable?” I ask, finally unable to contain myself. “Isn’t that a bit risky?”
Two heads swivel as one to regard the alien interloper. “Arsenic is Octavia’s horse,” Georgina explains, her voice slow and patient. “A seventeen-year-old bay gelding. He used to belong to Jack’s mounted unit but they put him out to pasture two years ago. Sixteen-and-a-half hands, police-trained, perfect for an ambitious thirteen-year-old.”
I’m blinking at this point. I recognize “police”, but the rest of the words might as well be rocket science or motorbike internals for all I can tell. All I can work out is the context. “So he’s a horse, and he was attacked by one of these EMOCUM things?” I ask. “Was that serious?”
“It tried to eat him!” Georgina snaps. I recoil involuntarily. “It has canines! You can’t tell me that’s natural! It’s messing with the natural order of things, that’s what it is. Amos was right.” She gives the tea another violent stir, then sloshes a stream of orange-brown liquor into the mugs—one of those breakfast blends with more caffeine than espresso and a worrying tendency to corrode stainless steel—and shoves them at Greg and myself. (Americans think we Brits drink tea because we’re polite and genteel or something, whereas we really drink it because it’s a stimulant and it’s hot enough to sterilize cholera bacteria.) I accept the mug with some trepidation, but it doesn’t smell of sheep-dip and my protective ward doesn’t sting me, so it’s probably not a lethal dose. “Babs stitched him up, but we can’t get him to go anywhere near the stable now—he panics and tries to bolt.”
“Where are you keeping him for the time being?” Greg asks, with the kindly but direct tone of a magistrate enquiring after the fate of a mugger’s victim.
